I. Introduction Modern-Day Counterparts for Silly Crimes
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The Secular Music of the Yemenite Jews As an Expression of Cultural Demarcation Between the Sexes
JASO 27/2 (1996): 113-135 THE SECULAR MUSIC OF THE YEMENITE JEWS AS AN EXPRESSION OF CULTURAL DEMARCATION BETWEEN THE SEXES MARILYN HERMAN JEWISH men and women in Yemen are portrayed in the sociological and anthropo logical literature as having lived in separate conceptual and spatial worlds. As a result, two very separate bodies of song existed, one pertaining to men and the other to women. In this paper, I show how the culturally defined demarcation be tween the sexes is reflected and epitomized in the music of the Jews who lived in Yemen. i The key to this separation lies in the fact that women were banned from the synagogue altogether. This exclusion is not prescribed by Jewish law, and there is no precedent for it in the Bible or other Jewish literature or communities. The reason given for women being banned from the synagogue in Yemen was the fear that they might be menstruating. The condition of menstruation is, in Jewish law, This paper is based on my MA thesis (Herman 1985), which was written under the supervision and with the moral and academic support of Dr P. T. W. Baxter of Manchester University. My brother Geoffrey Herman willingly and painstakingly translated Hebrew articles into English for my benefit while I was writing this thesis. I. The period mainly referred to is the fifty years or so preceding 'Operation Magic Carpet', a series of airlifts between 1949 and 1950 in which the majority of Yemenite Jews were taken to Israel. 114 Marilyn Herman seen as ritually impure. -
Aliyah and Settlement Process?
Jewish Women in Pre-State Israel HBI SERIES ON JEWISH WOMEN Shulamit Reinharz, General Editor Joyce Antler, Associate Editor Sylvia Barack Fishman, Associate Editor The HBI Series on Jewish Women, created by the Hadassah-Brandeis Institute, pub- lishes a wide range of books by and about Jewish women in diverse contexts and time periods. Of interest to scholars and the educated public, the HBI Series on Jewish Women fills major gaps in Jewish Studies and in Women and Gender Studies as well as their intersection. For the complete list of books that are available in this series, please see www.upne.com and www.upne.com/series/BSJW.html. Ruth Kark, Margalit Shilo, and Galit Hasan-Rokem, editors, Jewish Women in Pre-State Israel: Life History, Politics, and Culture Tova Hartman, Feminism Encounters Traditional Judaism: Resistance and Accommodation Anne Lapidus Lerner, Eternally Eve: Images of Eve in the Hebrew Bible, Midrash, and Modern Jewish Poetry Margalit Shilo, Princess or Prisoner? Jewish Women in Jerusalem, 1840–1914 Marcia Falk, translator, The Song of Songs: Love Lyrics from the Bible Sylvia Barack Fishman, Double or Nothing? Jewish Families and Mixed Marriage Avraham Grossman, Pious and Rebellious: Jewish Women in Medieval Europe Iris Parush, Reading Jewish Women: Marginality and Modernization in Nineteenth-Century Eastern European Jewish Society Shulamit Reinharz and Mark A. Raider, editors, American Jewish Women and the Zionist Enterprise Tamar Ross, Expanding the Palace of Torah: Orthodoxy and Feminism Farideh Goldin, Wedding Song: Memoirs of an Iranian Jewish Woman Elizabeth Wyner Mark, editor, The Covenant of Circumcision: New Perspectives on an Ancient Jewish Rite Rochelle L. -
1 Jewish American Women's Writing: Dislodging Preconceptions By
Jewish American Women’s Writing: Dislodging Preconceptions by Challenging Expectations Judith Lewin Josh Lambert describes “a little experiment” that he does with his Jewish literature classes: “I ask them to take out a piece of paper and a pen or pencil…. I say, ‘Draw a Jew.’…. One of my favorite questions to ask first is this: ‘How many of you drew a woman?’ (Usually, it’s at most one or two…)” (paras.1-3). Since Lambert notes that “usually, it’s at most one or two,” the students’ inability to imagine a woman inhabiting the category “Jew” is worth dwelling upon.1 Why is it Jewish American women are invisible, inaudible, and insufficiently read? This essay proposes a curriculum that engages students to think broadly and fluidly about Jewish American women authors and the issues and themes in their fiction. Previous pedagogical essays on Jewish American women’s writing include two in sociology/women’s studies on identities (see Friedman and Rosenberg; Sigalow), Sheila Jelen’s in Shofar on Hebrew and Yiddish texts, and a special issue in MELUS 37:2 (Summer 2012) that include women’s literature but without gender as a focus. The aim of this essay, by contrast, is to introduce teachers of American literature to an array of texts written by American Jewish women that will engage critical reading, thinking and writing by contemporary college undergraduates. Two questions must be dealt with right away. First, how does one justify treating Jewish American women’s literature in isolation? Second, how does one challenge the expectations of what such a course entails? As Lambert demonstrated from his informal survey, Jewish women writers are doubly invisible, to Jewish literature as women and to 1 women’s literature as Jews. -
Finding Aid (English)
Records of the Jewish Community of Salonika, Greece RG-67.018M United States Holocaust Memorial Museum Archives 100 Raoul Wallenberg Place SW Washington, DC 20024-2126 Tel. (202) 479-9717 e-mail: [email protected] Descriptive summary Title: Records of the Jewish Community of Salonika, Greece Dates: 1912-1954 Accession number: 2008.151 Creator: Yivo Institute for Jewish Research Extent: 7,819 digital images 12 microfilm reels (digitized) Repository: United States Holocaust Memorial Museum Archives, 100 Raoul Wallenberg Place SW, Washington, DC 20024-2126 Languages: Ladino, Greek, Hebrew, French, German, English, Italian, Yiddish Scope and content of collection The collection contains registration books containing records of vital statistics, 1920-1939; lists of Salonika Jews, ca. 1939; records of the Rabbinical Court, 1920-1938; correspondence with the Salonika Jewish Community from individuals and institutions pertaining to housing, administration of Jewish quarters, and the production and distribution of matzo; records and correspondence of the Jewish Communal Council of Salonika, the Commission of Education, Salonica-Palestine, S. A., and the Banque Union; as well miscellaneous documents relating to Jewish life in Greece, ca. 1912-1936. Administrative Information Restrictions on access: No restrictions on access. Restrictions on reproduction and use: For scholarly use only, no reproduction without permission. Films shall not be copied or shared in any way with another individual or institution. Information on these films of a personal or confidential nature shall not be shared with third parties, neither through hard copy printouts nor by making copy films. For permission to reproduce documents write to the Chief Archivist, YIVO Archives at: [email protected]. -
Dead Sea Scrolls Discovery
HUMANITIES Khirbet Qumran, the site of the Dead Sea Scrolls discovery. © Metso Writings of Jewish antiquity Specialising in the Hebrew Bible and Dead Sea Scrolls, Associate Professor Sarianna Metso describes the complexity involved in deciphering the historical and cultural factors behind them, and outlines how ancient texts are shaping contemporary understanding of ancient literary works Can you begin by describing what sparked your fascination for writings of Jewish antiquity and, more specifically, the Dead Sea Scrolls? Very seldom does a scholar interested in the ancient world get the opportunity to work on material that is newly discovered or unresearched. The discovery of the Dead Sea Scrolls unearthed ancient Jewish literature, in the processes of authoring, collating, there is no need to abandon the notion much of which was previously unknown. interpreting and revising textual traditions of a textual archetype, it is important to Fortuitously, at the time I started my doctoral of the communities that had created them; recognise that modern conceptions of a ‘work’ work, the Scrolls archives in Jerusalem were originally, often in communal and oral settings. do not necessarily coincide with those of opened to a broader community of scholars. To what extent a document created in this way ancient scribes. The opportunity to venture into unmapped reflects actual historical circumstances of territory was fascinating to me. The Scrolls that any particular community at any given time is Much of your work involves creating new had lain buried in the desert caves for 2,000 often a difficult question to answer, although editions of ancient Jewish texts. -
Yiddish in Jewish-American Literature:An Asset to Teaching at German Universities
Pascal Fischer Yiddish in Jewish-American Literature:An Asset to Teaching at German Universities There are many good reasons to teachJewish-American literature at German uni- versities. An obvious motivation, which hardly applies to the German context alone, is that manynovels and short stories of Jewish writers undoubtedlycon- stitute an important part of the canon of Americanfiction in general. At the same time, this literature falls into the category of minoritywriting and thus negotiates identitiesdistinct from the American mainstream. Several theoretical concepts of postcolonial studies, ‘race,’‘alterity,’ and ‘hybridity’ among them, should be part of ateachingunit on Jewish writing,particularlyifitdeals with the immigrant experience.The contested idea of the AmericanMeltingPot,popularized by the Jewish-British author Israel Zangwill, maybediscussed in conjunction with Jewish-American landmark texts addressing the issue of assimilation. In this essay, Iwill focus primarily on arguments that are of particularrelevance to German higher education: the linguistic particularities of Jewish-Americanlit- erature by authorsofEastern European descent and the cultural proximityof parts of American Jewry to German students. Apart from my principal aim of fa- cilitating adeeper understanding of Jewish-Americanliterature for them, Ialso want to bring to mind that Jewish history does not consist of the Holocaust only. Frequently, Jewishhistory is exclusivelyequated with the Holocaust,which may preclude an appreciation of existing Jewish life-worlds.Iwant to counterbalance this tendency by offering students the opportunitytogothrough complex proc- esses of identification, empathyand understanding. Ihavebeen teachingJewish-Americanliterature and culturefor manyyears at several universities in Germanyand Iamnow part of the JewishStudies pro- gram at the University of Bamberg, which includes modules on literature, the arts and other aspects of culture. -
Do American Jews Speak a ''Jewish Language''? a Model of Jewish
T HE J EWISH Q UARTERLY R EVIEW, Vol. 99, No. 2 (Spring 2009) 230–269 Do American Jews Speak a ‘‘Jewish Language’’? A Model of Jewish Linguistic Distinctiveness SARAH BUNIN BENOR EXCERPT FROM an online discussion group:1 Posted by: [Satal] Apr 10 2005, 07:01 AM We didn’t have a shalom zochor. The baby is temeni [sic] like his father and will have a Brit Yitzchak the night before the bris in Yerushalayim. Posted by: [lebnir] Apr 11 2005, 07:24 PM what is a brit yitzchak? Posted by: [Satal] Apr 12 2005, 04:28 PM Its also called Zohar. The men sit up reading Zohar to protect the child the night before the bris from mezikin. BTW the bris was today and his name is [Natan]. Posted by: [Mira] Apr 12 2005, 04:31 PM We call it a vach nacht. [Natan] is a beautiful name—lots of nachas. סprinter&fסPrint&clientסϽhttp://www.hashkafah.com/index.php?act .1 9028Ͼ. ‘‘Hashkafah.com is a great way to meet people from around theסt&14 world and discuss divrei Torah, exchange ideas and viewpoints, or simply have a nice chat.’’ Translations: shalom zochor (Friday-night celebration for baby boy), temani (Yemenite), Brit Yitzchak (covenant of Isaac), bris (circumcision cere- mony), Yerushalayim (Jerusalem), Zohar (kabbalistic text), mezikin (harm), vach nacht (‘‘watch night’’ from the German Jewish tradition), nachas (pride/ joy). The Jewish Quarterly Review (Spring 2009) Copyright ᭧ 2009 Herbert D. Katz Center for Advanced Judaic Studies. All rights reserved. A ‘‘JEWISH LANGUAGE’’?—BENOR 231 Throughout history Jews have tended to speak and write distinctly from their non-Jewish neighbors. -
Yiddish Since When?
Yiddish Since When? By Jerry Klinger May you get passage out of the old village safely, and when you settle, may you fall into the outhouse just as a regiment of Ukrainians is finishing a prune stew and twelve barrels of beer.1 Yiddish Curse The way it is does not mean the way it was or the way it will be. - William Rabinowitz Oy ! 2 When your parent's, your extended family, your neighbors speak Yiddish, and they were all old people to me as a kid, I assumed the world spoke Yiddish; Yiddish, the language of the Yids - the Jew's language. It was the Jewish language from what I thought must have been forever. Of course that did not refer to the Hebrew we learned in the Yeshivah - that was Lashon Ha'Kadosh - the Holy Language, only to be used studying Torah. We were a modern Orthodox Yehshivah. Girls were permitted in our classrooms and studied with us but had to sit on a separate side of the room. In more traditional Yeshivahs, girls are taught separately from boys and not in Hebrew. Not being much different from many of the kids of my generation, growing up as Americans, trying to assimilate, Yiddish was not on our minds, English and Baseball and girls were. We really did not want to learn Yiddish. It was the language of the Ghetto, the language of the European Holocaust. If there was a language we wanted to learn, it was the language of freedom, the language they spoke in Israel, the language of the strong independent Jew, Modern Hebrew. -
The Judeo-Arabic Heritage
The Judea-Arabic Heritage 41 Chapter 3 tice my speaking skills, and my wife was clearly delighted to show off her Ashkenazi American husband who could speak their native tongue. A short while later, after the woman departed, I noticed that my wife had tears in her eyes. When I asked her why, she told me that she suddenly The Judeo-Arabic Heritage remembered how years earlier, when she was a schoolgirl, that if she saw that same woman from a distance, she would walk blocks out of her way to avoid her. This was to avoid embarrassment from having to speak Norman A. Stillman Moroccan Arabic in public because of the strong prejudice against Jews from Muslim countries (so-called mizrahim, or Oriental Jews) and espe cially Moroccan Jews. In the 1950S and early 1960s, it was not at all chic to speak Arabic of any kind in Israel-and certainly not to be Moroccan. The great irony in these two personal anecdotes is that, amongst all the Introductory Reflections many Jewish Diaspora languages of post-Talmudic times (Yiddish, Ladino, Shuadit (Iudeo-Provencal), Judeo-Persian, Iudeo-Greek, Iudeo-French, Nearly forty years ago, I brought my fiancee, who had been born in Iudeo-Tat, Iudeo-Berber, and still others less well known), [udeo-Arabic Morocco and raised in Israel, home to meet my family. I shall never forget held a place of special distinction. It had the longest recorded history after the moment when she met my grandmother. My grandmother, whose Hebrew and Aramaic (from the ninth century to the present)." It had the English, even after fifty years in the United States, was still heavily widest geographical diffusion, extending across three continents during accented, asked my fiancee, "Does your family speak Jewish?" Not under the Middle Ages. -
Fi N E Ju Da I
F i n e Ju d a i C a . pr i n t e d bo o K s , ma n u s C r i p t s , au t o g r a p h Le t t e r s , gr a p h i C & Ce r e m o n i a L ar t K e s t e n b a u m & Co m p a n y t h u r s d a y , Ju n e 26t h , 2008 K e s t e n b a u m & Co m p a n y . Auctioneers of Rare Books, Manuscripts and Fine Art Lot 284 Catalogue of F i n e Ju d a i C a . PRINTED BOOKS , MANUSCRI P TS , AUTOGRA P H LETTERS , GRA P HIC & CERE M ONIA L ART Featuring: A Fine Collection of Americana Emanating from a West Coast Collector A Magnificent 18th-Century Illustrated Esther Scroll A Liturgical Compendium, Illuminated by Jacob Sopher ben Judah Leib Shamash, 1741. Sepher HaShorashim, Naples, 1490 (The Wineman Copy) A Spectaculaly Bound 17-volume set of the Estienne Bible. Paris, 1543-46 Sepher HaZohar: Samson Raphael Hirsch’s Personal Copy War-time Hagadah from the French town of Nice, 1941 An Isidor Kaufmann Painting PLEASE NOTE AMENDMENT TO PARAGRAPH SIX OF CONDITIONS OF SALE. (Short-Title Index in Hebrew available upon request) ——— To be Offered for Sale by Auction, Thursday, 26th June, 2008. at 3:00 pm precisely ——— Viewing Beforehand on: Sunday 22nd June - 10:00 am - 5:00 pm Monday 23rd June- 10:00 am - 5:00 pm Tuesday, 24th June - 10:00 am - 5:00 pm Wednesday, 25th June - 10:00 am - 5:00 pm Thursday, 26th June - 10:00 am - 2:30 pm This Sale may be referred to as: “Briarcliffe” Sale Number Forty Illustrated Catalogues: $35 (US) * $42 (Overseas) KestenbauM & CoMpAny Auctioneers of Rare Books, Manuscripts and Fine Art . -
Jewish Liturgy in Music
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2016 Jewish Liturgy in Music Rachel A. Brown University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Ethnomusicology Commons, Jewish Studies Commons, Liturgy and Worship Commons, Musicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Brown, Rachel A., "Jewish Liturgy in Music" (2016). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1899 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Jewish Liturgy in Music Rachel Brown Chancellor’s Honors Program Thesis Project University of Tennessee Fall 2015 2 Part I: The History and Evolution of Jewish Liturgical Music The phrase “Jewish liturgical music,” for most observant Jews, most likely conjures up an image of a Friday night or a Saturday morning Shabbat service in a synagogue sanctuary. The Ark that holds the Torah scrolls sits majestically on the bimah beneath the Ner Tamid, the “Eternal Light.” The cantor (or, in the case of my childhood synagogue, the lay leader) stands at the podium on the bimah and dovens the service, while the rabbi follows along, greeting latecomers to the service. -
Curriculum Vitae
Shachar Pinsker Curriculum Vitae 4167 Thayer Building University of Michigan 202 S. Thayer St., Ann Arbor MI 48104 [email protected] EDUCATION: Ph.D. University of California, Berkeley and Graduate Theological Union, 2001. M.A. University of California, Berkeley, 1997. B.A. Hebrew University, Jerusalem, 1994. Comparative and Hebrew Literature; Amirim Program for Outstanding Students (Columbia University and YIVO Institute, 1997, 2001. Yiddish Studies) PROFESSIONAL EXPERIENCE: 2018- present Professor of Judaic Studies and Middle East Studies, University of Michigan 2011-2018 Associate Professor of Hebrew Literature and Culture, University of Michigan 2003- 2010 Assistant Professor of Hebrew Literature and Culture, University of Michigan 2002 Visiting Assistant Professor of Hebrew Literature, Ben-Gurion University 2001 Visiting Assistant Professor of Modern Hebrew and Israeli Literature, Harvard University PUBLICATIONS: Books and Edited Volumes: A Rich Brew: How Cafés Created Modern Jewish Culture (New York University Press, 2018) Editor: Where the Sky and the Sea Meet: Israeli Yiddish Stories [Hebrew] (Magnes Press, forthcoming) Editor: Women’s Hebrew Poetry on American Shores (Wayne State University Press, 2016) 1 Literary Passports: The Making of Modernist Hebrew Fiction in Europe (Stanford: Stanford University Press, 2011); Jordan Schnitzer Book Award of the Association for Jewish Studies for the best book in Jewish Literature and Linguistics published 2007-2011 Co-editor (with Sheila Jelen): Hebrew, Gender and Modernity: Critical