Notes to Chapter I: Introduction 1
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Coleridge Family
Coleridge Family: An Inventory of Their Literary File Photography Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge Family Title: Coleridge Family Literary File Photography Collection Dates: undated Extent: 32 items Abstract: Thirty-two photographs that are primarily portraits of members of the Coleridge family, which includes the Romantic poet, Samuel Taylor Coleridge (British, 1772-1834). Call Number: Photography Collection PH-02899 Language: English Access: Open for research. To make an appointment or to reserve photography materials, please email Visual Materials Reference staff. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher. For more information please see the Ransom Center's Open Access and Use Policies. -
Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction
Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................ -
Novalis's Magical Idealism
Symphilosophie International Journal of Philosophical Romanticism Novalis’s Magical Idealism A Threefold Philosophy of the Imagination, Love and Medicine Laure Cahen-Maurel* ABSTRACT This article argues that Novalis’s philosophy of magical idealism essentially consists of three central elements: a theory of the creative or productive imagination, a conception of love, and a doctrine of transcendental medicine. In this regard, it synthesizes two adjacent, but divergent contemporary philosophical sources – J. G. Fichte’s idealism and Friedrich Schiller’s classicism – into a new and original philosophy. It demonstrates that Novalis’s views on both magic and idealism, not only prove to be perfectly rational and comprehensible, but even more philosophically coherent and innovative than have been recognised up to now. Keywords: magical idealism, productive imagination, love, medicine, Novalis, J. G. Fichte, Schiller RÉSUMÉ Cet article défend l’idée selon laquelle trois éléments centraux composent ce que Novalis nomme « idéalisme magique » pour désigner sa philosophie propre : la conception d’une imagination créatrice ou productrice, une doctrine de l’amour et une théorie de la médecine transcendantale. L’idéalisme magique est en cela la synthèse en une philosophie nouvelle et originale de deux sources philosophiques contemporaines, à la fois adjacentes et divergentes : l’idéalisme de J. G. Fichte et le classicisme de Friedrich Schiller. L’article montre que les vues de Novalis tant sur la magie que sur l’idéalisme sont non seulement réellement rationnelles et compréhensibles, mais philosophiquement plus cohérentes et novatrices qu’on ne l’a admis jusqu’à présent. Mots-clés : idéalisme magique, imagination productrice, amour, médecine, Novalis, J. G. -
Heroic Individualism: the Hero As Author in Democratic Culture Alan I
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Heroic individualism: the hero as author in democratic culture Alan I. Baily Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Baily, Alan I., "Heroic individualism: the hero as author in democratic culture" (2006). LSU Doctoral Dissertations. 1073. https://digitalcommons.lsu.edu/gradschool_dissertations/1073 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. HEROIC INDIVIDUALISM: THE HERO AS AUTHOR IN DEMOCRATIC CULTURE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Alan I. Baily B.S., Texas A&M University—Commerce, 1999 M.A., Louisiana State University, 2003 December, 2006 It has been well said that the highest aim in education is analogous to the highest aim in mathematics, namely, to obtain not results but powers , not particular solutions but the means by which endless solutions may be wrought. He is the most effective educator who aims less at perfecting specific acquirements that at producing that mental condition which renders acquirements easy, and leads to their useful application; who does not seek to make his pupils moral by enjoining particular courses of action, but by bringing into activity the feelings and sympathies that must issue in noble action. -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Unit 5: Samuel Taylor Coleridge: Life and Works
Samuel Taylor Coleridge: Life and Works Unit 5 UNIT 5: SAMUEL TAYLOR COLERIDGE: LIFE AND WORKS UNIT STRUCTURE: 5.1 Learning Objectives 5.2 Introduction 5.3 Samuel Taylor Coleridge: The Poet 5.3.1 His Life 5.3.2 His Works 5.4 Critical Reception of Coleridge as a Romantic Poet 5.5 Let us Sum up 5.6 Further Reading 5.7 Answers to Check Your Progress (Hints Only) 5.8 Possible Questions 5.1 LEARNING OBJECTIVES After going through this unit, you will be able to: • read briefly about the life and works of Samuel Taylor Coleridge • discuss certain basic features of English Romanticism through Coleridge’s poetry • identify the themes that consist in the philosophy of Coleridge as a poet • make an assessment of Coleridge as a poet of his time 5.2 INTRODUCTION This unit introduces you to Samuel Taylor Coleridge another of the important English poet, literary critic, philosopher and theologian of the Romantic era. With his friend Wordsworth, about whom you have read in the previous units, was the founder of the Romantic Movement in England. Coleridge was also a member of the group of poets known as the Lake Poets. He is well known for his poems like “The Rime of the Ancient Mariner” and “Kubla Khan”, as well as for his major critical work Biographia Literarira. Coleridge coined many familiar words and MA English Course 3 (Block 1) 81 Unit 5 Samuel Taylor Coleridge: Life and Works phrases, including the very famous ‘Willing Suspension of Disbelieve’. In this unit, an attempt has been made to discuss the life and works of S. -
Hero, Shadow and Trickster; Three Archetypes in the Kingkiller Chronicle
Hero, Shadow and Trickster; Three Archetypes in The Kingkiller Chronicle Tapio Tikkanen Master’s Thesis English Philology Faculty of Humanities University of Oulu Autumn 2018 Table of contents 1 Introduction.............................................................................................................................1 2 The History of Archetypes.........................................................................................................2 2.1 Carl Jung and the Collective Unconscious...........................................................................2 2.2 James Frazer’s Anthropological Examinations....................................................................4 2.3 Maud Bodkin’s Application of Jungian Archetypes to Poetry..............................................6 2.4 Northrop Frye and the Archetypes of Literature.................................................................9 3 Outlining the Archetypes........................................................................................................11 3.1 The Hero.........................................................................................................................11 3.2 The Shadow....................................................................................................................14 3.3 The Trickster...................................................................................................................15 4 Archetypes and Fantasy...…………….........................................................................................17 -
Ralph Waldo Emerson and Thomas Carlyle on Slavery
B093509 1 Examination Number: B093509 Title of work: Ralph Waldo Emerson and Thomas Carlyle on Slavery: Transatlantic Dissentions and Philosophical Connections Programme Name: MSc United States Literature Graduate School of Literatures, Languages & Cultures University of Edinburgh Word count: 15 000 Thomas Carlyle (1854) Ralph Waldo Emerson (1857) Source: archive.org/stream/pastandpresent06carlgoog#page/n10/mode/2up Source: ebooks.adelaide.edu.au/e/emerson/ralph_waldo/portrait.jpg B093509 2 Ralph Waldo Emerson and Thomas Carlyle on Slavery: Transatlantic Dissentions and Philosophical Connections Table of Contents Introduction 3 Chapter One: On Slavery and Labor: Racist Characterizations and 7 Economic Justifications Chapter Two On Democracy and Government: Ruling Elites and 21 Moral Diptychs Chapter Three On War and Abolition: Transoceanic Tensions and 35 Amicable Resolutions Conclusion 49 Bibliography 51 B093509 3 Introduction In his 1841 essay on “Friendship”, Ralph Waldo Emerson defined a “friend” as “a sort of paradox in nature” (348). Perhaps emulating that paradoxical essence, Emerson’s essay was pervaded with constant contradictions: while reiterating his belief in the “absolute insulation of man” (353), Emerson simultaneously depicted “friends” as those who “recognize the deep identity which beneath these disparities unites them” (“Friendship” 350). Relating back to the Platonic myth of recognition, by which one’s soul recognizes what it had previously seen and forgotten, Emerson defined a friend as that “Other” in which one is able to perceive oneself. As Johannes Voelz argued in Transcendental Resistance, “for Emerson, friendship … is a relationship from which we want to extract identity. Friendship is a relationship from which we seek recognition” (137). Indeed, Emerson was mostly concerned with what he called “high friendship” (“Friendship” 350) - an abstract ideality, which inevitably creates “a tension between potentiality and actuality” (Voelz 136). -
Mcginness Phd 2013
University of Dundee DOCTOR OF PHILOSOPHY On the Function of Ground in Deleuze’s Philosophy Or An Introduction to Pathogenesis McGinness, John Neil Award date: 2013 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 DOCTOR OF PHILOSOPHY On the Function of Ground in Deleuze’s Philosophy Or An Introduction to Pathogenesis John Neil McGinness 2013 University of Dundee Conditions for Use and Duplication Copyright of this work belongs to the author unless otherwise identified in the body of the thesis. It is permitted to use and duplicate this work only for personal and non-commercial research, study or criticism/review. You must obtain prior written consent from the author for any other use. Any quotation from this thesis must be acknowledged using the normal academic conventions. It is not permitted to supply the whole or part of this thesis to any other person or to post the same on any website or other online location without the prior written consent of the author. -
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and His Children: a Literary Biography Yolanda J. Gonz
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and his Children: A Literary Biography Yolanda J. Gonzalez, Ph.D. Chairperson: Stephen Prickett, Ph.D. The children of Samuel Taylor Coleridge, Hartley, Derwent, and Sara, have received limited scholarly attention, though all were important nineteenth century figures. Lack of scholarly attention on them can be blamed on their father, who has so overshadowed his children that their value has been relegated to what they can reveal about him, the literary genius. Scholars who have studied the children for these purposes all assume familial ties justify their basic premise, that Coleridge can be understood by examining the children he raised. But in this case, the assumption is false; Coleridge had little interaction with his children overall, and the task of raising them was left to their mother, Sara, her sister Edith, and Edith’s husband, Robert Southey. While studies of S. T. C.’s children that seek to provide information about him are fruitless, more productive scholarly work can be done examining the lives and contributions of Hartley, Derwent, and Sara to their age. This dissertation is a starting point for reinvestigating Coleridge’s children and analyzes their life and work. Taken out from under the shadow of Samuel Taylor Coleridge, we find that Hartley was not doomed to be a “child of romanticism” as a result of his father’s experimental approach to his education; rather, he chose this persona for himself. Conversely, Derwent is the black sheep of the family and consciously chooses not to undertake the family profession, writing poetry. -
Selections from the Writings of Walter Savage Landor;
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF 3Henrg W. Sage 1S91 A./X.Z3/J Cornell University Library PR 4871.C59 1898 Selections from the writings of Walter S 1924 013 495 407 Cornell University IJJa Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013495407 THE ATHEN/£UM PRESS SERIES G. L. KITTREDGE and C. T. WINCHESTER GENERAL EDITORS tTbe Htberueum press Series. This series is intended to furnish a library of the best English literature from Chaucer to the present time in a form adapted to the needs of both the student and the general reader. The works selected are carefully edited, with biographical and critical introductions, full explanatory notes, and other, neces- sary apparatus. W. S. LANDOR. Htbenajum press Series SELECTIONS FROM THE WRITINGS OF WALTER SAVAGE LANDOR Edited with Introduction and Notes W. B. SHUBRICK CLYMER BOSTON, U.S.A. GINN & COMPANY, PUBLISHERS ST&e atficnsctim J3rees 1898 Copyright, 1898, by W. B. SHUBRICK CLYMER ALL RIGHTS RESERVED PREFACE. The first edition of John Forster's Life of Landor was published by Chapman and Hall, in two volumes, in 1869; in 1876, abridged, it formed the first volume of Forster's eight-volume edition of The Works and Life of Walter Sav- age Landor ; in 1895 the second edition was reprinted. In this biography is stored almost all the information of any consequence relating to Landor; and Forster's is the stand- ard text of the collected writings. -
The Chanters House
The Chanters House OTTERY ST. MARY, DEVON The Chanters House OTTERY ST. MARY, DEVON Honiton 6 miles M5 (Junction 29) 9 miles Exeter airport 8 miles Exeter 12 miles Tiverton Parkway 24 miles (London Paddington from 2 hours) (Distances and times are approximate) AN OUTSTANDING GRADE II* LISTED RESIDENCE STEEPED IN NATIONAL HISTORY MAIN HOUSE Sitting room Drawing room Kitchen / breakfast room Dining room Office Library Gymnasium Billiards room Victorian bird house with aviary Palm house Party room Master bedroom suite with 2 ensuite bathrooms and dressing room Further main bedroom suites Staff suite 2 bedroom Coach House 3 bedroom entrance lodge Indoor swimming pool Long carriage drive Coach house and stables Walled garden Tennis court Parkland Woodland Stream Main house approximately 22,211 sq ft Total built space approximately 30,324 sq ft, excluding indoor pool but including the coach house and lodge In all about 21.43 acres For sale freehold +44 (0)20 7861 1065 +44 (0)1392 848 842 55 Baker Street 19 Southernhay East, Exeter London, W1U 8AN Devon, EX1 1QD [email protected] [email protected] [email protected] edward.clarkson knightfrank.com www.knightfrank.com Viewing by appointment only. These particulars are intended only as a guide and must not be relied upon as statements of fact. Your attention is drawn to the Important Notice on the last page of the brochure. Situation History The area is well served with road and rail links providing easy access The Coleridge family, the previous owners of The Chanters House, Ottery. Built in the 1340’s as a chantry - hence the name - it was the Even more energy was devoted to the restoration of the parish church via the M5, A30 and A303 to the national motorway network and had always lived in Devon but the family moved to Ottery St Mary most substantial structure of the buildings that are grouped like a and this brought William Butterfield into the family circle, the result of London.