The Cambridge Introduction to William Wordsworth
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L-G-0013245003-0036967409.Pdf
A History of Romantic Literature BLACKWELL HISTORIES OF LITERATURE General editor: Peter Brown, University of Kent, Canterbury The books in this series renew and redefine a familiar form by recognizing that to write literary history involves more than placing texts in chronological sequence. Thus the emphasis within each volume falls both on plotting the significant literary developments of a given period, and on the wider cultural contexts within which they occurred. ‘Cultural history’ is construed in broad terms and authors address such issues as politics, society, the arts, ideologies, varieties of literary production and consumption, and dominant genres and modes. The effect of each volume is to give the reader a sense of possessing a crucial sector of literary terrain, of understanding the forces that give a period its distinctive cast, and of seeing how writing of a given period impacts on, and is shaped by, its cultural circumstances. Published to date Seventeenth‐Century English Literature Thomas N. Corns Victorian Literature James Eli Adams Old English Literature, Second Edition R. D. Fulk and Christopher M. Cain Modernist Literature Andrzej Gąsiorek Eighteenth‐Century British Literature John Richetti Romantic Literature Frederick Burwick A HISTORY OF ROMANTIC LITERATURE Frederick Burwick This edition first published 2019 © 2019 John Wiley & Sons Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by law. Advice on how to obtain permission to reuse material from this title is available at http://www.wiley.com/go/permissions. -
An Analysis of Children Entering Christ's Hospital, London, 1763-1803
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2011 For their Maintenance and Education: An Analysis of Children Entering Christ's Hospital, London, 1763-1803 Kaitlyn Elizabeth Gardy College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the European History Commons Recommended Citation Gardy, Kaitlyn Elizabeth, "For their Maintenance and Education: An Analysis of Children Entering Christ's Hospital, London, 1763-1803" (2011). Dissertations, Theses, and Masters Projects. Paper 1539626653. https://dx.doi.org/doi:10.21220/s2-4hw4-5j49 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. For Their Maintenance and Education: An Analysis of Children Entering Christ’s Hospital, London, 1763-1803 Kaitlyn Elizabeth Gardy Poquoson, Virginia Bachelor of Arts, University of Mary Washington, 2008 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts Lyon G. Tyler Department of History The College of William and Mary May, 2011 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Kaitlyn Elteabeth Gardy Approved by tl^e-Gpmmittee JVlay, 2011 Committee Chair Professor James P. Whittenbur The College of William and Mary Associate Professor Paul W. Mapp The College of William and Mary jju, 4 Assistant Professor Nifcriolas S. -
Bremhill Draft (April 2021).Pdf
[Draft text by Dr Louise Ryland-Epton, completed April 2021 apart from the first section and minor checking to be undertaken when restrictions are lifted] BREMHILL LANDSCAPE, SETTLEMENT AND BUILDINGS [not yet completed] LANDOWNERSHIP Before the Reformation the manors of Bremhill, Foxham and Spirthill were in possession of the monks of Malmesbury abbey. The adjacent manor of Stanley belonged to the Cistercian order of Stanley abbey. At the dissolution of the monasteries, these estates were acquired by Sir Edward Bayntun. From the 16th to the 20th century, they were primarily held by non- resident lords. In the 20th century, these estates were sold off as separate farms and small holdings. Bremhill Manor King Athelstan gifted an estate at Bremhill to Malmesbury abbey c.935.1 However, the authenticity of the charter has been questioned.2 A confirmation of the abbey’s land and privileges by Edward in 1065 is also disputed.3 In 1086 the manor of Bremhill was held by the monks of Malmesbury abbey. It paid geld for 38 hides.4 The estate was surrendered to the crown in 1539 and acquired by Sir Edward Bayntun of Bromham (will pr. 1545), vice- chamberlain to five wives of Henry VIII, the following year.5 Sir Edward Bayntun was succeeded by his son, Andrew (d.1564).6 Andrew briefly lost control of his estates, after which financial difficulties led him to entail them to his brother, Edward (d.1593). However, the financial mismanagement continued, and on Andrew’s death in 1564, his brother was involved in a court action to secure the inheritance. -
Nervous Sympathy in the Familial Collaborations of the Wordsworth
The Mediated Self: Nervous Sympathy in the Familial Collaborations of the Wordsworth- Lamb-Coleridge Circle, 1799-1852 Katherine Olivia Ingle MA (University of Edinburgh) MScR (University of Edinburgh) English & Creative Writing Lancaster University November 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Katherine Olivia Ingle ii I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. November 2018 Katherine Olivia Ingle iii This thesis is dedicated with love to my grandmothers, Cynthia Ingle and Doreen France & in loving memory of my grandfathers, Thomas Ian Ingle, 1925-2014 & Joseph Lees France, 1929-2017 There is a comfort in the strength of love; ‘Twill make a thing endurable, which else Would overset the brain, or break the heart. Wordsworth, “Michael” Katherine Olivia Ingle iv Acknowledgements This thesis could not have taken shape without the attention, patience and encouragement of my supervisor Sally Bushell. I am deeply grateful to her for helping me to clarify ideas and for teaching me that problems are good things. I thank Sally in her numerous capacities as a Wordsworthian scholar, reader, teacher and friend. I am grateful to the Department of English & Creative Writing at Lancaster for a bursary towards an archival visit to the Jerwood Centre at The Wordsworth Trust. I thank the Curator, Jeff Cowton, for his generosity, insights and valuable suggestions. -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
Samuel Taylor Coleridge John Spalding Gatton University of Kentucky
The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 6 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 Catalog of the Peal Exhibition: Samuel Taylor Coleridge John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1982) "Catalog of the Peal Exhibition: Samuel Taylor Coleridge," The Kentucky Review: Vol. 4 : No. 1 , Article 6. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/6 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Samuel Taylor Coleridge Gc car un1 To brc de~ In Wordsworth's judgment, Samuel Taylor Coleridge (1772-1834) was "the most wonderful man" he ever met. Endowed with one of So1 the most brilliant and complex minds of his day, he would, like bUJ Chaucer's parson, "gladly .. learn, and gladly teach." If he an< squandered a wealth of thought in correspondence and wh conversation, and left unfinished or merely projected major poems, Rh lectures, and systematic expositions of his philosophical tenets, his pre critical theories, and his theology, he nevertheless produced a vast So1 and impressive array of poetry, prose, and criticism. -
A Handlist to the Charles Lamb Society Collection at Guildhall Library
A Handlist to the Charles Lamb Society Collection at Guildhall Library A Handlist to the Charles Lamb Society Collection at Guildhall Library DEBORAH K. HEDGECOCK THE CHARLES LAMB SOCIETY 1995 A Handlist to the Charles Lamb Society Collection at Guildhall Library Copyright Deborah Hedgecock 1995 All rights reserved The Charles Lamb Society 1a Royston Road Richmond Surrey TW10 6LT Registered Charity number 803222: a company limited by guarantee ISSN 0308-0951 Printed by the Stanhope Press, London NW5 (071 387 0041) A Handlist to the Charles Lamb Society Collection at Guildhall Library Contents Preface and Acknowledgements 4 Abbreviations 4 Information on Guildhall Library 4 1. Introduction 5 2. Printed Books 6 2.1 Access conditions 6 2.2 Charles Lamb Society Collection: Printed Books 7 2.2.1 The CLS Pamphlet and Large Pamphlet Collection 8 2.2.2 The CLS Lecture Collection 8 2.2.3 Charles Lamb Society Publications 8 2.2.3.1 Charles Lamb Bulletins 8 2.2.3.2 Indexes to Bulletin 9 2.2.3.3 List of supplements to Bulletin 9 2.2.3.4 Charles Lamb Society Annual Reports and Financial Statements 9 3. Manuscripts 9 3.1 Access conditions 9 3.2.1 18th- and 19th-century autograph letters and manuscripts 10 3.2.2 Facsimiles and reproductions of Lamb's letters 18 3.2.3 20th-century Individuals and Collections 20 3.2.4 The Elian (Society) 25 3.2.5 The Charles Lamb Society Archive 26 4. Prints, Maps and drawings 35 4.1 Access Conditions 35 4.2.1 Framed Pictures 36 4.2.2 Pictures and Ephemera Collection 37 4.2.3 Collections of Pictures 58 4.2.4 Ephemera Cuttings Collection 59 4.2.5 Maps 61 4.2.6 Printing Blocks 61 4.2.7 Glass Slides 61 5. -
THE UNIVERSITY of HULL Four Literary Protegees of the Lake
THE UNIVERSITY OF HULL Four Literary Protegees of the Lake Poets: Caroline Bowles, Maria Gowen Brooks, Sara Coleridge and Maria Jane Jewsbury being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Dennis Jun-Yu Low, SA (Oxon) March 2003 Therefore, although it be a history Homely and rude, I will relate the same For the delight of a few natural hearts: And, with yet fonder feeling, for the sake Of youthful Poets, who among these hills Will be my second self when I am gone. Wordsworth Contents Contents ......................................................................................................................................... 1 Acknowledgements ........................................................................................................................ 2 List of Abbreviations ....................................................................................................................... 4 Preface ........................................................................................................................................... 5 Chapter 1: The Lake Poets and 'The Era of Accomplished Women' ............................................ 13 Chapter 2: Caroline Bowles .......................................................................................................... 51 Chapter 3: Maria Gowen Brooks ................................................................................................ 100 Chapter 4: Sara Coleridge ......................................................................................................... -
The Romanticism of Dequincey
NIVERSITY OF ILLINOIS LIBRARY Book Volume mi Digitized by the Internet Archive in 2013 http://archive.org/details/romanticismofdeqOOrupp • THE ROMANTICISM OF DEQUINCEY f BY I FWTS WTI I TA"M RUPP A. B. CARTHAGE COLLEGE, 1910 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS w IN ENGLISH IM Of THE UNIVERSITY OF ILLINOIS 1911 raw UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL 194 ( 1 HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ENTITLED BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF In Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 1 97722 INTRODUCTION. This thesis is presented with the complete realisation that neither does it ©over adequately all the ramifications of the subject, nor does it approach in any sense an adequate treatment of the few topics that have Been selected. It will amply deserve criticise for the too apparent biographical tinge, and for the lack of that disinterested review in the light of contemporary romanticism which would lift it. more nearly into the proper sphere of the thesis. In apology the author of this paper can claim only to have followed those things which appealed to his own individual mood while reading De Quincey's works. The time required to read and to collate the entire body of essays and papers from De Quincey's pen alone, all suggestive, precluded any attention to outside criticism and comment, such as might be found in the papers of Hazlitt, Coleridge, and other contemporaries of De Quincey, or in critical estimates and biographies. -
Coleridge's Imperfect Circles
Coleridge’s Imperfect Circles Patrick Biggs A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2012 2 Contents Abstract 3 Acknowledgements 4 Note on Abbreviations 5 Introduction 6 The Eolian Harp 16 This Lime-Tree Bower My Prison 37 Frost at Midnight 60 Conclusion 83 Bibliography 91 3 Abstract This thesis takes as its starting point Coleridge’s assertion that “[t]he common end of all . Poems is . to make those events which in real or imagined History move in a strait [sic] Line, assume to our Understandings a circular motion” (CL 4: 545). Coleridge’s so-called “Conversation” poems seem to conform most conspicuously to this aesthetic theory, structured as they are to return to their starting points at their conclusions. The assumption, however, that this comforting circular structure is commensurate with the sense of these poems can be questioned, for the conclusions of the “Conversation” poems are rarely, if ever, reassuring. The formal circularity of these poems is frequently achieved more by persuasive rhetoric than by any cohesion of elements. The circular structure encourages the reader’s expectations of unity and synthesis, but ultimately these expectations are disappointed, and instead the reader is surprised by an ending more troubling than the rhetoric of return and reassurance would suggest. Taking three “Conversation” poems as case studies (“The Eolian Harp,” “This Lime-Tree Bower My Prison,” and “Frost at Midnight”), this thesis attempts to explicate those tensions which exist in the “Conversation” poems between form and effect, between structure and sense. -
The Longman Anthology of British Literature Third Edition
The Longman Anthology of British Literature Third Edition David Damrosch and Kevin J. H. Dettmar General Editors VOLUME TWO THE ROMANTICS AND THEIR CONTEMPORARIES Susan Wolfson and Peter Manning THE VICTORIAN AGE Heather Henderson and William Sharpe THE TWENTIETH CENTURY Kevin J. H. Dettmar and Jennifer Wicke New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal CONTENTS List of Illustrations xxxix Additional Audio and Online Resources xlv Preface xlvii Acknowledgments Iv The Romantics and Their Contemporaries 3 PERSPECTIVES -£^ ' The Sublime, the Beautiful, and the Picturesque 30 EDMUND BURKE 33 from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful 33 WILLIAM GILPIN 40 from Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape 41 MARY WOLLSTONECRAFT 46 from A Vindication of the Rights of Men 47 JANE AUSTEN 48 from Pride and Prejudice 48 from Northanger Abbey 49 MARIA JANE JEWSBURY 51 A Rural Excursion 51 IMMANUEL KANT 56 from The Critique of Judgement 56 JOHN RUSKIN 59 from Modern Painters 59 ANNA LETITIA BARBAULD 63 The Mouse's Petition to Dr. Priestley 63 On a Lady's Writing 65 Inscription for an Ice-House 65 To a Little Invisible Being Who Is Expected Soon to Become Visible 66 To the Poor 61 Contents Washing-Day 61 Eighteen Hundred and Eleven 69 RESPONSE John Wilson Croker: from A Review of Eighteen Hundred and Eleven 78 The First Fire 79 On the Death of the Princess Charlotte 81 CHARLOTTE SMITH 82 ELEGIAC SONNETS AND OTHER POEMS 83 To the Moon 83 "Sighing I see yon little troop at play" 83 • To melancholy. -
George Crabbe - Poems
Classic Poetry Series George Crabbe - poems - Publication Date: 2011 Publisher: Poemhunter.com - The World's Poetry Archive George Crabbe(24 December 1754 - 3 February 1832) George Crabbe was an English poet and clergyman. In his early years he worked as a surgeon. As a young man, his close friend Edmund Burke helped him greatly in advancing his literary career and guiding his career in the church. Burke introduced him to the literary and artistic society of London, including Sir Joshua Reynolds and <a href="http://www.poemhunter.com/samuel-johnson/">Samuel Johnson</a>. Burke also secured Crabbe the important position of Chaplain to the Duke of Rutland. Crabbe served as a clergyman in various capacities for the rest of his life. Later, he developed friendships with many of the great literary men of his day, such as <a href="http://www.poemhunter.com/sir-walter- scott/">Sir Walter Scott</a> and <a href="http://www.poemhunter.com/william-wordsworth/">William Wordsworth</a>. Crabbe also had a lifelong interest in naturalism, entomology and botany, and was particularly known for his study of beetles. The poems that he is best known for are The Village (1783) and The Borough (1810). <b>Biography</b> <b>Early Life</b> Crabbe was born in Aldeburgh, Suffolk. His father had been a teacher at a village school in Orford, Suffolk, and later Norton, near Loddon, Norfolk, before settling down as a taxcollector for salt duties, a position his own father had previously a young man he married an older widow named Craddock, fathering six children with her.