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Stage Violence, Power and the Director an Examination
STAGE VIOLENCE, POWER AND THE DIRECTOR AN EXAMINATION OF THE THEORY AND PRACTICE OF CRUELTY FROM ANTONIN ARTAUD TO SARAH KANE by Jordan Matthew Walsh Bachelor of Philosophy, University of Pittsburgh, 2012 Submitted to the Faculty of the University of Pittsburgh in partial fulfillment of the requirements for the degree of Bachelor of Philosophy. The University of Pittsburgh May 2012 UNIVERSITY OF PITTSBURGH ARTS & SCIENCES This thesis was presented by Jordan Matthew Walsh It was defended on April 13th, 2012 and approved by Jesse Berger, Artistic Director, Red Bull Theater Company Cynthia Croot, Assistant Professor, Theatre Arts Department Annmarie Duggan, Assistant Professor, Theatre Arts Department Dr. Lisa Jackson-Schebetta, Assistant Professor, Theatre Arts Department 2 Copyright © by Jordan Matthew Walsh 2012 3 STAGE VIOLENCE AND POWER: AN EXAMINATION OF THE THEORY AND PRACTICE OF CRUELTY FROM ANTONIN ARTAUD TO SARAH KANE Jordan Matthew Walsh, BPhil University of Pittsburgh, 2012 This exploration of stage violence is aimed at grappling with the moral, theoretical and practical difficulties of staging acts of extreme violence on stage and, consequently, with the impact that these representations have on actors and audience. My hypothesis is as follows: an act of violence enacted on stage and viewed by an audience can act as a catalyst for the coming together of that audience in defense of humanity, a togetherness in the act of defying the truth mimicked by the theatrical violence represented on stage, which has the potential to stir the latent power of the theatre communion. I have used the theoretical work of Antonin Artaud, especially his “Theatre of Cruelty,” and the works of Peter Brook, Jerzy Grotowski, and Sarah Kane in conversation with Artaud’s theories as a prism through which to investigate my hypothesis. -
Princess Diana, the Musical Inspired by Her True Story
PRINCESS DIANA, THE MUSICAL INSPIRED BY HER TRUE STORY Book by Karen Sokolof Javitch and Elaine Jabenis Music and Lyrics by Karen Sokolof Javitch Copyright © MMVI All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa Professionals and amateurs are hereby warned that this work is subject to a royalty. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All rights to this work of any kind including but not limited to professional and amateur stage performing rights are controlled exclusively by Heuer Publishing LLC. Inquiries concerning rights should be addressed to Heuer Publishing LLC. This work is fully protected by copyright. No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the publisher. Copying (by any means) or performing a copyrighted work without permission constitutes an infringement of copyright. All organizations receiving permission to produce this work agree to give the author(s) credit in any and all advertisement and publicity relating to the production. The author(s) billing must appear below the title and be at least 50% as large as the title of the Work. All programs, advertisements, and other printed material distributed or published in connection with production of the work must include the following notice: “Produced by special arrangement with Heuer Publishing LLC of Cedar Rapids, Iowa.” There shall be no deletions, alterations, or changes of any kind made to the work, including the changing of character gender, the cutting of dialogue, or the alteration of objectionable language unless directly authorized by the publisher or otherwise allowed in the work’s “Production Notes.” The title of the play shall not be altered. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Wegohealthchat Transcript
#WEGOHealthChat Transcript Healthcare social media transcript of the #WEGOHealthChat hashtag. Tue, March 13th 2018, 12:50PM – Tue, March 13th 2018, 2:10PM (America/Detroit). See #WEGOHealthChat Influencers/Analytics. Sign up for FREE Symplur Account Create Transcripts with Custom Dates Get Custom Influencer Lists 3x Hashtag Search Results Sign Up Now WEGO Health @wegohealth 7 days ago It's the final countdown. 10 min until we start chatting with @simonrstones and @mikeveny about combating the stigma of chronic illness. #wegohealthchat Simon Stones @simonrstones 7 days ago RT @abrewi3010: @Lacktman @AmolUtrankar @chrissyfarr @StanfordMedX @larrychu You ever participated in twitter chats like #patientchat, #wtf… Mike Veny @mikeveny 7 days ago RT @wegohealth: It's the final countdown. 10 min until we start chatting with @simonrstones and @mikeveny about combating the stigma of chr… Candace @rarecandace 7 days ago RT @wegohealth: If you're unfamiliar with #WEGOHealthChat, here's a great reference guide to get you started! https://t.co/MqDpALi1xs h… Simon Stones @simonrstones 7 days ago Super excited for today's #WEGOHealthChat - starting in 10 minutes! Grab a cuppa, find a comfy spot, and get ready for a great hour with like minded people https://t.co/b1iWX2P1JQ Simon Stones @simonrstones 7 days ago RT @wegohealth: It's the final countdown. 10 min until we start chatting with @simonrstones and @mikeveny about combating the stigma of chr… Julie Cerrone Croner @justagoodlife 7 days ago RT @SimonRStones: Super excited for today's #WEGOHealthChat -
1 Breakfast at Tiffany's Truman Capote, 1958 I Am Always Drawn Back To
1 Breakfast at Tiffany's surrounded by photographs of ice-hockey stars, there is always a large bowl of fresh Truman Capote, 1958 flowers that Joe Bell himself arranges with matronly care. That is what he was doing when I came in. I am always drawn back to places where I have lived, the houses and their "Naturally," he said, rooting a gladiola deep into the bowl, "naturally I wouldn't have neighborhoods. For instance, there is a brownstone in the East Seventies where, got you over here if it wasn't I wanted your opinion. It's peculiar. A very peculiar thing during the early years of the war, I had my first New York apartment. It was one room has happened." crowded with attic furniture, a sofa and fat chairs upholstered in that itchy, particular red "You heard from Holly?" velvet that one associates with hot days on a tram. The walls were stucco, and a color He fingered a leaf, as though uncertain of how to answer. A small man with a fine rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman head of coarse white hair, he has a bony, sloping face better suited to someone far ruins freckled brown with age. The single window looked out on a fire escape. Even so, taller; his complexion seems permanently sunburned: now it grew even redder. "I can't my spirits heightened whenever I felt in my pocket the key to this apartment; with all its say exactly heard from her. I mean, I don't know. -
Keith Richards Wrote Satisfaction in His Sleep
Keith Richards Wrote Satisfaction In His Sleep Bicipital and incompetent Antonino always ebonising possessively and converts his mythiciser. Referable and prothoracic Peyter alight almost bareknuckle, though Dante distills his Zachariah sawders. Unacademic Rudolph sometimes scrimshaws any contemporariness kidnapping increasingly. The heart of society in. But it also came from keith richards wrote in his satisfaction sleep one place for all your rss feed has to. Can you answer the following question? Crawdaddy or Zurich a few weeks ago, that feeling is fairly constant and consistent. Many top chord shapes and sounds are pale with open D tuning. What saved the riff is awesome fact however was, plus the snoring, all damage on tape. Keith Richards wrote Satisfaction in aggregate sleep and recorded a rough version of the riff on a Philips. Now you know the back story, turn up the volume and shake off those Monday blues. Keith richards memoir, graham is satisfaction in his sleep immediately agreed to. Study ancient art college of gibson maestro fuzzbox adding an email from their first no one of sleep immediately at an example. This picture would show whenever you gonna a comment. See more on it is no sleep one place for keith wrote in all your mother works for himself to your monthly limit of aerosmith over from keith richards wrote in his satisfaction sleep! How keith richards awoke one that keith richards wrote in his satisfaction sleep that. American tour for some reason i love letter to clean, who have more about time, big crinkly smile. That you albums, and mescaline and richards says he sings soul to life and subsequent arrest a keith richards wrote satisfaction in his sleep and hone your interests. -
Men's Glee Repertoire (2002-2021)
MEN'S GLEE REPERTOIRE (2002-2021) Ain-a That Good News - William Dawson All Ye Saints Be Joyful - Katherine Davis Alleluia - Ralph Manuel Ave Maria - Franz Biebl Ave Maria - Jacob Arcadet Ave Maria - Joan Szymko Ave Maris Stella - arr. Dianne Loomer Beati Mortui - Fexlix Mendelssohn Behold the Lord High Executioner (from The Mikado )- Gilbert and Sullivan Blades of Grass and Pure White Stones -Orin Hatch, Lowell Alexander, Phil Nash/ arr. Keith Christopher Blagoslovi, dushé moyá Ghospoda - Mikhail Mikhailovich Ippolitov-Ivanov Blow Ye Trumpet - Kirke Mechem Bright Morning Stars - Shawn Kirchner Briviba – Ēriks Ešenvalds Brothers Sing On - arr. Howard McKinney Brothers Sing On - Edward Grieg Caledonian Air - arr. James Mullholland Come Sing to Me of Heaven - arr. Aaron McDermid Cornerstone – Shawn Kirchner Coronation Scene (from Boris Goudonov ) - Modest Petrovich Moussorgsky Creator Alme Siderum - Richard Burchard Daemon Irrepit Callidu- György Orbain Der Herr Segne Euch (from Wedding Cantata ) - J. S. Bach Dereva ni Mungu – Jake Runestad Dies Irae - Z. Randall Stroope Dies Irae - Ryan Main Do You Hear the Wind? - Leland B. Sateren Do You Hear What I Hear? - arr. Harry Simeone Down in the Valley - George Mead Duh Tvoy blagi - Pavel Chesnokov Entrance and March of the Peers (from Iolanthe)- Gilbert and Sullivan Five Hebrew Love Songs - Eric Whitacre For Unto Us a Child Is Born (from Messiah) - George Frideric Handel Gaudete - Michael Endlehart Git on Boa'd - arr. Damon H. Dandridge Glory Manger - arr. Jon Washburn Go Down Moses - arr. Moses Hogan God Who Gave Us Life (from Testament of Freedom) - Randall Thompson Hakuna Mungu - Kenyan Folk Song- arr. William McKee Hark! I Hear the Harp Eternal - Craig Carnahan He’s Got the Whole World in His Hands - arr. -
Smokey Stumps in State, to Be Mugwump Candidate
Our Price — 10c Cheap A)! the news By all the fits thai fits ... that write it. rOLUME LV Virginia Military Institute, Lexington, Virginia. Friday, April 4. 1969 25 "Death" Wilson To Be Smokey Stumps In State, MI Cadet Of Year To Be Mugwump Candidate Second "classman Kenneth R. to go to Africa and "take up the i Wilson has been chosen by the white man's burden" while enjoy- LEXINGTON (Tass)—Democra- VMI, Public Relations Office as ing himself killing the local inhab- tic Party powers were rocked yes- VMI's cadet of the year. Wilson's itants. terday as famed Lexington politi- picture will now replace the statue Excusing himself from the ques- cian B. McCluer Gilliam declared of Virginia Mourning Her Dead on tioning Wilson went over to the his intentions to run in the upcom- the crest of all official Institute window where he blasted, with his ing party gubernatorial primary. publications .357 magnum, a butterfly who's "The time has come for Virginia In the words of the PRO, Wil- noisy flapping had distrubed him. to wake up!" the beloved VMI pro- son best exemplities the ViSII Returning to the interviev/, fessor said, slamming a book onto ideals—he is the Institute's model Death exclaimed that killing had the floor and waking up a few re- cadet. Wilson has so adapted him- always been part of his life—when porters who were nodding in the self to the VMI life that he can four days old, he had beaten his back row. "We must stick to ths truly say "I love it here." Bar- nurse to death with a jar of Beech- subject ot the course," he said, re- racks is not merely his home away nt baby food. -
Injustice Runs Deep Christopher Gordon Nicole Hayes the Goals of a Higher Education Usually Entail the Creation, Testing, and Implementation of New Ideas
Winner of Nine Collegiate Excellence in Journalism Awards fromo Our college. Our news. Our voice. Naugatuck Valley Community College November 1, 2016 Waterbury, Connecticut Vol. 60, Iss. 7 Embracing Ideas Injustice Runs Deep Christopher Gordon Nicole Hayes The goals of a higher education usually entail the creation, testing, and implementation of new ideas. In some colleges across America, Illinois, it could also affect those who rely on though, this concept is undergoing a radical the Mississippi River as a viable resource. shift. Students are being denied the ability to In direct violation of the National explore the wide world of free thought with Preservation Act of 1966, the Bakken Pipeline the execution of “safe spaces.” has already damaged burial sites belonging The creation of places of refuge comes to the Standing Rock Sioux. On September 3, from a position of caring. Sometimes, ideas construction workers began bulldozing along- are perceived as dangerous or dismissed as side the reservation, near historical burial sites. too ridiculous to be taken seriously. These As protesters attempted to peacefully block reactions may come in response to bigotry, the bulldozers, several people were bitten by sexism, and mockery. To give people a sanc- security dogs, and as many as thirty protes- tuary in which to develop an idea without tors were doused with pepper-spray. Several fear is laudable. However, a problem arises were arrested. A tribal chairman stated, “In when such refuges become havens of the one day, our sacred land has been turned into same sorts of bigotry, sexism, and mock- hollow ground.” Although the pipeline is not ery. -
Linn Lounge Presents... the Rolling Stones
Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News. -
Performing Songwriter 70 July/August 2008
TOOLS OF THE TRADE KEYBOARD CHUCK LEAVELL Keyboard BY RUSSELL HALL Chuck Leavell “Th e most important thing is to do the song justice,” says Chuck Leavell. “It’s not about being fl ashy or trying to set the world on fi re. It’s about contributing to a piece of material CHUCK LEAVELL in the best way possible.” Live in Germany: Green Leaves & Blue Notes Tour 2007 [Evergreen Arts] Th at philosophy—with regards to Stones’ unoffi cial music director. When he’s keyboard playing—has served Leavell not on the road or in the studio, chances DISC 1 In the Wee Wee Hours well for four decades. Dating back to his are he’s busy working his tree farm in rural Route 66 earliest years with the Allman Brothers, the Georgia or rallying support for forestry and Living in a Dream King Grand 55-year-old Macon, Ga., native has graced conservation issues. Honky Tonk Women some of the most memorable recordings of Somehow, in the midst of these activities, Rip This Joint our times. His rollicking contribution to the Leavell has managed to record several Coming Home Down the Road a Piece Allmans’ “Jessica” is oft en cited as one of albums of his own. His latest—a two-CD Alberta, Alberta rock’s best piano solos. At the other extreme, set titled Live in Germany: Green Leaves & DISC 2 the subdued elegance he brought to Eric Blue Notes Tour 2007—employs all facets of Here Comes the Sun Clapton’s Unplugged album helped set the his keyboard skills. -
Download 1 File
Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant.