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Nervous Sympathy in the Familial Collaborations of the Wordsworth
The Mediated Self: Nervous Sympathy in the Familial Collaborations of the Wordsworth- Lamb-Coleridge Circle, 1799-1852 Katherine Olivia Ingle MA (University of Edinburgh) MScR (University of Edinburgh) English & Creative Writing Lancaster University November 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Katherine Olivia Ingle ii I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. November 2018 Katherine Olivia Ingle iii This thesis is dedicated with love to my grandmothers, Cynthia Ingle and Doreen France & in loving memory of my grandfathers, Thomas Ian Ingle, 1925-2014 & Joseph Lees France, 1929-2017 There is a comfort in the strength of love; ‘Twill make a thing endurable, which else Would overset the brain, or break the heart. Wordsworth, “Michael” Katherine Olivia Ingle iv Acknowledgements This thesis could not have taken shape without the attention, patience and encouragement of my supervisor Sally Bushell. I am deeply grateful to her for helping me to clarify ideas and for teaching me that problems are good things. I thank Sally in her numerous capacities as a Wordsworthian scholar, reader, teacher and friend. I am grateful to the Department of English & Creative Writing at Lancaster for a bursary towards an archival visit to the Jerwood Centre at The Wordsworth Trust. I thank the Curator, Jeff Cowton, for his generosity, insights and valuable suggestions. -
Samuel Taylor Coleridge John Spalding Gatton University of Kentucky
The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 6 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 Catalog of the Peal Exhibition: Samuel Taylor Coleridge John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1982) "Catalog of the Peal Exhibition: Samuel Taylor Coleridge," The Kentucky Review: Vol. 4 : No. 1 , Article 6. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/6 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Samuel Taylor Coleridge Gc car un1 To brc de~ In Wordsworth's judgment, Samuel Taylor Coleridge (1772-1834) was "the most wonderful man" he ever met. Endowed with one of So1 the most brilliant and complex minds of his day, he would, like bUJ Chaucer's parson, "gladly .. learn, and gladly teach." If he an< squandered a wealth of thought in correspondence and wh conversation, and left unfinished or merely projected major poems, Rh lectures, and systematic expositions of his philosophical tenets, his pre critical theories, and his theology, he nevertheless produced a vast So1 and impressive array of poetry, prose, and criticism. -
Selections from the Writings of Walter Savage Landor;
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF 3Henrg W. Sage 1S91 A./X.Z3/J Cornell University Library PR 4871.C59 1898 Selections from the writings of Walter S 1924 013 495 407 Cornell University IJJa Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013495407 THE ATHEN/£UM PRESS SERIES G. L. KITTREDGE and C. T. WINCHESTER GENERAL EDITORS tTbe Htberueum press Series. This series is intended to furnish a library of the best English literature from Chaucer to the present time in a form adapted to the needs of both the student and the general reader. The works selected are carefully edited, with biographical and critical introductions, full explanatory notes, and other, neces- sary apparatus. W. S. LANDOR. Htbenajum press Series SELECTIONS FROM THE WRITINGS OF WALTER SAVAGE LANDOR Edited with Introduction and Notes W. B. SHUBRICK CLYMER BOSTON, U.S.A. GINN & COMPANY, PUBLISHERS ST&e atficnsctim J3rees 1898 Copyright, 1898, by W. B. SHUBRICK CLYMER ALL RIGHTS RESERVED PREFACE. The first edition of John Forster's Life of Landor was published by Chapman and Hall, in two volumes, in 1869; in 1876, abridged, it formed the first volume of Forster's eight-volume edition of The Works and Life of Walter Sav- age Landor ; in 1895 the second edition was reprinted. In this biography is stored almost all the information of any consequence relating to Landor; and Forster's is the stand- ard text of the collected writings. -
Hegemonizing Minds Through Life Writing: the Case of English Men of Letters As an Imperial Text
Journal of the Punjab University Historical Society Volume: 34, No. 01, January – June 2021 Shahzeb Khan * Azka Zia ** Hegemonizing Minds through Life Writing: The Case of English Men of Letters as an Imperial Text Abstract This article discusses the English Men of Letters series, as a representative work of Imperial Life writing, which was utilized by the British colonizers to influence local minds in favor of the colonial rule. Available studies which discuss EML series and Victorian biographies do so in the context of England, in this study, however, the colonial imperatives necessitated the publishing of English biographies which were needed in the colonies to support discursively the non- discursive and expansionist agenda of the colonizers on the ground. The paper argues that the series was a tool to materialize what Macaulay had imagined in 1835: a class English in taste, opinions, morals and intellect (Macaulay 1835). For this class to be created, rhetoric of Englishness was required which could pull subjectivities towards it in the consensual environment of an educational institution. One crucial cog in this juggernaut of colonizing Englishness was thus the EML series, the paper argues. It is thus an attempt to further understand the historical schema of imperialism with the help of biographies. The paper ends on a forward-looking note and emphasizes the need to develop a discourse on ways to resist hegemonic readings in institutional settings. Keywords: English men of letters, John Morley, Surrogate, Life writing, hegemonic reading. Introduction to English Men of Letters Series, John Morley The English Men of Letters series, first published in 1878 in London, has been celebrated in available histories as "the most successful venture of the kind since Johnson's Lives of the Poets". -
The Romanticism of Dequincey
NIVERSITY OF ILLINOIS LIBRARY Book Volume mi Digitized by the Internet Archive in 2013 http://archive.org/details/romanticismofdeqOOrupp • THE ROMANTICISM OF DEQUINCEY f BY I FWTS WTI I TA"M RUPP A. B. CARTHAGE COLLEGE, 1910 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS w IN ENGLISH IM Of THE UNIVERSITY OF ILLINOIS 1911 raw UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL 194 ( 1 HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ENTITLED BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF In Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 1 97722 INTRODUCTION. This thesis is presented with the complete realisation that neither does it ©over adequately all the ramifications of the subject, nor does it approach in any sense an adequate treatment of the few topics that have Been selected. It will amply deserve criticise for the too apparent biographical tinge, and for the lack of that disinterested review in the light of contemporary romanticism which would lift it. more nearly into the proper sphere of the thesis. In apology the author of this paper can claim only to have followed those things which appealed to his own individual mood while reading De Quincey's works. The time required to read and to collate the entire body of essays and papers from De Quincey's pen alone, all suggestive, precluded any attention to outside criticism and comment, such as might be found in the papers of Hazlitt, Coleridge, and other contemporaries of De Quincey, or in critical estimates and biographies. -
Edmund Burke, Miscellaneous Writings (Select Works Vol. 4) (1874)
Burke_0005.04 09/15/2005 09:39 AM THE ONLINE LIBRARY OF LIBERTY © Liberty Fund, Inc. 2005 http://oll.libertyfund.org/Home3/index.php EDMUND BURKE, MISCELLANEOUS WRITINGS (SELECT WORKS VOL. 4) (1874) URL of this E-Book: http://oll.libertyfund.org/EBooks/Burke_0005.04.pdf URL of original HTML file: http://oll.libertyfund.org/Home3/HTML.php?recordID=0005.04 ABOUT THE AUTHOR Burke was an English political philosopher who is often seen as laying the foundations of modern conservatism. Although he supported the American colonies in the revolution against the British crown, he strongly opposed the French Revolution, the rise of unbridled democracy, and the growing corruption of government. ABOUT THE BOOK This volume contains some of Burke’s speeches on parliamentary reform, on colonial policy in India, and on economic matters. THE EDITION USED Select Works of Edmund Burke. A New Imprint of the Payne Edition. Foreword and Biographical Note by Francis Canavan, 4 vols (Indianapolis: :Liberty Fund, 1999). COPYRIGHT INFORMATION The copyright to this edition, in both print and electronic forms, is held by Liberty Fund, Inc. FAIR USE STATEMENT This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit. http://oll.libertyfund.org/Home3/EBook.php?recordID=0005.04 Page 1 of 175 Burke_0005.04 09/15/2005 09:39 AM It may not be used in any way for profit. -
Notes and References
Notes and References INTRODUCTION I. Elizabeth Gaskell, The Life of Charlotte Bronte·, ed. Alan Shelston (Harmonds worth: Penguin Books, 1977) ch. vn, p. I 55. This is a reprint of the 185 7 first edition. 2. Frank Kermode, The Genesis of Secrecy. On the Interpretation of Narrative (Harvard University Press, 1979) p. 117. 3. David Novarr, The Making of Walton's Lives (Ithaca: Cornell University Press, 1958) p. 495. Nearly thirty years ago Novarr modestly noted the disregard of form in the study of biography. More aggressively, Leon Edel presses the case for the formal analysis of biography in 'Biography: The Question of Form', Friendship's Garland, Essays Presented to Mario Praz, ed. Vittorio Gabrieli (Rome: Edizioni de Storia e Letteratura, I 966) pp. 343-60, and more recently in 'Biography: A Manifesto', biography, I: I (1978) 1-3. 4. Edward Gibbon, An Essay on the Study of Literature (I 761, French; New York: Garland Publishing, 1970) pp. 99-100. Gibbon adds that the rarest quality is meeting 'a genius who knows how to distinguish them [the types offacts] amidst the vast chaos of events, wherein they are jumbled and deduce them, pure and unmixed, from the rest' (p. 100). 5. On Donne, see Novarr, The Making of Walton's Lives, p. 56; on Boswell, Robert Gittings, The Nature of Biography (Seattle: University of Washington Press, 1978) p. 32; Thomas Carlyle, History of Frederick II of Prussia Called Frederick the Great, ed. John Clive (University of Chicago Press, 1969) pp. ~; Lytton Strachey, Eminent Victorians (1918; New York: Capricorn Books, 1963) pp. -
Charles Lamb's Romantic Collaborations Author(S): Alison Hickey Source: ELH, Vol
Double Bonds: Charles Lamb's Romantic Collaborations Author(s): Alison Hickey Source: ELH, Vol. 63, No. 3 (Fall, 1996), pp. 735-771 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/30030122 Accessed: 27/01/2009 15:08 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jhup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to ELH. http://www.jstor.org DOUBLE BONDS: CHARLES LAMB'SROMANTIC COLLABORATIONS BY ALISONHICKEY Duplex nobis vinculum, et amicitiae et similium junctarumque Camoenarum; quod utinam neque mors solvat, neque temporis longinquitas! -Groscollius "Double is the chain that binds us-both of friendship and of like Muses joined together. -
Milton's Literary Reputation During the Victorian Era. Calvin Huckabay Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1955 Milton's Literary Reputation During the Victorian Era. Calvin Huckabay Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the English Language and Literature Commons Recommended Citation Huckabay, Calvin, "Milton's Literary Reputation During the Victorian Era." (1955). LSU Historical Dissertations and Theses. 8147. https://digitalcommons.lsu.edu/gradschool_disstheses/8147 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MILTON*S LITERARY REPUTATION DURING THE VICTORIAN ERA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Meohanioal College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Calvin Huokabay B. A ., Louisiana College, 1949 M, A,, Tulane University, 1950 June, 1956 UMI Number: DP69525 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI DP69525 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. -
The Language of the Southey-Coleridge Circle
Pratt, Lynda & David Denison. 2000. The language of the Southey-Coleridge circle. Language Sciences 22.3, 401-22. http://www.journals.elsevier.com/language-sciences/ http://www.sciencedirect.com/science/article/pii/S0388000100000139 THE LANGUAGE OF THE SOUTHEY-COLERIDGE CIRCLE 1 LYNDA PRATT and DAVID DENISON In this joint paper the Southey-Coleridge circle is looked at from two points of view. The first part of the paper, written by Pratt, employs a literary-historical approach in order to establish the boundaries of the network and to explore its complex social and textual dynamics. Concentrating on both the public and private identities of the Southey-Coleridge circle, it reveals the complex nature of literary and political culture in the closing years of the eighteenth century. The second part, written by Denison, examines a linguistic innovation, the progressive passive, and relates it to usage by members of the circle acting as a social network. A brief conclusion draws both parts together. The Southey-Coleridge Circle in the 1790s In his 1802 appraisal of the Oriental romance Thalaba the Destroyer (1801), Francis Jeffrey, one of the leading lights of the recently founded Edinburgh Review , identified a ‘sect of poets’ who were all ‘dissenters from the established systems in poetry and criticism’ and whose writings were fuelled by a ‘splenetic and idle discontent with the existing institutions of society’ ( Edinburgh Review 1 (October 1802), quoted in Madden, 1972: 68, 76). This group included Robert Southey, the author of Thalaba , Samuel Taylor Coleridge and William Wordsworth. 2 It was a sect which early nineteenth-century contemporaries and critics were 1 We are grateful to Grevel Lindop for helpful encouragement, and to Sylvia Adamson for numerous cogent promptings towards clarity. -
Selective Affinities and Poetic Appropriation: Percy Bysshe
SELECTIVE A ffinities a n d P oetic A ppropriation : P e r c y B y ss h e S helley a n d W illem K lo o s Kris Omer Eli Antoon Sebastiaan STEYAERT University College London Ph.D. in Dutch September 2000 ProQuest Number: U642576 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642576 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract In this dissertation, I examine the reception and appropriation of Percy Bysshe Shelley’s works in the Low Countries during the period 1880-1940. This period roughly coincides with the writing career of Willem Kloos (1859-1938), the Dutch poet-critic who monopolised his admiration for Shelley and proclaimed himself to be his only poetical heir. I demonstrate how Kloos’s own poetics and political beliefs made him misrepresent and manipulate key facts in Shelley’s life and literary output during his never-ending promotion of the artistic, as well as spiritual, bond between himself and the English writer. More particularly, Kloos showed great determination in advancing Shelley’s works as a comprehensive endorsement of his own artistic tenets. -
Coleridge's Ancient Mariner and Select Poems by Samuel Taylor Coleridge
1 The Project Gutenberg EBook of Coleridge's Ancient Mariner and Select Poems by Samuel Taylor Coleridge This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Coleridge's Ancient Mariner and Select Poems Author: Samuel Taylor Coleridge Release Date: February 15, 2004 [EBook #11101] Language: English Character set encoding: ISO-8859-1 • START OF THIS PROJECT GUTENBERG EBOOK COLERIDGE *** Produced by Rick Niles, Kat Jeter, John Hagerson, Rosanna Yuen and PG Distributed Proofreaders The Scribner English Classics EDITED BY FREDERICK H. SYKES, PH.D. TEACHERS COLLEGE, COLUMBIA UNIVERSITY COLERIDGE'S ANCIENT MARINER AND SELECT POEMS 1908 PREFATORY NOTE 2 The text of the poems in this volume is that of J. Dykes Campbell in the Globe edition of Coleridge's poems. For the introduction I have depended also largely upon his Memoir of Coleridge, and upon the two volumes of the "Letters of Samuel Taylor Coleridge," edited by the poet's grandson, Mr. E.H. Coleridge. In the Notes, as will be seen, I am indebted particularly to the general editor of this series, Dr. F.H. Sykes, to Dr. Lane Cooper of Cornell University, and again to Mr. Coleridge, through whose kindness I have been able to get a reproduction of the Marshmills crayon, undoubtedly the most satisfactory portrait of the poet in existence, for the frontispiece. H.M.B.