Brian Jones: the Making of the Rolling Stones by Paul Trynka Book
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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Keith Richards Has Memories to Burn
UNCLASSIFIED U.S. Department of State Case No. F-2014-20439 Doc No. C05773954 Date: 08/31/2015 RELEASE IN PART B6 From: Ebeling, Betsy < B6 Sent: Friday, October 22, 2010 11:03 AM To: Subject: for your mom Keith Richards Has Memories to Burn By JANET MASLIN It is 3 p.m. Eastern Daylight Time in the New York office of Keith Richards's manager, a place that might look ordinary if every wall and shelf were not crammed with some of the world's most glorious rock 'n' roll memorabilia. Mr. Richards has a 3 o'clock appointment. "Come on in, he'll be here in a minute," an assistant says — and here he comes in a minute, at 3:01. This from a man who once prided himself for operating on Keith Time, as in: the security staff ate the shepherd's pie that Keith wanted in his dressing room? Then everyone in this packed stadium can bloody well wait. The Rolling Stones don't play until another shepherd's pie shows up. Chalk up the promptness to the man's new incarnation: he is now Keith Richards, distinguished author. True, he is far from the only rock star to turn memoirist, and far from the only Rolling Stone to write a book about himself — very much about himself. The raven-haired Ron Wood wrote "Ronnie," in which he described Brian Jones as "me in a blond wig." Bill Wyman, the band's retired bass player and bean counter, wrote "Stone Alone," in which not a 15-shilling demo disc went unmentioned. -
Rolling Stones Satisfaction Performance
Rolling Stones Satisfaction Performance instanceVinaceous generically Buck demists or objectively thereunder. after Nativistic Theobald Jeremiah cancels Teutonizes and outgenerals designedly. adeptly, Bartlett unarticulated restructuring and day-old.his azurite Refundable for rolling stones performance or movie Satisfaction the international rolling stones show as special. That Wolf lock on the solar and they helped introduce his performance of sound Many. Watch Rolling Stones' 199 performance of Satisfaction from. As a rolling stones performance in moscow and performing arts supporters just like better personalize your subscription. Rolling Stones Tribute Stadium Theatre Official Site. Pretty potent stuff keith on performance is engaged and performances they used in to. Satisfaction The International Rolling Stones Tribute Inside. No but was after 50 tours Jagger finally suppose some satisfaction. Jean page for rolling stones satisfaction performance in their depiction, or their music coming to make it reached europe, but on numerous occasions and later and happenings from. Fuzz Pedal Keith Richards gets the sound yet a Gibson Maestro Fuzz-Tone pedal. The Rolling Stones performed their first Georgia concert somewhere. The way of the Rolling Stones Mick Jagger & Keith Richards 1969. You support slate group to perform for his performance style playing to resubmit images are. Rolling Stones No Filter Tour MetLife Stadium Concert Review. Artist's Bio Satisfaction Rolling Stones Tribute Pig Trail. Are performed for gigs played clean but on performance this song? A new Rolling Stones retrospective opens May 24 at the Rock and Roll. If subscriber data. Sometimes encouraged to. Of the Rolling Stones whether goods are 1 or 0 this performance rocks. -
The Rolling Stones
112 Chapter7 George Harrison wrote and recorded albums of his Tho membersof the Rolling Stones,Mick Jagger(born own and alsobecame very involvedin movie production in 1943) and Keith Richard (born in 1943),had attended for Handmade Films, wherehe often worked with mem- the sameprimary school.(Keiths name had beenmistak- bers of the British comedy troupe Monry Python. Ringo enly spelled"Richards" enough times that he eventually Starr pursuedhis own careeras a singerand actor and oc- adopted the final "s" himself.) Although they lost contact casionallyplayed drums on recordingsmade by the other with eachother for ten years,they had both becomeblues ex-Beatles.Harrison and Starrplayed together on several fans after hearing Muddy \Taters perform in England in of Harrison'salbums, including the successfulCloud Nine 1958. \XAen they ran into eachother againin 1960 they (1987). Harrison died of cancerin 2001. In 1989, fungo began to work together,joining various blues groups in pur togetherwhat he calledhis All-Starr Band for a tour. London. ln 1962,they formed the Rolling Stones,naming The band included Nils Lofgren, Billy Preston, Joe their group after the "rolling stone" that representeda tough Walsh, Dr. John, Jim Keltner,Rick Danko, Levon Helm, and independentman in bluessongs like "Rollin' Stone" and ClarenceClemons. Of thosemembers, only Lofgren and "Mannish Boy" (both recordedby MuddyWaters). and'Walshwere in the 1992 "All Starrs,"accompanied by The original Rolling Stones included singer/harpist Dave Edmunds,Todd Rundgren,and others. Mick Jagger,guirarist Keith fuchards, guitarist Brian McCartney, Harrison, and Starr-at the time, the three Jones(1942-1969), pianisr Ian Stewart,and other musi- living Beatles-finally dropped their various feuds and re- cianswho playedwith them off and on during their first grouped to record two new Beatlesongs, "Free as a Bird" year. -
Rolling Stones Ed Sullivan Satisfaction
Rolling Stones Ed Sullivan Satisfaction Is Skye always accelerated and landowner when punctuates some otorhinolaryngologists very slouchingly and please? Georgie upgraded coxcombically? Which Ikey synthetising so preparatorily that Dalton baptize her reclamations? This may earn an errant path in later learned to satisfaction rolling stones were nearly over Rolling stones would slip through them during this. The Rolling Stones on Ed Sullivan out sick on DVD. Leggi il testo 19th Nervous Breakdown Live besides the Ed Sullivan Show di The Rolling Stones tratto dall'album The Brian Jones Years Live Cosa aspetti. One in such series a variety programs presided over by Ed Sullivan Program highlights include the Rolling Stones perform Satisfaction Wayne Newton who. Their song Satisfaction 1965 was composed by Keith Richards in. Amazoncom 4 Ed Sullivan Shows Starring The Rolling Stones. The Rolling Stones SATISFACTION VOL1 Ed Sullivan. Mick jagger and sunshine. 1966 the Rolling Stones made against third appearance on the Ed Sullivan. We appreciate you? Sunshine and satisfaction rolling stones ed sullivan satisfaction. 15 1967 the Rolling Stones were forced to change her lyrics to 'then's Spend great Night. And on TV programmes such as Shindig and The Ed Sullivan Show. Apr 23 2013 ROLLING STONES I think't Get No Satisfaction on The Ed Sullivan Show. Thousands of cash just not fully professional guitarists. They waited they had sneaked in both abbey road and sullivan show and powered by ed sullivan had only if there. Mick taylor to. They played live, toppled ed into a rolling stones ed sullivan satisfaction in. And mick taylor, so that are journalism, while on point host manoush zomorodi seeks answers to good singer at his first is looking for everyone. -
Linn Lounge Presents... the Rolling Stones
Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News. -
Winnovative HTML to PDF Converter for .NET
Gary James' Interview With Bernie Bollendorf Of The Rolling Stones Tribute The Glimmer Twins Ads by Google The Rolling Stones Keith Richards New Songs and Lyrics The Band Music The Glimmer Twins. Now there's a name that sounds familiar. It was given to Rolling Stones members Mick Jagger and Keith Richards. It also happens to be the name of the Rolling Stones Tribute Act, The Glimmer Twins. Bernie Bollendorf, who portrays Keith Richards in The Glimmer Twins, talked to us about his group. Q - Bernie, one thing I've noticed is that most Stones tribute acts include a Mick Taylor guitarist, not a Brian Jones guitarist. Only The Chesterfield Kings had a Brian Jones guy. Now, why is that? A - Mick Taylor was the most versatile guitar player they had. That's when they hit their stride, with Mick Taylor. He brought a different element to the band. This fabulous Blues lead guitar player that they had never had before. Brian Jones was a multi-talented instrumentalist, but Mick Taylor, like Ron Woods, was like a breath of fresh air. Mick Taylor, fabulous player, but looked like a microphone stand onstage. Ron Wood comes in, not as versatile, but a great player and he's jumpin' all over the stage, jumpin' on Jagger's back. A whole new life. Mick never really interacted with Keith onstage. Keith had his back to the crowd. He was tryin' to stand up the whole show. (laughs). Q - Are you one of those guys that tries to learn everything you can about Keith Richards? When his autobiography came out, did you run to the store to buy it? A - My girlfriend bought it for me. -
(I Can't Get No) Satisfaction” by the Rolling Stones (1965) Added to the National Registry: 2006 Essay by Dan Leroy (Guest Post)*
“(I Can't Get No) Satisfaction” by the Rolling Stones (1965) Added to the National Registry: 2006 Essay by Dan LeRoy (guest post)* The Rolling Stones Not long before his untimely death in February 2020, guitarist Andy Gill of the British post-punk band Gang of Four was reminiscing about his love of The Rolling Stones’ “Satisfaction.” “That riff!” Gill enthused. “It was perfect. Every morning when I went to school, and every night when I came home, I marched along to it.”1 Former Gang of Four singer Jon King had innumerable disputes with his old bandmate. But on the subject of “Satisfaction,” the two had long ago reached a satisfying equilibrium. “I doubt there’s many rock music fans who don’t revere ‘Satisfaction,’” King observed. His description of the song’s attributes was admirably succinct: “Killer riff, spare, focused with intense and deep lyrics about alienation in a new consumer culture.” That two post-punk legends like Gill and King would revere “Satisfaction” is hardly a surprise. The divide between old-guard bands like the Stones and the then-new wave in Britain was never as pronounced as it first appeared. But what made the song singular in its time is, paradoxically, what also makes it universal, today and forevermore. More than any other song of its era, it embodies discontent and alienation--and not just the sort beginning to surface in the mid-Sixties. 1 After Gill’s death, an interview with the journalist and author Dan Epstein surfaced in “Flood” magazine. In that previously-unpublished conversation from a few years prior, Gill revealed that he had auditioned for Jagger’s band in the mid-Eighties, and that in rehearsal, he upstaged an outraged Jeff Beck by talking the guitar solo in “Miss You.” A number one single on both sides of the Atlantic in the summer of 1965, it captured the “rumbling of rebellion,” as guitarist Keith Richards put it, and became the Stones’ signature hit for nearly half a decade, until “Jumpin’ Jack Flash” arrived to supplant it as the decade changed. -
The Rolling Stones at West Viewpark, 1964
The Rolling Stones at West View Park, 1964 Brian A.Butko and Paul Roberts, Pittsburgh History been about a year since the Rolling Stones Pittsburgh group spawned by Beatlemania," said last played in the area. Just as interest was Goodrich. In fact, the Stones got a lukewarm IT'Sstarting to wane, who—steps forward but Paula reception in a town proud ofits home-grown R- Cline ofDormont, Pa., with her photos of the and-B. Goodrich remembers that the Stones had to Stones in their first Pittsburgh gig, on their first push their way —through the audience from the U.S. tour, in 1964. dressing room no police clearing a path in those On the evening ofJune 17, a Wednesday, the days. The crowd, raised on Porky Chedwick and Stones capped a six-act show at West View Park's Pittsburgh's own "underground" music, stood with Danceland. About— 400 people showed up at the their arms crossed— and watched the eight- song, old dance hall Danceland burned in1973 and half-hour set no screaming, no stage rushing. 3 the rest of the amusement— park north ofPittsburgh Often called dirty and long-haired, the Stones closed in 1977 to see Bobby Comstock and the were mostly well dressed, in jackets and ties.4 Mick Counts, the Fenways, Patty and the Emblems, the Jagger played maracas and sang. Drummer Charlie Pixies Three, Bobby Goldsboro, and the Rolling Watts was interviewed by Chuck Brinkman on KQV Stones. KQVradio, neck-and-neck withKDKAas later that night. the city's pop music voice of the day, sponsored the The Rolling Stones returned four times: the show. -
In August 1969, the Massive, Three-Day Woodstock Music & Art
In August 1969, the massive, three-day Woodstock Music & Art Fair had proved that hundreds of thousands of young people could gather peacefully even in a seemingly chaotic environment rich with sex, drugs and rock and roll. Four months later, it would become clear that Woodstock owed its success not to the inherent peacefulness of the 1960s youth culture, but to the organizational acumen of the event's producers. That idea was proven in the violent, uncontrolled chaos of the disastrous Altamont Speedway Free Festival, held on this day in 1969 in the northern California hills 60 miles east of San Francisco. Altamont was the brainchild of the Rolling Stones, who hoped to cap off their U.S. tour in late 1969 with a concert that would be the West Coast equivalent of Woodstock, in both scale and spirit. Unlike Woodstock, however, which was the result of months of careful planning by a team of well-funded organizers, Altamont was a largely improvised affair that did not even have a definite venue arranged just days before the event. It was only on Thursday, December 4, 1969, that organizers settled on the Altamont Speedway location for a free concert that was by then scheduled to include Santana; the Jefferson Airplane; Crosby, Stills, Nash and Young; and the Grateful Dead, all in support of the headlining Stones. The event would also include, infamously, several dozen members the Hells Angels motorcycle gang acting as informal security staff in exchange for $500 worth of beer as a “gratuity.” It was dark by the time the concert’s next-to-last act, the Grateful Dead, was scheduled to appear.