Photograph by Kate Whitley, Te Papa Te Whitley, Kate by Photograph Te Papa (1936-0036-1) Papa Te Maori girl, Maori (detail). canvas on oil 1874, about Lindauer, Gottfried (Paramount) pm 8.15 In Live I House The (Paramount) pm 4.30 fou le Pierrot Programmes live from 7.00 pm June 27 June pm 7.00 from live Programmes (Paramount) pm 3.45 Antiviral Wellington July 26 – August 11 August – 26 July Wellington 12 May Sunday New Zealand International Film Festival 2013 Festival Film International Zealand New 22 April Monday (Embassy) pm 2.00 Arabia of Lawrence Watch trailers, interviews and much more. much and interviews trailers, Watch (Paramount) pm 8.15 Antiviral 5 May Sunday YOUTUBE: www.youtube.com/nzintfilmfestival YOUTUBE: (Paramount) pm 6.00 May After – Restricted to persons 18 years and over and years 18 persons to Restricted – R18 Keep up-to-date with our Twitter feeds. 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Recommended more suitable suitable more Recommended Unrestricted. – M (Paramount) pm 1.45 Hill Poppy on Up From ) transaction per $4.00 (max. ticket per $1.00 fee booking Internet (Paramount) pm 2.30 Hill Poppy on Up From younger viewers younger Ticketing service fees: service Ticketing 20 April Saturday – Parental guidance recommended for for recommended guidance Parental – PG (Paramount) pm 1.00 Crewdson Gregory $12.50 Children / Citizens Senior – Suitable for general audiences general for Suitable – G (Paramount) pm 9.30 Antiviral 28 April Sunday $15.50 Guilds Industry / Society Film / Students only for films classified G, PG & M. & PG G, classified films for only come to hand. Children‘s tickets are available available are tickets Children‘s hand. to come (Paramount) pm 7.00 Elly About $17.50 Adults website and at the venues as soon as they they as soon as venues the at and website (Paramount) pm 8.15 May After (Paramount) pm 5.15 Crewdson Gregory over. Ratings will be posted on the NZIFF NZIFF the on posted be will Ratings over. www.deluxe.co.nz (Paramount) pm 6.00 Wednesday Fireworks be purchased by and for people aged 18 and and 18 aged people for and by purchased be (Paramount) pm 1.15 Her Before World The Available for purchase directly from the cinema box office and and office box cinema the from directly purchase for Available rating, they are considered R18 and can only only can and R18 considered are they rating, (Paramount) pm 4.00 Versailles of Queen The EMBASSY THEATRE EMBASSY 19 April Friday been classified. Until they receive a censor censor a receive they Until classified. been (Paramount) pm 2.00 Fly Condors the Where ) ) transaction per $4.00 (max. ticket per $1.00 fee booking Internet At the time of printing some films had not not had films some printing of time the At fees: service Ticketing 27 April Saturday CENSORSHIP CLASSIFICATION CENSORSHIP (Paramount) pm 6.15 Versailles of Queen The $10.00 Children / Citizens Senior (Paramount) pm 1.00 Her Before World The impaired. 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Autumn (Paramount) pm 6.15 Crewdson Gregory redeemable for these screenings are those specifically issued for NZIFF NZIFF for issued specifically those are screenings these for redeemable now On Individual venue details are listed below. The only complimentary passes passes complimentary only The below. listed are details venue Individual (Paramount) pm 4.15 Fly Condors the Where venue handles tickets only for the Autumn Events they are hosting. hosting. are they Events Autumn the for only tickets handles venue INFO (Paramount) pm 2.00 May After Bookings are now open for all screenings at the applicable venue. Each Each venue. applicable the at screenings all for open now are Bookings 23 April Tuesday BUYING TICKETS BUYING experience a real connection real a experience On a recent visit to Tehran as a guest of the Fajr Film encompassing gaze into the realities of life—and the Although widely acclaimed at key international festivals, Festival my conversations with local filmmakers and choices to be made—in contemporary Iran, from the these earlier films have proven stubbornly unavailable to us cinephiles yielded consensus about one thing only: As- margins of the working class to the relative comforts of until now. About Elly has some Rialto Channel dates, but Caution:ARTISTS AT WORK ghar Farhadi is Iran’s preeminent working filmmaker. Then the bourgeoisie. His genius lies in unfolding intricate it’s his most elegantly cinematic work, amply warranting The surprising strategies of two master manipulators of photographic realism are Asghar the arguments begin: which is Farhadi’s best film? For dramas of personal and social conflict while never our big screen outing. Our thanks to ACMI (Melbourne) and many it is not necessarily A Separation, the electrifying settling for a closed-off reading of any character or Farabi Cinema Foundation (Tehran) for all their assistance. revealed in these candid, closely observed accounts of their working practices. marital drama that won an Oscar and gained widespread point of view. His characters’ assumptions about one — Bill Gosden international distribution. Amongst the women I met his another are constantly being contested, and ours with “Farhadi is a scorchingly good director. He’s also WHAT’S SO GREAT ABOUT Farhadi’s previous film About Elly has just as many fans, probably them. An attentive, responsive director of actors from an important one, politically speaking: after a run of more. The riveting Fireworks Wednesday, which plays out the start, his mastery of tension and suspense has grown Iranian films that presented the country’s inhabitants as many of the themes of A Separation on a larger canvas, with each new film. (Ophidiophobics should approach essentially medieval, Farhadi draws attention to those has persuasive champions too. Dancing in the Dust with caution.) comfortable liberals who wear Nike tops and carry Louis Iran Seen in total, his four previous films provide an We are delighted to present this overdue catch-up. Vuitton bags.” — Nicholas Barber, Independent on Sunday GODARD?Well… for starters, there’s the films he made with hip sequence where the trio dance the Madison to a café Where the Condors Fly Gregory Crewdson: Anna Karina. If you want to experience the volatile juke box. conflation of emotion and intellect, of joy, pain, lyricism, In Pierrot le fou, a cracked masterpiece of romance on Switzerland | 2012 | 90 minutes | HD Brief Encounters acute self-awareness and bad attitude with which one the run, Karina is Marianne, the baby-sitter (with a side Director/Photography: Carlos Klein | Producer: Vadim Jendreyko | Editors: Carlos Klein, Beatrice Babin, Vadim Jendreyko | Music: Daniel man exploded the art of cinema in the 60s, you could line in the illegal arms trade) who induces advertising USA | 2012 | 78 minutes | HD Almada, Martin Klingeberg, Carlos Klein | With: Victor Kossakovsky, Director/Producer/Photography: Ben Shapiro | Editors: Tom start by watching what happened as he trained his man Jean-Paul Belmondo to ditch his family and head to Carlos Klein, René Vargas | In English, Spanish, Russian and German, Patterson, Nancy Kennedy | Music: Dana Kaproff | With: Gregory with English subtitles | Festivals: Amsterdam Documentary 2012 camera on his wife, the ineffably remote and touching freedom in the idyllic south of France.