Preemptive Narratives in Recent Television Series Par Toni Pape
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Master Thesis
1 Master Thesis THE VALUE OF METACRITIC AND ITS RELATIONSHIP WITH VIDEO GAME SALES FLAVIO TONA SHNEIDER MIKE-E January, 2020 2 3 Contents 1 INTRODUCTION ................................................................................................................................ 5 2 LITERATURE REVIEW ..................................................................................................................... 8 3 MARKET ANALYSIS ....................................................................................................................... 13 3.1 METASCORE ............................................................................................................................ 14 3.1.1 GRADE CONVERSION .................................................................................................... 17 3.2 HARDWARE MARKET ............................................................................................................ 19 3.3 SOFTWARE MARKET ............................................................................................................. 20 4 - VALUE ..................................................................................................................................................... 21 4.1 CONSUMER ....................................................................................................................................... 21 4.2 - VALUE FOR THE INDUSTRY AND USAGE ......................................................................................... 22 4 METHODOLOGY -
Gossip, Exclusion, Competition, and Spite: a Look Below the Glass Ceiling at Female-To-Female Communication Habits in the Workplace
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2013 Gossip, Exclusion, Competition, and Spite: A Look Below the Glass Ceiling at Female-to-Female Communication Habits in the Workplace Katelyn Elizabeth Brownlee [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Organizational Communication Commons Recommended Citation Brownlee, Katelyn Elizabeth, "Gossip, Exclusion, Competition, and Spite: A Look Below the Glass Ceiling at Female-to-Female Communication Habits in the Workplace. " Master's Thesis, University of Tennessee, 2013. https://trace.tennessee.edu/utk_gradthes/1597 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Katelyn Elizabeth Brownlee entitled "Gossip, Exclusion, Competition, and Spite: A Look Below the Glass Ceiling at Female-to-Female Communication Habits in the Workplace." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Science, with a major in Communication and Information. Michelle Violanti, Major Professor We have read this thesis -
Introduction to Monetary Damages
CHAPTER 1 Introduction to Monetary Damages Chapter Contents § 1.01 Introduction § 1.02 Historical Background to Monetary Damages § 1.03 General Principles of Monetary Damages [1] Determining Whether Injuries May Be Compensated by Damages [a] Proximate Cause [b] The Standard of Certainty [2] Calculating the Damages Award [a] Compensatory Damages [i] Market Value Measure [ii] Lost Opportunity Measure [b] Unjust Enrichment [c] Augmented Damages [i] Punitive Damages [ii] Statutory Enhanced Damages [d] Interest [e] Attorneys’ Fees and Costs § 1.01 Introduction Monetary damages are a form of judicial remedy that can be awarded to a claimant in compensation for an injury or loss wrong- fully inflicted.1 This form of remedy is most commonly referred to simply as “damages.” The essence of damages is the payment of money as a release from civil liability. 1 See 1 Dobbs Law of Remedies, 3 (2d ed. 1993). 1-1 (Rel. 24) § 1.01 INTELLECTUAL PROPERTY DAMAGES 1-2 Because damages in Anglo-American jurisprudence are awarded by a jury of lay persons under the supervision of a judge, it is neces- sary to have certain guiding principles by which the judge can direct the jury. The rules that were developed by the judiciary to guide juries in their damages deliberations are essentially the law of damages. As one commentator has said: “The law of damages consists of the rules, standards, and methods used by the courts for measuring in money the compensation given for losses and injuries.”2 The law of intellectual property damages did not develop in a vac- uum; it is very much a product of this general law of damages. -
Netflix Adds to Original Shows with Sony Deal 15 October 2013
Netflix adds to original shows with Sony deal 15 October 2013 programming to make itself a preferred location for on-demand streaming. "We were spellbound after hearing Todd, Glenn and Daniel's pitch, and knew Netflix was the perfect home for this suspenseful family drama that is going to have viewers on the edge of their seats," said Netflix vice president of original content Cindy Holland. Netflix scored a recent hit with its political drama "House of Cards," tossing conventional TV wisdom out the window when it released a full season in one fell swoop early this year. The Netflix company logo is seen at Netflix headquarters The series, which was nominated for a 2013 Emmy in Los Gatos, CA on Wednesday, April 13, 2011 for best drama, joins a recent spate of original Netflix programming that includes new episodes of "Arrested Development," plus the series "Orange is the New Black" and "Hemlock Grove." Netflix on Monday announced a deal with Sony to create a psychological thriller series for the online Netflix sees original programming as part of a streaming and DVD service, ramping up original formula to gain and hold subscribers at its $7.99-a- programming to win subscribers. month fee that covers a vast catalog of pre- released TV shows and movies. "Damages" creators Todd Kessler, Daniel Zelman, and Glenn Kessler will begin production of a © 2013 AFP 13-episode first season of the show from Sony Pictures Television early next year. The yet-unnamed series will broadcast exclusively on Netflix, according to the California-based Internet company. -
Amazon and IMDB Sued for Not Respecting Elders | Page 1
Amazon And IMDB Sued FOr Not Respecting Elders | Page 1 Amazon And IMDB Sued FOr Not Respecting Elders By: Jack Greiner on October 19, 2011 on graydon.law Well, sort of. An actress who identifies herself as Jane Doe has sued the Internet Movie Database Web site, and its parent company, Amazon, for revealing her actual age. I’m not making that up. Here’s the actual complaint, which was filed in a federal court in Seattle. In case you haven’t used it, IMDB is a Web site that has detailed information on any movie ever made. I personally love it. I can’t tell you the number of times I’ve watched a movie on TV and wondered who the actor was in some small role, and where I’d seen him before. IMDB has all that information. But I digress. According to the complaint, Jane Doe is of Asian descent, and her given name is difficult for Americans to spell and pronounce. She has for that reason used a stage name throughout her career. She is also very careful not to provide personal information, including her true age. According to the complaint, “[i]n the entertainment industry, youth is king. If one is perceived to be “over-the-hill” i.e., approaching 40, it is nearly impossible for an up-and-coming actress, such as plaintiff, to get work.” IMDB also offers a service called IMDbPro, which offers “industry insider” information to paying customers. Ms. Doe signed up for the service and in so doing, provided her name, birth date and other personal information. -
The Rise of the Anti-Hero: Pushing Network Boundaries in the Contemporary U.S
The Rise of The Anti-Hero: Pushing Network Boundaries in The Contemporary U.S. Television YİĞİT TOKGÖZ Submitted to the Graduate School of Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in CINEMA AND TELEVISION KADIR HAS UNIVERSITY June, 2016 I II ABSTRACT THE RISE OF THE ANTI-HERO: PUSHING NETWORK BOUNDARIES IN THE CONTEMPORARY U.S. TELEVISION Yiğit Tokgöz Master of Arts in Cinema and Television Advisor: Dr. Elif Akçalı June, 2016 The proliferation of networks using narrowcasting for their original drama serials in the United States proved that protagonist types different from conventional heroes can appeal to their target audiences. While this success of anti-hero narratives in television serials starting from late 1990s raises the question of “quality television”, developing audience measurement models of networks make alternative narratives based on anti-heroes become widespread on the U.S. television industry. This thesis examines the development of the anti-hero on the U.S. television by focusing on the protagonists of pay-cable serials The Sopranos (1999-2007) and Dexter (2006-2013), basic cable serials The Shield (2002-2008) and Mad Men (2007-2015), and video-on-demand serials House of Cards (2013- ) and Hand of God (2014- ). In brief, this thesis argues that the use of anti-hero narratives in television is directly related to the narrowcasting strategy of networks and their target audience groups, shaping a template for growing networks and newly formed distribution services to enhance the brand of their corporations. In return, the anti-hero narratives push the boundaries of conventional hero in television with the protagonists becoming morally less tolerable and more complex, introducing diversity to television serials and paving the way even for mainstream broadcast networks to develop serials based on such protagonists. -
Eleventh Circuit ______
Case: 17-13780 Date Filed: 08/17/2018 Page: 1 of 27 [PUBLISH] IN THE UNITED STATES COURT OF APPEALS FOR THE ELEVENTH CIRCUIT ________________________ No. 17-13780 ________________________ D.C. Docket No. 1:15-cv-23502-RNS MARLA DIXON and EARL REESE-THORNTON, SR., Individually and as parents and natural guardians of E.R.T., JR., a minor, Plaintiffs-Appellees-Cross Appellants, versus UNITED STATES OF AMERICA, Defendant-Appellant-Cross Appellee. ________________________ Appeals from the United States District Court for the Southern District of Florida ________________________ (August 17, 2018) Case: 17-13780 Date Filed: 08/17/2018 Page: 2 of 27 Before TJOFLAT and ROSENBAUM, Circuit Judges, and URSULA UNGARO,* District Judge. ROSENBAUM, Circuit Judge: The fictional Angus MacGyver’s defining talent is his ability to cobble together a solution when the precise tools he needs to solve a problem are not available.1 As “Mac” has explained, “If you don’t have the right equipment for the job, you just have to make it yourself.” MacGyver: Out in the Cold (ABC television broadcast Feb. 16, 1987). So synonymous with improvising has the name “MacGyver” become that the Oxford Dictionaries added the name to their collection as a verb meaning to “[m]ake or repair (an object) in an improvised or inventive way, making use of whatever items are at hand.” https://premium.oxforddictionaries.com/us/definition/american_english/macgyver. The Federal Tort Claims Act’s (“FTCA”) directive making the federal government liable “in the same manner and to the same extent as a private individual under like circumstances,” 28 U.S.C. -
Rose Byrne Under Wraps How She Charmed the World with Her Hidden Talent
JULY 31, 2016 + TALL ORDER: DOES YOUR DATE MEASURE UP? SHIFT YOUR CAREER UP A GEAR DECADENT PEANUT BUTTER DESSERTS ROSE BYRNE UNDER WRAPS HOW SHE CHARMED THE WORLD WITH HER HIDDEN TALENT SNS31JUL16p001 1 22/07/16 3:27 PM (cover_story) Roses She’s no garden-variety star. Rose Byrne is now in full bloom as a sought-after comic actor, says Tiffany Bakker 10 | SUNDAYSTYLE.COM.AU 11 SVS31JUL16p010 10 22/07/16 4:48 PM ose Byrne is pondering like I’m a big name,” she says. “I feel like her day job. “Acting is I’ve been very lucky in the people I’ve embarrassing, absolutely,” been able to work with.” she says, with a hearty laugh. In recent years, of course, there has R“Just the vulnerability it requires, whether been her much-vaunted emergence as in a performance or doing interviews. It’s a big-screen comedy superstar (more an odd thing, and it’s also a bit of a silly job. on that later), but she has just as easily I mean, it’s a great job, and I take it navigated indie drama (Adult Beginners), seriously and I’m passionate about it, but dramedy (The Meddler), horror (Insidious), I know I’m not curing cancer, so you have musicals (Annie), tent-pole franchises (the to have some perspective on it.” X-Men series), and television (Damages). When we meet, Byrne is mid-pedicure Ask her to reflect on her extraordinary at a downtown New York hotel, apologising success and she squirms slightly. -
Serial Pinboarding in Contemporary Television
Serial Pinboarding in Contemporary Television Anne Ganzert Serial Pinboarding in Contemporary Television Anne Ganzert Serial Pinboarding in Contemporary Television Anne Ganzert University of Konstanz Konstanz, Germany ISBN 978-3-030-35271-4 ISBN 978-3-030-35272-1 (eBook) https://doi.org/10.1007/978-3-030-35272-1 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the pub- lisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institu- tional affiliations. -
ETC Marketing Metadata 1.0
ETC Marketing Metadata 1.0 Introduction The explosion of online digital content has heightened the need for complete and accurate marketing metadata to assist consumers in search and discovery of movies and television. In addition, the increase in online distributors with widely different content submission requirements makes the delivery of accurate metadata a time-consuming and difficult process for content owners. For this reason, the Entertainment Technology Center organized the Metadata Working Group to create best-practices for the creation and distribution of marketing metadata. This working group is made up of metadata experts from the major Hollywood Studios, film service, and technology companies. Historically, each digital service provider has created its own metadata specification and required that content providers conform their product information to that format. Unfortunately, the lack of standards underpinning those metadata elements -- their names and definition, and the terms used to populate them -- has confounded efforts to streamline the digital distribution, and ultimately the search and discovery, of content. Some forward-looking groups have sought to simplify the process; MovieLabs and the Entertainment Merchant's Association (EMA), for example, recently released Version 1.0 of the EMA Metadata specification, covering information delivered from publishers to retailers (http://www.entmerch.org/ema_metadata_.html). What is typically missing from the various public metadata documents/specifications are details on how content providers should actually construct metadata. This document begins to scratch the surface on that topic -- tackling first and foremost, descriptive metadata (much of what the EMA specification calls "Basic Metadata"). Our goal in writing this document was to provide a set of best practices, based on the combined wisdom of the metadata experts who produce and distribute digital media for the leading Hollywood studios. -
Drama | 60 Minutes DAWSON’S CREEK TEENAGE FRIENDS COME of AGE in a SMALL Resort TOWN
MAD ABOUT YOU ....................................................3 my boys ....................................................4 married with children ....................................................5 THE nanny ....................................................6 men at work ....................................................7 WHO’S THE BOSS? ....................................................7 the king of queens ....................................................8 RULES OF ENGAGEMENT ....................................................8 THE JEFFERSONS ....................................................9 SILVER SPOONS ....................................................9 DIFF’RENT STROKES ..................................................10 I DREAM OF JEANNIE ..................................................10 •3• comedy Paul is a documentary film-maker with a penchant for obsessing over the minutae, and his wife Jamie is a fiery public relations specialist. Together, these two young, urban newlyweds try to A SOPHISTICATED MARRIED COUPLE NAVIGATE sustain wedded bliss despite the demands of their respective professional careers, meddling MAD ABOUT YOU THE CHALLENGES OF MARRIAGE AND PARENTHOOD. friends (like Fran Devanow, Jamie’s first boss and eventual best friend, Ira, Paul’s cousin, and Lisa, Jamie’s offbeat older sister) in the chaos of big city living… always with honesty and humor. view promo comedy | 30 minutes •4• comedy MY BOYS A FEMALE SPORTS COLUMNIST DEALS WITH THE MEN IN HER LIFE comedy | 30 minutes view promo INCLUDING -
Notes from the Midnight Driver
Notes From the Midnight Driver Jordan Sonnenblick SCHOLASTIC INC. New York Toronto London Auckland Sydney Mexico City New Delhi Hong Kong Buenos Aires To my grandfather, Solomon Feldman, who inspired this book, and to the memory of my father, Dr. Harvey Sonnenblick, who loved it Table of Contents Title Page Dedication May Last September Gnome Run The Wake-Up Day Of The Dork-Wit My Day In Court Solomon Plan B Laurie Meets Sol Sol Gets Interested Half An Answer Happy Holidays The Ball Falls Happy New Year! Enter The Cha-Kings Home Again Am I A Great Musician, Or What? A Night For Surprises Darkness The Valentine’s Day Massacre Good Morning, World! The Mission The Saints Go Marchin’ In The Work Of Breathing Peace In My Tribe Finale Coda The Saints Go Marchin’ In Again Thank you Notes About the Author Interview Sneak Peek Copyright May Boop. Boop. Boop. I’m sitting next to the old man’s bed, watching the bright green line spike and jiggle across the screen of his heart monitor. Just a couple of days ago, those little mountains on the monitor were floating from left to right in perfect order, but now they’re jangling and jerking like maddened hand puppets. I know that sometime soon, the boops will become one long beep, the mountains will crumble into a flat line, and I will be finished with my work here. I will be free. LAST SEPTEMBER GNOME RUN It seemed like a good idea at the time. Yes, I know everybody says that—but I’m serious.