DOCSLIB.ORG

Reactions to Gulf War I and Gulf War II in American and Iraqi Cinema and Theatre: the Quest for a Global Utopia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reactions to Gulf War I and Gulf War II in American and Iraqi Cinema and Theatre: the Quest for a Global Utopia University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2020 Reactions to Gulf War I and Gulf War II in American and Iraqi Cinema and Theatre: The Quest for a Global Utopia Tajaddin Salahaddin Noori University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the American Film Studies Commons, Comparative Literature Commons, Film and Media Studies Commons, Literature in English, North America Commons, and the Near and Middle Eastern Studies Commons Citation Noori, T. S. (2020). Reactions to Gulf War I and Gulf War II in American and Iraqi Cinema and Theatre: The Quest for a Global Utopia. Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/ 3626 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Reactions to Gulf War I and Gulf War II in American and Iraqi Cinema and Theatre: The Quest for a Global Utopia A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Tajaddin Salahaddin Noori University of Tikrit Bachelor of Education in English Language and Literature, 2001 University of Tikrit Master of Arts in English Literature and American Drama, 2005 May 2020 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ------------------------------------ M. Keith Booker, Ph.D. Dissertation Director --------------------------------------- -------------------------------------- Les Wade, Ph.D. Frank Scheide, Ph.D. Committee Member Committee Member Abstract Many American and Iraqi cultural reactions to Gulf War I and Gulf War II, including the texts selected for this story, expressed the dystopian consequences of these wars. However, this study focuses on exploring the utopian dimensions of the selected texts and investigates how these texts attempt to reconcile both sides of the conflict and produce visions toward a global utopia. Significantly, this study represents the visions toward a global utopia as a series of visions toward oneness. That is, oneness of human beings over otherness, oneness of different nation states under one global community, and oneness of cultural productions’ utopian visions beyond all ideological differences. To do that, this study uses Fredric Jameson’s dialectical approach of ideological and utopian analysis that he suggests in his book The Political Unconscious . This study discusses three American and three Iraqi cultural texts’ political reactions to the Gulf Wars. The cultural texts are movies and plays produced by Hollywood and independent companies. The American cultural texts are Three Kings directed by David O. Russell, The Situation directed by Philip Haas, and An Identified Enemy written by Max Bush. The Iraqi cultural texts are Zaman: The Man from the Reeds directed by Amer Alwan, Ambulance Driver , directed by Hadi Mahood, and A Strange Bird on Our Roof written by Abdul Razaq Al-Rubai. Besides explaining the ideological constraints of their ruling classes, this study also explores these texts’ utopian impulses. It illustrates that these texts envision borderless brotherhood, one global family, nonracial love, and denationalization as visions toward a global utopia. They also suggest these visions as alternatives to many status quos dominated by sociopolitical and socioeconomic strategies of capitalism, totalitarianism, nationalism, and the extreme perspectives of terrorism. Intrinsically, this study will show that the selected texts express visions with both futuristic and cosmopolitan aspects. They embody distinguished projects toward eliminating clashes or confrontations among human beings because of national, racial, religious, and economic contentions. In short, this study will show that the selected texts produce utopian visions offering a movement toward a universal peace and a peaceful universe. © 2020 Copyright by Tajaddin Salahaddin Noori All Rights Reserved Acknowledgements I would like to express my sincere thanks and gratitude to my supervisor Professor M. Keith Booker whose theoretical reading and invaluable advice at every point in this project turned it into a potential study. I would also like to express the deepest of my thanks and appreciation to my committee members, Professor Frank Scheide and Professor Les Wade, whose precious suggestions and constant motivations led to this study’s accomplishment. The deepest of my indebtedness and thanks are also to Professor Luis Fernando Restrepo, the director of Comparative Literature and Cultural Studies, and the faculty members of Rhetoric and Composition Program in English department: Professor Adam R. Pope, the director, LewEllyn Hallett the assistant director, and Katherin K. Lam-Bellacero the curriculum and teaching specialist for their indispensable support during teaching in English department in Fulbright College of Arts and Science. My wife and my kids, the sources of unlimited hope and love, thank you so much for your endurance and patience during the separation. Last, but not least, my mother and my siblings, the sources of unlimited sympathy and kindness, thank you all. Dedication To memories of the immortal dwellers of Paradise My father (Salahaddin) and my brother (Yaacob), who were killed together in a terrorist attack in Iraq in 2017, have everlasting peace and rest in heaven. Table of Contents Introduction: The Historical Relationship between Utopia and Globalization …………………...1 Defining Globalization ……………………………………………………………………2 Dystopian Dimensions of Globalization …………………...…………...………………...3 Utopian Dimensions of Globalization ……………………………………………………6 The Aims of this Dissertation …………………………………………………………...11 The Structure of this Dissertation ……………………………………………………….13 Chapter One: What is a global Utopia? …………………..………...…….…….……………….19 Ideology and Utopia ……………………………………………………………………. 29 Fredric Jameson’s Double Hermeneutics ……………………………………………….35 Chapter Two: Visions toward a Global Utopia versus Capitalism and Totalitarianism in Gulf War I movies ………………………………...…….………………………………………40 Zaman: The Man from The Reeds ………………………………………….....………….41 Three Kings ……………………………………………………………………………...55 Chapter Three: Visions toward a Global Utopia versus “The War on Terrorism” in Iraq and American Theatrical Demonstration……….…………………………………………………….76 A Strange Bird on Our Roof ……………………………………………………………..77 An Identified Enemy ……………………………………………………………………..91 Chapter Four: Visions toward a Global Utopia versus Nationalism in Gul War II movies……108 Ambulance Driver ………….…………….…………………………………………….109 The Situation …………………………………………………………………………...124 Conclusion ………………………………………………………..……………………………143 Works Cited ……………………………………………………..……………………………..153 1 INTRODUCTION: THE HISTORICAL RELATIONSHIP BETWEEN UTOPIA AND GLOBALIZATION No society has existed in the history of humanity without utopian visions. A utopian vision has a universal existence. Utopian visions toward having a peaceful life and a perfect world have started to exceed geographical borders and cultural specification with the rise of globalization. Utopian visions restricted to imagining an exceptional life for a particular nation or human beings living in a specific region have been replaced by utopian visions looking for a perfect life beyond borders and more fitting for the whole of humanity. Significantly, the world’s multi- cultures, despite some differences, begin to maintain a movement from local dreams to universal ones and attempt to gain more unity and strength with the process of globalization. Without such a process, the world’s multi-cultures and their utopias would remain in a state of isolation, continuous contest, and lack universal visions. Thus, globalization succeeds to widen the scope of utopia and redirect its visions. Utopia and globalization have revolutionary impulses. They appeared as reactions against the restrictions of geopolitical traditions. They have unending missions and unlimited visions. Utopia deploys globalization to update its visions and to unite the world’s multi social dreams against dystopian realities which expand quickly to every corner on this planet. At an equal rate, globalization looks for a world with alternative sociopolitical and socioeconomic policies in which human beings can express their cultural differences, practice their political activities, and exchange their economic productions without any kind of hurdles. In this way, utopia and globalization express a sense of dissatisfaction with the world’s status quo and motivate human beings to envision nonexistent sociopolitical systems or, at least, to imagine how to improve the existing ones. 2 DEFINING GLOBALIZATION Globalization is a multidimensional phenomenon with multi aspects resistant to all kinds of reductionism. In other words, globalization is a complicated web consisting of many economic, social, and cultural factors which extend beyond geopolitical boundaries. The rise of the contemporary forms and functions of globalization can be attributed to the collapse of the European Empires at the end of World War II. Globalization intends to confront all nation states’ powers which are based on political restrictions and national priorities. Salvatore Babones states that in the academic field, globalization has three main divisions: economic
Load more

Recommended publications
  • Alternative Digital Movies As Malaysian National Cinema A
    Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof.
    [Show full text]
  • The Metamorphosis-AQI to ISIS
    THE METAMORPHOSIS FROM AQI TO THE ISLAMIC STATE OF IRAQ (2006–2011) Excerpted from The Terrorists of Iraq by Malcolm Nance (Taylor and Francis, 2014). 46 The Counter Terrorist ~ February/March 2015 By Malcolm W. Nance As early as 2005 al-Qaeda in Iraq (AQI) had sought to carve out a national entity within Iraq. They went so far as to declare an Islamic Emirate of Iraq. At the time they only occupied a few dozen safe houses in the Western governorates, some in Baghdad and a neighborhood in Anbar Province. he Jolan District in Fallujah had instead of operatives in a terrorist group. been dominated by AQI members Under the protection of the Iraqi Sunni Tand sympathizers starting in the months community, they wanted to carve out a after the invasion. It was quickly lost piece of secure terrain that would allow along with more than 1,000 jihadist foreign fighters to abandon their homes fighters to the U.S. Marines, who rooted and families, come via Syria to the “state” them out in intense house-to-house in their jihadist version of the Prophet combat. Even without occupying any Mohammed’s Hijra (emigration), and land, they understood that the concept start a new life toward an eventual place of appearing to be a virtual entity was a in paradise. They could take on local psychological multiplier for their fighters. wives, train, brag, and fight alongside Better to be considered heroes of a nation other men like themselves. They needed Jihadists traveling in pick up trucks. Photo by: Magharebia The Counter Terrorist ~ February/March 2015 47 a place of their own where they could be involved in something bigger than themselves—they could fight like the companions of the prophet Mohammed in a real, live jihad against the “crusaders” and “apostates.” The best of them would volunteer to die in martyrdom bombings and go straight to heaven! So it was decided that even itinerant “knights” needed a base of operations to call home.
    [Show full text]
  • Hubert Bals Fund
    HUBERT BALS FUND COMPLETE RESULTS 1988-2016 • Script and Project Development support SELECTION 2016 • Post-production support Almost in Love Brzezicki, Leonardo (Argentina) • The Bridge Lotfy, Hala (Egypt) • Death Will Come and Will Have Your Eyes Torres Leiva, José Luis (Chile) • A Land Imagined Yeo Siew Hua (Singapore)• The Load Glavonic, Ognjen (Serbia) • Men in the Sun Fleifel, Mahdi (Greece) • Narges Rasoulof, Mohammad (Iran) • Octopus Skin Barragán, Ana Cristina (Ecuador) • The Orphanage Sadat, Shahrbanoo (Afghanistan) • The Reports on Sarah and Saleem Alayan, Muayad (Palestine) • Trenque Lauquen Citarella, Laura (Argentina) • White Widow Hermanus, Oliver (South Africa) • The Load, Glavonic, Ognjen (Serbia) During the NATO bombing of Serbia in 1999, Vlada is driving a freezer truck across the country. He does not want to know what the load is, but his cargo slowly becomes his burden. • Script and Project Development support SELECTION 2015 • Post-production support Alba Barragan, Ana Cristina (Ecuador) 2016 • Antigone González-Rubio, Pedro (Mexico) • Arnold Is a Model Student Prapapan, Sorayos (Thailand) • Barzagh Ismailova, Saodat (Uzbekistan) • Beauty and the Dogs Ben Hania, Kaouther (Tunisia) • Brief Story from the Green Planet Loza, Santiago (Argentina) • Burning Birds Pushpakumara, Sanjeewa (Sri Lanka) 2016 • Era o Hotel Cambridge Caffé, Eliane (Brazil) 2016 • The Fever Da-Rin, Maya (Brazil) • La flor Llinás, Mariano (Argentina) 2016 • Hedi Ben Attia, Mohamed (Tunisia) 2016 • Kékszakállú Solnicki, Gastón (Argentina) 2016 • Killing
    [Show full text]
  • Terrorist Tactics and Strategies Compiled and Selected by Judith Tinnes
    PERSPECTIVES ON TERRORISM Volume 12, Issue 5 Bibliography: Terrorist Tactics and Strategies Compiled and selected by Judith Tinnes [Bibliographic Series of Perspectives on Terrorism - BSPT-JT-2018-6] Abstract This bibliography contains journal articles, book chapters, books, edited volumes, theses, grey literature, bibliographies and other resources on terrorist tactics and strategies (such as the planning of attacks, targeting, decision making, and successful or failed plots). Though focusing on recent literature, the bibliography is not restricted to a particular time period and covers publications up to September 2018. The literature has been retrieved by manually browsing more than 200 core and periphery sources in the field of Terrorism Studies. Additionally, full-text and reference retrieval systems have been employed to broaden the search. Keywords: bibliography; resources; literature; terrorism; tactics, strategies, planning, plots, attacks, targeting, decision making NB: All websites were last visited on 16.09.2018. - See also Note for the Reader at the end of this literature list. Bibliographies and other Resources Al-Khalidi, Ashraf; Renahan, Thomas (Eds.) (2015, May-): Daesh Daily: An Update On ISIS Activities. URL: http://www.daeshdaily.com Atkins, Stephen E. (2011): Annotated Bibliography. In: Stephen E. Atkins (Ed.): The 9/11 Encyclopedia. (Vol. 1). (2nd ed.). Santa Barbara: ABC-CLIO, 481-508. Bergen, Peter et al. (2016-): Terrorism in America after 9/11. (New America In-Depth Report). URL: https:// www.newamerica.org/in-depth/terrorism-in-america Bowie, Neil G. (2017, August): Terrorism Events Data: An Inventory of Databases and Data Sets, 1968-2017. Perspectives on Terrorism, 11(4), 50-72. URL: https://www.universiteitleiden.nl/binaries/content/assets/ customsites/perspectives-on-terrorism/2017/issue-4/0620174-terrorism-events-data-an-inventory-of- databases-and-data-sets-1968-2017-by-neil-g.-bowie.pdf Bowie, Neil G.; Schmid, Alex P.
    [Show full text]
  • 9/11 Report”), July 2, 2004, Pp
    Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5.
    [Show full text]
  • South Korean Cinema and the Conditions of Capitalist Individuation
    The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). Made during the first years after the 1997 Asian Financial Crisis and the 2008 Global Financial Crisis, the films under consideration here visualize the various dystopian social and economic changes attendant upon epidemic capitalist restructuring: social alienation, familial fragmentation, and widening economic division.
    [Show full text]
  • Dvd Digital Cinema System Systema Dvd Digital Cinema Sistema De Cinema De Dvd Digital Th-A9
    DVD DIGITAL CINEMA SYSTEM SYSTEMA DVD DIGITAL CINEMA SISTEMA DE CINEMA DE DVD DIGITAL TH-A9 Consists of XV-THA9, SP-PWA9, SP-XCA9, and SP-XSA9 Consta de XV-THA9, SP-PWA9, SP-XCA9, y SP-XSA9 Consiste em XV-THA9, SP-PWA9, SP-XCA9, e SP-XSA9 STANDBY/ON TV/CATV/DBS AUDIO VCR AUX FM/AM DVD TITLE SUBTITLE DECODE AUDIO ZOOM DIGEST TIME DISPLAY RETURN ANGLE CHOICE SOUND CONTROL SUBWOOFER EFFECT VCR CENTER TEST TV REAR-L SLEEP REAR-R SETTING TV RETURN FM MODE 100+ AUDIO/ PLAY TV/VCR MODE CAT/DBS ENTER SP-XSA9 SP-XCA9 SP-XSA9 THEATER DSP POSITION MODE TV VOLCHANNEL VOLUME TV/VIDEO MUTING B.SEARCH F.SEARCH /REW PLAY FF DOWN TUNING UP REC STOP PAUSE MEMORY STROBE DVD MENU RM-STHA9U DVD CINEMA SYSTEM SP-PWA9 XV-THA9 INSTRUCTIONS For Customer Use: INSTRUCCIONES Enter below the Model No. and Serial No. which are located either on the rear, INSTRUÇÕES bottom or side of the cabinet. Retain this information for future reference. Model No. Serial No. LVT0562-010A [ UW ] Warnings, Cautions and Others Avisos, Precauciones y otras notas Advertêcias, precauções e outras notas Caution - button! CAUTION Disconnect the XV-THA9 and SP-PWA9 main plugs to To reduce the risk of electrical shocks, fire, etc.: shut the power off completely. The button on the 1. Do not remove screws, covers or cabinet. XV-THA9 in any position do not disconnect the mains 2. Do not expose this appliance to rain or moisture. line. The power can be remote controlled.
    [Show full text]
  • Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
    University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema.
    [Show full text]
  • The Terrorists of Iraq
    “This book is the definitive source on ISIS. Nance demonstrates that ISIS has consistently been a threat in Iraq, evolving with the shifting dynamics in the Nance theater of battle, within the insurgency, and in the region. The Terrorists of Iraq remains an essential and well-researched guide for anyone interested in Second Edition understanding or addressing this horrific period in global history.” — Adam Hinds, former political advisor, United Nations Iraq Second Edition THE TERRORISTS OF THE TERRORISTS OF IRAQ Inside the Strategy and Tactics of the Iraq Insurgency 2003–2014 The Terrorists of Iraq: Inside the Strategy and Tactics of the Iraq Insurgency 2003–2014, Second Edition is a highly detailed and exhaustive history and analysis of terror groups that both formed the Iraq insurgency and led to the rise of the Islamic State of Iraq and Syria (ISIS). It places heavy emphasis on the history, organization, and personalities of al-Qaeda in Iraq (now ISIS), the former Baathist regime loyalists, and Shiite insurgents. The book also thoroughly analyzes how Iraq became the center of the ISIS strategy to create an Islamic caliphate in the heart of the Middle East. THE TERRORISTS OF As terrorism activity proliferates and spreads globally, this second edition is timely, providing a solid understanding of how the Iraq insurgency was a born after the U.S.-led invasion, which led to the crisis of today. More specifically, the book: IRAQ • Illustrates the political, combat, and religious strategies as well as street-level tactics of the insurgents
    [Show full text]
  • Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
    Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS
    [Show full text]
  • Cinema at the End of Empire: a Politics of Transition
    cinema at the end of empire CINEMA AT duke university press * Durham and London * 2006 priya jaikumar THE END OF EMPIRE A Politics of Transition in Britain and India © 2006 Duke University Press * All rights reserved Printed in the United States of America on acid-free paper Designed by Amy Ruth Buchanan Typeset in Quadraat by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data and permissions information appear on the last printed page of this book. For my parents malati and jaikumar * * As we look back at the cultural archive, we begin to reread it not univocally but contrapuntally, with a simultaneous awareness both of the metropolitan history that is narrated and of those other histories against which (and together with which) the dominating discourse acts. —Edward Said, Culture and Imperialism CONTENTS List of Illustrations xi Acknowledgments xiii Introduction 1 1. Film Policy and Film Aesthetics as Cultural Archives 13 part one * imperial governmentality 2. Acts of Transition: The British Cinematograph Films Acts of 1927 and 1938 41 3. Empire and Embarrassment: Colonial Forms of Knowledge about Cinema 65 part two * imperial redemption 4. Realism and Empire 107 5. Romance and Empire 135 6. Modernism and Empire 165 part three * colonial autonomy 7. Historical Romances and Modernist Myths in Indian Cinema 195 Notes 239 Bibliography 289 Index of Films 309 General Index 313 ILLUSTRATIONS 1. Reproduction of ‘‘Following the E.M.B.’s Lead,’’ The Bioscope Service Supplement (11 August 1927) 24 2. ‘‘Of cource [sic] it is unjust, but what can we do before the authority.’’ Intertitles from Ghulami nu Patan (Agarwal, 1931) 32 3.
    [Show full text]
  • Lebanon: Asbat Al-Ansar, Including Leaders, Areas of Influence, Recruitment, and Activities
    Responses to Information Requests - Immigration and Refugee Board of Canada Page 1 of 5 Immigration and Refugee Board of Canada Home > Research Program > Responses to Information Requests Responses to Information Requests Responses to Information Requests (RIR) respond to focused Requests for Information that are submitted to the Research Directorate in the course of the refugee protection determination process. The database contains a seven- year archive of English and French RIRs. Earlier RIRs may be found on the UNHCR's Refworld website. Please note that some RIRs have attachments which are not electronically accessible. To obtain a PDF copy of an RIR attachment please email [email protected]. 10 April 2014 LBN104844.E Lebanon: Asbat al-Ansar, including leaders, areas of influence, recruitment, and activities; relationship of the group with the government (2011-April 2014) Research Directorate, Immigration and Refugee Board of Canada, Ottawa 1. Background Asbat al-Ansar is also known as "Osbat Al Ansar, Usbat Al Ansar, Esbat Al-Ansar, Isbat Al Ansar, Usbat- ul-Ansar, Band of Helpers, Band of Partisans, League of the Followers" (Canada 20 Nov. 2012), and "the Partisans League" (Al Akhbar 25 Nov. 2012). Sources indicate that Asbat al-Ansar allegedly has links to Al- Qaeda (US 3 Oct. 2013; START n.d.a; Canada 20 Nov. 2012). In 2002, Asbat al-Ansar was designated a terrorist entity in Canada (ibid.). The United States also designated the group as a "foreign terrorist organization" in 2002 (28 Sept. 2012). According to the National Consortium for the Study of Terrorism and Responses to Terrorism (START), a university-based research centre at the University of Maryland funded by the US Department of Homeland Security (n.d.b), Asbat al-Ansar is a Sunni "extremist" group that was formed in the "late 1980s or early 1990s by Sheik Hisham Shreidi, a Palestinian refugee and preacher" (START n.d.a).
    [Show full text]