Notes from the Midnight Driver

Total Page:16

File Type:pdf, Size:1020Kb

Notes from the Midnight Driver Notes From the Midnight Driver Jordan Sonnenblick SCHOLASTIC INC. New York Toronto London Auckland Sydney Mexico City New Delhi Hong Kong Buenos Aires To my grandfather, Solomon Feldman, who inspired this book, and to the memory of my father, Dr. Harvey Sonnenblick, who loved it Table of Contents Title Page Dedication May Last September Gnome Run The Wake-Up Day Of The Dork-Wit My Day In Court Solomon Plan B Laurie Meets Sol Sol Gets Interested Half An Answer Happy Holidays The Ball Falls Happy New Year! Enter The Cha-Kings Home Again Am I A Great Musician, Or What? A Night For Surprises Darkness The Valentine’s Day Massacre Good Morning, World! The Mission The Saints Go Marchin’ In The Work Of Breathing Peace In My Tribe Finale Coda The Saints Go Marchin’ In Again Thank you Notes About the Author Interview Sneak Peek Copyright May Boop. Boop. Boop. I’m sitting next to the old man’s bed, watching the bright green line spike and jiggle across the screen of his heart monitor. Just a couple of days ago, those little mountains on the monitor were floating from left to right in perfect order, but now they’re jangling and jerking like maddened hand puppets. I know that sometime soon, the boops will become one long beep, the mountains will crumble into a flat line, and I will be finished with my work here. I will be free. LAST SEPTEMBER GNOME RUN It seemed like a good idea at the time. Yes, I know everybody says that—but I’m serious. As insane as it looks in retrospect, I was fully convinced on that particular Friday evening last September that stealing my mom’s car and storming my dad’s house was a brilliant plan. And not brilliant, as in,“That was a brilliant answer you gave in Spanish today.” I mean brilliant, as in, “Wow, Einstein, when you came up with that relativity thing, and it revolutionized our entire concept of space and time while also leading all of humankind into the nuclear age, that was brilliant!” The plan had a certain elegant simplicity, too. I would drink one more pint of Dad’s old vodka, grab Mom’s spare car keys, jump into the Dodge, and fire that sucker up. Then I would speed through the deserted, moonlit streets, straight and true as a homing missile, or at least straight and true as a sober person who actually knew how to drive. When I skidded triumphantly into Dad’s driveway, I would leap nimbly from the car, race to the front door, ring the bell with a fury rarely encountered by any bell, anywhere—and catch my father with the no-good home- wrecking wench who was once, in a forgotten life we used to have, my third-grade teacher. Okay, perhaps these plans would theoretically work better if the planner were not already completely intoxicated. But I’d never gotten drunk before—so how was I supposed to know I’d get so smashed so quickly? And hey, if my mom had really wanted to keep me from driving drunk without a license at age sixteen, would she have gone out on a date and left me home with a car, a liquor cabinet, and some keys? I rest my case. So I downed some more booze straight from the bottle and lunged for the key ring, grabbing it by the wooden number 1 I had made for my “Number One Mom” in Cub Scouts. I threw on my Yankees jacket, slammed my way out of the house, got into the car, and started it. Then I believe there was some drama with the gear stick and the parking brake, and probably a bit of fun with the gas pedal. The next thing I knew, I was hanging out the passenger door, puking up vodka and Ring Dings. When I got my eyes sort of focused, I could see that the car was up on a lawn. When I got them even more focused, I could see that my last salvo of vomit had completely splattered two shiny black objects—the well-polished shoes of one angry police officer. He yanked me out of the car, largely by the hair, and stood me up. I remember him saying, “Look at that! Look what you did.” I also remember trying to follow his pointing finger. And when I finally zoomed in on what was lying in front of the car, I couldn’t believe it. There was a detached head about ten feet in front of the bumper! The cop sort of puppet-marched me up to the horrific scene and forced my head down close to the carnage. This head was seriously injured, to be sure. It was upside down, smushed up against a tree stump. There was no body in sight. I whirled around so fast that the cop almost lost hold of me, and crouched to look under Mom’s car. Sure enough, an arm and a leg were sticking out from underneath the left front wheel. “Officer, sir, did I—is he—is—ummm…” I could feel the tears welling up. My eyes burned, and the next wave of acid was coming up my throat in a hurry. “Yes, son. You ruined my brand-new shoes, smashed up your car, and decapitated Mrs. Wilson’s French lawn gnome. You’re in some serious…” “Lawn gnome? LAWN GNOME?” Now that I looked a bit more closely, I noticed that the head wasn’t bleeding, and that the ear had cracked off with inhuman neatness. I began to laugh like an idiot, but my relief came too late to halt my barf, which came out mostly through my nose—and landed on the officer’s left side, all over his walkietalkie. This was even more of a crack-up. I started mumbling, “Walkie-talkie-barfie, walkie-talkie-barfie,” which amused me almost all the way to the police station. You would think I’d have been pretty scared by this point, but because I had drunk so much vodka so fast, I was still getting drunker by the second. Even with my hands cuffed behind my back—and the cuffs were REALLY tight, because the officer hadn’t been enjoying me much so far—I was like a little one-man house party in the back seat of the cruiser. The last thing I remember was getting bored of the dispatch radio, and shouting, “Change the station! Get me some ROCK!” Then the car turned a sharp corner, and the window was tilting and rushing toward my face. You know what must really be a highlight of being a desk cop? Processing the arrests of drunk people. After several of my new pals in blue dragged me semiconscious (I mean, I was semiconscious; they were pretty alert) into the station, they left me cuffed to a scuffed-up old wooden seat across from some old guy with a badge. I decided his name was Sarge. He had that fingerprinting pad thing and a bunch of questions for me, and didn’t waste any time easing into things. “Right thumb.” I stared at the weaving, bobbing blurs that had replaced my hands, trying to figure out which was which. “I can’t find the right one; they’re too bloody.” Sure enough, they were, because I had a cut over my left eye, which must have been hidden from view beneath my adorable mop of hair. Sarge apparently saw the blood, but not the source, because he sighed one of those big annoyed sighs that public servants make when they are forced to do actual work, reached into his desk, and pulled out a pack of wet wipes. “Geez, you must’a really banged your nose. Get your hands cleaned up, kid. I’ll be back in a minute. By the way, genius, your right hand is the one that ain’t chained to the desk.” He walked away to get a cup of coffee or whatever. I got my hands clean, then reached my free hand up to wipe the hair out of my eyes. Which got it all gory again. I repeated this at least three times, creating an impressive pile of crumbled, deep-pink-stained wipes. Then I got the marvy idea that maybe I could just wipe the blood off my head first. I pushed my hair all the way up off my forehead, the alcoholsoaked wipe touched my wound, and I sobered up REAL fast, just as Sarge was putting his cup of steaming liquid on the desk blotter. “Ooooowwwww!” I screamed. Up I jumped. Up jumped my arm. Up jumped the handcuff. Up jumped the desk. Up flew the coffee. “Ooooowwwww!” screamed Sarge. Sarge was wet! Eventually the sodden mass of paper, blood, wipes, and coffee was disposed of by a guy in rubber gloves. Sarge found a new pair of pants, and came back. He took a really long look at my forehead, the mixture of blood, snot, and tears that was flowing freely across my facial features, and the moist abstract painting that had been his desk blotter, and decided to use a trick which always works for my dad: He would make me Somebody Else’s Problem. Sarge shouted across the room, “Call me an ambulance!” I couldn’t stop myself. “Okay, you’re an ambulance!” And so it went, until the paramedics accidentally banged my head against the doorway of the emergency room, and I passed out for good.
Recommended publications
  • Stories of Mental Illness
    Georgia State University ScholarWorks @ Georgia State University English Honors Theses Department of English Fall 12-5-2016 Collections of Disorder: Stories of Mental Illness Kalyn M. Hardman Follow this and additional works at: https://scholarworks.gsu.edu/english_hontheses Recommended Citation Hardman, Kalyn M., "Collections of Disorder: Stories of Mental Illness." Thesis, Georgia State University, 2016. https://scholarworks.gsu.edu/english_hontheses/11 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Honors Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. COLLECTIONS OF DISORDER: STORIES OF MENTAL ILLNESS by KALYN HARDMAN Under the direction of Jody Brooks, MFA and Erin Tone, PhD ABSTRACT This thesis contains five short stories, each narrated by a character with a psychological disorder. The disorders represented are as follows: alcohol use disorder, schizophrenia, Alzheimer’s disease, phobic disorder, and autism spectrum disorder. Research was conducted in two parts: (1) study of psychological texts including peer reviewed articles and case studies and (2) study of literary works including memoirs and novels. The author aims to use storytelling to humanize and therefore generate empathy for those with mental illnesses. INDEX WORDS: Mental illness, Mental disorder, Alcoholism, Schizophrenia, Alzheimer’s disease, Phobic
    [Show full text]
  • Princess Diana, the Musical Inspired by Her True Story
    PRINCESS DIANA, THE MUSICAL INSPIRED BY HER TRUE STORY Book by Karen Sokolof Javitch and Elaine Jabenis Music and Lyrics by Karen Sokolof Javitch Copyright © MMVI All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa Professionals and amateurs are hereby warned that this work is subject to a royalty. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All rights to this work of any kind including but not limited to professional and amateur stage performing rights are controlled exclusively by Heuer Publishing LLC. Inquiries concerning rights should be addressed to Heuer Publishing LLC. This work is fully protected by copyright. No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the publisher. Copying (by any means) or performing a copyrighted work without permission constitutes an infringement of copyright. All organizations receiving permission to produce this work agree to give the author(s) credit in any and all advertisement and publicity relating to the production. The author(s) billing must appear below the title and be at least 50% as large as the title of the Work. All programs, advertisements, and other printed material distributed or published in connection with production of the work must include the following notice: “Produced by special arrangement with Heuer Publishing LLC of Cedar Rapids, Iowa.” There shall be no deletions, alterations, or changes of any kind made to the work, including the changing of character gender, the cutting of dialogue, or the alteration of objectionable language unless directly authorized by the publisher or otherwise allowed in the work’s “Production Notes.” The title of the play shall not be altered.
    [Show full text]
  • Isum 許諾楽曲一覧 更新日:2019/1/23
    ページ:1/37 ISUM 許諾楽曲一覧 更新日:2019/1/23 ISUM番号 著作権者 楽曲名 アーティスト名 ISUM番号 著作権者 楽曲名 アーティスト名 ISUM番号 著作権者 楽曲名 アーティスト名 ISUM-1880-0537 JASRAC あの紙ヒコーキ くもり空わって ISUM-8212-1029 JASRAC SUNSHINE ISUM-9896-0141 JASRAC IT'S GONNA BE ALRIGHT ISUM-3412-4114 JASRAC あの青をこえて ISUM-5696-2991 JASRAC Thank you ISUM-9456-6173 JASRAC LIFE ISUM-4940-5285 JASRAC すべてへ ISUM-8028-4608 JASRAC Tomorrow ISUM-6164-2103 JASRAC Little Hero ISUM-5596-2990 JASRAC たいせつなひと ISUM-3400-5002 NexTone V.O.L ISUM-8964-6568 JASRAC Music Is My Life ISUM-6812-2103 JASRAC まばたき ISUM-0056-6569 JASRAC Wake up! ISUM-3920-1425 JASRAC MY FRIEND 19 ISUM-8636-1423 JASRAC 果てのない道 ISUM-5968-0141 NexTone WAY OF GLORY ISUM-4568-5680 JASRAC ONE ISUM-8740-6174 JASRAC 階段 ISUM-6384-4115 NexTone WISHES ISUM-5012-2991 JASRAC One Love ISUM-8528-1423 JASRAC 水・陸・そら、無限大 ISUM-1124-1029 JASRAC Yell ISUM-7840-5002 JASRAC So Special -Version AI- ISUM-3060-2596 JASRAC 足跡 ISUM-4160-4608 JASRAC アシタノヒカリ ISUM-0692-2103 JASRAC sogood ISUM-7428-2595 JASRAC 背景ロマン ISUM-5944-4115 NexTone ココア by MisaChia ISUM-1020-1708 JASRAC Story ISUM-0204-5287 JASRAC I LOVE YOU ISUM-7456-6568 NexTone さよならの前に ISUM-2432-5002 JASRAC Story(English Version) 369 AAA ISUM-0224-5287 JASRAC バラード ISUM-3344-2596 NexTone ハレルヤ ISUM-9864-0141 JASRAC VOICE ISUM-9232-0141 JASRAC My Fair Lady ft. May J. "E"qual ISUM-7328-6173 NexTone ハレルヤ -Bonus Tracks- ISUM-1256-5286 JASRAC WA Interlude feat.鼓童,Jinmenusagi AI ISUM-5580-2991 JASRAC サンダーロード ↑THE HIGH-LOWS↓ ISUM-7296-2102 JASRAC ぼくの憂鬱と不機嫌な彼女 ISUM-9404-0536 JASRAC Wonderful World feat.姫神 ISUM-1180-4608 JASRAC Nostalgia
    [Show full text]
  • Drums, Girls, and Dangerous
    Drums, Girls & Dangerous Pie Jordan Sonnenblick This one is for my son, Ross Matthew Sonnenblick, who invented Dangerous Pie, and for my daughter, Emma Claire Sonnenblick, who would happily have eaten it. Table of Contents Title Page Dedication DANGEROUS PIE JEFFREY’S MOATMEAL ACCIDENT ANXIETY WITH TIC TACS THE FAT CAT SAT JEFFREY’S VACATION NO MORE VACATION TAKE ME! FEVER TROUBLE STARVING IN SIBERIA POINTLESSNESS AND BOY PERFUME THE SILVER LINING FEAR, GUM, CANDY GOOD NEWS, BAD NEWS CLOSE SHAVES IN AN UNFAIR WORLD THE QUADRUPLE UH-OH A MEN’S JOURNEY I’M A MAN NOW ROCK STAR THE END EPILOGUE ACKNOWLEDGMENTS About the Author Q&A with Jordan Sonnenblick Bonus Material Preview Copyright DANGEROUS PIE There’s a beautiful girl to my left, another to my right. Hundreds of colored balloons are tethered down behind me, baking in the June sun. I’m wearing a brown gown that’s sticking to my sweat-drenched skin, trying to keep my head straight so that my weird square cap doesn’t fall off in front of the thousand people who are watching me. And of course, because I’m me, I’m spacing out. The questions are just tumbling through my mind. “How did I get up here? What have I learned since September? How could my life have possibly changed so much in only ten months?” I’m not even sure I understand the questions, much less where to begin looking for the answers. I guess a good starting point would be the longest journal I’ve ever written in English class.
    [Show full text]
  • SHADES of NATIONALISM in the CONTEMPORARY ARAB WORLD : the ISLAMIC FACET. Sottor of 9^Ilo
    SHADES OF NATIONALISM IN THE CONTEMPORARY ARAB WORLD : THE ISLAMIC FACET. THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Sottor of 9^ilo£(09[)p - IN WEST ASIAN STUDIES (POLITICAL SCIENCE) •Y ZAMm AHMAD BHAT Und«r th« Supervision of Dr. FAZAL MAHMOOD CENTRE OF WEST ASIAN STUDIES AU6ARH MUSUM UNIVERSITY ALIGARH (INDIA) 2002 ,D1S fo^ "^.1 ^ ^-.t^' *&l^r- ( A. 1 .^ .IffM Ort^r. •.. T5915 •^ «1 n9 IS* ^/7 «i1 ^ C C «^ CENTRE OF WEST ASIAN STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) Dated. 23./uAZ (llFrltftralr This is to Q@^^M e^tfee^is entitled "SHADES OF -' ^^.^'^^M*^: •"!'% NATIONAUSM IN THB CONTEMPORARY ARAB WORLD: THB-tS]!,»i|^^fimby'lVlR. ZAMIR AHMAD BHAT for t|ie a\Yard oSMi.T^. dpgjee ip. West Asian Studies (Political Scten^'e)\^s li^n #epare%tj|\df r|my supervision. This is his o^g4ia^i;^a^|nffj(^t%^-bfst,i^|^niy knowledge, it has not been^^*^44S"^^^y^Jtere-ejse for the award of any degree. -St . (Dr. Fazal Mahmood) Supervisor CONTENTS Page No. Acknowledgement and Preface i-v Chapter I: Introduction 1-18 Chapter II: Rise of Arab Nationalism and Impact of World War I 19-40 (A) Decline of Ottoman Empire 19-32 (B) The Arab Revolt of 1915 32-37 Chapter III: Arab Nationalism at the Advent of Twentieth Century 41-65 (A) Jamal Al-Din Al-Afghani 41-46 (B) Muhammad Abduh 47-54 (C) Rashid Ridha 54-61 Chapter IV: Contemporary Islamic Political Activism 66-128 (A) Hasan Al-Banna 66-82 (B) Sayyid Qutb 83-102 (C) Abul Al'a Mawdudi 103-120 Chapter-V: Islamic Revolution of Iran and its Impact on West Asia 129-169 (A) Ayatullah Ruhullah Musavi Khomeini 129-152 (B) Dr.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • Smokey Stumps in State, to Be Mugwump Candidate
    Our Price — 10c Cheap A)! the news By all the fits thai fits ... that write it. rOLUME LV Virginia Military Institute, Lexington, Virginia. Friday, April 4. 1969 25 "Death" Wilson To Be Smokey Stumps In State, MI Cadet Of Year To Be Mugwump Candidate Second "classman Kenneth R. to go to Africa and "take up the i Wilson has been chosen by the white man's burden" while enjoy- LEXINGTON (Tass)—Democra- VMI, Public Relations Office as ing himself killing the local inhab- tic Party powers were rocked yes- VMI's cadet of the year. Wilson's itants. terday as famed Lexington politi- picture will now replace the statue Excusing himself from the ques- cian B. McCluer Gilliam declared of Virginia Mourning Her Dead on tioning Wilson went over to the his intentions to run in the upcom- the crest of all official Institute window where he blasted, with his ing party gubernatorial primary. publications .357 magnum, a butterfly who's "The time has come for Virginia In the words of the PRO, Wil- noisy flapping had distrubed him. to wake up!" the beloved VMI pro- son best exemplities the ViSII Returning to the interviev/, fessor said, slamming a book onto ideals—he is the Institute's model Death exclaimed that killing had the floor and waking up a few re- cadet. Wilson has so adapted him- always been part of his life—when porters who were nodding in the self to the VMI life that he can four days old, he had beaten his back row. "We must stick to ths truly say "I love it here." Bar- nurse to death with a jar of Beech- subject ot the course," he said, re- racks is not merely his home away nt baby food.
    [Show full text]
  • Preemptive Narratives in Recent Television Series Par Toni Pape
    Université de Montréal Figures of Time: Preemptive Narratives in Recent Television Series par Toni Pape Département de littérature comparée, Faculté des arts et des sciences Thèse présentée à la Faculté des arts et des sciences en vue de l’obtention du grade de Ph. D. en Littérature, option Études littéraires et intermédiales Juillet 2013 © Toni Pape, 2013 Résumé Cette thèse de doctorat propose une analyse des temporalités narratives dans les séries télévisées récentes Life on Mars (BBC, 2006-2007), Flashforward (ABC, 2009-2010) et Damages (FX/Audience Network, 2007-2012). L’argument général part de la supposition que les nouvelles technologies télévisuelles ont rendu possible de nouveaux standards esthétiques ainsi que des expériences temporelles originales. Il sera montré par la suite que ces nouvelles qualités esthétiques et expérientielles de la fiction télévisuelle relèvent d’une nouvelle pertinence politique et éthique du temps. Cet argument sera déployé en quatre étapes. La thèse se penche d’abord sur ce que j’appelle les technics de la télévision, c’est-à- dire le complexe de technologies et de techniques, afin d’élaborer comment cet ensemble a pu activer de nouveaux modes d’expérimenter la télévision. Suivant la philosophie de Gilles Deleuze et de Félix Guattari ainsi que les théories des médias de Matthew Fuller, Thomas Lamarre et Jussi Parikka, ce complexe sera conçu comme une machine abstraite que j’appelle la machine sérielle. Ensuite, l’argument puise dans des théories de la perception et des approches non figuratives de l’art afin de mieux cerner les nouvelles qualités d’expérience esthétique dans la fiction sérielle télévisée.
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]
  • Asterism: Volume 2
    ASTERISM: VOLUME 2 2018 Asterism: An Undergraduate Literary Journal Staff is published anually by The Ohio State Uni- versity at Lima. Senior Editors *** All poems and stories in the magazine are Jenna Bush works of imagination. Ashley Meihls Address all correspondence to: Galvin Hall 401A Editors 4240 Campus Dr. *** Lima, OH 45804 Katie Marshall Victoria Sullivan Visit our website: Mattea Rolsten lima.osu.edu/asterism Andrea Morales Jacob Short Published 2018 Cover Art: Faculty Advisors “Raindrops” by Jessy Gilcher *** Beth Sutton-Ramspeck Doug Sutton-Ramspeck Asterism - I Table of Contents A Note to Our Readers V -273.15 °C ............................................................. Emma DePanise Poetry 8 Holy Man ............................................................. Deon Robinson Poetry 9 Starry Eyes ................................................... Hannah Schotborgh Poetry 10 Untitled ....................................................................... Riley Klaus Art 12 Bones ..................................................................... Angela Kramer Poetry 13 Blinker ....................................................................... Bryan Miller Fiction 15 Still Water ............................................................ Trevor Bashaw Poetry 19 Hearsay .................................................................... Noah Corbett Poetry 21 Para Mi Alma ........................................................... Asalia Arauz Poetry 26 Amaryllis ................................................................
    [Show full text]
  • 21 Stars Review: the Complete Poetry and Prose Letitia Trent and Chris R
    21 Stars Review: The complete poetry and prose Letitia Trent and Chris R. E. Wells, editors Copyright 2009 Published by Sundress Publications All rights reserved. No part of this book may be reproduced without the written permission of contributors. Printed in the United States of America Book Design by Chris Wells, Lori Scoby, and Jeremy Porter Cover based on a photo by Paul Baker Sundress Publications / 21 Stars Review [email protected] or [email protected] * This publication is free. However, the editors ask that everyone who obtains a copy make a donation to Grandma’s Gifts, an antipoverty and pro-literacy charity benefitting the Appalachian region of the United States. Please go to http://www.grandmasgifts.org to read about the charity and make your donation. Thank you. Table of Contents I. TEXT ……………………………………………………………………………………… 8 FJ Bergmann, “Pilgrimage ”…………………………………………………………………… 9 “Solitude ”……………………………………………………………………… …… 10 “Waterfall ”………………………………………………………………………… 11 Amanda Silbernagel, “below freezing ”……………………………………………………… 12 Glenn Bach, “from Atlas Peripatetic ”………………………………………………………… 13 Becky Peterson, “Defensive Drawing ”……………………………………………………… 15 Harry Johnson, “Next Time, a Rabbit ”……………………………………………………… 17 Gilad Elbom, “A Beginning ”……………………………………………… ………………… 19 Nicol ás Mansito III, “The Escape Artist ”…………………………………………………… 21 William Yazbec, “Midwestern Flashers ”……………………………………………………… 23 Laura Wetherington, “This field is a blazon ”………………………………………………… 38 “I’m rig ht about time ”……………………………………………………………… 39 Louis
    [Show full text]
  • Music 10378 Songs, 32.6 Days, 109.89 GB
    Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’…
    [Show full text]