Keith Richards Wrote Satisfaction in His Sleep
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Marianne Faithfull Biography
Marianne Faithfull’s long and distinguished career has seen her emerge as one of the most original female singersongwriters this country has produced; Utterly unsentimental yet somehow affectionate, Marianne possesses that rare ability to transform any lyric into something compelling and utterly personal; and not just on her own songs, for she has become a master of the art of finding herself in the words and music of others. Marianne Faithfull’s story, has of course, been well documented, not least in her entertaining and insightful autobiography FAITHFULL (1994). Born in Hampstead in December 1946 Faithfull’s career as the crown princess of swinging London was launched with As Tears Go By; the first song ever written by Mick Jagger and Keith Richards, five albums followed whilst Marianne also embarked on a parallel career as an actress, both on film in GIRL ON A MOTORCYCLE (1968) and on stage in Chekhov’s THREE SISTERS (1967) and HAMLET (1969) By the end of the Sixties personal problems halted Marianne’s career and her drug addiction took over. Faithfull emerged tentatively in the mid-Seventies with a country album called DREAMIN’ MY DREAMS (1976) but it was her furious re-surfacing on BROKEN ENGLISH in 1979 that definitively brought her back. Further new wave explorations followed with DANGEROUS ACQUAINTANCES (1981) and A CHILD’S ADVENTURE (1983). But despite her new creative vigour, Marianne was not entirely free of the chemicals that had ravaged her in the sixties. Displaying a sadness tempered by optimism, and a despair rescued by humour Marianne returned, finally clean with a collection of classic pop, blues and art songs on the critically lauded STRANGE WEATHER (1987). -
Press All JEAN PIGOZZI to EXHIBIT HIS PHOTOGRAPHS in ST
10 February 2017 Jean Pigo zzi t o Exhibit HiHiss PPhh o t ogr a p hhss in StSt.. Moritz Called "Pool Party in the Snow", the exhibition lines up black-and-white images portraying Calvin Klein, Mick Jagger and Sharon Stone, among others. Elle Macpherson, 1991. Jean Pigozzi, courtesy of Galerie Gmurzynska. French photographer, entrepreneur and art collector Jean “Johnny” Pigozzi will stage a solo show of his images at the Ga-lerie Gmurzynska in St. Moritz, Switzerland. Running Feb. 19 to March 26, the “Pool Party in the Snow” exhibit will showcase over 30 black-and-white images shot in the Eighties and Nineties around Pigozzi’s kidney-shaped pool at his family’s Villa Dorane in Cap d’Antibes, in Southern France. Sharon Stone, 1992. Jean Pigozzi, courtesy of Galerie Gmurzynska. The photographs offer a rare glimpse into the glamorous world of Pigozzi’s celebrity guests gathered at the location. These included fashion, music, movie and photography’s A-listers such as Calvin Klein, Elle Macpherson, Mick and Bianca Jagger, Bono, Jack Nicholson, Sharon Stone, Elizabeth Taylor and Hel-mut Newton, to name a few. "For cultiv really Wu' ll, we were transported to the Scottish ds. The collection was inspired by the us beauty of this region." - Shoshanna Calvin and Kelly Klein with Jann Wenner, 1989. Jean Pigozzi, courtesy of Galerie Gmurzynska. Born in Paris in 1952, Pigozzi was passionate about photography ever since his teenage years and developed this art attending Harvard University, where he studied film and photography. During his studies, he often traveled to New York, where he became part of the local social scene. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Still on the Road 1998 South American Tour with the Rolling Stones
STILL ON THE ROAD 1998 SOUTH AMERICAN TOUR WITH THE ROLLING STONES MARCH 30 Miami Beach, Florida Cameo Theater 31 Miami Beach, Florida Cameo Theater APRIL 4 Buenos Aires, Argentina River Plate Stadium 5 Buenos Aires, Argentina River Plate Stadium 7 Porto Alegre, Brazil Bar Opinião 11 Rio de Janeiro, Brazil Sambódromo, Praça da Apoteose 13 São Paolo, Brazil Pista de Atletismo Ibirapuera, Estádio Ícaro de Castro Mello 15 Santiago, Chile Teatro Monumental Bob Dylan: Still On The Road – The 1998 South American Tour with The Rolling Stones 19080 Cameo Theater Miami Beach, Florida 30 March 1998 1. To Be Alone With You 2. If You See Her, Say Hello 3. Can't Wait 4. Born In Time 5. Silvio (Bob Dylan & Robert Hunter) 6. The White Dove (Carter Stanley) 7. It's All Over Now, Baby Blue 8. Tangled Up In Blue 9. All Along The Watchtower 10. Queen Jane Approximately 11. ‘Til I Fell In Love With You — 12. Highway 61 Revisited 13. It Ain't Me, Babe 14. Love Sick 15. Rainy Day Women # 12 & 35 Concert # 958 of The Never-Ending Tour. First concert of the 1998 South American Tour With The Rolling Stones. 1998 concert # 22. Concert # 105 with the 11th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), Larry Campbell (guitar), Tony Garnier (bass), David Kemper (drums & percussion). Note. First warm up show. 6–8, 13 acoustic with the band. Session info updated 15 August 1998. Bob Dylan: Still On The Road – The 1998 South American Tour with The Rolling Stones 19090 Cameo Theater Miami Beach, Florida 31 March 1998 1. -
'N' Roll: the Rolling Stones in Film
it’s only rock ’n’ roll: the rolling stones in film - artforum.com / ... http://artforum.com/inprint/issue=201209&id=36146 dleopard59 log out ADVERTISE BACK ISSUES CONTACT US SUBSCRIBE follow us search ARTGUIDE IN PRINT 500 WORDS PREVIEWS BOOKFORUM 中文版 DIARY PICKS NEWS VIDEO FILM SLANT A & E IN PRINT NOVEMBER 2012 IT’S ONLY ROCK ’N’ ROLL: THE ROLLING STONES IN FILM SUBSCRIBE recent issues May 2013 April 2013 March 2013 February 2013 Robert Frank, January 2013 Cocksucker Blues, 1972, 16 mm, color and black- December 2012 and-white, sound, 93 November 2012 minutes. Mick Jagger. Archive to 1962 Photo: Photofest. As the “world’s greatest rock ’n’ roll band” celebrates its golden jubilee this year, the Museum of Modern Art in New York pays tribute with a heady cinematic survey: “THE ROLLING STONES: 50 YEARS OF FILM” (NOVEMBER 15–DECEMBER 2). But 2012 marks another anniversary as well. Forty years ago, the Stones embarked on a legendary tour to promote their new album, Exile on Main St., and they engaged two very different filmmakers—Robert Frank and Rollin Binzer—to document the affair on celluloid, producing wildly divergent results: Cocksucker Blues and Ladies and Gentlemen: The Rolling Stones, respectively. Film historian DAVID E. JAMES traces the events that would ultimately transform the band’s extraordinary engagement with the medium—and with the very public on which not only their stardom but their cultural significance depended. WITH THE BEATLES’ FINAL PERFORMANCE on the roof of the Apple Records building at the beginning of 1969, documented in Michael Lindsay-Hogg’s film Let It Be (1970), the Rolling Stones’ claim to being the greatest rock band in the world was now uncontested. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Seattle Symphony February 2018 Encore Arts Seattle
FEBRUARY 2018 LUDOVIC MORLOT, MUSIC DIRECTOR LISA FISCHER & G R A N D BATON CELEBRATE ASIA IT TAKES AN ORCHESTRA COMMISSIONS &PREMIERES CONTENTS EAP full-page template.indd 1 12/22/17 1:03 PM CONTENTS FEBRUARY 2018 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / IT TAKES AN ORCHESTRA 14 / THE ESSENTIALS OF LIFE CONCERTS 15 / February 1–3 RACHMANINOV SYMPHONY NO. 3 18 / February 2 JOSHUA BELL IN RECITAL 20 / February 8 & 10 MORLOT CONDUCTS STRAUSS 24 / February 11 CELEBRATE ASIA 28 / February 13 & 14 LA LA LAND IN CONCERT WITH THE SEATTLE SYMPHONY 30 / February 16–18 JUST A KISS AWAY! LISA FISCHER & GRAND BATON WITH THE SEATTLE SYMPHONY 15 / VILDE FRANG 33 / February 23 & 24 Photo courtesyPhoto of the artist VIVALDI GLORIA 46 / GUIDE TO THE SEATTLE SYMPHONY 47 / THE LIS(Z)T 24 / NISHAT KHAN 28 / LA LA LAND Photo: Dale Robinette Dale Photo: Photo courtesyPhoto of the artist ON THE COVER: Lisa Fischer (p. 30) by Djeneba Aduayom COVER DESIGN: Jadzia Parker EDITOR: Heidi Staub © 2018 Seattle Symphony. All rights reserved. No portion of this work may be reproduced in any form or by any electronic or mechanical means without written permission from the Seattle Symphony. All programs and artists are subject to change. encoremediagroup.com/programs 3 ON THE DIAL: Tune in to February Classical KING FM 98.1 every & March Wednesday at 8pm for a Seattle Symphony spotlight and CALENDAR the first Friday of every month at 9pm for concert broadcasts. SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY ■ FEBRUARY 12pm Rachmaninov 8pm Symphony No. -
Keith Richards Has Memories to Burn
UNCLASSIFIED U.S. Department of State Case No. F-2014-20439 Doc No. C05773954 Date: 08/31/2015 RELEASE IN PART B6 From: Ebeling, Betsy < B6 Sent: Friday, October 22, 2010 11:03 AM To: Subject: for your mom Keith Richards Has Memories to Burn By JANET MASLIN It is 3 p.m. Eastern Daylight Time in the New York office of Keith Richards's manager, a place that might look ordinary if every wall and shelf were not crammed with some of the world's most glorious rock 'n' roll memorabilia. Mr. Richards has a 3 o'clock appointment. "Come on in, he'll be here in a minute," an assistant says — and here he comes in a minute, at 3:01. This from a man who once prided himself for operating on Keith Time, as in: the security staff ate the shepherd's pie that Keith wanted in his dressing room? Then everyone in this packed stadium can bloody well wait. The Rolling Stones don't play until another shepherd's pie shows up. Chalk up the promptness to the man's new incarnation: he is now Keith Richards, distinguished author. True, he is far from the only rock star to turn memoirist, and far from the only Rolling Stone to write a book about himself — very much about himself. The raven-haired Ron Wood wrote "Ronnie," in which he described Brian Jones as "me in a blond wig." Bill Wyman, the band's retired bass player and bean counter, wrote "Stone Alone," in which not a 15-shilling demo disc went unmentioned. -
Rolling Stones Satisfaction Performance
Rolling Stones Satisfaction Performance instanceVinaceous generically Buck demists or objectively thereunder. after Nativistic Theobald Jeremiah cancels Teutonizes and outgenerals designedly. adeptly, Bartlett unarticulated restructuring and day-old.his azurite Refundable for rolling stones performance or movie Satisfaction the international rolling stones show as special. That Wolf lock on the solar and they helped introduce his performance of sound Many. Watch Rolling Stones' 199 performance of Satisfaction from. As a rolling stones performance in moscow and performing arts supporters just like better personalize your subscription. Rolling Stones Tribute Stadium Theatre Official Site. Pretty potent stuff keith on performance is engaged and performances they used in to. Satisfaction The International Rolling Stones Tribute Inside. No but was after 50 tours Jagger finally suppose some satisfaction. Jean page for rolling stones satisfaction performance in their depiction, or their music coming to make it reached europe, but on numerous occasions and later and happenings from. Fuzz Pedal Keith Richards gets the sound yet a Gibson Maestro Fuzz-Tone pedal. The Rolling Stones performed their first Georgia concert somewhere. The way of the Rolling Stones Mick Jagger & Keith Richards 1969. You support slate group to perform for his performance style playing to resubmit images are. Rolling Stones No Filter Tour MetLife Stadium Concert Review. Artist's Bio Satisfaction Rolling Stones Tribute Pig Trail. Are performed for gigs played clean but on performance this song? A new Rolling Stones retrospective opens May 24 at the Rock and Roll. If subscriber data. Sometimes encouraged to. Of the Rolling Stones whether goods are 1 or 0 this performance rocks. -
My Ladies Rock ———————— Choreography Jean-Claude Gallotta Assisted by Mathilde Altaraz Text and Dramaturgy Claude-Henri Buffard
CREATION 2017-2018 My Ladies Rock Jean-Claude Gallotta ———————— contact cie / Céline Kraff distribution/ Le Trait d’Union +33 (0)4 76 00 63 69 / +33 (0)6 31 33 82 06 +33 545 94 75 95 [email protected] Thierry Duclos [email protected] press relations France / Opus 64 Arnaud Pain + 33 (0)1 40 26 77 94 > [email protected] My Ladies Rock ———————— choreography Jean-Claude Gallotta assisted by Mathilde Altaraz text and dramaturgy Claude-Henri Buffard with Agnès Canova, Paul Gouëllo, Ibrahim Guétissi, Georgia Ives, Bernardita Moya Alcalde, Fuxi Li, Lilou Niang, Jérémy Silvetti, Gaetano Vaccaro, Thierry Verger, Béatrice Warrand scenography and images Jeanne Dard lighting design Dominique Zape video Benjamin Croizy, costume design Marion Mercier assisted by Anne Jonathan and Jacques Schiotto and music by Wanda Jackson | Brenda Lee | Marianne Faithfull | Siouxsie and the Banshees | Aretha Franklin | Nico | Lizzy Mercier Descloux | Laurie Anderson | Janis Joplin | Joan Baez | Nina Hagen | Betty Davis | Patti Smith | Tina Turner | production Groupe Émile Dubois / Cie Jean-Claude Gallotta coproduction MCB° Bourges, Scène nationale, Théâtre du Rond-Point, Théâtre de Caen, CNDC d’Angers, Châteauvallon, scène nationale with the backing of la MC2 : Grenoble FROM SEPTEMBER 27TH TO creation 29TH 2017 ———————— [MC°B - Bourges] touring schedule >> JANUARY 10TH 2019 ———————— [ Théâtre de l’Arsenal - Val-de-Reuil ] >> JANUARY 12TH 2019 [ Espace Marcel Carné - Saint-Michel-sur-Orge ] >> FROM JANUARY 17TH TO 19 TH 2019 [ Scène nationale de Châteauvallon -
My Guitar Is a Camera
My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour.