Playing a Heisig: Secrets of the Horns Green Page
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Gretsch Junior Jet Bass Ii Modifications
Gretsch Junior Jet Bass Ii Modifications Penn bang-up his ravishments moit winsomely, but varied Jennings never spines so mesially. Allotriomorphic and deductive Matias herries, but Schuyler inauspiciously corduroy her hypoglycaemia. Plenteous and enforced Clayborne reprove exotically and inactivated his groom even and jumpily. Yamaha makes vibrato in very nicely made to the world of electric bass bass junior jet ii, ethereal look and conditions of the They supersize view marshall inspired by gretsch junior jet bass ii modifications. Mediterranean and northern Africa. Your motorcycle enthusiasts and regulated by our second numbers below the jet ii i really fix idling problems that some items bestselling alphabetical: studios memphis decal on! Jazz kit contains affiliate advertising program, food storage kitchen knives to gretsch junior jet bass ii modifications is right to stage; you are hardly played. It cleans up ok with a TON of elbow grease and a normal guitar polishing cloth. Fernandes sustainer in the neck. Very Low output from the neck Pickup and no output from the bridge pickup. Later models are priced electric solid repair project within any given to gretsch junior jet bass modifications is now coming apart from dark magic for an epic adventure or event related products. My first was a few modifications to gretsch junior jet bass ii modifications is the video and modifications to wait for thin piece of the free viewing this. This is without a doubt one of the best modded Marshalls I have ever played. Canada as possible but it is in a tendency to gigs and bass ii examples try to mattresses and map art. -
22564VIC Certificate IV in Musical Instrument Making and Repair
22564VIC Certificate IV in Musical Instrument Making and Repair Course Information Brochure Description of Course Activities/tasks Students begin by completing an extensive OH&S program, incorporating theory and workshop induction. Over the year, students learn to make a bolt-on electric guitar, a dreadnaught style acoustic guitar and design a custom instrument of their choice. The course covers hand carving and the use and maintenance of hand and power tools necessary for construction, and gives vital hands-on experience. As part of the course, students learn to complete perspective drawings, isometric and concept drawings and use these skills to develop a product range. They also learn to generate computer aided drawings for their instruments and inlays, and create custom templates and jigs. The course also covers an introduction to computer controlled cutting and milling machines and laser cutters. Students are introduced to string instrument setup from guitar to ukulele to traveller mandolin. Students also learn how to improve instrument function, the physics of sound, as well as the development of a business plan. Industry visits are a part of the course and all students must complete a work placement at our industry partners as part of the program. This is organised by NCAT. Assessment Successful completion of the course requires 95% attendance. Students will be required to complete two instruments and all set work as well as the work placement. The assessment of overall competence at this certificate level will be undertaken by a qualified assessor and your competence judged using all of these criteria. All training resources will be provided upon payment and enrolment. -
Reconfigured Geographies of Timber and Acoustic Guitar Manufacturing
University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Arts, Social Sciences & Humanities 2016 Resource-sensitive global production networks: reconfigured geographies of timber and acoustic guitar manufacturing Christopher R. Gibson University of Wollongong, [email protected] Andrew T. Warren University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/sspapers Part of the Education Commons, and the Social and Behavioral Sciences Commons Recommended Citation Gibson, Christopher R. and Warren, Andrew T., "Resource-sensitive global production networks: reconfigured geographies of timber and acoustic guitar manufacturing" (2016). Faculty of Social Sciences - Papers. 2538. https://ro.uow.edu.au/sspapers/2538 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Resource-sensitive global production networks: reconfigured geographies of timber and acoustic guitar manufacturing Abstract This article examines how resource materiality, scarcity, and evolving international environmental regulation shape global production networks (GPNs). Nature-facing elements, including resource scarcity and environmental regulation, have seldom featured in GPN analysis. So, too, GPN analysis emphasizes spatial relations between network actors over temporal change. We extend GPN theorization through a temporal analysis of industrial change, connecting manufacturing to upstream resource materialities and shifting regulation, and to downstream consumers increasingly concerned with provenance and material stewardship. To illustrate, we document a resource-sensitive GPN-acoustic guitar manufacturing-where scarcity of select raw materials (tonewoods) with material qualities of resonance, strength, and beauty, as well as tighter regulation, has spawned shifting economic geographies of new actors who influence the whole GPN. -
Melbourne Guitar Show 2018 Programsaturday 4Th August
MELBOURNE GUITAR SHOW 2018 PROGRAM SATURDAY 4TH AUGUST Today’s Show: 10am-6pm Click to website: http://www.australianmusician.com.au/melbourne-guitar-show/ *PROGRAM SUBJECT TO CHANGE AON WHAMMY BAR EXCLUSIVELY ACOUSTIC AON MEZZANINE STAGE WINNERS CIRCLE WORKSHOP ROOM MEET THE Level 1 Escalator West Presented by Australian Musician and Triple M FM STAGE Level 1 Escalator West PLAYERS Level 2 Escalator West 10.30am Level 1 Escalator East AMEB: Rockschool A Creative Focus Cafe Corner. 11.00am 10.30 am Join Lead Examiner Alyson Locke as she takes us through Ground Level ADAM MILLER BAND ROHAN STEVENSON (I built the sky) Rockschool’s Guitar, Bass, Ukulele and Music Production syllabuses with performances by young guitarist Joe Wright. Get up close and personal Adam uses complex rhythms & dissonant haunting phrases, 12.00pm Rohan Stevenson has released 2 albums, 1 EP and combined with breathtaking riffs and melodies. His jazz 5 singles as the prog-electric band, I Built The Sky. 11.30am with the Pros, in this play influenced style with finger-picking mastery creates a NICK CHARLES This year, Rohan dons an acoustic guitar and presents POSITIVE GRID CLINIC & chat session. It’s an A class act, revered by peers and improvisation filled performance that’s beautifully unpredictable. another side to his creative palette. With James Ryan. BIAS mini is a 300W small format guitar MGS Q & A where you get critics as one of the finest pickers head with 16 fully editable amp presets. You can also connect to talk to the pros and hear 12.00pm and players in the land. -
Bound Volume)
506bv$spin 03-31-97 12:38:54 UNITED STATES REPORTS 506 OCT. TERM 1992 506BV$TITL 07-30-96 18:47:44 UNITED STATES REPORTS VOLUME 506 CASES ADJUDGED IN THE SUPREME COURT AT OCTOBER TERM, 1992 Beginning of Term October 5, 1992, Through February 19, 1993 Together With Opinion of Individual Justice in Chambers FRANK D. WAGNER reporter of decisions WASHINGTON : 1996 Printed on Uncoated Permanent Printing Paper For sale by the U. S. Government Printing Of®ce Superintendent of Documents, Mail Stop: SSOP, Washington, DC 20402-9328 506bv$$III 04-28-99 17:08:03 PGT · frt JUSTICES of the SUPREME COURT during the time of these reports* WILLIAM H. REHNQUIST, Chief Justice. BYRON R. WHITE, Associate Justice. HARRY A. BLACKMUN, Associate Justice. JOHN PAUL STEVENS, Associate Justice. SANDRA DAY O’CONNOR, Associate Justice. ANTONIN SCALIA, Associate Justice. ANTHONY M. KENNEDY, Associate Justice. DAVID H. SOUTER, Associate Justice. CLARENCE THOMAS, Associate Justice. retired WARREN E. BURGER, Chief Justice. LEWIS F. POWELL, Jr., Associate Justice. WILLIAM J. BRENNAN, Jr., Associate Justice. THURGOOD MARSHALL, Associate Justice.1 officers of the court WILLIAM P. BARR, Attorney General.2 STEWART M. GERSON, Acting Attorney General.3 KENNETH W. STARR, Solicitor General.4 WILLIAM C. BRYSON, Acting Solicitor General.5 WILLIAM K. SUTER, Clerk. FRANK D. WAGNER, Reporter of Decisions. ALFRED WONG, Marshal. SHELLEY L. DOWLING, Librarian. *For notes, see p. iv. iii 506BV$$$iv 07-30-96 19:02:44 PGT · frt NOTES 1 Justice Marshall, who retired effective October 1, 1991 (502 U. S. vii), died on January 24, 1993. -
Liberty University 2019 Commencement Participation List As Of: 04/08/2019 Attendin Name on Diploma Degree Major G Ceremony
Liberty University 2019 Commencement Participation List As of: 04/08/2019 Attendin Name on Diploma Degree Major g Ceremony *In order to use the search function within the list, please press CTRL+ F and then enter your last name in the search bar provided. *Names added to the list after 4/17/19 are not guaranteed to be in the Program Booklet, but reader cards will be made available to all students at Commencement Check-in whose names are added up through the week of Commencement. *The names are sorted according to last names as known to Liberty, not necessarily the last name written on your diploma. Please note that the order of names does not reflect any order students will stand during Commencement. Jo Sanders Aaron MA Music & Worship Yes Music Remzi Ababora MS Accounting Yes Business - Graduate Counselor Education & Family Reem Issa Abbasi PHD Philosophy: Professional Couns Yes Studies Lillian Elizabeth Abbatacola BS Journalism Yes Communication & Digital Content Chloe Marie Abbett BS IT: Data Network & Security Yes Business - Undergraduate Lindsay Abbott BS Business Admin: Healthcare Mgt Yes Business - Undergraduate Michele Leigh Abbott BS Psychology: Addiction & Recove Yes Psychology & Social Work Michael Antony Abbott BS Criminal Justice Yes Government Zibandeh Abedini Galangashy BS Psychology Yes Psychology & Social Work Jezza Leah Cabuyao Abellera BSN Nursing Yes Nursing Alexus Ables MPH Master of Public Health: Nutr Yes Public & Community Health Travis Dillon Abrahamsen BS Mechanical Engineering Yes Engineering Comm: Integrated -
Ghost Piezo Saddles (Page 48) Or Ghost Loaded Bridge (Page 49) • Add Our Acousti-Phonic Pre-Amp Or Acousti- Phonic Pre-Amp Kit (Page 50)
1 For a full product listing, including lefties and bass, visit www.graphtech.com, call 604-940-5353 or email [email protected] WHY ChooSE Graph Tech? TRUSted ProductS Graph Tech has been creating superior guitar components for over 29 years. As the world’s leader in manufacturing nuts, saddles, bridge pins, hardware and electronics, the most recognized names in the guitar industry, depend on Graph Tech products to deliver superior performance every time. Performance and innovation is our passion, which is why we are constantly developing materials and improving processes to give your acoustic and electric instruments the best performance possible and at the best value. Graph Tech is ethically responsible as our products do not use or contain any animal products like bone or ivory. SerVice Whether you need assistance finding the right saddle for your specific guitar, installing a new bridge or figuring out the best nut material for your unique playing style, our Tech Team is dedicated to helping you. QUALITY Graph Tech’s high performance products are innovatively developed and considers actual player issues, concerns and desires. They are designed to retain an elegant look without sacrificing performance, while emphasizing the enhancement of the playing experience. Graph Tech starts with high tech engineering and rigorous testing. The best materials are chosen, then, with stress on the importance of craftmanship, products are manufactured to deliver results and enhance playability. We’ll change the way you play! THE GRAPH TECH IRON-CLAD GUARANTEE Love it or return it! If you are not completely satisfied within 45 days, return the product for a complete refund (excluding shipping costs where applicable). -
Exhibitor Listing As of 9/24/21
The NAMM Show Exhibitor Listing as of 9/24/21 Name Booth 1010music LLC 9800 108 Rock Star Guitars 4134 12inch Skinz 11326 14bitMIDI 9701 1MORE USA 11028 2box AB 4620 2hp 10502 3D.Audio 16313 3Dio 10317 3dvarius 8751 4MS Company 10501 4Wall Entertainment 11546, Arena 5-Hour Sample, LLC GP6 64 Audio 11230 7th Hill Cymbals 7039 A Tempo Percusion 7212 A&F Drum Co. 7046 A.Geyer 610 A+D Gitarrentechnologie GmbH 2220 Abasi Concepts 4828 Abbatron 5528 Abendrot International LLC 10931 Abernethy Guitars 2242 Absen Inc. 10937 Absurd Media Group Inc. 1742 AC Guitars 5840 Acacia Guitars 4349 Access Analog 15329 Accountech Solutions dba 1019 Gigtrack for Musicians Accusonus Inc. 14501 Ace Products Group 6106 ACE TONE 3641 Acesonic USA 11929 Acme Furniture Industry Inc. 2631, 6453 ACME Musical Instrument Co., 1524 Ltd Acon Digital 16300 AcoustaGrip 9249 Acoustic Masterminds Inc. 14015 ACT Lighting 11341 Acue Lighting 11746 Acus Sound Engineering 3920 ADAM Audio 11110 ADAM Audio USA Inc 84, 85, 86 Adam Hall Group 11613 Adamovic Basses 4306, 4310 Adams Musical Instruments 8720 Adamson Systems Engineering 17919 A-Designs 15821 ADJ 11233 ADK International Co., Ltd. 1106 AdMix Gear 12037 Advanced Plating, Inc 1816 Advanced Shell Technology 2002 ADVSOUND, Inc. 8101 AEA 15421 AER Amps 3729 AER Music GmbH 2450 Aeris Protective Packaging Inc. 2317 Agencia Argentina de Inversiones y Comercio 4302 Internacional Aguilar Amplification 5625 Aidis Flute & Musical 8437 Instruments Co. Aileen Music Co., LTD 8440 AirFill Technologies 1310 Airhush ISAT Systems, Inc. 14914 Akai Professional 209AB AKG 14508 Akoustyx LLC 18526 AKS Electronics (Shenzhen) 12029 Co., Ltd. -
Billy Hyde Returns to Brisbane, Australia
2 I MUSIC INC. I SEPTEMBER 2015 SEPTEMBER 2015 I VOL. 25, NO. 8 PUBLISHER Frank Alkyer EDITOR Katie Kailus ASSOCIATE EDITOR David Ball ART DIRECTOR ùHUL[HǕ\U[V]m CONTRIBUTING DESIGNER 3VYP(UUL5LSZVU CONTRIBUTING EDITORS ,K,UYPNO[)VII`9LLK PRESIDENT Kevin Maher EASTERN ACCOUNT EXECUTIVE Pete Fenech WESTERN ACCOUNT EXECUTIVE ;VT)\YUZ ASSISTANT TO THE PUBLISHER Sue Mahal CIRCULATION MANAGER 2L]PU94HOLY CIRCULATION ASSISTANT Evelyn Oakes BOOKKEEPING Margaret Stevens OFFICES 7O -H_ LTHPS!LKP[VY'T\ZPJPUJTHNJVT CUSTOMER SERVICE (877) 904-7949 Jack Maher, President 1970–2003 :<):*907;0659(;,:! VUL`LHYPZZ\LZ [^V`LHYZPZZ\LZ[V<:(HKKYLZZLZ VUL `LHYPZZ\LZ [^V`LHYZPZZ\LZ[V*HUHKH HUKV[OLYMVYLPNUJV\U[YPLZ(PYTHPSKLSP]LY`H[JVZ[ :05.3,*67@HUKIHJRPZZ\LZSPTP[LKZ\WWS`! [VHU`HKKYLZZZ\YMHJLTHPS(PYTHPSKLSP]LY`H[JVZ[ >LJHUUV[ILYLZWVUZPISLMVY\UZVSPJP[LKTHU\ZJYPW[Z HUKWOV[VZ5V[OPUNTH`ILYLWYPU[LKPU^OVSLVYPUWHY[ ^P[OV\[^YP[[LUWLYTPZZPVUMYVT4HOLY7\ISPJH[PVUZ0UJ *VW`YPNO[I`4HOLY7\ISPJH[PVUZ0UJHSSMVY- LPNUYPNO[ZYLZLY]LK;YHKLTHYRYLNPZ[LYWLUKPUN 6;/,94(/,97<)30*(;065:! +V^U)LH[<W)LH[+HPS` */(5.,6-(++9,::!7SLHZLHSSV^ZP_^LLRZMVY`V\Y JOHUNL[VILJVTLLɈLJ[P]L>OLUUV[PM`PUN\ZVM`V\Y UL^HKKYLZZPUJS\KL`V\YJ\YYLU[4<:0*05*SHILS ZOV^PUN`V\YVSKHKKYLZZ4<:0*05*0::5 7\ISPZOLKTVU[OS`L_JLW[(WYPS7YPU[LKPU<:( I`4HOLY7\ISPJH[PVUZ0UJ5/H]LU,ST- O\YZ[03 7LYPVKPJHS7VZ[HNL7HPKH[ ,STO\YZ[03HUKH[HKKP[PVUHSTHPSPUNVɉJLZ 76:;4(:;,9!:LUKHKKYLZZJOHUNLZ[V4<:0* 05*76)V_:[7H\S45 2008 2008 September 2015 34 I FROM THE TOP Steve Long on the benefits of working in all aspects of the industry. -
Producers BIO
PRODUCER's BIO BJ BAARTMANS Dutch multi talented musician/producer BJ Baartmans was born in 1965. In the early 80’s, as he began writing and performing his songs, he also developed a strong desire to record and capture this original music on tape. Armed with two cassette decks, a hi-fi and a radio shack microphone the possibilities to overdub guitar, vocal or drum parts to a simple song form opened up a fascinating world of sound for him. With his finger nail, he would tap out bass parts on the neck pickup of his Japanese Strat with all the treble rolled off, or construct rhythm parts with his mom’s frying pans (great cowbellsound) and salt shakers (shake it baby!), playing the part on one speaker, while recording a new instrument on the other. School days were soon to end.... Within a couple of years he managed to get his hands on a real Tascam four track cassette recorder, making man and machine a perfect match. Soon he added a budget Lexicon reverb and a real AKG mike and an endless stream of home made demos, with wild sound experiments and freaky little guitar symphonies began to appear. In the meantime, gigging, rehearsing and writing turned his love of rock, jazz, folk and blues music into a real job, with recording being still mostly a side project. But more and more, musician friends would ask BJ to help them make demos or self-released tapes. The art of production slowly revealed itself, as he learned to make better use of microphones and studio equipment and the manipulation sound. -
Dec 19 Jan 20
Sleepy Hollow Blues Club presents the 24th Annual New Year’s Eve Bluestone Blues Festival New Year’s Eve Recovery Day December 31, 2019 January 1, 2020 6pm—1am 11am—5pm Brian Fraser and Dave the Dog Gone South Bastard Amnesia Blues Band Jump Cats Jimi Hocking's Blues Nathan Beretta Band Machine The Detonators Shane Pacey Trio Program Geoff Achison and the Souldiggers Please keep your wristband Dec on to be admitted to the 19 festival area! Jan Total Fire Ban! 20 Fireworks Ban! p 2 Bluestone Festival Dec 19 Jan 20 About the Club Sleepy Hollow Blues Club was formed in 1994 by a dedicated group of blues lovers and meets every fourth Sunday in the month except De- cember and January for top-class blues. There are frequent social events, featuring a wide variety of local and visiting musicians. Over the years, the club has welcomed interna- tional artists such as Guy Davis, Bob Brozman and Wolf Mail. Top Aussie acts have included Chain, Jeff Lang, Ash Grunwald, Geoff Achison, Andrew Winton, Fiona Boyes, The Detonators, Third Degree, Dutch Tilders, Spectrum and Chris Wilson – not to mention the cream of local talent including Muddy Puddles, Stringybark McDowell, Grizzly Bros, Lounge Lizards, Wayne Jury, Chubby Rae & The Elevators, Sweet Felicia and the Honeytones and many, many more. The Bluestone Festival, held every New Year’s Eve, is the highlight of the club’s activi- ties, with attendances of up to 700, as blues lovers and their families from Geelong and all over the country flock to enjoy two days of great music, friendship and dancing. -
Melbourne Guitar Show 2015 Programsaturday 8Th
MELBOURNE GUITAR SHOW 2015 PROGRAM SATURDAY 8TH AUG AON FORECOURT STAGE ACOUSTIC STAGE WORKSHOP ROOM #1 WORKSHOP ROOM #2 PROFESSOR GUITAR & Sponsored by AON Insurance and Advanced Audio Level 1 Escalator East Level 1 Escalator West Level 1 Escalator West Backline by Pearl, Music Man and Wayne Jones Audio PROFESSOR BASS Sponsored by AON Insurance and Advanced Audio Stage Sponsored by Yamaha Music & Sony Wireless Stage Sponsored by Yamaha Music & Sony Wireless Adjacent to cafe Amps sponsored by Laney 11.00 11.30 11.15 11.00 Get into the uke Practical guide to unlocking your guitar ROHAN STEVENSON - I BUILT THE SKY BEN KELLY Get a Free Lesson from the The Ukulele is suddenly cool! Maestro, Matt Fagan Step through the fundamentals to leverage Key, Professors A talented young instrumentalist whose ‘I built Ben is one of Australia’s most eclectic, original will show you how inclusive this instrument can be, Progression, Transposition and working with modes the sky’ project ranges from techy prog-metal to and inspiring artists, playing music that speaks while dazzling at times with his mastery - you can and scales. This is NOT a traditional Music Theory Visit the Professor’s study intricate punk, through to pop and ambient styles. to the heart, the mind and the body in an entirity. bring your own Uke to this session and join in. workshop, using Staff Lines, Crochets or TAB, as a and get some tips, tricks and 12.00 result you can save years of hard core study. Jump techniques, from some of 12.15 straight to the practical application, liberating your Melbourne’s finest guitar and PETER HODGSON TRIO 12.30 bass pros.