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Genesis: Twelve Eyewitness Reports and Genealogies
Associates for Scriptural Knowledge • P.O. Box 25000, Portland, OR 97298-0990 USA © ASK, December 2020 • All rights reserved • Number 12/20 Telephone: 503 292 4352 • Internet: www.askelm.com • E-Mail: [email protected] Genesis: Twelve Eyewitness Reports and Genealogies by Thomas Patrick Arnold, Ph.D., November 2008 Typeset and Comments by David Sielaff, December 2020 Read first the December 1, 2020 Commentary “Tablets and Genesis” Then read the “December 2020 Newsletter” The Book of Genesis is a collection of eyewitness historical accounts of select individuals and follows their descendants, leading to the people of Israel. Genesis ends with the death of Joseph, son of the patriarch Jacob, renamed Israel. The writings of the authors of the documents were com- piled by Moses, who masterfully edited them to teach the Israelite people their history in a single written work beginning with creation. The text tells us whose histories are inside. Evidence of the reliability of Genesis is found in the text itself, no matter the translation. Once this information is under- stood, the Book of Genesis becomes more interesting than ever. Background by David Sielaff I met the author of this article, Dr. Thomas Patrick Arnold, at the 2008 meeting of the Society for Biblical Literature. He had a book table in the exhibits hall promoting his (then) new book, Two Stage Biblical Crea- tion: Uniting Biblical Insights Uncovered by Ten Notable Creation Theories (Arlington Heights, IL: Thomas Arnold Publishing, 2007). I featured information from his book in the supplement to the expanded ASK article for August 2017, “The Story of Creation.” I found later that at a different conference around the same time he presented the article reprinted below. -
Cultural Orientation | Kurmanji
KURMANJI A Kurdish village, Palangan, Kurdistan Flickr / Ninara DLIFLC DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER 2018 CULTURAL ORIENTATION | KURMANJI TABLE OF CONTENTS Profile Introduction ................................................................................................................... 5 Government .................................................................................................................. 6 Iraqi Kurdistan ......................................................................................................7 Iran .........................................................................................................................8 Syria .......................................................................................................................8 Turkey ....................................................................................................................9 Geography ................................................................................................................... 9 Bodies of Water ...........................................................................................................10 Lake Van .............................................................................................................10 Climate ..........................................................................................................................11 History ...........................................................................................................................11 -
31 DECEMBER 2011 Programme Title &Am
IRAQ TRUST FUND ANNUAL PROGRAMME1 NARRATIVE PROGRESS REPORT REPORTING PERIOD: 1 JANUARY – 31 DECEMBER 2011 Programme Title & Number Country, Locality(s), Thematic Area(s)2 Programme Title: Modernizing Sulaymaniyah Country: Iraq, Museum, pilot for Museum Sector in Iraq Governorate: Sulaymaniyah Town: Sulaymaniyah Programme Number: Project B1-37 Sector: Education MDTF Office Atlas Number: Participating Organization(s) Implementing Partners UNESCO KRG Prime Minister Office KRG Ministry of Municipalities and Tourism KRG Ministry of Education Programme/Project Cost (US$) Programme Duration (months) Overall Duration: UNDG ITF: USD 350,000 12 months 3 Agency Core: UNESCO USD 50,000 Start Date : 1/7/2010 End Date or Govt. Contribution: Revised End Date, 23/8/2012 Other Contribution (donor) Operational Closure Date4 TOTAL: USD 400,000 Programme Assessments/Mid-Term Evaluation Submitted By Assessment Completed - if applicable please o Name: Geraldine Chatelard attach o Title: Programme Specialist Yes No Date: __________________ o Participating Organization (Lead): 1 The term “programme” is used for programmes, joint programmes and projects. 2 Priority Area for the Peacebuilding Fund; Sector for the UNDG ITF. 3 The start date is the date of the first transfer of the funds from the MDTF Office as Administrative Agent. Transfer date is available on the MDTF Office GATEWAY (http://mdtf.undp.org). 4 All activities for which a Participating Organization is responsible under an approved MDTF programme have been completed. Agencies to advise the MDTF Office. Page 1 of 13 Mid-Evaluation Report – if applicable please UNESCO attach o Email address: [email protected] Yes No Date: __________________ Introduction: The Suleimanyah Museum is an ideal flagship candidate for introducing state-of-the-art museology and internationally recognized good-practices in the Kurdistan region. -
ISCACH (Beirut 2015) International Syrian Congress on Archaeology and Cultural Heritage
ISCACH (Beirut 2015) International Syrian Congress on Archaeology and Cultural Heritage PROGRAM AND ABSTRACTS 3‐6 DECEMBER 2015 GEFINOR ROTANA HOTEL BEIRUT, LEBANON ISCACH (Beirut 2015) International Syrian Congress on Archaeology and Cultural Heritage PROGRAM AND ABSTRACTS 3‐6 DECEMBER 2015 GEFINOR ROTANA HOTEL BEIRUT, LEBANON © The ISCACH 2015 Organizing Committee, Beirut Lebanon All rights reserved. No reproduction without permission. Title: ISCASH (International Syrian Congress on Archaeology and Cultural Heritage) 2015 Beirut: Program and Abstracts Published by the ISCACH 2015 Organizing Committee and the Archaeological Institute of Kashihara, Nara Published Year: December 2015 Printed in Japan This publication was printed by the generous support of the Agency for Cultural Affairs, Government of Japan ISCACH (Beirut 2015) TABLE OF CONTENTS Introduction……….……………………………………………………….....................................3 List of Organizing Committee ............................................................................4 Program Summary .............................................................................................5 Program .............................................................................................................7 List of Posters ................................................................................................. 14 Poster Abstracts.............................................................................................. 17 Presentation Abstracts Day 1: 3rd December ............................................................................ -
WAIPA-Annual-Report-2004.Pdf
Note The WAIPA Annual Report 2004 has been produced by WAIPA, in cooperation with the United Nations Conference on Trade and Development (UNCTAD). This report was prepared by Vladimir Pankov. Beatrice Abel provided editorial assistance. Teresita Sabico and Farida Negreche provided assistance in formatting the report. WAIPA would like to thank all those who have been involved in the preparation of this report for their various contributions. For further information on WAIPA, please contact the WAIPA Secretariat at the following address: WAIPA Secretariat Palais des Nations, Room E-10061 1211 Geneva 10, Switzerland E-mail: [email protected] Tel: (41-22) 907 46 43 Fax: (41-22) 907 01 97 Homepage: http://www.waipa.org UNCTAD/ITE/IPC/2005/3 Copyright @ United Nations, 2005 All rights reserved 2 Table of Contents Page Note 2 Table of Contents 3 Acknowledgements 4 Facts about WAIPA 5 WAIPA Map 8 Letter from the President 9 Message from UNCTAD 10 Message from FIAS 11 Overview of Activities 13 The Study Tour Programme 24 WAIPA Elected Office Bearers 25 WAIPA Consultative Committee 27 List of Participants: WAIPA Executive Meeting, Ninth Annual WAIPA Conference and WAIPA Training Workshops 29 Statement of Income and Expenses - 2004 51 WAIPA Directory 55 ANNEX: WAIPA Statute 101 3 Acknowledgements WAIPA would like to thank Ernst & Young – International Location Advisory Services (E&Y–ILAS); IBM Business Consulting Services – Plant Location International (IBM Business Consulting Services – PLI); and OCO Consulting for contributing their time and expertise to the WAIPA Training Programme. Ernst & Young – ILAS IBM Business Consulting Services – PLI OCO Consulting 4 Facts about WAIPA What is WAIPA? The World Association of Investment Promotion Agencies (WAIPA) was established in 1995 and is registered as a non-governmental organization (NGO) in Geneva, Switzerland. -
Newsletter Autumn 2012
THE BRITISH INSTITUTE FOR THE STUDY OF IRAQ المعھد البريطاني لدراسة العراق NEWSLETTER NO. 30 Autumn 2012 THE BRITISH INSTITUTE FOR THE STUDY OF IRAQ (GERTRUDE BELL MEMORIAL) REGISTERED CHARITY NO. 1135395 A company limited by guarantee registered in England and Wales No. 6966984 BISI Newsletter 30 (Autumn 2012) The next BISI Newsletter will be published in spring 2013. Brief contributions are welcomed on recent research, publications, members’ news and events. The BISI Assistant Administrator, Lauren Mulvee edited this Newsletter with kind assistance from others. An A4 version of the newsletter will be available on the website. However if you would like to read the text in a larger print, please get in touch at [email protected]/020 7969 5274. TABLE OF CONTENTS • Chair of Council’s Report pp. 3-4 • Editorial pp. 5-6 • Arnulf Hausleiter - Obituary Anthony R. Green pp. 7-8 • Joan Oates - Obituary Dr Benham Abu Al-Soof pp. 8-9 Fieldwork, Research & Academic Conference Grant Reports • Noorah al-Gailani – Field Research Visit to Document the Material Culture of Two Qadiri Sufi Shrines pp. 10-15 • Hannes Artens – Observations on Political Field Research in the Kurdistan Region of Iraq pp. 15-17 Outreach Grant Reports • Sarook Sarky – Ecotourism Stakeholder Workshop pp. 17-19 • Sarah Panizzo – The Jews of Kurdistan, ‘My Father’s Paradise’ pp. 19-21 • Fran Hazleton – Discover Mesopotamia through Storytelling: A New 3-Year Project is Launched pp. 21-22 Visiting Scholars Programme • Khyam Allami – Sound of Iraq Project: Step 1 – Training at the British Library Sound Archive pp. 22-24 • Mohammad Kasim Mohammad Jwad – Visiting Iraqi Scholar Report p. -
REPUBLIC of IRAQ MINISTRY of PLANNING NATIONAL DEVELOPMENT PLAN 2013-2017 BAGHDAD JANUARY 2013 2013 2017 Republic of Iraq Ministry of Planning
الفصل الثالث اجنازات اجهزة ومراكز الوزارة الفصل الثالث اجنازات اجهزة ومراكز الوزارة NATIONAL DEVELOPMENTNATIONAL PLAN REPUBLIC OF IRAQ MINISTRY OF PLANNING NATIONAL DEVELOPMENT PLAN 2013-2017 BAGHDAD JANUARY 2013 2013 2017 Republic of Iraq Ministry of Planning National Development Plan 2013-2017 Baghdad January 2013 Preface A clear and defined path for development can only be mapped out through the creation of medium- and long-term plans and strategies built on sound methodology and an ac- curate reading of the economic, social, urban, and environmental reality. All the possibili- ties, problems, and challenges of distributing the available material and human resources across competing uses must be taken into consideration to maximize results for the national economy and the broader society. Three years of implementation of the 2010-2014 National Development Plan have resulted in important successes in certain areas and setbacks in others. It’s not fair to say that respon- sibility for the failures lies with the policies and programs adopted in the previous plan. The security and political dimensions of the surrounding environment, the executive capabilities of the ministries and governorates, the problems that continue to hinder the establishment and implementation of projects, weak commitment to the plan, and the weak link between annual investment budgets and plan priorities, along with the plan targets and the means of reaching these targets are all factors that contributed to these setbacks in certain areas and require that this plan be met with a high degree of compliance. The official decision announcing the 2010-2014 National Development Plan document in- cluded following up on plan goals in 2012 to monitor achievements and diagnose failures. -
X the Late Bronze Age Ceramic Traditions of the Syrian Jazirah
Originalveröffentlichung in: al-Maqdissī – Valérie Matoïan – Christophe Nicolle (Hg.), Céramique de l'âge du bronze en Syrie, II, L'Euphrate et la région de Jézireh (Bibliothèque archéologique et historique 180), Beyrouth 2007, S. 231-291 X The Late Bronze Age Ceramic Traditions of the Syrian Jazirah Peter Pfalzner THE PERIODIZATION SYSTEM AND THE QUESTION clearly circumscribed factors in the history and chronology OF CHRONOLOGICAL TERMINOLOGY of the Syrian Jazirah. Furthermore, through their specific political and economical organization they considerably The second half of the 2nd mill, BC in Syria has been influenced the material culture of the Syrian Jazirah. As chronologically labeled either in terms of the system of a consequence, both periods reveal a distinct ceramic "metal epochs" as the Late Bronze Age I and II or else repertoire. These two archaeological phases and ceramic labeled according to a culturally and geographically traditions can thus be labeled "Mittani" and "Middle oriented terminology as the "Middle-Syrian"' period Assyrian". (ca 1600/1530-1200/1100 BC). With regard to the strong In order to avoid misconceptions of these terms, it is geographical differentiation of material culture, especially important to note that the terms "Mittani" and "Middle pottery, within Syria to be observed in many periods, it is Assyrian ceramic period" do not imply an ethnic assignment advisable to introduce a chronological periodization on a of the pottery concerned. They have a purely political- regional scale. For the Syrian Jazirah, a region with very geographical significance. This is to say that any of the distinct ceramic repertoires through all phases from the Late Bronze Age Jazirah population groups - for example Early Bronze to the Iron Age, the "Jazirah chronological 3 Hurrians , Assyrians, Aramaeans, etc. -
Memorabilia. Collecting Sounds With…
Research > MEMORABILIA. COLLECTING MEMORABILIA. COLLECTING SOUNDS WITH… Memorabilia. Collecting Sounds with... is a new series from SOUNDS WITH… Ràdio Web MACBA that seeks to break through to unearth and reveal private collections of music and sound memorabilia . The Mark Gergis documentary series is being presented this spring at the Museu d'Art Contemporani de Barcelona (MACBA) in a prospective conference/listening format, where four collectors have been 01. Conversation with Mark Gergis on his sound collection invited to share the concerns and particular characteristics that have driven them to build their personal collections. This is a When did you start collecting sound and music and why? What lead you to be a historiography of sound collecting that reveals the unseen and record/sound/video collector? passionate work of the amateur collector while reconstructing multiple parallel histories such as the evolution of recording I've mapped out my own psychology and deduced it to this recipe: I have an Iraqi formats, archival issues, the sound collecting market and the background. My father comes from Baghdad and I was subsequently exposed to evolution of musical styles beyond the marketplace. Arabic music and culture throughout childhood. My mother is American. Her father was in high-level military radio intelligence and used to let me listen or talk This is a conversation by email between Mark Gergis and Anna on his state-of-the-art super-powered radio receivers in the seventies and eighties. Ramos to prepare his forthcoming radio show at Ràdio Web He'd point at an automated antennae-driven globe and ask where and who in the MACBA, which took place on March 2011. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Lady Mallowan, Obe Professor Dj Wiseman, Obe, D.Lit
LADY MALLOW AN PROFESSOR D. J. WISEMAN LADY MALLOWAN, O.B.E. PROFESSOR D.J. WISEMAN, O.B.E., D.LIT., F.B.A. 1988 has seen two birthdays. Lady Mallowan, our President, has completed her eightieth, and our Chairman, Professor Wiseman, his seventieth year. Both have served the School tirelessly in various capacities for forty of its fifty-six years, a record that only Sir Max Mallowan surpassed. Barbara Parker, as she then was, became the first Secretary/Librarian and, as such, the first and only resident officer of the School in Baghdad for twelve years. Her first instruction from the Director, Max Mallowan, was to go and build a dig house at Nimrud, which he had chosen as the School's main site for excavation. She built the house and maintained it in good order for many years to come, a home to which those who worked at Nimrud look back with fond, if sometimes fantastic, memories. Barbara worked at Nimrud both as a photographer and an epigraphist, taking also an especial interest in the seals. Her photographs, taken and developed under primitive conditions, provided excellent illustrations for Mallowan's Nimrud reports, including Nimrud and its Remains. As an Assyriologist she has published a considerable series of economic texts, illuminating their interpretation by her own knowledge of modern rural society and economy which, until the onset of mechanisation, had changed little in four thousand years. In the 1950's Barbara's main contribution to the School's, as opposed to the Nimrud expedition's, welfare was her inimitable running of our house in Baghdad. -
Where No Wall Remains ﺣﯾث ﻻ ﺟدار ﯾﺑﻘﯽ Donde No Queda Ningún Muro
LIVE ARTS BARD 2019 BIENNIAL Where No Wall Remains حيث ﻻ جدار يبقى Donde No Queda Ningún Muro an international festival about borders NOVEMBER 21–24, 2019 About the Fisher Center at Bard Fisher Center at Bard The Fisher Center develops, produces, and presents performing arts across disciplines Chair Jeanne Donovan through new productions and context-rich programs that challenge and inspire. As President Leon Botstein a premier professional performing arts center and a hub for research and education, Executive Director Bob Bursey the Fisher Center supports artists, students, and audiences in the development and Artistic Director Gideon Lester examination of artistic ideas, offering perspectives from the past and present, as well present as visions of the future. The Fisher Center demonstrates Bard’s commitment to the performing arts as a cultural and educational necessity. Home is the Fisher Center LIVE ARTS BARD 2019 BIENNIAL for the Performing Arts, designed by Frank Gehry and located on the campus of Bard College in New York’s Hudson Valley. The Fisher Center offers outstanding programs Where No Wall to many communities, including the students and faculty of Bard College, and audi- Remains لحيث ﻻ جدار يبقى .ences in the Hudson Valley, New York City, across the country, and around the world Building on a 159-year history as a competitive and innovative undergraduate institu- Donde No tion, Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. Queda Ningún Muro an international festival about borders Land Acknowledgment Statement Cocurated by Tania El Khoury and Gideon Lester In the spirit of truth and equity, it is with gratitude and humility that we acknowl- edge that we are gathered on the sacred homelands of the Muheaconneok or Thursday, November 21, through Sunday, November 24, 2019 Mohican people, who are the stewards of this land.