Iraq After the Us Withdrawal » Iraqi Cinema »

Iraq After the Us Withdrawal » Iraqi Cinema »

Volume 8 - Number 2 December 2011 - January 2012 £4 | €5 | US$6.5 THIS ISSUE » IRAQ » IRAQ AFTER THE US WITHDRAWAL » IRAQI CINEMA » THE SEARCH FOR THE STOLEN COLLECTION OF THE NATIONAL MUSEUM » SUMERIAN CUISINE » THE HYBRIDITY OF IRAQI CULTURE » MAPPING IRAQI ART » PLUS » REVIEWS AND EVENTS IN LONDON Volume 8 - Number 2 December 2011 - January 2012 £4 | €5 | US$6.5 THIS ISSUE » IRAQ » IRAQ AFTER THE US WITHDRAWAL » IRAQI CINEMA » THE SEARCH FOR THE STOLEN COLLECTION OF THE NATIONAL MUSEUM » SUMERIAN CUISINE » THE HYBRIDITY OF IRAQI CULTURE » MAPPING IRAQI ART » PLUS » REVIEWS AND EVENTS IN LONDON Maysaloun Faraj, Khalida: Kites and Shattered Dreams, 2008, Aya Gallery Volume 8 - Number 2 About the London Middle East Institute (LMEI) December 2011- Th e London Middle East Institute (LMEI) draws upon the resources of London and SOAS to provide January 2012 teaching, training, research, publication, consultancy, outreach and other services related to the Middle Editorial Board East. It serves as a neutral forum for Middle East studies broadly defi ned and helps to create links between Nadje Al-Ali individuals and institutions with academic, commercial, diplomatic, media or other specialisations. SOAS With its own professional staff of Middle East experts, the LMEI is further strengthened by its academic Narguess Farzad SOAS membership – the largest concentration of Middle East expertise in any institution in Europe. Th e LMEI also Nevsal Hughes has access to the SOAS Library, which houses over 150,000 volumes dealing with all aspects of the Middle Association of European Journalists East. LMEI’s Advisory Council is the driving force behind the Institute’s fundraising programme, for which Najm Jarrah it takes primary responsibility. It seeks support for the LMEI generally and for specifi c components of its George Joff é programme of activities. Cambridge University Max Scott Gilgamesh Publishing Sarah Searight Mission Statement: British Foundation for the Study of Arabia Th e aim of the LMEI, through education and research, is to promote knowledge of all aspects of the Middle Kathryn Spellman Poots AKU and LMEI East including its complexities, problems, achievements and assets, both among the general public and with Sarah Stewart those who have a special interest in the region. In this task it builds on two essential assets. First, it is based LMEI in London, a city which has unrivalled contemporary and historical connections and communications with Ionis Th ompson the Middle East including political, social, cultural, commercial and educational aspects. Secondly, the LMEI British Foundation for the Study of Arabia is closely linked to SOAS, the only tertiary educational institution in the world whose explicit purpose is to Shelagh Weir provide education and scholarship on the whole Middle East from prehistory until today. SOAS Co-ordinating Editor LMEI Staff: Rhiannon Edwards Administrative Assistant Director Dr Hassan Hakimian Alice Piller Roner Deputy Director and Company Secretary Dr Sarah Stewart Listings Executive Offi cer Louise Hosking Vincenzo Paci-Delton Events and Magazine Coordinator Vincenzo Paci-Delton Designer Shahla Geramipour Th e Middle East in London is published Disclaimer: Letters to the Editor: six times a year by the London Middle East Institute at SOAS Opinions and views expressed in the Middle East Please send your letters to the editor at Publisher and in London are, unless otherwise stated, personal the LMEI address provided (see left panel) Editorial Offi ce views of authors and do not refl ect the views of their or email [email protected] Th e London Middle East Institute organisations nor those of the LMEI or the Editorial School of Oriental and African Studies Board. Although all advertising in the magazine is University of London Th ornaugh Street, Russell Square carefully vetted prior to publication, the LMEI does London WC1H 0XG not accept responsibility for the accuracy of claims United Kingdom made by advertisers. T: +44 (0)20 7898 4490 F: +44 (0)20 7898 4329 E: [email protected] SSubscriptions:ubscriptions: www.lmei.soas.ac.uk ISSN 1743-7598 To subscribe to Th e Middle East in London, please email [email protected] to request subscription information and a form. Contents LMEI Board of Trustees 4 16 26 Professor Paul Webley (Chairman) EDITORIAL Female academics in Iraq BOOKS IN BRIEF Director, SOAS Huda al-Dujaili, Inass al-Enezy, Dr John Curtis Irada al-Jeboury & Nadje Al-Ali British Museum H E Sir Vincent Fean KCVO Consul General to Jerusalem 5 27 Professor Ben Fortna, SOAS IRAQ LISTINGS: INSIGHT 18 DECEMBER – JANUARY Professor Graham Furniss, SOAS Iraq aft er the US withdrawal Th e Humanitarian Dialogue EVENTS Mr. Alan Jenkins Charles Tripp Foundation Dr Karima Laachir, SOAS Ali Saff ar and Ahmed Naji Professor Annabelle Sreberny, SOAS LMEI Advisory Council 7 Lady Barbara Judge (Chair) Space to think 20 Professor Muhammad A. S. Abdel Haleem Th e Council for Assisting Refugee Mapping Iraqi art Near and Middle East Department, SOAS Academics Janet Rady H E Khalid Al-Duwaisan GVCO Ambassador, Embassy of the State of Kuwait Kate Robertson Mrs Haifa Al Kaylani Arab International Women’s Forum Dr Khalid Bin Mohammed Al Khalifa 22 President, University College of Bahrain 9 POETRY Professor Tony Allan King’s College and SOAS Iraqi cinema: Under the shadow Sargon Boulus and ‘Abd al-Wahab Dr Alanoud Alsharekh of occupation al-Bayati LMEI and Fellow, St Antony’s College Hassan Abdulrazzak Narguess Farzad Mr Farad Azima Iran Heritage Foundation Professor Doris Behrens-Abouseif Art and Archaeology Department, SOAS Dr Noel Brehony 11 23 MENAS Associates Ltd. Looting ‘the memory of mankind’ REVIEWS Mr Charles L. O. Buderi Th e search for the stolen Th e BFI London Film Festival Curtis, Mallet-Prevost, Colt & Mosle LLP collection of the National Mohammad Mirbashiri Dr Elham Danish Museum Royal Embassy of Saudi Arabia Ionis Th ompson Mr Kasim Kutay Moelis & Company Mr Rod Sampson 24 Barclays Wealth, Dubai RESTAURANT Dr Mai Yamani Masgouf- Le Chef Carnegie Middle East Centre 13 Th e oldest cookbook in the world Nadje Al Ali and Mark Douglas Sumerian cuisine Founding Sponsor and Lamees Ibrahim Member of the Advisory Council Sheikh Mohamed bin Issa al Jaber 25 MBI Al Jaber Foundation BOOKS 14 Iraqi Marshlands Ed. Sam Kubba Th e hybridity of Iraqi culture Peter Clark Sami Zubaida December 2011-January 2012 » The Middle East in London » 3 EEDITORIALDITORIAL DDearear RReadereader The National Museum in Baghdad Nadje Al-Ali, MEL Editorial Board uring a recent trip to the US, Iraq (CARA) has been working relentlessly provides us with a very interesting account made headlines for several days for several years with Iraqi academics - a of the hybridity of Iraqi culture, not only in Daft er a long period of virtual news particularly vulnerable group in terms of the terms of a multi-ethnic and multi-religious blackout. Ironically, I was talking to a group lawlessness, lack of security and violence. mosaic, but he demonstrates that language, of retired military and business people at Her contribution introduces CARA’s Iraq music and food – the cornerstones of any the World Aff airs Council in Colorado City programme, which has been trying to culture – have been mixed and hybrid due (my most challenging audience ever) aft er address the crisis of Iraqi higher education to cultural encounters and entanglements. President Obama had just announced the both in terms of other great exoduses of Th e newly established Humanitarian withdrawal of all US troops by the end of academics but also within Iraq. SOAS Dialogue Foundation off Edgware Road, 2011. Aft er days of talking to impressive has supported CARA’s important work introduced by Ali Saff ar and Dr Ahmed students and staff at a progressive liberal during the past four years and is part of its Naji attempts to revive this very history arts college, this felt rather diff erent. Th e nationwide network of partner universities. and tradition of cosmopolitan and mixed overall story presented on the mainstream Th e article written by the team of Iraqi spaces for Iraqis within London. Hassan American TV channels was also prevalent academics – Irada Al-Jabbouri, Inass Al- Abdulrazzak – who has become known to amongst my audience: we have done our job Enezy, Huda al-Dujaili and myself - zooms many people through his wonderful play and it is high time to bring Americans back in to the specifi c problems and challenges Baghdad Wedding – discusses new talents home to safety. Very few voices in the media faced by female academics in contemporary linked to emerging Iraqi cinema, but also addressed the actual situation in Iraq which, Iraq. criticizes the fact that much of what we as Professor Charles Tripp so eloquently Yet, as we are showing in in this issue, have seen on screens about Iraq has been discusses in this issue’s Insight piece, does Iraq’s long history of cultural and artistic produced in the west through a western not look promising in terms of democracy productions and creations continues despite gaze. and human rights. His refl ections are the extremely diffi cult political, economic An issue about Iraq would not be illuminating but make also for a depressing and social conditions. Ionis Th ompson complete without reference to food. We read. We seem to have come full circle. interviews Lamia al-Gailani, one of Iraq’s have a special gem with Lamees Ibrahim’s Th e human costs of the war and the foremost archaeologists who has been article on Sumerian cuisine. Th e restaurant occupation in Iraq are written out of many instrumental in trying to reconstitute the review was another family production and current accounts. Kate Robertson from the stolen collection of the National Museum triggered a nostalgic journey into the past… Council of Assisting Refugee Academics in Baghdad.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    36 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us