Rolling Stones Satisfaction Performance
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LISA FISCHER BIO Lisa Fischer Is a Singer Who Really Gets Around. Her Life
LISA FISCHER BIO Lisa Fischer is a singer who really gets around. Her life is an endless round of planes, trains, and automoBiles, rehearsals and fittings. On tour with the Rolling Stones, Sting, Chris Botti or Nine Inch Nails, her name may not Be on the marquee, But she doesn't care. She's Busy loving every minute of it. It's easy to see why she works all the time: her astonishing range, her spot-on intonation, her mastery of the stage, the way her tone wraps itself around your heart and won't let go, the infectious quality of her time feel: these things keep her on top of the list. But it's the sweetness of her smile, her visiBle pleasure in watching her Bandmates do their stuff, her glamorous- girl-next-door quality that make fans all over the world think she's their own secret discovery (despite the fact that the YouTube version of her duet with Mick Jagger on 'Gimme Shelter' has millions of hits). The rest of her resume is pretty impressive too: touring, recording, and music making with Tina Turner, Chaka Khan, Beyonce, Dionne Warwick, Dolly Parton, Bobby McFerrin, Alicia Keyes, Lou Reed, Louie Vega, Aretha Franklin, John Scofield, George Benson, Laurie Anderson, Lee Ritenour, Jackie Evancho (and many others). Along with many other top session and backup singers like Darlene Love, Merry Clayton, Patti Austin, and Judith Hill, "the greatest artists you've never heard of" (but whose voices are instantly recognizable), she's featured in Morgan Neville's acclaimed documentary film Twenty Feet from Stardom, distributed By Miramax in the US and scheduled for European premieres throughout 2013-2014 season. -
PARKSIDE UNIT 3 HEALTH: Putting the Truth About Drugs to Use NAME
PARKSIDE UNIT 3 HEALTH: Putting the Truth about Drugs to Use NAME: _______________ ROOM: __________ DUE DATE: MAY 15, 2020 Assignments: Lesson # 1: Considering your response The statements below represent 9 common lies about drugs. They are often used to persuade young people to begin or continue to take illegal street drugs or to abuse prescription drugs. As you read each lie, think about how you would respond if a friend seriously said one of these to you. 9 Lies About Drugs: 1) Drugs make you feel better. 2) Drugs make you more creative. 3) Marijuana is better for you than tobacco. 4) Drugs make you more fun to be with. 5) Drugs wear off and don’t cause any permanent damage to your body. 6) Drugs give you energy. 7) Prescription drugs can’t hurt you. 8) You can stop taking drugs whenever you want. 9) Alcohol isn’t really a drug. Write one true statement about drugs that you could use to contradict each lie listed above (“contradict” means “to speak against”). Do not use the same “speak against” statement more than once. You will write 9 different “speak against” statements to respond to the 9 different lies listed in lesson 1. Lesson # 2: The aftermath of bad choices Read the song lyrics to Hurt more than once. As you read, think how the lyrics relate to a life lived and the meaning it is trying to communicate to its readers and listeners. As you read the lyrics for understanding, think about your written responses to these 3 prompts: 1) Identify and write about the song lyrics you believe tell about drug abuse. -
Brian Jones: the Making of the Rolling Stones by Paul Trynka Book
Brian Jones: The Making of the Rolling Stones by Paul Trynka book Ebook Brian Jones: The Making of the Rolling Stones currently available for review only, if you need complete ebook Brian Jones: The Making of the Rolling Stones please fill out registration form to access in our databases Download here >> Paperback:::: 384 pages+++Publisher:::: Plume; Reprint edition (November 3, 2015)+++Language:::: English+++ISBN-10:::: 0147516455+++ISBN-13:::: 978-0147516459+++Product Dimensions::::5.4 x 0.8 x 8 inches++++++ ISBN10 0147516455 ISBN13 978-0147516 Download here >> Description: “Should be unfailingly interesting to any Stones fan.”—Larry Rhoter, New York TimesThe Rolling Stones’ rise to fame is one of rock ‘n’ roll’s epic stories. Yet one crucial part of that story has never been fully told: the role of Brian Jones, the visionary who founded the band and meticulously controlled their early sound, only to be dethroned by Mick Jagger and Keith Richards. Tormented by paranoia and drug problems, Jones drowned at the age of twenty-seven. Drawing on new information and interviews with Richards, Andrew Oldham, and Marianne Faithfull, among dozens of others, Brian Jones lays bare the Rolling Stones’ full story, in all its glory and squalor. By far and away the best book ever written about Brian Jones. Paul Trynka interviewed over 100 people. He spends quite a lot of time on Brians very early days in Cheltenham England. He covers his family life, his social life, his rebellious life and most importantly his musical life. All this before he even hit London where he impressed everyone with his incredible slide guitar. -
Bright Tunes Music V. Harrisongs Music
420 F.Supp. 177 United States District Court, S. D. New York. BRIGHT TUNES MUSIC CORP., Plaintiff, v. HARRISONGS MUSIC, LTD., et al., Defendants. No. 7 1 Civ. 602. | Aug. 31, 1976. | As Amended Sept. 1, 1976. OPINION AND ORDER OWEN, District Judge. This is an action in which it is claimed that a successful song, My Sweet Lord, listing George Harrison as the composer, is plagiarized from an earlier successful song, He’s So Fine, composed by Ronald Mack, recorded by a singing group called the “Chiffons,” the copyright of which is owned by plaintiff, Bright Tunes Music Corp. He’s So Fine, recorded in 1962, is a catchy tune consisting essentially of four repetitions of a very short basic musical phrase, “sol-mi-re,” (hereinafter motif A),1 altered as necessary to fit the words, followed by four repetitions of another short basic musical phrase, “sol-la-do-la-do,” (hereinafter motif B).2 While neither motif is novel, the four repetitions of A, followed by four repetitions of B, is a highly unique pattern.3 In addition, in the second use of the motif B series, there is a grace note inserted making the phrase go “sol-la-do-la-re-do.”4 My Sweet Lord, recorded first in 1970, also uses the same motif A (modified to suit the words) four times, followed by motif B, repeated three times, not four. In place of He’s So Fine’s fourth repetition of motif B, My Sweet Lord has a transitional passage of musical attractiveness of the same approximate length, with the identical grace note in the identical second repetition.5 The harmonies of both songs are identical.6 *179 George Harrison, a former member of The Beatles, was aware of He’s So Fine. -
Billy Preston
Billy Preston Billy Preston was a soul singer and pianist who, in addition to having a successful solo career, collaborated with some of the greatest names in the music industry, including the Beatles, the Rolling Stones, Little Richard, Ray Charles, George Harrison, Eric Clapton, Bob Dylan, Sam Cooke, Sammy Davis Jr., Sly Stone, Aretha Franklin, the Jackson 5, Quincy Jones, and the Red Hot Chili Peppers. Often called “the Fifth Beatle,” this former child prodigy left one of the most profound and prolific legacies in music. William Everett Preston was born in Houston, Texas in 1946. He began playing piano at age three, and by ten he had joined the band of gospel great Mahalia Jackson. At age twelve he appeared in the 1958 film St. Louis Blues, portraying blues composer W.C. Handy as a young man. In the 1960s Preston performed with Little Richard and Ray Charles, and became a regular singer and pianist on the ABC television series Shindig. Preston went on to a successful career as a session musician, including lending his talents to the Beatle’s Let It Be album. That collaboration led to his signing to the Beatles’ Apple label, and in 1969 his solo effort, produced by George Harrison, was released. The album That's the Way God Planned It and the single of the same name met with limited success, but in 1972 he released an instrumental funk single, "Outa-Space," that reached #2 in the U.S. and won the Grammy award for Best Pop Instrumental Performance. Over the next two years, Preston enjoyed more number one hits including "Will It Go Round In Circles" and "Nothing From Nothing." He was the first guest musical artist on the premier episode of the popular TV show Saturday Night Live. -
Misdemeanor Warrant List
SO ST. LOUIS COUNTY SHERIFF'S OFFICE Page 1 of 238 ACTIVE WARRANT LIST Misdemeanor Warrants - Current as of: 09/26/2021 9:45:03 PM Name: Abasham, Shueyb Jabal Age: 24 City: Saint Paul State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/05/2020 415 Bench Warrant-fail to appear at a hearing TRAFFIC-9000 Misdemeanor Name: Abbett, Ashley Marie Age: 33 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 03/09/2020 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Abbott, Alan Craig Age: 57 City: Edina State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 09/16/2019 500 Bench Warrant-fail to appear at a hearing Disorderly Conduct Misdemeanor Name: Abney, Johnese Age: 65 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/18/2016 100 Bench Warrant-fail to appear at a hearing Shoplifting Misdemeanor Name: Abrahamson, Ty Joseph Age: 48 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/24/2019 100 Bench Warrant-fail to appear at a hearing Trespass of Real Property Misdemeanor Name: Aden, Ahmed Omar Age: 35 City: State: Issued Date Bail Amount Warrant Type Charge Offense Level 06/02/2016 485 Bench Warrant-fail to appear at a hearing TRAFF/ACC (EXC DUI) Misdemeanor Name: Adkins, Kyle Gabriel Age: 53 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 02/28/2013 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Aguilar, Raul, JR Age: 32 City: Couderay State: WI Issued Date Bail Amount Warrant Type Charge Offense Level 02/17/2016 Bench Warrant-fail to appear at a hearing Driving Under the Influence Misdemeanor Name: Ainsworth, Kyle Robert Age: 27 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 11/22/2019 100 Bench Warrant-fail to appear at a hearing Theft Misdemeanor ST. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
'N' Roll: the Rolling Stones in Film
it’s only rock ’n’ roll: the rolling stones in film - artforum.com / ... http://artforum.com/inprint/issue=201209&id=36146 dleopard59 log out ADVERTISE BACK ISSUES CONTACT US SUBSCRIBE follow us search ARTGUIDE IN PRINT 500 WORDS PREVIEWS BOOKFORUM 中文版 DIARY PICKS NEWS VIDEO FILM SLANT A & E IN PRINT NOVEMBER 2012 IT’S ONLY ROCK ’N’ ROLL: THE ROLLING STONES IN FILM SUBSCRIBE recent issues May 2013 April 2013 March 2013 February 2013 Robert Frank, January 2013 Cocksucker Blues, 1972, 16 mm, color and black- December 2012 and-white, sound, 93 November 2012 minutes. Mick Jagger. Archive to 1962 Photo: Photofest. As the “world’s greatest rock ’n’ roll band” celebrates its golden jubilee this year, the Museum of Modern Art in New York pays tribute with a heady cinematic survey: “THE ROLLING STONES: 50 YEARS OF FILM” (NOVEMBER 15–DECEMBER 2). But 2012 marks another anniversary as well. Forty years ago, the Stones embarked on a legendary tour to promote their new album, Exile on Main St., and they engaged two very different filmmakers—Robert Frank and Rollin Binzer—to document the affair on celluloid, producing wildly divergent results: Cocksucker Blues and Ladies and Gentlemen: The Rolling Stones, respectively. Film historian DAVID E. JAMES traces the events that would ultimately transform the band’s extraordinary engagement with the medium—and with the very public on which not only their stardom but their cultural significance depended. WITH THE BEATLES’ FINAL PERFORMANCE on the roof of the Apple Records building at the beginning of 1969, documented in Michael Lindsay-Hogg’s film Let It Be (1970), the Rolling Stones’ claim to being the greatest rock band in the world was now uncontested. -
Roctober Reviews: ROLLING STONES, the MICK TAYLOR
3/23/2011 Roctober Reviews: ROLLING STONES, … Share Report Abuse Next Blog» Create Blog Sign In Friday, February 11, 2011 waymon ROLLING STONES, THE MICK TAYLOR YEARS DVD Roctober Magazine Senior Tastemaker Roctober Magazine Reviews: Chicago, IL, United States These reviews will be featured in forthcoming issues of Roctober Magazine (www.roctober.com). To submit material for review please contact [email protected] or send it to Roctober Magazine 1507 E. 53rd St. #617 Chicago IL 60615. REVIEW POLICIES: We will review EVERYTHING physically submitted, in any format (vinyl, CD, cassette, 8-track, wax cylinder, DVD, VHS, Beta, videogame, book, magazine, zine, cake, bucket of chicken, etc.) For music my kingly (MVD ) Guest Review by Gary Pig Gold tastes make me like vinyl the best and I THROUGH THE PAST, SMARTLY: will probably think you are cooler if you For those who arrived at the party rather late – meaning the first new send your release on vinyl. I do review Stones record you ever bought had a big red tongue splayed across some digital submissions/downloads, its label – the five years and ninety-nine minutes contained within but it is not a guarantee. But if you Chrome Dreams’ Rolling Stones: The Mick Taylor Years DVD will throw it on a cheap CD-R and mail it to serve as a more than welcome addition to all of your recently- me it will definitely be reviewed. For acquired Exile On Main St. collectables. In fact, should you consider periodicals/zines/comix/magazines we yourself a part of the ever-expanding constituency who swear the may not review every issue but we will Stones’ best work was done during that half decade between the run a new, different review in each death of Brian Jones and the arrival of Ronnie Wood, this is one issue of Roctober. -
Seattle Symphony February 2018 Encore Arts Seattle
FEBRUARY 2018 LUDOVIC MORLOT, MUSIC DIRECTOR LISA FISCHER & G R A N D BATON CELEBRATE ASIA IT TAKES AN ORCHESTRA COMMISSIONS &PREMIERES CONTENTS EAP full-page template.indd 1 12/22/17 1:03 PM CONTENTS FEBRUARY 2018 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / IT TAKES AN ORCHESTRA 14 / THE ESSENTIALS OF LIFE CONCERTS 15 / February 1–3 RACHMANINOV SYMPHONY NO. 3 18 / February 2 JOSHUA BELL IN RECITAL 20 / February 8 & 10 MORLOT CONDUCTS STRAUSS 24 / February 11 CELEBRATE ASIA 28 / February 13 & 14 LA LA LAND IN CONCERT WITH THE SEATTLE SYMPHONY 30 / February 16–18 JUST A KISS AWAY! LISA FISCHER & GRAND BATON WITH THE SEATTLE SYMPHONY 15 / VILDE FRANG 33 / February 23 & 24 Photo courtesyPhoto of the artist VIVALDI GLORIA 46 / GUIDE TO THE SEATTLE SYMPHONY 47 / THE LIS(Z)T 24 / NISHAT KHAN 28 / LA LA LAND Photo: Dale Robinette Dale Photo: Photo courtesyPhoto of the artist ON THE COVER: Lisa Fischer (p. 30) by Djeneba Aduayom COVER DESIGN: Jadzia Parker EDITOR: Heidi Staub © 2018 Seattle Symphony. All rights reserved. No portion of this work may be reproduced in any form or by any electronic or mechanical means without written permission from the Seattle Symphony. All programs and artists are subject to change. encoremediagroup.com/programs 3 ON THE DIAL: Tune in to February Classical KING FM 98.1 every & March Wednesday at 8pm for a Seattle Symphony spotlight and CALENDAR the first Friday of every month at 9pm for concert broadcasts. SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY ■ FEBRUARY 12pm Rachmaninov 8pm Symphony No. -
High Lights O
o c c a b a T 6 l rock è ancora il genere musicale a più alto di Satisfaction e Brown Sugar, quanto di attingere a tasso di politicamente scorretto? Qualche per osmosi a quell’elisir di lunga vita (frutto evi - t e dubbio a riguardo viene, considerando le dente di un faustiano patto col Diavolo: ricorda n rockstar con le loro diete salutiste, ore ed nulla Simpathy for the devil ?) che permette a degli a i ore spese in palestra, ritorni alla grandi religioni ultrasettantenni di dare ancora la birra ad un P I rivelate, appelli ambientalisti ed esibiti impegni sacco di giovani rock’n’roll band. terzomondisti. Al netto di sesso e droga, esiste Ma, tornando al “ No filter Tour ”, viene da pensare però un certo “vizietto” che in pochi hanno che una delle ragioni per cui gli Stones hanno perso per quanto sia stato scritto nero su bianco scelto questo nome risieda nella abituale frequen - e in milioni di copie in giro per il mondo che tazione che i musicisti britannici hanno avuto nel “nuoce gravemente alla salute ”: la sigaretta. Sarà un corso della loro lunga carriera con le “bionde”; caso, ma l’ultimo tour (probabilmente l’ultimo groupies a parte, ovviamente. E proprio alla lon - non solo in ordine di tempo, ma nella sua acce - geva liaison tra rock e tabacco poco tempo fa è zione di “definitivo”, vista l’età dei nostri eroi… stata dedicata nel Regno Unito la mostra foto - ) dei fantastici Rolling Stones è denominato “ No grafica “ Smoking’s Cool ”. Scorrendo le bellissime Filter Tour ”, il che è tutto dire. -
Keith Richards Has Memories to Burn
UNCLASSIFIED U.S. Department of State Case No. F-2014-20439 Doc No. C05773954 Date: 08/31/2015 RELEASE IN PART B6 From: Ebeling, Betsy < B6 Sent: Friday, October 22, 2010 11:03 AM To: Subject: for your mom Keith Richards Has Memories to Burn By JANET MASLIN It is 3 p.m. Eastern Daylight Time in the New York office of Keith Richards's manager, a place that might look ordinary if every wall and shelf were not crammed with some of the world's most glorious rock 'n' roll memorabilia. Mr. Richards has a 3 o'clock appointment. "Come on in, he'll be here in a minute," an assistant says — and here he comes in a minute, at 3:01. This from a man who once prided himself for operating on Keith Time, as in: the security staff ate the shepherd's pie that Keith wanted in his dressing room? Then everyone in this packed stadium can bloody well wait. The Rolling Stones don't play until another shepherd's pie shows up. Chalk up the promptness to the man's new incarnation: he is now Keith Richards, distinguished author. True, he is far from the only rock star to turn memoirist, and far from the only Rolling Stone to write a book about himself — very much about himself. The raven-haired Ron Wood wrote "Ronnie," in which he described Brian Jones as "me in a blond wig." Bill Wyman, the band's retired bass player and bean counter, wrote "Stone Alone," in which not a 15-shilling demo disc went unmentioned.