Iraq After the Us Withdrawal » Iraqi Cinema »

Total Page:16

File Type:pdf, Size:1020Kb

Iraq After the Us Withdrawal » Iraqi Cinema » Volume 8 - Number 2 December 2011 - January 2012 £4 | €5 | US$6.5 THIS ISSUE » IRAQ » IRAQ AFTER THE US WITHDRAWAL » IRAQI CINEMA » THE SEARCH FOR THE STOLEN COLLECTION OF THE NATIONAL MUSEUM » SUMERIAN CUISINE » THE HYBRIDITY OF IRAQI CULTURE » MAPPING IRAQI ART » PLUS » REVIEWS AND EVENTS IN LONDON Volume 8 - Number 2 December 2011 - January 2012 £4 | €5 | US$6.5 THIS ISSUE » IRAQ » IRAQ AFTER THE US WITHDRAWAL » IRAQI CINEMA » THE SEARCH FOR THE STOLEN COLLECTION OF THE NATIONAL MUSEUM » SUMERIAN CUISINE » THE HYBRIDITY OF IRAQI CULTURE » MAPPING IRAQI ART » PLUS » REVIEWS AND EVENTS IN LONDON Maysaloun Faraj, Khalida: Kites and Shattered Dreams, 2008, Aya Gallery Volume 8 - Number 2 About the London Middle East Institute (LMEI) December 2011- Th e London Middle East Institute (LMEI) draws upon the resources of London and SOAS to provide January 2012 teaching, training, research, publication, consultancy, outreach and other services related to the Middle Editorial Board East. It serves as a neutral forum for Middle East studies broadly defi ned and helps to create links between Nadje Al-Ali individuals and institutions with academic, commercial, diplomatic, media or other specialisations. SOAS With its own professional staff of Middle East experts, the LMEI is further strengthened by its academic Narguess Farzad SOAS membership – the largest concentration of Middle East expertise in any institution in Europe. Th e LMEI also Nevsal Hughes has access to the SOAS Library, which houses over 150,000 volumes dealing with all aspects of the Middle Association of European Journalists East. LMEI’s Advisory Council is the driving force behind the Institute’s fundraising programme, for which Najm Jarrah it takes primary responsibility. It seeks support for the LMEI generally and for specifi c components of its George Joff é programme of activities. Cambridge University Max Scott Gilgamesh Publishing Sarah Searight Mission Statement: British Foundation for the Study of Arabia Th e aim of the LMEI, through education and research, is to promote knowledge of all aspects of the Middle Kathryn Spellman Poots AKU and LMEI East including its complexities, problems, achievements and assets, both among the general public and with Sarah Stewart those who have a special interest in the region. In this task it builds on two essential assets. First, it is based LMEI in London, a city which has unrivalled contemporary and historical connections and communications with Ionis Th ompson the Middle East including political, social, cultural, commercial and educational aspects. Secondly, the LMEI British Foundation for the Study of Arabia is closely linked to SOAS, the only tertiary educational institution in the world whose explicit purpose is to Shelagh Weir provide education and scholarship on the whole Middle East from prehistory until today. SOAS Co-ordinating Editor LMEI Staff: Rhiannon Edwards Administrative Assistant Director Dr Hassan Hakimian Alice Piller Roner Deputy Director and Company Secretary Dr Sarah Stewart Listings Executive Offi cer Louise Hosking Vincenzo Paci-Delton Events and Magazine Coordinator Vincenzo Paci-Delton Designer Shahla Geramipour Th e Middle East in London is published Disclaimer: Letters to the Editor: six times a year by the London Middle East Institute at SOAS Opinions and views expressed in the Middle East Please send your letters to the editor at Publisher and in London are, unless otherwise stated, personal the LMEI address provided (see left panel) Editorial Offi ce views of authors and do not refl ect the views of their or email [email protected] Th e London Middle East Institute organisations nor those of the LMEI or the Editorial School of Oriental and African Studies Board. Although all advertising in the magazine is University of London Th ornaugh Street, Russell Square carefully vetted prior to publication, the LMEI does London WC1H 0XG not accept responsibility for the accuracy of claims United Kingdom made by advertisers. T: +44 (0)20 7898 4490 F: +44 (0)20 7898 4329 E: [email protected] SSubscriptions:ubscriptions: www.lmei.soas.ac.uk ISSN 1743-7598 To subscribe to Th e Middle East in London, please email [email protected] to request subscription information and a form. Contents LMEI Board of Trustees 4 16 26 Professor Paul Webley (Chairman) EDITORIAL Female academics in Iraq BOOKS IN BRIEF Director, SOAS Huda al-Dujaili, Inass al-Enezy, Dr John Curtis Irada al-Jeboury & Nadje Al-Ali British Museum H E Sir Vincent Fean KCVO Consul General to Jerusalem 5 27 Professor Ben Fortna, SOAS IRAQ LISTINGS: INSIGHT 18 DECEMBER – JANUARY Professor Graham Furniss, SOAS Iraq aft er the US withdrawal Th e Humanitarian Dialogue EVENTS Mr. Alan Jenkins Charles Tripp Foundation Dr Karima Laachir, SOAS Ali Saff ar and Ahmed Naji Professor Annabelle Sreberny, SOAS LMEI Advisory Council 7 Lady Barbara Judge (Chair) Space to think 20 Professor Muhammad A. S. Abdel Haleem Th e Council for Assisting Refugee Mapping Iraqi art Near and Middle East Department, SOAS Academics Janet Rady H E Khalid Al-Duwaisan GVCO Ambassador, Embassy of the State of Kuwait Kate Robertson Mrs Haifa Al Kaylani Arab International Women’s Forum Dr Khalid Bin Mohammed Al Khalifa 22 President, University College of Bahrain 9 POETRY Professor Tony Allan King’s College and SOAS Iraqi cinema: Under the shadow Sargon Boulus and ‘Abd al-Wahab Dr Alanoud Alsharekh of occupation al-Bayati LMEI and Fellow, St Antony’s College Hassan Abdulrazzak Narguess Farzad Mr Farad Azima Iran Heritage Foundation Professor Doris Behrens-Abouseif Art and Archaeology Department, SOAS Dr Noel Brehony 11 23 MENAS Associates Ltd. Looting ‘the memory of mankind’ REVIEWS Mr Charles L. O. Buderi Th e search for the stolen Th e BFI London Film Festival Curtis, Mallet-Prevost, Colt & Mosle LLP collection of the National Mohammad Mirbashiri Dr Elham Danish Museum Royal Embassy of Saudi Arabia Ionis Th ompson Mr Kasim Kutay Moelis & Company Mr Rod Sampson 24 Barclays Wealth, Dubai RESTAURANT Dr Mai Yamani Masgouf- Le Chef Carnegie Middle East Centre 13 Th e oldest cookbook in the world Nadje Al Ali and Mark Douglas Sumerian cuisine Founding Sponsor and Lamees Ibrahim Member of the Advisory Council Sheikh Mohamed bin Issa al Jaber 25 MBI Al Jaber Foundation BOOKS 14 Iraqi Marshlands Ed. Sam Kubba Th e hybridity of Iraqi culture Peter Clark Sami Zubaida December 2011-January 2012 » The Middle East in London » 3 EEDITORIALDITORIAL DDearear RReadereader The National Museum in Baghdad Nadje Al-Ali, MEL Editorial Board uring a recent trip to the US, Iraq (CARA) has been working relentlessly provides us with a very interesting account made headlines for several days for several years with Iraqi academics - a of the hybridity of Iraqi culture, not only in Daft er a long period of virtual news particularly vulnerable group in terms of the terms of a multi-ethnic and multi-religious blackout. Ironically, I was talking to a group lawlessness, lack of security and violence. mosaic, but he demonstrates that language, of retired military and business people at Her contribution introduces CARA’s Iraq music and food – the cornerstones of any the World Aff airs Council in Colorado City programme, which has been trying to culture – have been mixed and hybrid due (my most challenging audience ever) aft er address the crisis of Iraqi higher education to cultural encounters and entanglements. President Obama had just announced the both in terms of other great exoduses of Th e newly established Humanitarian withdrawal of all US troops by the end of academics but also within Iraq. SOAS Dialogue Foundation off Edgware Road, 2011. Aft er days of talking to impressive has supported CARA’s important work introduced by Ali Saff ar and Dr Ahmed students and staff at a progressive liberal during the past four years and is part of its Naji attempts to revive this very history arts college, this felt rather diff erent. Th e nationwide network of partner universities. and tradition of cosmopolitan and mixed overall story presented on the mainstream Th e article written by the team of Iraqi spaces for Iraqis within London. Hassan American TV channels was also prevalent academics – Irada Al-Jabbouri, Inass Al- Abdulrazzak – who has become known to amongst my audience: we have done our job Enezy, Huda al-Dujaili and myself - zooms many people through his wonderful play and it is high time to bring Americans back in to the specifi c problems and challenges Baghdad Wedding – discusses new talents home to safety. Very few voices in the media faced by female academics in contemporary linked to emerging Iraqi cinema, but also addressed the actual situation in Iraq which, Iraq. criticizes the fact that much of what we as Professor Charles Tripp so eloquently Yet, as we are showing in in this issue, have seen on screens about Iraq has been discusses in this issue’s Insight piece, does Iraq’s long history of cultural and artistic produced in the west through a western not look promising in terms of democracy productions and creations continues despite gaze. and human rights. His refl ections are the extremely diffi cult political, economic An issue about Iraq would not be illuminating but make also for a depressing and social conditions. Ionis Th ompson complete without reference to food. We read. We seem to have come full circle. interviews Lamia al-Gailani, one of Iraq’s have a special gem with Lamees Ibrahim’s Th e human costs of the war and the foremost archaeologists who has been article on Sumerian cuisine. Th e restaurant occupation in Iraq are written out of many instrumental in trying to reconstitute the review was another family production and current accounts. Kate Robertson from the stolen collection of the National Museum triggered a nostalgic journey into the past… Council of Assisting Refugee Academics in Baghdad.
Recommended publications
  • Alternative Digital Movies As Malaysian National Cinema A
    Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof.
    [Show full text]
  • Full House Tv Show Episodes Free Online
    Full house tv show episodes free online Full House This is a story about a sports broadcaster later turned morning talk show host Danny Tanner and his three little Episode 1: Our Very First Show.​Watch Full House Season 1 · ​Season 7 · ​Season 1 · ​Season 2. Full House - Season 1 The series chronicles a widowed father's struggles of raising Episode Pilot Episode 1 - Pilot - Our Very First Show Episode 2 - Our. Full House - Season 1 The series chronicles a widowed father's struggles of raising his three young daughters with the help of his brother-in-law and his. Watch Full House Online: Watch full length episodes, video clips, highlights and more. FILTER BY SEASON. All (); Season 8 (24); Season 7 (24); Season. Full House - Season 8 The final season starts with Comet, the dog, running away. The Rippers no longer want Jesse in their band. D.J. ends a relationship with. EPISODES. Full House. S1 | E1 Our Very First Show. S1 | E1 Full House. Full House. S1 | E2 Our Very First Night. S1 | E2 Full House. Full House. S1 | E3 The. Watch Series Full House Online. This is a story about a sports Latest Episode: Season 8 Episode 24 Michelle Rides Again (2) (). Season 8. Watch full episodes of Full House and get the latest breaking news, exclusive videos and pictures, episode recaps and much more at. Full House - Season 5 Season 5 opens with Jesse and Becky learning that Becky is carrying twins; Michelle and Teddy scheming to couple Danny with their. Full House (). 8 Seasons available with subscription.
    [Show full text]
  • Hubert Bals Fund
    HUBERT BALS FUND COMPLETE RESULTS 1988-2016 • Script and Project Development support SELECTION 2016 • Post-production support Almost in Love Brzezicki, Leonardo (Argentina) • The Bridge Lotfy, Hala (Egypt) • Death Will Come and Will Have Your Eyes Torres Leiva, José Luis (Chile) • A Land Imagined Yeo Siew Hua (Singapore)• The Load Glavonic, Ognjen (Serbia) • Men in the Sun Fleifel, Mahdi (Greece) • Narges Rasoulof, Mohammad (Iran) • Octopus Skin Barragán, Ana Cristina (Ecuador) • The Orphanage Sadat, Shahrbanoo (Afghanistan) • The Reports on Sarah and Saleem Alayan, Muayad (Palestine) • Trenque Lauquen Citarella, Laura (Argentina) • White Widow Hermanus, Oliver (South Africa) • The Load, Glavonic, Ognjen (Serbia) During the NATO bombing of Serbia in 1999, Vlada is driving a freezer truck across the country. He does not want to know what the load is, but his cargo slowly becomes his burden. • Script and Project Development support SELECTION 2015 • Post-production support Alba Barragan, Ana Cristina (Ecuador) 2016 • Antigone González-Rubio, Pedro (Mexico) • Arnold Is a Model Student Prapapan, Sorayos (Thailand) • Barzagh Ismailova, Saodat (Uzbekistan) • Beauty and the Dogs Ben Hania, Kaouther (Tunisia) • Brief Story from the Green Planet Loza, Santiago (Argentina) • Burning Birds Pushpakumara, Sanjeewa (Sri Lanka) 2016 • Era o Hotel Cambridge Caffé, Eliane (Brazil) 2016 • The Fever Da-Rin, Maya (Brazil) • La flor Llinás, Mariano (Argentina) 2016 • Hedi Ben Attia, Mohamed (Tunisia) 2016 • Kékszakállú Solnicki, Gastón (Argentina) 2016 • Killing
    [Show full text]
  • A CENTURY of IRAQI ART PART II Wednesday 7 October 2015
    A CENTURY OF IRAQI ART PART II Wednesday 7 October 2015 FRONT ENDPAPER A CENTURY OF IRAQI ART PART II Wednesday 7 October 2015, at 14:00 101 New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Friday 2 October 2015 +44 (0) 20 7447 7447 Nima Sagharchi Monday to Friday 8:30 to 18:00 9:00 - 16:30 +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8342 +44 (0) 20 7447 7447 Saturday 3 October 2015 To bid via the internet please [email protected] 11:00 - 15:00 visit bonhams.com As a courtesy to intending Sunday 4 October 2015 Claire Penhallurick bidders, Bonhams will provide a 11:00 - 15:00 Please note that bids should be +44 (0) 20 7468 8249 written Indication of the physical Monday 5 October 2015 submitted no later than 16:00 [email protected] condition of lots in this sale if a 9:00-16:30 on the day prior to the sale. request is received up to 24 Tuesday 6 October 2015 New bidders must also provide Jonathan Horwich hours before the auction starts. 9:00-16:30 proof of identity when submitting Global Director, Picture Sales This written Indication is issued Wednesday 7 October 2015 bids. Failure to do this may result +44 (0) 20 7468 8280 subject to Clause 3 of the Notice 9:00 - 12:00 in your bid not being processed. [email protected] to Bidders. Telephone bidding can only be ILLUSTRATIONS SALE NUMBER PRESS ENQUIRIES accepted on lots with a Front cover: lot 26 23219 low-estimate in excess of £1000.
    [Show full text]
  • Anglo-Iraqi Studies Centre (Aisc) August 2017Newsletter
    A L - H A K I M F OUNDATION A NGLO-IRAQI STUDIES CENTRE (AISC) AUGUST 2017NEWSLETTER August 2017 What’s Inside: Office visit Outreach Activities Forthcoming cultural event From our library Further information OFFICE VISIT Introducing Safina Projects to the Anglo-Iraqi Studies Centre On 22 August 2017, Mr Rashad Salim visited the AISC offices and was welcomed by Ihsan Muhsin and Nadeem Al-Abdalla. Mr Rashad Salim is an Iraqi-British artist from the renowned Salim family of artists. He has 40 years of experience in water travel and has participated in many expeditions, including “The Tigris Expedition” of 1977, led by the famous Norwegian explorer Thor Heyerdahl. Rashad also participated in “The Tigris Flotilla” in 2013 and more recently in “The Ark Reimagined” in 2016. During his visit, Rashad briefed us about his new “Euphrates 1 river expedition”, which will use ancient Mesopotamian rivercrafts to travel from Hilla, a Tigris city near ancient Babylon, to Basra at the Shatt-al- Arab. This is scheduled to take place in the coming months, after he has made all necessary arrangements. AISC August 2017 Newsletter Page 2 OUTREACH ACTIVITIES Iraqi community event held at Salam House, London On 23 August 2017, Ihsan Muhsin and Nadeem Al-Abdalla from the Anglo-Iraqi Studies Centre (AISC) team attended a cultural event held at the offices of the Humanitarian Dialogue Foundation (Salam House) in London. Professor Dr Jafar Hadi Hassan talks to the audience at Salam House, 23 August 2017 (above and below) This cultural event featured a knowledge presentation by Professor Dr Jafar Hadi Hassan about “Contemporary Jewish Groups”, which is also the name of his most recent publication.
    [Show full text]
  • Newsletter Autumn 2012
    THE BRITISH INSTITUTE FOR THE STUDY OF IRAQ المعھد البريطاني لدراسة العراق NEWSLETTER NO. 30 Autumn 2012 THE BRITISH INSTITUTE FOR THE STUDY OF IRAQ (GERTRUDE BELL MEMORIAL) REGISTERED CHARITY NO. 1135395 A company limited by guarantee registered in England and Wales No. 6966984 BISI Newsletter 30 (Autumn 2012) The next BISI Newsletter will be published in spring 2013. Brief contributions are welcomed on recent research, publications, members’ news and events. The BISI Assistant Administrator, Lauren Mulvee edited this Newsletter with kind assistance from others. An A4 version of the newsletter will be available on the website. However if you would like to read the text in a larger print, please get in touch at [email protected]/020 7969 5274. TABLE OF CONTENTS • Chair of Council’s Report pp. 3-4 • Editorial pp. 5-6 • Arnulf Hausleiter - Obituary Anthony R. Green pp. 7-8 • Joan Oates - Obituary Dr Benham Abu Al-Soof pp. 8-9 Fieldwork, Research & Academic Conference Grant Reports • Noorah al-Gailani – Field Research Visit to Document the Material Culture of Two Qadiri Sufi Shrines pp. 10-15 • Hannes Artens – Observations on Political Field Research in the Kurdistan Region of Iraq pp. 15-17 Outreach Grant Reports • Sarook Sarky – Ecotourism Stakeholder Workshop pp. 17-19 • Sarah Panizzo – The Jews of Kurdistan, ‘My Father’s Paradise’ pp. 19-21 • Fran Hazleton – Discover Mesopotamia through Storytelling: A New 3-Year Project is Launched pp. 21-22 Visiting Scholars Programme • Khyam Allami – Sound of Iraq Project: Step 1 – Training at the British Library Sound Archive pp. 22-24 • Mohammad Kasim Mohammad Jwad – Visiting Iraqi Scholar Report p.
    [Show full text]
  • Iraqi Contemporary Art Influenced by Experiences of War and Exile © 2019 Mutualart Services, Inc
    Iraqi contemporary art influenced by experiences of war and exile © 2019 MutualArt Services, Inc. 7/9/19, 10(27 AM Iraqi contemporary art influenced by experiences of war and exile December 9, 2010 Driven out of war-torn Iraq and dispersed around the globe, Iraqi contemporary artists - struggling to maintain a unique presence from under the umbrella of “Middle Eastern art” - are regrouping in Dubai and exhibiting art that reflects the complex relationships they have with their homeland. Running until April 2011, a four-part show at the Meem Gallery places the work of 12 contemporary Iraqi artists in the spotlight. Many of the artists showcasing at the exhibitions had shows in Iraq during the 1980s onwards, staying in the country during the Iran-Iraq War, the 1991 Gulf War and economic sanctions, while several have only recently left. Their experiences - both in Iraq and in the diaspora - are often reflected in their fascinating work. The exhibition’s curator Dia Al-Azzawi is intimately familiar with the plight https://www.mutualart.com/Article/Iraqi-contemporary-art-influenced-by-exp/0A1E857532D58ACF Page 1 of 7 Iraqi contemporary art influenced by experiences of war and exile 7/9/19, 10(27 AM of these contemporary artists. Often touted as the “pioneer of modern Arab art,” he is also an Iraqi artist in exile. Azzawi fled Iraq in 1976, three years before Saddam Hussein came to power, returning only briefly to curate an exhibition in September 1980. Two days after he landed, Iraqi tanks were deployed into Iran; as hostilities unfurled, Azzawi escaped to London where he has lived ever since.
    [Show full text]
  • Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
    Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnadon Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 A CONTEXTUAL ANALYSIS OF CONTEMPOEU^.RY IRAQI ART USING SIX CASE STUDIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Mohammed Al-Sadoun ***** The Ohio Sate University 1999 Dissertation Committee Approved by Dr.
    [Show full text]
  • NEEDLESS DEATHS in the GULF WAR Civilian Casualties During The
    NEEDLESS DEATHS IN THE GULF WAR Civilian Casualties During the Air Campaign and Violations of the Laws of War A Middle East Watch Report Human Rights Watch New York $$$ Washington $$$ Los Angeles $$$ London Copyright 8 November 1991 by Human Rights Watch. All rights reserved. Printed in the United States of America. Cover design by Patti Lacobee Watch Committee Middle East Watch was established in 1989 to establish and promote observance of internationally recognized human rights in the Middle East. The chair of Middle East Watch is Gary Sick and the vice chairs are Lisa Anderson and Bruce Rabb. Andrew Whitley is the executive director; Eric Goldstein is the research director; Virginia N. Sherry is the associate director; Aziz Abu Hamad is the senior researcher; John V. White is an Orville Schell Fellow; and Christina Derry is the associate. Needless deaths in the Gulf War: civilian casualties during the air campaign and violations of the laws of war. p. cm -- (A Middle East Watch report) Includes bibliographical references. ISBN 1-56432-029-4 1. Persian Gulf War, 1991--United States. 2. Persian Gulf War, 1991-- Atrocities. 3. War victims--Iraq. 4. War--Protection of civilians. I. Human Rights Watch (Organization) II. Series. DS79.72.N44 1991 956.704'3--dc20 91-37902 CIP Human Rights Watch Human Rights Watch is composed of Africa Watch, Americas Watch, Asia Watch, Helsinki Watch, Middle East Watch and the Fund for Free Expression. The executive committee comprises Robert L. Bernstein, chair; Adrian DeWind, vice chair; Roland Algrant, Lisa Anderson, Peter Bell, Alice Brown, William Carmichael, Dorothy Cullman, Irene Diamond, Jonathan Fanton, Jack Greenberg, Alice H.
    [Show full text]
  • An Anthropological Study of Iraqis in the UK Zainab Saleh Submitted in Partial Fulfillment of the Requireme
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons Diminishing Returns: An Anthropological Study of Iraqis in the UK Zainab Saleh Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Zainab Saleh All rights reserved ABSTRACT Diminishing Returns: An Anthropological Study of Iraqis in the UK Zainab Saleh This dissertation is an ethnographic study of the Iraqi diasporic community in the UK. It is based on two years of fieldwork research I conducted there between 2006-2008. I approach the formation of the diasporic community in light of utopian visions of a past colored by colonial struggle and high national aspirations, and in light of subsequent political developments that resulted in oppression, exile, and even occupation after 2003. I read the displacement of Iraqis as an example of the failure of the postcolonial state, represented by the emergence of the Baath regime in the 1960s and Saddam Hussein’s rise to power in 1979. Throughout, I examine the heightened salience of sectarianism among Iraqis in exile and in Iraq since the 1990s. Instead of understanding sectarianism as a return to traditional loyalties, I argue that it is deeply linked to the issue of power and identity politics, which the Iraqi opposition to Saddam Hussein’s regime in the UK employed while in exile and institutionalized after the fall of the regime in 2003 with the support of the US Administration. This dissertation is, also, an ethnographic study of Iraq, and aims to make up for the dearth in anthropological studies on Iraq during the last four decades.
    [Show full text]
  • PLAY GUIDE Inside
    McGuire Proscenium Stage / Jan 11 – Feb 16, 2020 Noura by HEATHER RAFFO directed by TAIBI MAGAR PLAY GUIDE Inside THE PLAY Synopsis, Setting and Characters • 4 Responses to Noura • 5 THE PLAYWRIGHT About Heather Raffo •7 In Her Own Words • 8 After the Door Slams: An Interview With Heather Raffo •9 CULTURAL CONTEXT The Long Sweep of History: A Selected Timeline of the Land That Is Now Iraq • 12 What’s What: A Selected Glossary of Terms in Noura • 19 Iraq: Ripped From the Headlines • 22 Chaldean Christians • 24 Meet Cultural Consultant Shaymaa Hasan • 25 ADDITIONAL INFORMATION For Further Reading and Understanding • 27 Guthrie Theater Play Guide Copyright 2020 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Graves CONTRIBUTORS Shaymaa Hasan, Daisuke Kawachi, Heather Raffo, Carla Steen Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 EDITOR Johanna Buch ADMINISTRATION 612.225.6000 All rights reserved. With the exception of classroom use by BOX OFFICE 612.377.2224 or 1.877.44.STAGE (toll-free) teachers and individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic guthrietheater.org • Joseph Haj, artistic director or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie creates transformative theater experiences that ignite the imagination, The Guthrie Theater receives support from the National stir the heart, open the mind and build community through the illumination of our Endowment for the Arts.
    [Show full text]