Asghar Farhadi's Iran
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Each Each venue. applicable the at screenings all for open now are Bookings 23 April Tuesday BUYING TICKETS BUYING experience a real connection real a experience On a recent visit to Tehran as a guest of the Fajr Film encompassing gaze into the realities of life—and the Although widely acclaimed at key international festivals, Festival my conversations with local filmmakers and choices to be made—in contemporary Iran, from the these earlier films have proven stubbornly unavailable to us cinephiles yielded consensus about one thing only: As- margins of the working class to the relative comforts of until now. About Elly has some Rialto Channel dates, but Caution:ARTISTS AT WORK ghar Farhadi is Iran’s preeminent working filmmaker. Then the bourgeoisie. His genius lies in unfolding intricate it’s his most elegantly cinematic work, amply warranting The surprising strategies of two master manipulators of photographic realism are Asghar the arguments begin: which is Farhadi’s best film? For dramas of personal and social conflict while never our big screen outing. Our thanks to ACMI (Melbourne) and many it is not necessarily A Separation, the electrifying settling for a closed-off reading of any character or Farabi Cinema Foundation (Tehran) for all their assistance. revealed in these candid, closely observed accounts of their working practices. marital drama that won an Oscar and gained widespread point of view. His characters’ assumptions about one — Bill Gosden international distribution. Amongst the women I met his another are constantly being contested, and ours with “Farhadi is a scorchingly good director. He’s also WHAT’S SO GREAT ABOUT Farhadi’s previous film About Elly has just as many fans, probably them. An attentive, responsive director of actors from an important one, politically speaking: after a run of more. The riveting Fireworks Wednesday, which plays out the start, his mastery of tension and suspense has grown Iranian films that presented the country’s inhabitants as many of the themes of A Separation on a larger canvas, with each new film. (Ophidiophobics should approach essentially medieval, Farhadi draws attention to those has persuasive champions too. Dancing in the Dust with caution.) comfortable liberals who wear Nike tops and carry Louis Iran Seen in total, his four previous films provide an We are delighted to present this overdue catch-up. Vuitton bags.” — Nicholas Barber, Independent on Sunday GODARD?Well… for starters, there’s the films he made with hip sequence where the trio dance the Madison to a café Where the Condors Fly Gregory Crewdson: Anna Karina. If you want to experience the volatile juke box. conflation of emotion and intellect, of joy, pain, lyricism, In Pierrot le fou, a cracked masterpiece of romance on Switzerland | 2012 | 90 minutes | HD Brief Encounters acute self-awareness and bad attitude with which one the run, Karina is Marianne, the baby-sitter (with a side Director/Photography: Carlos Klein | Producer: Vadim Jendreyko | Editors: Carlos Klein, Beatrice Babin, Vadim Jendreyko | Music: Daniel man exploded the art of cinema in the 60s, you could line in the illegal arms trade) who induces advertising USA | 2012 | 78 minutes | HD Almada, Martin Klingeberg, Carlos Klein | With: Victor Kossakovsky, Director/Producer/Photography: Ben Shapiro | Editors: Tom start by watching what happened as he trained his man Jean-Paul Belmondo to ditch his family and head to Carlos Klein, René Vargas | In English, Spanish, Russian and German, Patterson, Nancy Kennedy | Music: Dana Kaproff | With: Gregory with English subtitles | Festivals: Amsterdam Documentary 2012 camera on his wife, the ineffably remote and touching freedom in the idyllic south of France.