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Alternative Digital Movies As Malaysian National Cinema A
Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof. -
Hubert Bals Fund
HUBERT BALS FUND COMPLETE RESULTS 1988-2016 • Script and Project Development support SELECTION 2016 • Post-production support Almost in Love Brzezicki, Leonardo (Argentina) • The Bridge Lotfy, Hala (Egypt) • Death Will Come and Will Have Your Eyes Torres Leiva, José Luis (Chile) • A Land Imagined Yeo Siew Hua (Singapore)• The Load Glavonic, Ognjen (Serbia) • Men in the Sun Fleifel, Mahdi (Greece) • Narges Rasoulof, Mohammad (Iran) • Octopus Skin Barragán, Ana Cristina (Ecuador) • The Orphanage Sadat, Shahrbanoo (Afghanistan) • The Reports on Sarah and Saleem Alayan, Muayad (Palestine) • Trenque Lauquen Citarella, Laura (Argentina) • White Widow Hermanus, Oliver (South Africa) • The Load, Glavonic, Ognjen (Serbia) During the NATO bombing of Serbia in 1999, Vlada is driving a freezer truck across the country. He does not want to know what the load is, but his cargo slowly becomes his burden. • Script and Project Development support SELECTION 2015 • Post-production support Alba Barragan, Ana Cristina (Ecuador) 2016 • Antigone González-Rubio, Pedro (Mexico) • Arnold Is a Model Student Prapapan, Sorayos (Thailand) • Barzagh Ismailova, Saodat (Uzbekistan) • Beauty and the Dogs Ben Hania, Kaouther (Tunisia) • Brief Story from the Green Planet Loza, Santiago (Argentina) • Burning Birds Pushpakumara, Sanjeewa (Sri Lanka) 2016 • Era o Hotel Cambridge Caffé, Eliane (Brazil) 2016 • The Fever Da-Rin, Maya (Brazil) • La flor Llinás, Mariano (Argentina) 2016 • Hedi Ben Attia, Mohamed (Tunisia) 2016 • Kékszakállú Solnicki, Gastón (Argentina) 2016 • Killing -
Arab TV-Audiences: Negotiating Religion and Identity
Vivian Ibrahim Watching the history of the ‘present’: Religion and national identity in the Egyptian diaspora Introduction During the Muslim holy month of Ramadan in 2010, an Egyptian drama se- ries or musalsal entitled al-Gama‘a [The Group] aired in Egypt and the Arab World focusing on the Ikhwan al-Muslimeen, the Muslim Brotherhood. The series, which was partially sponsored by the state-run television, was initially perceived by commentators to delegitimize the contemporary leadership of the Muslim Brotherhood while highlighting the important – if not misguided – role of the founder of the group Hassan al-Banna in the 1920s. The 2010 musalsal was set between two time periods: the first, took place in 2006, only a year after the Brotherhood’s gains in parliamentary elections, while the second time period historicised the roots of the organisation, narrating the life of the founder and its spiritual guide [murshid], Hasan al-Banna. Like many musalsalat [plural form of musalsal] before it, al-Gama‘a caused great controversy, which outlasted its 28 episodes and the duration of Ramadan. By 2010, the Brotherhood, an eighty-year-old organisation, had pragmatically negotiated a public space for itself in the political arena, despite being banned since 1954. The turbulent image that had dominated the Brotherhood in previ- ous generations was slowly being eroded and under President Hosni Mubarak the organisation actively played an important and vibrant role in the social, economic and political life of Egypt (Fahmy 2002: 86–87). In the parliamentary elections of 1984 and 1987, the Muslim Brotherhood, though officially still a banned party, ran ‘independent’ candidates who won a significant percentage of seats. -
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en Books published to date in the continuing series o .:: -m -I J> SOVIET ADVANCES IN THE MIDDLE EAST, George Lenczowski, 1971. 176 C pages, $4.00 ;; Explores and analyzes recent Soviet policies in the Middle East in terms of their historical background, ideological foundations and pragmatic application in the 2 political, economic and military sectors. n PRIVATE ENTERPRISE AND SOCIALISM IN THE MIDDLE EAST, Howard S. Ellis, m 1970. 123 pages, $3.00 en Summarizes recent economic developments in the Middle East. Discusses the 2- significance of Soviet economic relations with countries in the area and suggests new approaches for American economic assistance. -I :::I: TRADE PATTERNS IN THE MIDDLE EAST, Lee E. Preston in association with m Karim A. Nashashibi, 1970. 93 pages, $3.00 3: Analyzes trade flows within the Middle East and between that area and other areas of the world. Describes special trade relationships between individual -C Middle Eastern countries and certain others, such as Lebanon-France, U.S .S.R. C Egypt, and U.S.-Israel. r m THE DILEMMA OF ISRAEL, Harry B. Ellis, 1970. 107 pages, $3.00 m Traces the history of modern Israel. Analyzes Israel 's internal political, eco J> nomic, and social structure and its relationships with the Arabs, the United en Nations, and the United States. -I JERUSALEM: KEYSTONE OF AN ARAB-ISRAELI SETTLEMENT, Richard H. Pfaff, 1969. 54 pages, $2.00 Suggests and analyzes seven policy choices for the United States. Discusses the religious significance of Jerusalem to Christians, Jews, and Moslems, and points out the cultural gulf between the Arabs of the Old City and the Western r oriented Israelis of West Jerusalem. -
South Korean Cinema and the Conditions of Capitalist Individuation
The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). Made during the first years after the 1997 Asian Financial Crisis and the 2008 Global Financial Crisis, the films under consideration here visualize the various dystopian social and economic changes attendant upon epidemic capitalist restructuring: social alienation, familial fragmentation, and widening economic division. -
Dvd Digital Cinema System Systema Dvd Digital Cinema Sistema De Cinema De Dvd Digital Th-A9
DVD DIGITAL CINEMA SYSTEM SYSTEMA DVD DIGITAL CINEMA SISTEMA DE CINEMA DE DVD DIGITAL TH-A9 Consists of XV-THA9, SP-PWA9, SP-XCA9, and SP-XSA9 Consta de XV-THA9, SP-PWA9, SP-XCA9, y SP-XSA9 Consiste em XV-THA9, SP-PWA9, SP-XCA9, e SP-XSA9 STANDBY/ON TV/CATV/DBS AUDIO VCR AUX FM/AM DVD TITLE SUBTITLE DECODE AUDIO ZOOM DIGEST TIME DISPLAY RETURN ANGLE CHOICE SOUND CONTROL SUBWOOFER EFFECT VCR CENTER TEST TV REAR-L SLEEP REAR-R SETTING TV RETURN FM MODE 100+ AUDIO/ PLAY TV/VCR MODE CAT/DBS ENTER SP-XSA9 SP-XCA9 SP-XSA9 THEATER DSP POSITION MODE TV VOLCHANNEL VOLUME TV/VIDEO MUTING B.SEARCH F.SEARCH /REW PLAY FF DOWN TUNING UP REC STOP PAUSE MEMORY STROBE DVD MENU RM-STHA9U DVD CINEMA SYSTEM SP-PWA9 XV-THA9 INSTRUCTIONS For Customer Use: INSTRUCCIONES Enter below the Model No. and Serial No. which are located either on the rear, INSTRUÇÕES bottom or side of the cabinet. Retain this information for future reference. Model No. Serial No. LVT0562-010A [ UW ] Warnings, Cautions and Others Avisos, Precauciones y otras notas Advertêcias, precauções e outras notas Caution - button! CAUTION Disconnect the XV-THA9 and SP-PWA9 main plugs to To reduce the risk of electrical shocks, fire, etc.: shut the power off completely. The button on the 1. Do not remove screws, covers or cabinet. XV-THA9 in any position do not disconnect the mains 2. Do not expose this appliance to rain or moisture. line. The power can be remote controlled. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
ISIS Success in Iraq: a Movement 40 Years in the Making Lindsay Church a Thesis Submitted in Partial Fulfillment of the Requirem
ISIS Success in Iraq: A Movement 40 Years in the Making Lindsay Church A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS IN INTERNATIONAL STUDIES: MIDDLE EAST University of Washington 2016 Committee: Terri DeYoung Arbella Bet-Shlimon Program Authorized to Offer Degree: Jackson School of International Studies !1 ©Copyright 2016 Lindsay Church !2 University of Washington Abstract ISIS Success in Iraq: A Movement 40 Years in the Making Lindsay Church Chair of the Supervisory Committee: Terri DeYoung, Near Eastern Language and Civilization In June 2014, the Islamic State of Iraq and Syria (ISIS)1 took the world by surprise when they began forcibly taking control of large swaths of territory in Iraq and Syria. Since then, policy makers, intelligence agencies, media, and academics have been scrambling to find ways to combat the momentum that ISIS has gained in their quest to establish an Islamic State in the Middle East. This paper will examine ISIS and its ability to build an army and enlist the support of native Iraqis who have joined their fight, or at the very least, refrained from resisting their occupation in many Iraqi cities and provinces. In order to understand ISIS, it is imperative that the history of Iraq be examined to show that the rise of the militant group is not solely a result of contemporary problems; rather, it is a movement that is nearly 40 years in the making. This thesis examines Iraqi history from 1968 to present to find the historical cleavages that ISIS exploited to succeed in taking and maintaining control of territory in Iraq. -
Cinema at the End of Empire: a Politics of Transition
cinema at the end of empire CINEMA AT duke university press * Durham and London * 2006 priya jaikumar THE END OF EMPIRE A Politics of Transition in Britain and India © 2006 Duke University Press * All rights reserved Printed in the United States of America on acid-free paper Designed by Amy Ruth Buchanan Typeset in Quadraat by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data and permissions information appear on the last printed page of this book. For my parents malati and jaikumar * * As we look back at the cultural archive, we begin to reread it not univocally but contrapuntally, with a simultaneous awareness both of the metropolitan history that is narrated and of those other histories against which (and together with which) the dominating discourse acts. —Edward Said, Culture and Imperialism CONTENTS List of Illustrations xi Acknowledgments xiii Introduction 1 1. Film Policy and Film Aesthetics as Cultural Archives 13 part one * imperial governmentality 2. Acts of Transition: The British Cinematograph Films Acts of 1927 and 1938 41 3. Empire and Embarrassment: Colonial Forms of Knowledge about Cinema 65 part two * imperial redemption 4. Realism and Empire 107 5. Romance and Empire 135 6. Modernism and Empire 165 part three * colonial autonomy 7. Historical Romances and Modernist Myths in Indian Cinema 195 Notes 239 Bibliography 289 Index of Films 309 General Index 313 ILLUSTRATIONS 1. Reproduction of ‘‘Following the E.M.B.’s Lead,’’ The Bioscope Service Supplement (11 August 1927) 24 2. ‘‘Of cource [sic] it is unjust, but what can we do before the authority.’’ Intertitles from Ghulami nu Patan (Agarwal, 1931) 32 3. -
ﺍﻝــﺛﻭﺭﺓ ﻄـﻋـﺛﺍﺓ ﺇﻝﻯ ﺍﺠﻃ ﺾﻀ ﻄﻆ This Edition Is Dedicated to the Names Of
th LUXOR AFRICAN FILM 6FESTIVAL ﺍﻝــﺛﻭﺭﺓ ﻄـﻋـﺛﺍﺓ ﺇﻝﻯ ﺍﺠﻃ ﺾﻀ ﻄﻆ THIS EDITION IS DEDICATED TO THE NAMES OF ﺍﻝـﻑـﻈـﺍﻥ EGYPTIAN ﺍﻝﻡﺧﺭﻱ SUPER ﺍﻝﺿـﺊـﻐـﺭ STAR ﻄﺗﻡﻌﺩ MAHMOUD ﺲﺊﺛ ﺍﻝﺳﺞﻏﺞ ABDELAZIZ ١٩٤٦ - ٢٠١٦ 1946 - 2016 ﺍﻝﻑـﻈـﺍﻇـﺋ GREAT ﺍﻝﻡﺚـﺭﺝﺋ GREAT ﺍﻝﻡﺧﺭﻏﺋ IVORIAN ﺍﻝﺎﻌﻇﺱﻐﺋ TUNISIAN ﺍﻝـﺿـﺊﻐـﺭﺓ FILMMAKER ﺍﻝـﺿـﺊﻐـﺭﺓ FILM DIRECTOR ﺕـﺗـﻐـﺋ TAHIA ﺾﻂـﺑـــﻌﻡ KELTHOUM ﺾـﺍﺭﻏـﻌﺾـﺍ KARIOUKA ﺏـــﺭﻇـــﺍﺯ BORNAZ ١٩١٩ - ١٩٩٩ 1999 1919- ١٩٤٥ - ٢٠١٦ -1945 2016 ﺖﻂﻡﻎ ﺍﻝﻈﻡﻈﻃ ﻭﺯﻏﺭ ﺍﻝﺑﺼﺍﺸﺋ MINISTER OF CULTURE HELMY AL NAMNAM ﺗﺄﺗﻲ اﻟﺪورة اﻟﺴﺎدﺳﺔ ﻟﻬﺬا اﻟﻤﻬﺮﺟﺎن، ﻓﻲ ﻇﻞ ﻣﻨﻌﻄﻒ ﺟﺪﻳﺪ، إﻳﺠﺎﺑﻲ وﻣﻬﻢ، ﺗﺸﻬﺪه ﻣﺼﺮ، ﺣﻴﺚ ﺻﺎر اﻻﻫﺘﻤﺎم ﺑﺎﻟﺴﻴﻨﻤﺎ -ﻋﻤﻮﻣ -ﻣﻦ أوﻟﻮﻳﺎت اﻟﺤﻜﻮﻣﺔ اﻟﻤﺼﺮﻳﺔ، ارﺗﻔﻌﺖ اﻟﻤﻴﺰاﻧﻴﺔ اﻟﻤﺨﺼﺼﺔ ﻟﺼﻨﺪوق دﻋﻢ اﻟﺴﻴﻨﻤﺎ، ﻣﻦ ٢٠ ﻣﻠﻴﻮن ﺟﻨﻴﺔ إﻟﻰ ٥٠ ﻣﻠﻴﻮن ﺟﻨﻴﺔ ﺳﻨﻮﻳ، وﻳﺠﺮي اﻟﻌﻤﻞ ﺑﺠﺪﻳﺔ ﻟﺘﺄﺳﻴﺲ اﻟﺴﻴﻨﻤﺎﺗﻴﻚ، وﺗﺄﺳﻴﺲ ﺷﺮﻛﺔ ﻗﺎﺑﻀﺔ ﻟﻧﺘﺎج اﻟﺴﻴﻨﻤﺎﺋﻲ، ﻣﻤﺎ ٌﻳﺒﺸﺮ ﺑﺈزدﻫﺎر ﺣﻘﻴﻘﻲ ﻟﺼﻨﺎﻋﺔ اﻟﺴﻴﻨﻤﺎ، وﻓﻀﻼً ﻋﻦ ذﻟﻚ، ﻓﺈن ا¨ﻧﺘﺎج اﻟﺴﻴﻨﻤﺎﺋﻲ اﻟﻤﺼﺮي، ﺷﻬﺪ ﺧﻼل اﻟﻌﺎم اﻟﻤﻨﺼﺮم ارﺗﻔﺎﻋ ﻓﻲ أﻋﺪاد ا³ﻓﻼم اﻟﺘﻲ ﺗﻢ إﻧﺘﺎﺟﻬﺎ، وﺗﻤﻴﺰ· ﻓﻲ اﻟﻤﺴﺘﻮى اﻟﻔﻨﻲ. ﺗﺄﺗﻲ ﻫﺬه اﻟﺪورة -ﻛﺬﻟﻚ -ﻓﻲ ﻇﻞ اﻫﺘﻤﺎم اﻟﺪوﻟﺔ اﻟﻤﺼﺮﻳﺔ ﺑﺘﻨﺸﻴﻂ وﺗﻌﻤﻴﻖ اﻟﻌﻼﻗﺎت اﻟﻤﺼﺮﻳﺔ -ا³ﻓﺮﻳﻘﻴﺔ، ودﻋﺎ اﻟﺮﺋﻴﺲ ﻋﺒﺪ اﻟﻔﺘﺎح اﻟﺴﻴﺴﻲ ﻓﻲ ﻧﻬﺎﻳﺔ ﻣﺆﺗﻤﺮ أﺳﻮان ﻟﻠﺸﺒﺎب، إﻟﻰ إﻋﺪاد أﺳﻮان ﻟﺘﻜﻮن ﻋﺎﺻﻤﺔ ﻟﻗﺘﺼﺎد واﻟﺜﻘﺎﻓﺔ ا¨ﻓﺮﻳﻘﻴﺔ. وأﺧﻴﺮ·، ﺗﺘﻮاﻓﻖ ﻫﺬه اﻟﺪورة ﻣﻦ اﻟﻤﻬﺮﺟﺎن، ﻣﻊ اﻻﺣﺘﻔﺎل ﺑﺎ³ﻗﺼﺮ ﻋﺎﺻﻤﺔ ﻟﻠﺜﻘﺎﻓﺔ اﻟﻌﺮﺑﻴﺔ، ﻃﻮال ﻫﺬا اﻟﻌﺎم، ﻛﺎﻧﺖ ا³ﻗﺼﺮ داﺋﻤ ﻧﻘﻄﺔ اﻟﺘﻘﺎء ﺑﻴﻦ اﻟﺤﻀﺎرﺗﻴﻦ اﻟﻤﺼﺮﻳﺔ اﻟﻘﺪﻳﻤﺔ (اﻟﻔﺮﻋﻮﻧﻴﺔ) واﻟﺤﻀﺎرة اﻟﻌﺮﺑﻴﺔ – ا¨ﺳﻼﻣﻴﺔ، واﺧﺘﻴﺎر ا³ﻗﺼﺮ ﻋﺎﺻﻤﺔ ﻟﻠﺜﻘﺎﻓﺔ اﻟﻌﺮﺑﻴﺔ، ﻳﺆﻛﺪ ﻋﻠﻰ ﻫﺬا ٌاﻟﺒﻌﺪ. The sixth edition of Luxor African Film Festival comes within the shadow of a new positive and significant turn that Egypt is witnessing of paying a special attention to cinema and being one of the priorities of the Egyptian government as the budget of the cinema fund has increased from 20 million EGP to 50 million EGP annually, while tireless efforts are made to found Cimatheque and founding a company for cinema production that promises a rich cinema production in addition to the increase of the number of produced films last year and of a good quality. -
Speaking Back: Expanding Paradigms in Middle East Film
SPEAKING BACK: EXPANDING PARADIGMS IN MIDDLE EAST FILM by EVELYN MARCIA STUBBS submitted in accordance with the requirements for the degree of Doctor of Literature and Philosophy in the subject English at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: Prof Deirdre Byrne February 2017 DECLARATION Name: Evelyn Marcia Stubbs Student number: 02840952 Degree: Doctor of Literature and Philosophy Exact wording of the title of the dissertation or thesis as appearing on the copies submitted for examination: SPEAKING BACK: EXPANDING PARADIGMS IN MIDDLE EAST FILM I declare that the above dissertation/thesis is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. ________________________ SIGNATURE DATE ACKNOWLEDGEMENTS A special thank you is due to my supervisor, Prof Deirdre Byrne, for her unwavering support during the course of many emails and drafts between South Africa and Dubai. Her expertise and meticulous attention to detail have helped me bring my observations of the new culture that I am living in onto paper. She has been my mentor and guide. I dedicate my doctorate to Ian, who shares with me the love of film and the belief that popular culture has the power to create perceptions, and whose encouragement led me to undertake this project. Abstract: This thesis undertakes a study of four films, directed by Arab directors from Palestine, Lebanon, America and the United Arab Emirates, and argues that these works speak back to the negative representation of Arabs in mainstream Hollywood films. It examines the methods these directors have deployed to contribute to a consciousness on a cultural level. -
10. Alfilm 10
10. ALFILM 3. — 10.4.2019 Berlin Filmfestival Arabisches فهرس Inhalt Content جدول العروض 6 Programmübersicht Program overview اإلختيارات الرسمية 11 OFFICIAL SELECTION برامج خاصة 30 Win a Co-Production! SPECIALS القاعات والبطاقات 35 Eintrittspreise und Film Prize of the Robert Bosch Stiftung for International Cooperation Spielorte Venues and tickets Germany / Arab World الداعمون والشركاء 38 Partner und Each year, the Robert Bosch Stiftung issues three Film Prizes for International Förderer Supporters and partners Cooperation to teams of emerging filmmakers from Germany and the Arab world. The prizes, each worth 60,000 euros, are awarded for realising a joint film project in the categories short animation, short fiction, and short or feature length documentary. The call for entries opens every May. Deadline for the 2020 Film Prize submissions is July 31, 2019. Apply at www.filmprize.de Kritisch. Mutig. Meinungsstark. Stay tuned on www.facebook.com/FilmPrize Testen Sie den Freitag! Die unabhängige Wochenzeitung für Politik, Kultur und Wirtschaft. Jetzt Wochen lang kostenlos lesen! “Four Acts for Syria”, 2019 by Waref Abu Quba and Kevork Mourad Robuste Tasche mit langen Henkeln aus Bio-Baumwolle. Der ideale Alltags-Begleiter in Dunkelblau www.freitag.de/lesen 4 5 ترحيب Grußwort Greetings Liebe Freunde, Dear friends, بسعادة وفخر، ننظر إلى عشر سنوات مضت على مهرجان الفيلم العربي برلين. منذ خطوات انطالقنا األولى في عام ٢٠٠٩، وضعنا mit Stolz und Freude schauen wir auf nun it is with pride and joy that we look نصب أعيننا مهمة إيصال الفن السينمائي العربي، قصصه wunder- back on 10 years of ALFILM. What ein für Was zurück.