DOCSLIB.ORG

Billy Preston & Syreeta

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Billy Preston & Syreeta Billy Preston Billy Preston & Syreeta mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Billy Preston & Syreeta Country: Canada Released: 1981 Style: Soul, Funk, Disco MP3 version RAR size: 1450 mb FLAC version RAR size: 1144 mb WMA version RAR size: 1176 mb Rating: 4.6 Votes: 313 Other Formats: MP4 DTS AU MIDI MOD DMF MPC Tracklist Hide Credits Someone Special A1 4:15 Written-By – Greg Beck, Ollie E. Brown*, Renee Moore* Searchin' A2 4:35 Written-By – Ollie E. Brown* Just For You A3 5:15 Written-By – Billy Preston, Michael McGloiry, Ollie E. Brown*, Syreeta Wright It's So Easy A4 3:41 Written-By – Carol Connors, David Shire A Long And Lasting Love A5 3:38 Written-By – Gerry Goffin, Michael Masser Love B1 4:06 Written-By – Michael Masser, Randy Goodrum One More Try B2 4:07 Written-By – Allee Willis, Lauren Wood Hey You B3 4:04 Written-By – Billy Preston, Keith Boyd, Jr. A New Way To Say I Love You B4 3:00 Written-By – Gerry Goffin, Michael Masser What We Did For Love B5 2:58 Written-By – Michael Masser, Randy Goodrum Companies, etc. Phonographic Copyright (p) – Motown Record Corporation Copyright (c) – Motown Record Corporation Credits Arranged By [Backing Vocals] – Arnell Carmichael (tracks: A1 to A3, B2, B3), Jim Gilstrap (tracks: A1 to A3, B2, B3), Ollie E. Brown* (tracks: A1 to A3, B2, B3) Arranged By [Horn Arrangements] – Jerry Hey (tracks: A1 to A3, B2, B3) Arranged By [Rhythm Arrangements] – Barry Fasman (tracks: A5, B1, B4, B5), Ollie E. Brown* (tracks: A1 to A3, B2, B3), Sylvester Rivers (tracks: A1 to A3, B2, B3) Arranged By [String Arrangements] – Gene Page (tracks: A1 to A3, A5, B1 to B5) Art Direction – Johnny Lee Backing Vocals – Arnel Carmichael* (tracks: A1 to A3, B2, B3), Becky Lopez (tracks: A5, B1, B4, B5), Billy Preston (tracks: A1 to A5, B1 to B6), Deborah Thomas (tracks: A1 to A3, B2, B3), Ginger Blake-Schackne* (tracks: A5, B1, B4, B5), J.D. Nicholas (tracks: A1 to A3, B2, B3), James A. Carmichael* (tracks: A1 to A3, B2, B3), Jim Gilstrap (tracks: A1 to A3, B2, B3), Josie James (tracks: A1 to A3, B2, B3), Julia Tillman* (tracks: A4, B6), Linda Dillard (tracks: A5, B1, B4, B5), Luthers Waters* (tracks: A4, B6), Lynn Davis (tracks: A1 to A3, B2, B3), Maxime Willard Waters* (tracks: A4, B6), Oren Waters (tracks: A4, B6), Sylvia Cox (tracks: A1 to A3, B2, B3), Syreeta (tracks: A1 to A3, B2, B3) Bass – Eddie N. Watkins Jr. (tracks: A4, B6), Leland Sklar (tracks: A5, B1, B4, B5), Nathan Lamarwatts* (tracks: A1 to A3, B2, B3) Conductor – Harry Blue Stone* (tracks: A1 to A3, B2, B3) Congas – Eddie "Bongo" Brown (tracks: A1 to A3, B2, B3) Design – Terry Taylor Drums – Rick Schlosser* (tracks: A5, B1, B4, B5) Drums, Percussion – Olie E. Brown* (tracks: A1 to A4, B2, B3, B6) Engineer – Russ Terrana Engineer [Additional] – Barney Perkins, Bobby Brooks Engineer [Assistant] – Fred Law, Virginia Pallante*, Steve Catania, Tom Cumming*, Tony Autore Engineer, Mixed By – Michael Schuman Executive-Producer – Suzanne Coston, Tony Jones Flute – James Brown (tracks: A3) Guitar – Melvin "Wah Wah" Ragin* (tracks: A1 to A3, B2, B3), Michael McGloiry (tracks: A1 to A3, B2, B3), Mitch Holder (tracks: A4, B6), Paul M. Jackson Jr.* (tracks: A1 to A3, B2, B3), Ray Parker Jr. (tracks: A1 to A3, B2, B3), Tim May (tracks: A5, B1, B4, B5) Keyboards, Synthesizer – John Barnes (tracks: A1 to A3, B2, B3) Management – de Passe & Jones Melodica – Billy Preston (tracks: B3) Mixed By – Ollie E. Brown* (tracks: A4, A5, B1, B4 to B6), Russ Terrana (tracks: A4, A5, B1, B4 to B6) Other [Production Assistance] – Cheryl R. Brown (tracks: A1 to A3, B2, B3) Percussion – Steve Forman (tracks: A4, B6) Photography By – Harry Langdon Piano – Billy Preston (tracks: A3), Randy Goodrum (tracks: A5, B1, B4, B5) Producer – Carol Connors (tracks: A4, B6), Ollie E. Brown* (tracks: A1 to A3, B2, B3) Producer, Arranged By [Rhythm & String Arrangement], Piano – David Shire (tracks: A4, B6) Producer, Arranged By [Rhythm Arrangements], Piano – Michael Masser (tracks: A5, B1, B4, B5) Saxophone – James Brown (tracks: B2) Synthesizer – Michael Boddicker (tracks: A1 to A3, B2, B3) Vibraphone [Vibes] – Gary L. Coleman* (tracks: A1 to A3, B2, B3) Notes Produced for Brown Sugar Productions Label: ℗ 1981 & Trademark Motown Record Corporation Spine: ℗ 1981, © 1981 Canada - Quality Records Limited A product of Motown Record Corp. Barcode and Other Identifiers Matrix / Runout (Side One Label): M958-A Matrix / Runout (Side Two Label): M958-B Other versions Category Artist Title (Format) Label Category Country Year Billy Preston & Syreeta - Billy Preston M8-958 M1 Billy Preston & Syreeta (LP, Motown M8-958 M1 US 1981 & Syreeta Album) Billy Preston & Syreeta - Billy Preston 260•15•023 Billy Preston & Syreeta (LP, Motown 260•15•023 Germany 1981 & Syreeta Album) Billy Preston & Syreeta - Billy Preston M8-958 M1 Billy Preston & Syreeta (LP, Motown M8-958 M1 US 1981 & Syreeta Album) Billy Preston & Syreeta - Billy Preston Billy Preston & Syreeta 062-64-528-2 Motown 062-64-528-2 Europe Unknown & Syreeta (CD, Album, RM, S/Edition, Unofficial) Billy Preston & Syreeta - Billy Preston VIP-6789 Billy Preston & Syreeta (LP, Motown VIP-6789 Japan 1981 & Syreeta Album) Related Music albums to Billy Preston & Syreeta by Billy Preston Mandrill / Michael Masser / George Benson - Muhammad Ali In "The Greatest" (Original Soundtrack) Billy Preston & Syreeta - Music From The Motion Picture "Fast Break" Billy Preston - Since I Held You Close Billy Preston - I'm Never Gonna Say Goodbye Billy Preston - Billy Preston - Late At Night Billy Preston Featuring Syreeta - It Will Come In Time Syreeta - Syreeta Diana Ross - Ross Stevie Wonder Presents Syreeta - Syreeta.
Load more

Recommended publications
  • Bright Tunes Music V. Harrisongs Music
    420 F.Supp. 177 United States District Court, S. D. New York. BRIGHT TUNES MUSIC CORP., Plaintiff, v. HARRISONGS MUSIC, LTD., et al., Defendants. No. 7 1 Civ. 602. | Aug. 31, 1976. | As Amended Sept. 1, 1976. OPINION AND ORDER OWEN, District Judge. This is an action in which it is claimed that a successful song, My Sweet Lord, listing George Harrison as the composer, is plagiarized from an earlier successful song, He’s So Fine, composed by Ronald Mack, recorded by a singing group called the “Chiffons,” the copyright of which is owned by plaintiff, Bright Tunes Music Corp. He’s So Fine, recorded in 1962, is a catchy tune consisting essentially of four repetitions of a very short basic musical phrase, “sol-mi-re,” (hereinafter motif A),1 altered as necessary to fit the words, followed by four repetitions of another short basic musical phrase, “sol-la-do-la-do,” (hereinafter motif B).2 While neither motif is novel, the four repetitions of A, followed by four repetitions of B, is a highly unique pattern.3 In addition, in the second use of the motif B series, there is a grace note inserted making the phrase go “sol-la-do-la-re-do.”4 My Sweet Lord, recorded first in 1970, also uses the same motif A (modified to suit the words) four times, followed by motif B, repeated three times, not four. In place of He’s So Fine’s fourth repetition of motif B, My Sweet Lord has a transitional passage of musical attractiveness of the same approximate length, with the identical grace note in the identical second repetition.5 The harmonies of both songs are identical.6 *179 George Harrison, a former member of The Beatles, was aware of He’s So Fine.
    [Show full text]
  • Billy Preston
    Billy Preston Billy Preston was a soul singer and pianist who, in addition to having a successful solo career, collaborated with some of the greatest names in the music industry, including the Beatles, the Rolling Stones, Little Richard, Ray Charles, George Harrison, Eric Clapton, Bob Dylan, Sam Cooke, Sammy Davis Jr., Sly Stone, Aretha Franklin, the Jackson 5, Quincy Jones, and the Red Hot Chili Peppers. Often called “the Fifth Beatle,” this former child prodigy left one of the most profound and prolific legacies in music. William Everett Preston was born in Houston, Texas in 1946. He began playing piano at age three, and by ten he had joined the band of gospel great Mahalia Jackson. At age twelve he appeared in the 1958 film St. Louis Blues, portraying blues composer W.C. Handy as a young man. In the 1960s Preston performed with Little Richard and Ray Charles, and became a regular singer and pianist on the ABC television series Shindig. Preston went on to a successful career as a session musician, including lending his talents to the Beatle’s Let It Be album. That collaboration led to his signing to the Beatles’ Apple label, and in 1969 his solo effort, produced by George Harrison, was released. The album That's the Way God Planned It and the single of the same name met with limited success, but in 1972 he released an instrumental funk single, "Outa-Space," that reached #2 in the U.S. and won the Grammy award for Best Pop Instrumental Performance. Over the next two years, Preston enjoyed more number one hits including "Will It Go Round In Circles" and "Nothing From Nothing." He was the first guest musical artist on the premier episode of the popular TV show Saturday Night Live.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Rolling Stones Satisfaction Performance
    Rolling Stones Satisfaction Performance instanceVinaceous generically Buck demists or objectively thereunder. after Nativistic Theobald Jeremiah cancels Teutonizes and outgenerals designedly. adeptly, Bartlett unarticulated restructuring and day-old.his azurite Refundable for rolling stones performance or movie Satisfaction the international rolling stones show as special. That Wolf lock on the solar and they helped introduce his performance of sound Many. Watch Rolling Stones' 199 performance of Satisfaction from. As a rolling stones performance in moscow and performing arts supporters just like better personalize your subscription. Rolling Stones Tribute Stadium Theatre Official Site. Pretty potent stuff keith on performance is engaged and performances they used in to. Satisfaction The International Rolling Stones Tribute Inside. No but was after 50 tours Jagger finally suppose some satisfaction. Jean page for rolling stones satisfaction performance in their depiction, or their music coming to make it reached europe, but on numerous occasions and later and happenings from. Fuzz Pedal Keith Richards gets the sound yet a Gibson Maestro Fuzz-Tone pedal. The Rolling Stones performed their first Georgia concert somewhere. The way of the Rolling Stones Mick Jagger & Keith Richards 1969. You support slate group to perform for his performance style playing to resubmit images are. Rolling Stones No Filter Tour MetLife Stadium Concert Review. Artist's Bio Satisfaction Rolling Stones Tribute Pig Trail. Are performed for gigs played clean but on performance this song? A new Rolling Stones retrospective opens May 24 at the Rock and Roll. If subscriber data. Sometimes encouraged to. Of the Rolling Stones whether goods are 1 or 0 this performance rocks.
    [Show full text]
  • Set List Select Several Songs to Be Played at Your Event / Party
    FORM: SET LIST SELECT SEVERAL SONGS TO BE PLAYED AT YOUR EVENT / PARTY SONGS YOU CAN EAT AND DRINK TO MEDLEYS SONGS YOU CAN DANCE TO ELO - Mr. Blue Sky Lykke Li - I follow Rivers St. Vincent - Digital Witness Elton John - Tiny Dancer Major Lazer – Lean On Stealers Wheel - Stuck in the Middle With You Beach Boys - God Only Knows Daft Punk Medley Adele - Rolling in the Deep Empire of the Sun - Walking On a Dream Mariah Carey - Fantasy Steely Dan - Hey Nineteen Belle and Sebastian - Your Covers Blown 90's R&B Medley Amy Winehouse - Valerie Feist - 1,2,3,4 Mark Morrison - Return of the Mack Steely Dan - Peg Black Keys - Gold On the Ceiling TLC Ariel Pink - Round + Round Feist - Sea Lion Woman Mark Ronson - Uptown Funk Stevie Nicks - Stand Back Bon Iver – Holocene Usher Beach Boys - God Only Knows Fleetwood Mac - Dreams Marvin Gaye - Ain't No Mountain High Enough Stevie Wonder - Higher Ground Bon Iver - Re: Stacks Montell Jordan Beck - Debra Fleetwood Mac - Never Going Back MGMT - Electric Feel Stevie Wonder - Sir Duke Bon Iver - Skinny Love Mark Morrison Beck - Where It’s At Fleetwood Mac - Say You Love Me Michael Jackson - Human Nature Stevie Wonder- Superstition Christopher Cross - Sailing Next Belle and Sebastian - Your Covers Blown Fleetwood Mac - You Make Lovin Fun Michael Jackson - Don’t Stop Til You Get Enough Supremes - You Can't Hurry Love David Bowie - Ziggy Stardust 80's Pop + New Wave Medley Billy Preston - Nothing From Nothing Frank Ocean – Lost Michael Jackson - Human Nature Talking Heads - Burning Down the House Eagles - Hotel California New Order Black Keys - Gold On the Ceiling Frankie Vailli - December 1963 (Oh What A Night) Michael Jackson - O The Wall Talking Heads - Girlfriend is Better ELO - Mr.
    [Show full text]
  • The Rolling Stones
    112 Chapter7 George Harrison wrote and recorded albums of his Tho membersof the Rolling Stones,Mick Jagger(born own and alsobecame very involvedin movie production in 1943) and Keith Richard (born in 1943),had attended for Handmade Films, wherehe often worked with mem- the sameprimary school.(Keiths name had beenmistak- bers of the British comedy troupe Monry Python. Ringo enly spelled"Richards" enough times that he eventually Starr pursuedhis own careeras a singerand actor and oc- adopted the final "s" himself.) Although they lost contact casionallyplayed drums on recordingsmade by the other with eachother for ten years,they had both becomeblues ex-Beatles.Harrison and Starrplayed together on several fans after hearing Muddy \Taters perform in England in of Harrison'salbums, including the successfulCloud Nine 1958. \XAen they ran into eachother againin 1960 they (1987). Harrison died of cancerin 2001. In 1989, fungo began to work together,joining various blues groups in pur togetherwhat he calledhis All-Starr Band for a tour. London. ln 1962,they formed the Rolling Stones,naming The band included Nils Lofgren, Billy Preston, Joe their group after the "rolling stone" that representeda tough Walsh, Dr. John, Jim Keltner,Rick Danko, Levon Helm, and independentman in bluessongs like "Rollin' Stone" and ClarenceClemons. Of thosemembers, only Lofgren and "Mannish Boy" (both recordedby MuddyWaters). and'Walshwere in the 1992 "All Starrs,"accompanied by The original Rolling Stones included singer/harpist Dave Edmunds,Todd Rundgren,and others. Mick Jagger,guirarist Keith fuchards, guitarist Brian McCartney, Harrison, and Starr-at the time, the three Jones(1942-1969), pianisr Ian Stewart,and other musi- living Beatles-finally dropped their various feuds and re- cianswho playedwith them off and on during their first grouped to record two new Beatlesongs, "Free as a Bird" year.
    [Show full text]
  • LSUG July 29Th 2012
    Next Sunday Special Guest Monkee Micky Dolenz! PLAYLIST JULY 29th, 2012 HOUR 1 George Harrison – Bangla Desh George wrote the song in “ten minutes,” for his friend, Ravi Shankar’s war-torn homeland. While in LA working on the soundtrack for the Raga film, Ravi informed George of the atrocities occurring in his native India. Leon Russell, who played keyboards on the session, contributed the idea for the “story” introduction to the song. The song included George, Eric Clapton, Ringo, Bobby Keys, Billy Preston and Leon Russell. Although the lineup is disputed by Jim Horn, who recalls that himself, George, Leon Russell, Klaus Voorman and Jim Keltner were present. voice break The Beatles - I Should Have Known Better - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Following their triumphant visit to America The Beatles were thrust back to work. On February 25, 1964 they dove into new songs slated for their film. On this day they recorded “You Can’t Do That” and began work on Paul’s “And I Love Her” and John’s “I Should Have Known Better.” In the film “I Should Have Known Better” was performed in the train compartment scene, which in reality was the interior of a van with crew members rocking the van to fake the train in motion. Used as the flip side of the U.S. “A Hard Day’s Night” single. Paul’s “Things We Said Today” was the UK b-side. Recorded Feb. 25-26, 1964. On U.S. album: A Hard Day’s Night - United Artists LP Hey Jude - Apple LP (1970) The Beatles - I’m Happy Just To Dance With You - A Hard Day’s Night (Lennon-McCartney) Lead vocal: George Written by John and Paul specifically to give George a song in the movie “A Hard Day’s Night.” Completed in four takes on March 1, 1964, with filming slated to begin the next day.
    [Show full text]
  • Billy Preston and Status Quo Aj'j
    - , - - - - - - - - - - - - - - -. ' - - - . - - - - ' - - - - . -... .. .. .r c. , **?; * . .,, . ; . _ , - . - " " ' gwhiV'':* xfa.f w''y'.ySY"' V&U&" 5 yrf -jVft >v V C . - , . A k i l L . CJ ' ' " ' .H rte' , . ? .SMR .rIs ER 4&& - J- s syl L sa, . , uw Vol.. 46 Millersville State College , Millersville, Pa.., December 5, 1973 No.. 15 Billy Preston and Status Quo ' la a , To Highlight µ . yrf74w ((4r , Y'' A < / Winter Weekend ' , ' BY DEBBIE HUMMEL for Sam Cooke's' record com- bums.. pany.. ' As part of Winter Weekend Following Cooke's death , The other featured group, ! : ¬ ¬ ¬ Preston cut his first chart al-- Status Quo , also has a long . MSC , Billy Preston , compos al mus- : at - " - er-performer- of hits such as bum , "The Most Exciting Or ical history.. Formed from the gan ." groups original "Outerspace" ," "Will" Go Ever. splinter of the It - Round in Circles"" and "Space" Preston then went back. to Small Fares - Humble Pie and playing gospel Ray Charles , Quo now ¬ ' ; Race , " will appear in Pucillo and The Faces Status con L 2"" , - fAO; . Preston met Mike Rossi ( EGA , tt mk Gymnasium' this Saturday at numbers. Charles sists of lead gui d Aj'j ' ¬ during his year with the TV tar, acoustic guitar, vocals) , 8:30: p.m.. Status Quo, an Eng- " " lish heavy metal group best show Shindig. This resulted Ritchie Parfitt ( second guitar, in signing with the Ray acoustic , vocals ) , known for their hit, "Pictures" his guitar Alan % ' - Charles Revue.. Preston toured Lancaster ( bass guitar, electric 4 ' ' of' Matchstick Men," will also be tc r' 1 throughout the U.S.. ¬ guitar ) Coughlan F , . and Eur- and John featured.
    [Show full text]
  • Performing Songwriter 70 July/August 2008
    TOOLS OF THE TRADE KEYBOARD CHUCK LEAVELL Keyboard BY RUSSELL HALL Chuck Leavell “Th e most important thing is to do the song justice,” says Chuck Leavell. “It’s not about being fl ashy or trying to set the world on fi re. It’s about contributing to a piece of material CHUCK LEAVELL in the best way possible.” Live in Germany: Green Leaves & Blue Notes Tour 2007 [Evergreen Arts] Th at philosophy—with regards to Stones’ unoffi cial music director. When he’s keyboard playing—has served Leavell not on the road or in the studio, chances DISC 1 In the Wee Wee Hours well for four decades. Dating back to his are he’s busy working his tree farm in rural Route 66 earliest years with the Allman Brothers, the Georgia or rallying support for forestry and Living in a Dream King Grand 55-year-old Macon, Ga., native has graced conservation issues. Honky Tonk Women some of the most memorable recordings of Somehow, in the midst of these activities, Rip This Joint our times. His rollicking contribution to the Leavell has managed to record several Coming Home Down the Road a Piece Allmans’ “Jessica” is oft en cited as one of albums of his own. His latest—a two-CD Alberta, Alberta rock’s best piano solos. At the other extreme, set titled Live in Germany: Green Leaves & DISC 2 the subdued elegance he brought to Eric Blue Notes Tour 2007—employs all facets of Here Comes the Sun Clapton’s Unplugged album helped set the his keyboard skills.
    [Show full text]
  • US Apple LP Releases
    Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a.
    [Show full text]
  • Something Happened to Me Yesterday © Felix Aeppli 06-2019 / 06-2020
    TUMBLING DICE / FOOL TO CRY 1974 Something Happened To Me Yesterday © Felix Aeppli 06-2019 / 06-2020 FEBRUARY 8-13 Musicland Studios, Munich (Entry 0.249A) FEBRUARY 20 – MARCH 3 Musicland Studios, Munich (Entry 0.249A) APRIL 10-15 Rolling Stones Mobile (RSM), Stargroves, Newbury, Hampshire (Entry 0.249B) JUNE 1 Promotional film recordings, probably LWT Studios, London (Entry 0.250B) DECEMBER 7-15 Musicland Studios, Munich (Entry 0.254) 1974 Links Ian McPherson’s Stonesvaganza http://www.timeisonourside.com/chron1974.html Nico Zentgraf’s Database http://www.nzentgraf.de/books/tcw/1974.htm Ian McPherson’s Discography http://www.timeisonourside.com/disco3.html Which Album May I Show You? http://www.beatzenith.com/the_rolling_stones/rs2.htm#74iorr Sessions & Bootlegs at a Glance https://dbboots.com/content.php?op=lstshow&cmd=showall&year=1974 Japanese Archives Studio Website https://www10.atwiki.jp/stones/m/pages/282.html?guid=on The Rolling Stones on DVD http://www.beatlesondvd.com/19701974/1974year-sto.htm NOTES: Whilst every care has been taken in selecting these links, the author, of course, cannot guarantee that the links will continue to be active in the future. Further, the author is not responsible for the copyright or legality of the linked websites. TUMBLING DICE / FOOL TO CRY 1974 Sing This All Together LIVE & MEDIA SHOWS STUDIO SESSIONS RELEASES 0.248A JANUARY, 1974 SYMPATHY FOR THE DEVIL (SINGLE), DECCA DL 25610 (WEST GERMANY) A Sympathy For The Devil B Prodigal Son (Rev. Wilkins) Side A: Recorded at the One Plus One sessions, Olympic Sound Studios, London, June 4-10, 1968.
    [Show full text]
  • Apple Label Discography
    Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
    [Show full text]