Compulsory Log-Felling in West Papua
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The Cultural Traffic of Classic Indonesian Exploitation Cinema
The Cultural Traffic of Classic Indonesian Exploitation Cinema Ekky Imanjaya Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies December 2016 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 Abstract Classic Indonesian exploitation films (originally produced, distributed, and exhibited in the New Order’s Indonesia from 1979 to 1995) are commonly negligible in both national and transnational cinema contexts, in the discourses of film criticism, journalism, and studies. Nonetheless, in the 2000s, there has been a global interest in re-circulating and consuming this kind of films. The films are internationally considered as “cult movies” and celebrated by global fans. This thesis will focus on the cultural traffic of the films, from late 1970s to early 2010s, from Indonesia to other countries. By analyzing the global flows of the films I will argue that despite the marginal status of the films, classic Indonesian exploitation films become the center of a taste battle among a variety of interest groups and agencies. The process will include challenging the official history of Indonesian cinema by investigating the framework of cultural traffic as well as politics of taste, and highlighting the significance of exploitation and B-films, paving the way into some findings that recommend accommodating the movies in serious discourses on cinema, nationally and globally. -
Nationalism and National Culture in Indonesian Art Music and Performances (1900-2018): Reflections from Postcolonial Perspectives
Nationalism and National Culture in Indonesian Art Music and Performances (1900-2018): Reflections from Postcolonial Perspectives Aniarani Andita 5837456 MA Thesis Musicology Utrecht University First Reader/Supervisor: Dr. Floris Schuiling Second Reader: Dr. Barbara Titus 2018 ABSTRACT Partha Chatterjee (1997) affirms that the attitude to modernity in formerly-colonized societies is always deeply ambiguous, because the modernity that the colonizers used as justification for colonialism also taught the colonized societies of its values. Indonesia is not an exception; having been colonized for centuries by a European nation, Indonesian nationalism arose from the desire for freedom from the colonizer. However, this nationalism, and the subsequent attempts for the creation of national culture has have always been replete with ambivalencies—with negotiations between the need to create a distinct national identity and the values of European cultures as imposed in the colonial time. This thesis looks at the discourses of nationalism, national culture, and national music in Indonesia since the beginning of the twentieth century to the present day, and examine its manifestations in the field of Indonesian art music and its performances by Indonesian symphony orchestras. I argue that these discourses and actions have always been embedded with a legacy of colonialism in the form of xenocentrism in its broad sense: the tendency among Indonesians to continue to concern about the Western others as they try to define their own identity and culture. Moreover, through case studies such as the compositions Varia Ibukota by Mochtar Embut and Suvenir dari Minangkabau by Arya Pugala Kitti, and the practices of contemporary symphony orchestras Gita Bahana Nusantara and Jakarta City Philharmonic, I employ postcolonial theories to view those works as reflections of the entanglement between colonial history and Indonesia-specific visions, as well as as endeavours to decolonize the knowledge of European classical music and performance form. -
Entering the Dharmadhatu : a Study of the Gandavyuha Reliefs of Borobudur / by Jan Fontein
Entering the Dharmadhātu Studies in Asian Art and Archaeology Continuation of Studies in South Asian Culture Edited by Marijke J. Klokke VOLUME XXVI The titles published in this series are listed at www.brill.nl/saaa Entering the Dharmadhātu A Study of the Gandavyūha Reliefs of Borobudur By Jan Fontein LEIDEN • BOSTON 2012 Cover illustration: Sudhana enters the kūtāgāra (third gallery, main wall). See also p. 72 and Fig. 19 in this volume. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Fontein, Jan. Entering the Dharmadhatu : a study of the Gandavyuha reliefs of Borobudur / by Jan Fontein. p. cm. — (Studies in Asian art and archaeology ; v. 26) Includes bibliographical references and index. ISBN 978-90-04-21122-3 (hardback : alk. paper) 1. Buddhist relief (Sculpture—Indonesia—Magelang—Themes, motives. 2. Bas-relief— Indonesia—Magelang—Themes, motives. 3. Borobudur (Temple : Magelang, Indonesia) 4. Tripitaka. Sutrapitaka. Avatamsakasutra. Gandavyuha. I. Title. II. Series: Studies in Asian art and archaeology ; v. 26. NB1280.F66 2012 730.9598’26—dc23 2011046581 ISSN 1380-782X ISBN 978 90 04 21122 3 (hardback) ISBN 978 90 04 22348 6 (e-book) Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Prof. Dr. Widjojo Nitisastro
Testimonials of Friends about Widjojo Nitisastro Law No.19 of 2002 regarding Copyrights Article 2: 1. Copyrights constitute exclusively rights for Author or Copyrights Holder to publish or copy the Creation, which emerge automatically after a creation is published without abridge restrictions according the law which prevails here. Penalties Article 72: 2. Anyone intentionally and without any entitlement referred to Article 2 paragraph (1) or Article 49 paragraph (1) and paragraph (2) is subject to imprisonment of no shorter than 1 month and/or a fine minimal Rp 1.000.000,00 (one million rupiah), or imprisonment of no longer than 7 years and/or a fine of no more than Rp 5.000.000.000,00 (five billion rupiah). 3. Anyone intentionally disseminating, displaying, distributing, or selling to the public a creation or a product resulted by a violation of the copyrights referred to under paragraph (1) is subject to imprisonment of no longer than 5 years and/or a fine of no more than Rp 500.000.000,00 (five hundred million rupiah). Testimonials of Friends about Widjojo Nitisastro Editors: Moh. Arsjad Anwar Aris Ananta Ari Kuncoro Kompas Book Publishing Jakarta, Januari 2008 Testimonials of Friends about Widjojo Nitisastro Publishing by Kompas Book Pusblishing, Jakarta, Januari 2008 PT Kompas Media Nusantara Jalan Palmerah Selatan 26-28, Jakarta 10270 e-mail: [email protected] KMN 70008004 Translated: Harry Bhaskara Editors: Moh. Arsjad Anwar, Aris Ananta, and Ari Kuncoro Copy editors: Gangsar Sambodo and Bagus Dharmawan Cover design by: Gangsar Sambodo and A.N. Rahmawanta Cover foto by: family document All rights reserved. -
Gramophone Records and Radio in the Late Colonial Era, 1903-1942
Music and media in the Dutch East Indies: Gramophone records and radio in the late colonial era, 1903-1942 Philip Bradford Yampolsky A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Philip D. Schuyler, Chair Ter Ellingson Laurie J. Sears Program Authorized to Offer Degree: Music © 2013 Philip Bradford Yampolsky University of Washington Abstract Music and media in the Dutch East Indies: Gramophone records and radio in the late colonial era, 1903-1942 Philip Bradford Yampolsky Chair of the Supervisory Committee: Associate Professor Emeritus Philip D. Schuyler Music This dissertation is intended as an ethnomusicological contribution to the history of music and media in Indonesia. It deals with topics and resources that have never been systematically examined for this region: gramophone records and radio broadcasting from the years before World War II, the last years of Dutch colonial control. The gramophone records are our only documentation of the sound of Indonesian music in the years before World War II. This dissertation tries to identify (and to some extent provide) the information one needs in order to understand the records and, by extension, stylistic trends during the pre-war period. Ultimately it is meant as an argument for the importance of making use of historical recordings and discography in ethnomusicology. The use of gramophone records from before World War II (“78s”) in musicology and ethnomusicology is growing. Robert -
Euraseaa14 Volume I Ancient and Living Traditions
EurASEAA14 Volume I Ancient and Living Traditions Papers from the Fourteenth International Conference of the European Association of Southeast Asian Archaeologists Edited by Helen Lewis Access Archaeology haeopr c es r s A A y c g c e o l s o s e A a r c Ah About Access Archaeology Access Archaeology offers a different publishing model for specialist academic material that might traditionally prove commercially unviable, perhaps due to its sheer extent or volume of colour content, or simply due to its relatively niche field of interest. This could apply, for example, to a PhD dissertation or a catalogue of archaeological data. All Access Archaeology publications are available as a free-to-download pdf eBook and in print format. The free pdf download model supports dissemination in areas of the world where budgets are more severely limited, and also allows individual academics from all over the world the opportunity to access the material privately, rather than relying solely on their university or public library. Print copies, nevertheless, remain available to individuals and institutions who need or prefer them. The material is refereed and/or peer reviewed. Copy-editing takes place prior to submission of the work for publication and is the responsibility of the author. Academics who are able to supply print- ready material are not charged any fee to publish (including making the material available as a free-to- download pdf). In some instances the material is type-set in-house and in these cases a small charge is passed on for layout work. Our principal effort goes into promoting the material, both the free-to-download pdf and print edition, where Access Archaeology books get the same level of attention as all of our publications which are marketed through e-alerts, print catalogues, displays at academic conferences, and are supported by professional distribution worldwide. -
Kumpulan Makalah Dan Sambutan Prof Dr Edi Sedyawati Dirjen
KUMPULAN MAKALAH DAN SAMBUTAN PROF. DR. EDI SEDYAWATI" DIREKTUR JENDERAL KEBUDAYAAN TAHUN 1999 DIREKTORAT JENDERALKEBUDAYAAN DEPARTEMEN PENDIDIKAN NASIONAL 2001 KUMPULAN MAKALAH DAN SAMBUTAN PROF. DR. EDI SEDYAWATI DIREKTUR JENDERAL KEBUDAYAAN TAHUN1999 DIREKTORATJENDERAL KEBUDAYAAN DEPARTEMENPENDIDIKAN NASIONAL 2001 KwnpulanMakalah Sambutan dan Penyusun, Direktur Jenderal Kebudayaan Prof. Dr. Edy Sedyawati - Cet. 1. - Jakarta : 2001 - 264 h1m: bi1; 23,5 em -ISBN 979-96155-1-0 PENGANTAR Buku ini adalah yang kelima dari kumpulan tulisan-tulisan saya selama menjalankan tugas sebagai Direktur Jenderal Kebudayaan. Tiga jilid pertama adalah kumpulan karangan selama periode 1993--1995, yang dikelompokkan menjadi: ( 1) sambutan-sambutan; (2) makalah makalah dalam bahasa Indonesia; dan (3) maka1ah-makalah dalam bahasa Inggris. Jilid keempat adalah himpunan karangan dalam tahun 1996 dan 1997, yang di dalamnya digolongkan atas sambutan (32 peristiwa) dan makalah (26 judul). Jilid keempat yang dicetak pada tahun anggaran 1997I 1998 itulah yang pernah dibagikan sebagai · 'hadiah perpisahan' pada akhir masa jabatan. Jilid-jilid itu memang tidak diberi nomor, karena pencetakannya pun disesuaikan dengan keluangan anggaran yang ada. Gagasan awalnya untuk menghimpun tulisan-tulisan itu adalah dari Drs. Nunus Supardi yang ketika itu menjabat Sekretaris Direktorat Jenderal Kebudayaan, dan secara teknis administratif dilaksanakan oleh Sdr. I Gusti Nyoman Widja, SH. (Ka. Bagian Keuangan), dengan bantuan teknis penyiapan teks dari Sdri. Poppy Savitri Arjana, SIS (staf Sekretariat Di1jen). 'Terbitan dinas' ini dapat diteruskan dengan anggaran 'tahun anggaran 200 I' atas prakarsa Sdr. I G.N. Widja, yaitu berupa "jilid lima" yang berisi himpunan karangan tahun 1998 dan "jilid enam" yang berisi himpunan karangan tahun 1999. Dalam jilid ke-5 dilampirkan sejumlah karangan dari masa-masa sebelumnya yang tertinggal, yang karena kelengahan kami sendiri tidak masuk ke dalam terbitan terdahulu. -
Colonial Jakarta Through the Memories of Its Intellectuals
A CertAin Age A john hope frAnklin Center book A CertAin Age ColoniAl JakArtA through the MeMories of its intelleCtuAls rudolf Mrázek duke university press Durham and London 2010 © 2010 duke university press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Amy Ruth Buchanan. Typeset in Monotype Fournier by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. An earlier version of chapter 1 appeared as “Bypasses and Flyovers: Approaching the Metropolitan History of Indonesia,” Social History 29, no. 4 (2004): 425–43. For Ben Anderson Contents preface: Promenades ������������������������� ix Technical Note ���������������������������������� xv one. Bypasses and Flyovers ������������������� 1 two. The Walls ����������������������������������25 three. The Fences ����������������������������� 73 four. The Classroom ������������������������� 125 five. The Window ���������������������������� 187 postsCript. Sometimes Voices ����������� 235 Notes ��������������������������������������������� 253 Bibliography ������������������������������������ 293 Index ���������������������������������������������� 303 preface Promenades We might ask: who would learn from this? Can someone teach me that I see a tree? —Ludwig Wittgenstein, Remarks on Colour The people of this book with few exceptions are of a colonial and Indonesian urban elite of the twentieth century, which means a group to a lesser, larger, or overwhelming extent touched by and induced into the Western culture of imperial modernity (predominantly secular, among other things, which explains why so few devout Muslims appear in the book). The group in par- ticular distinguishes itself by its possession of Dutch literacy. It never made up more than about 0.5 percent of the colony’s population,1 which, however, amounts to as many as three hundred thousand men and women, living in towns and cities as a general rule. -
Indo 94 0 1349469264 145 148
Jennifer Lindsay and Maya H. T. Liem, eds. Heirs to World Culture: Being Indonesian, 1950-1965. Leiden: KITLV Press (series Verhandelingen 274), 2012. 544 pp. Suryadi In the course of Indonesian history, the years of the 1950s and 1960s have attracted the widest scholarly attention. However, most studies of the country dealing with this period focus primarily on political turmoil, particularly that relating to the September 30, 1965, coup d'etat,1 which leaves other areas of study largely unexplored. Although the essays in Heirs to World Culture: Being Indonesian 1950-1965, under review here, also deal with politics, the ambition of the editors extends beyond politics to explore the cultural life of the young nation during this period. The book consists of essays developed from two workshops, one held in Leiden (April 2009, "Indonesia's Cultural Traffic Abroad, 1950-1965") and the other in Jakarta (October 2009, "Culture and Nation: Arts in Indonesia, 1950-1965"). The workshops were organized under the auspices of the collaborative research project called "Indonesia Cultural History, 1950-1965: In Search of a Lost Legacy," the bulk of which was financed by a grant through the Australia-Netherlands Research Collaboration (ANRC). As Jennifer Lindsay, the project's principal grant applicant and one of the book's editors, states in her introductory essay, the aim of the project, which to some extent has been successfully realized in this book, is really quite ambitious: to understand how Indonesian national culture, in its infancy at the time, was translated across the country and how it was articulated and developed in daily life during the most difficult period of the revolution (1950-65). -
Indonesian Cultural Policy, 1950-2003: Culture, Institutions, Government
Department of Media and Information Faculty of Media, Society and Culture Indonesian Cultural Policy, 1950-2003: Culture, Institutions, Government Tod Jones This thesis is presented for the Degree of Doctorate of Philosophy of Curtin University of Technology November 2005 i Declaration I, Tod Jones, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy in the Department of Media and Information, Faculty of Media, Society and Culture, Curtin University of Technology, is wholly my own work unless otherwise referenced or acknowledged. It contains no material which has been accepted for the award of degree or diploma by any university. Tod Jones ii Table of Contents Declaration................................................................................................................ i Table of Contents..................................................................................................... ii Table of Tables ...................................................................................................... vii Abstract................................................................................................................. viii Acknowledgements................................................................................................. ix Preface .................................................................................................................... xi Introduction: Culture, Politics and Power in Indonesian Studies .............1 1. Culture and -
Borobudur Timescapes
BOROBUDUR TIMESCAPES IDHAM BACHTIAR SETIADI B.A. in Anthropology (Universitas Indonesia) M.A. in Southeast Asian Studies (National University of Singapore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTHEAST ASIAN STUDIES DEPARTMENT NATIONAL UNIVERSITY OF SINGAPORE 2014 DECLARATION I hereby declare that this thesis is my original work and has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in this thesis. This thesis has also not been submitted for any degree in any university previously. The total word count for this thesis is 63,707. Idham Bachtiar Setiadi 27 August 2014 ii ACKNOWLEDGEMENTS Many people have helped throughout my journey towards finalising this dissertation; some in more than one way. I am grateful for their critic, comments, and other forms of input; mistakes however are mine alone. First and foremost, I want to thank my thesis supervisor Assoc. Prof. Dr John N. Miksic for his guidance and patience while listening to my queries and excuses; his support has been a beacon. I also want to express my gratitude to the chairperson and members of the Oral Panel for their understanding and helpful critic, Assoc. Prof. Dr Teofilo Daquila, Assoc. Prof. Dr Jan Mrázek, Dr Julius Bautista, as well as to the examiners. To Assoc. Prof. Dr Goh Beng Lan, I would to extend my thankfulness, not only for her support as the head of the Southeast Asian Studies Department but also for her advice as a postcolonial scholar. Living in a postcolony became palpable in the grad-room and I thank fellow grad-students for the lively discussions, comments and critic, and also support in various other ways: Arthur, Henry, Thiru, Jun, Trina, Nikki, Kar Yen, Sakti, Effendy, Arafat, Tiffany, Alice, Shu, Shao Han, and to those whose name I cannot recall at the moment, please forgive me, I’m getting old in Jakarta. -
Bibliography
Bibliography UNPUBLISHED SOURCES ARCHIVAL SOURCES NETHERLANDS Nationaal Archief (NA), den Haag (The National Archives of the Netherlands, NANL, The Hague) Algemene Secretarie van de Nederlands-Indische Regering en de daarbij gedeponeerde Archieven, 1942–1950. Entry Code: 2.10.14 “Staff Beppan Isum for April. 30 April, 1943. Bandung branch of Beppan”, JAVINT 3117/14, SEATIC Det. 23 Ind. Div., 28 November 1945. NANL, 2.10.14, inv. 5197. Translation of Beppan “Isum” for March 1943 compiled by Bandung branch of 16 Army Staff Beppan. NANL, 2.10.14, inv. 5197. “Ir. Soekarno”. Two-page typewritten document containing edited extracts from Sukarno’s wartime speeches and broadcasts. Dutch Government Information Service. NANL, 2.10.14, inv. 5509. “Japanese report of the state of affairs in Java. For the Commander-in-Chief of the Allied Forces in Java”. Batavia, September 27, 1945. NANL, 2.10.14, inv. 5203. 8 pages plus one-page annex. According to this English-language typescript, the document was signed by a major general acting for the “Supreme Commander of [the] Japanese Army in Java”. The officer in question was almost certainly Major General Yamamoto Moichiro. “Statement written by [2nd Lt.] Shiroguchi, Kempei”, 2 November 1945. NANL, 2.10.14, inv. 5291. 20-J06729 18 Young Soeharto pp435-474.indd 435 13/4/21 8:27 AM 436 YOUNG SOEHARTO “Statement by Capt. YANAGAWA, dated 14 Dec 1945”, Javint 3132/2, SEATIC Det., GSI, 23 Ind Div., 15 January 46. NANL, 2.10.14, inv. 5190. “Order No. 1 – Operation of Military Administration”, JAVINT 3131/4, SEATIC Det.