Call Prompts a Cheerleading Coach to Quit
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Hanszen Freshman Hospitalized in Alcohol Incident Freshman Reported Hazy Memory
VOLUME 79, NO. 7 ERIK LEIDAL IN A BOX OCTOBER 4,1991 Events set Hanszen freshman hospitalized in alcohol incident freshman reported hazy memory. guardian's consent to treat the mi- Rice. for music by Rodney Gibbs According to roommates, the fresh- nor. The father was eventually In the past, the University has man returned to the party and con- reached and arrived at the hospital at not intervened in parties held be- A Hanszen College freshman sumed ten additional shots. the same time as Waldman. hind close doors to enforce alcohol school's was taken to Park Plaza hospital As the freshman's condition After approximately two hours in policy regulations. Whether clas- Tuesday, September 24, after worsened, the roommates unsuc- thehospital,thefreshmanwenthome sified as a public or private party, drinking sixteen shots of straight cessfully attempted to induce vomit- with the father. alcohol policy violations are evi- big debut tequila at Hanszen's traditional Te- ing. A party co-host, a trained drunk- dent quila Night' room party. The sitter, and friends subsequently came Reactions to the Party "There's little doubt this is a by Michelle Price freshman, released to family later to the freshman's room after hearing violation in [the alcohol policy]," that night, registered a blood alco- about the intoxication level After de- Waldman and the father both ex- said Stebbings. hol level of 0.25 and a blood-oxygen liberation and at the advice of the pressed disbelief at the occurrence Waldman said that Tequila Rice University President George percentage of 82% Legal intoxica- drunk sitter, the friends and room- of such an event Night' crossed the line from a pri- Rupp, Shepherd School Dean tion is 0.1 blood alcohol level and mates notified the campus police and Waldman stated, "It's pathetic that vate to apublic party at the moment Michael Hammond, and a represen- brain damage may begin at a blood- left for the emergency room. -
December 2014 ONECELEBRATEWITHUS Join the Celebration As We Usher in a New Year of Cinema in Iowa City
A COLLABORATION WITH DEC FilmScene Staff THE EYE OPENER 12-21 Joe Tiefenthaler, Executive Director Andy Brodie, Program Director Complete info at www.icfilmscene.org/flam Andrew Sherburne, Sunday, December 14th Associate Director A curated week of new releases and restored classics on literature, art and music. Tickets: $35 for non-members / $25 for members / Emily Salmonson, Series Pass: $30 non-members / $20 members. Regular price for individual shows. $15 for supporting role and leading role members Director of Operations / FREE for Founders Circle and Screen Legend Ross Meyer, Head Projectionist and Facilities Manager Join FilmScene in celebrating the one year Dan DeMarco, Theater Staff anniversary of the opening of our downtown Jon Graf, Theater Staff Aaron Holmgren, Theater Staff cinema with a delicious brunch of chicken & DIALOGUE: Director Q&A NEWLY RESTORED! NEWLY RESTORED! waffles, scrambled eggs with local cheeses, Phil Ochs, Theater Staff MUSIC OF THE BURROUGHS: ROME, OPEN CITY Tony Pomales, Theater Staff beignets, mini donuts, mimosas and a cash MOMENT THE MOVIE (1983) (2014) Dir. Roberto Emily Brown, Projectionist bar. While you eat, be entertained by music (2014) Dir. Kevin Wisor. Dir. Howard Brookner. Rossellini. Legendary Kelly Gallagher, Projectionist from the films of our first year and the Iowa A locally-made feature The first and only doc Italian drama about the Kasia Plazinska, Projectionist premiere of an acclaimed short film. doc exploring the art of made with the Nazi occupation of Board of Directors improvised music, shot full participation of writer Rome and the brave few Michael Finlayson, Chair FILMFOODDRINKSMUSIC in Iowa City. William S. -
John Frusciante (Red Hot Chili Peppers) Californication Tour Rig
www.customtone.com John Frusciante (Red Hot Chili Peppers) Californication Tour Rig Original Guitar Used: Pre-CBS Fender® Strat® Variax Setting: Spank - Various Tuning: Various Brit J ®! Boss®! Electro-! MXR®! Ibanez®! Boss ® DS-2! Harmonix ! Phase 90! WH-10! CE-1 ! Marshall® model 1967! Marshall® model 2555! Big Muff®! Marshall® 412 cab! Marshall® 412 cab! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Fender and Strat are registered trademarks of Fender Musical Instruments Corp. Boss is a registered trademarks of Roland Corp. Electro-Harmonix and Big Muff are registered trademarks of New Sensor Corp. MXR is a registered trademark of Dunlop Manufacturing, Inc. Ibanez is a registered trademark of Hoshino Gakki Co. Ltd. Marshall is a registered trademark of Marshall Amplifica,on Plc. www.customtone.com John Frusciante (Red Hot Chili Peppers) Otherside Original Guitar: Gretsch® White Falcon Variax Setting: R-Billy 1 Tuning: Standard: E-A-D-G-B-E BASS Boss®! Fender® Showman®! DS-1! (2) Marshall® 412 Cabs! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Gretsch is a registered trademark of Fred W. Gretsch Enterprises, Ltd. Boss is a registered trademark of Roland Corp. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
FOXCATCHER Written by E. Max Frye & Dan Futterman INT. UNIVERSITY of WISCONSIN
FOXCATCHER Written by E. Max Frye & Dan Futterman INT. UNIVERSITY OF WISCONSIN GYM - VERY EARLY MORNING MARK SCHULTZ (27, 180 lbs., cauliflower ears) lifts a human- sized, leather WRESTLING DUMMY from the mat to stand in front of him. He performs a series of repetitive moves - hooking one arm under the dummy's arm, then the other; one side, then other. Again and again. It looks almost as if he's dancing gently with it. Then, very fast, Mark spins quickly around behind the dummy, grabs it in a bear hug, arches his back, lifts and SLAMS it to the mat, landing on top. QUICK CUTS: Mark spinning, lifting and slamming the dummy - first one way, then the other - first one hold, then another - SLAM. SLAM. SLAM. SLAM. SLAM - over and over and over again. CUT TO: I/E. BARABOO SCHOOL/PARKING LOT - LATE MORNING Mark pulls his beat-up car into a space in the parking lot of this nondescript, 1960s-era suburban brick-facade school. He's freshly showered, wears a short-sleeve dress shirt, clip- on tie, slacks. He reaches behind the front seat and pulls out a battered BROWN VINYL BRIEFCASE. CUT TO: INT. BARABOO SCHOOL/PRINCIPAL'S OFFICE WAITING ROOM - DAY Mark waits alone in a chair he's much too big for, his brown vinyl briefcase on his lap. A portrait of President Reagan hangs on the painted cinder block wall. A clock ticks. CUT TO: INT. BARABOO SCHOOL/AUDITORIUM - DAY Mark's on stage. An audience of 4th, 5th and 6th graders. MARK Why do I do it? Why do I push myself to my limits - of pain, of exhaustion - every day of my life? Why do I wake up every morning and make the commitment? Why do I do it? 2. -
The BG News May 23, 2001
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 5-23-2001 The BG News May 23, 2001 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News May 23, 2001" (2001). BG News (Student Newspaper). 6814. https://scholarworks.bgsu.edu/bg-news/6814 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. H ■ ■ m Bowling Green State University WEDNESDAY May 23, 2001 ENTERTAINMENT: PARTLY CLOUDY James Eldred looks at HIGH: 59 | LOW: 46 the summer movie www.b2news.com selecton; PAGE 6 RENEWS VOLUME 91 ISSUE 1 Qty looks into ward alternative LawsuitI nurcnit forcesfni-rps cityritv totn Rodney RentingFleming, legal services According to Iteming,Iteming it is hard- large decision was a risk." attorney, and the University stu- er for a student to fill an at-large Iteming said. LOOKING AT DIFFERENT Wooster and west of Main, has look charter to dents involved in the lawsuit position because it is more expen- The lawsuit, which started in WARD SYSTEMS 3,499 and Ward 4 has 5716. change the way the against the city will haw a new fight sive to campaign thoughout the 1994, was brought agaiast the city on their hands. city and at-large positions are four because University students CURRENT WARD SYSTEM: The PROPOSED WARD SYSTEM: The council is set up If the committee recommends years, as opposed to ward positions believed the way the city was bro- current ward system is divided proposed ward system would that the city goes to an all at-large which were two. -
Foxcatcher Directed by Bennett Miller
Sony Pictures Classics Presents An Annapurna Pictures Production Foxcatcher Directed by Bennett Miller Cannes Film Festival 2014 Telluride Film Festival 2014 Toronto International Film Festival 2014 New York Film Festival 2014 Winner - Best Director, Cannes Film Festival 2014 134 mins | Rated R | Opens 11/14/14 (NY/LA) East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Max Buschman Carmelo Pirrone 220 West 42nd Street Blair Bender Maya Anand 12th floor 6100 Wilshire Blvd., 550 Madison Ave New York, NY 10036 Ste. 170 New York, NY 10022 212-277-7555 Los Angeles, CA 90048 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax FOXCATCHER The Cast John du Pont STEVE CARELL Mark Schultz CHANNING TATUM Dave Schultz MARK RUFFALO Jean du Pont VANESSA REDGRAVE Nancy Schultz SIENNA MILLER Jack ANTHONY MICHAEL HALL Henry Beck GUY BOYD Documentary Filmmaker DAVE “DOC” BENNETT The Filmmakers Director BENNETT MILLER Written by E. MAX FRYE DAN FUTTERMAN Producers MEGAN ELLISON BENNETT MILLER JON KILIK ANTHONY BREGMAN Executive Producers CHELSEA BARNARD RON SCHMIDT MARK BAKSHI MICHAEL COLEMAN TOM HELLER JOHN P. GUIRA Co-Producer SCOTT ROBERTSON Director of Photography GREIG FRASER Production Designer JESS GONCHOR Editor STUART LEVY CONOR O’NEILL JAY CASSIDY Costume Designer KASIA MAIMONE WALICKA Music ROB SIMONSEN Additional Music WEST DYLAN THORDSON Valley Forge Theme MYCHAEL DANNA Casting Director JEANNE McCARTHY Makeup Designer BILL CORSO Hair Department Head KATHRINE GORDON Wrestling Coordinator JOHN GUIRA Wrestling Choreographer JESSE JANTZEN 2 FOXCATCHER Synopsis Based on true events, FOXCATCHER tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire and two champion wrestlers. -
Why the Red Hot Chili Peppers?
Red Hot Chili Peppers Group 3 Kaitlin Gaedtke Lauren Lalumiere Maisey Pierce Why the Red Hot Chili Peppers? The Red Hot Chili Peppers are an innovative rock group formed in the early 80s. They have seemingly always been hugely influential in the style of rock and alternative rock. Still successful in creating music and performing today. Group Biography RHCP were formed from a California high school friendship and a mutual appreciation for punk rock and funk. Started out as “Tony Flow & the Miraculously Majestic Masters of Mayhem,” this is also where their performing nude “trademark” started They began a recording contract with EMI and gained popularity when their videos were featured on MTV Group Biography (Cont.) Several members fought drug addiction along the way; one (Slovak) even died from a heroin overdose. They’ve had many different members but current members Kiedis and Flea are founders Flea (left in both pictures) and Kiedis (right in both pictures) have been friends since they went to highschool together! Current Members Anthony Kiedis: lead vocals (1983-present) Flea: bass, trumpet, piano, backing vocals (1983-present) Chad Smith: drums, percussion (1988-present) Josh Klinghoffer: guitar, keyboards, backing vocals (2009-present) Anthony Kiedis: went to highschool with Flea in California, where they acknowledged their mutual admiration of punk rock and funk groups by forming a band together. talent for poetry and was convinced by Flea and Slovak to write music. Even after his friend Slovak’s death due to an overdose, Kiedis still battled a drug addiction. In the 2000’s, he attempted to turn his autobiography called “Scar Tissue” into a TV show, which failed. -
57Th Socal Journalism Awards
FIFTY-SEVENTH ANNUAL5 SOUTHERN CALIFORNIA7 JOURNALISM AWARDS LOS ANGELES PRESS CLUB th 57 ANNUAL SOUTHERN CALIFORNIA 48 NOMINATIONS JOURNALISM AWARDS LOS ANGELES PRESS CLUB 57TH SOUTHERN CALIFORNIA JOURNALISM AWARDS WELCOME Dear Friends of L.A. Press Club, Well, you’ve done it this time. Yes, you really have! The Los Angeles Press Club’s 57th annual Southern California Journalism Awards are marked by a jaw-dropping, record-breaking number of submissions. They kept our sister Press Clubs across the country, who judge our annual competition, very busy and, no doubt, very impressed. So, as we welcome you this evening, know that even to arrive as a finalist is quite an accomplishment. Tonight in this very Biltmore ballroom, where Senator (and future President) John F. Kennedy held his first news conference after securing his party’s nomination, we honor the contributions of our colleagues. Some are no longer with Robert Kovacik us and we will dedicate this ceremony to three of the best among them: Al Martinez, Rick Orlov and Stan Chambers. The Los Angeles Press Club is where journalists and student journalists, working on all platforms, share their ideas and their concerns in our ever changing industry. If you are not a member, we invite you to join the oldest organization of its kind in Southern California. On behalf of our Board, we hope you have an opportunity this evening to reconnect with colleagues or to make some new connections. Together we will recognize our esteemed honorees: Willow Bay, Shane Smith and Vice News, the “CBS This Morning” team and representatives from Charlie Hebdo. -
Snow Patrol ‘Chasing Cars’
Rockschool Grade Pieces Snow Patrol ‘Chasing Cars’ Snow Patrol SONG TITLE: CHASING CARS ALBUM: EYES OPEN RELEASED: 2006 LABEL: POLYDOR GENRE: INDIE PERSONNEL: GARY LIGHTBODY (VOX+GTR) NATHAN CONNOLLY (GTR) PAUL WILSON (BASS) JONNY QUINN (DRUMS) TOM SIMPSON (KEYS) UK CHART PEAK: 6 US CHART PEAK: 5 BACKGROUND INFO NOTES ‘Chasing Cars’ is the second single from Snow Although it didn’t achieve a number 1 in the UK or Patrol’s 2006 album Eyes Open. It is a based on a the U.S. ‘Chasing Cars’ still receives massive airplay single three-chord progression, but ‘Chasing Cars’ is and can be heard almost constantly in TV shows. A far from simple. The song starts with a sparse picked moving acoustic version of ‘Chasing Cars’ appears on eighth-note guitar line which is augmented by subtle the soundtrack for the US TV show Grey’s Anatomy. keyboard parts. The arrangement uses changes in dynamics to develop the song. The third chorus sees ‘Chasing Cars’ move up another notch adding RECOMMENDED LISTENING drums and several distorted guitars playing different inversions (where the notes of a chord are arranged Snow Patrol’s songs are masterpieces of in a different order) to create an orchestra-like wall of arrangement and see the guitar adopting a supporting guitars. The end of the song sees the song return to role on their songs rather than the dominant riffs its sparse beginnings with the re-stating of the simple and extended guitar solos you might expect to hear picked guitar part. from a rock, blues or metal band. -
December 2002
PORTABLE • BILL STEWART • CONSUMERS POLL RESULTS DENNISDENNIS CHAMBERS,CHAMBERS, KARLKARL PERAZZO,PERAZZO, RAULRAUL REKOWREKOW SSANTANAANTANA’’SS FFINESTINEST RRHYTHMHYTHM TTEAMEAM?? WWEEZEREEZER’’SS PPATAT WWILSONILSON TTHROUGHHROUGH TTHEHE YYEARSEARS WWITHITH TTERRYERRY BBOZZIOOZZIO NNEWEW FFOUNDOUND GGLORYLORY’’SS CCYRUSYRUS BBOLOOKIOLOOKI TTRADINGRADING FFOURSOURS WWITHITH PPHILLYHILLY JJOEOE $4.99US $6.99CAN 12 PPLUSLUS CCARLOSARLOS SSANTANAANTANA TTALKSALKS DDRUMMERSRUMMERS!! 0 74808 01203 9 ContentsContents Volume 27, Number 12 Cover photo by Paul La Raia SANTANA’S DENNIS CHAMBERS, RAUL REKOW, AND KARL PERAZZO The heaviest rhythm section in rock has just gotten heavier. Even Carlos Santana himself is in awe of his new Dennis Chambers–led ensemble. a a by Robin Tolleson i i a a R R a a L L l l u u a a 56 P P UPDATE 24 Portable’s Brian Levy WEEZER’S Wayward Shamans’ Barrett Martin AT ILSON 80 P W Fugazi’s Brendan Canty From Neil Peart obsessive to Muppet hostage, Pat Wilson has Mickey Hart been through a lot in ten years with Daryl Stuermer’s John Calarco pop gods Weezer. Oh, he plays the heck out of the drums, too. by Adam Budofsky MD CONSUMERS POLL RESULTS 50 The best in today’s gear—according to you. A DIFFERENT VIEW 74 a a i i a a NEW FOUND R R CARLOS SANTANA a a L L Just a sample of his drum cohorts over the l l GLORY’S u u a a years: Michael Shrieve, Jack DeJohnette, Horacio P P CYRUS BOLOOKI Hernandez, Tony Williams, Carter Beauford, 150 Chester Thompson, and now, Dennis Chambers. Even a disastrous fall from a Take your seats, class is about to begin. -
2018-01-12 Venicequeen.It Interviews Michael Beinhorn MICHAEL
2018-01-12 VeniceQueen.it interviews Michael Beinhorn MICHAEL BEINHORN AND THE CHILI PEPPERS: A MUTUAL LAUNCH TRAMPOLINE INTRODUCTION Michael Beinhorn is part of Chili Peppers history: because he's the only producer that worked with the original line-up before Hillel Slovak's death (The Uplift Mofo Party Plan, 1987) and the first one who worked with the historical line-up (Mother's Milk, 1989), with Chad Smith and John Frusciante entries. Anthony Kiedis, in his autobiography Scar Tissue, describes Beinhorn as a tyrannical guy for some verse, that as opposed to the previous band's producer, was very focused on the sound, since his great intelligence and musical competence. Kiedis describes particularly the contrasts between the producer and John Frusciante; in fact, Beinhorn asked John to play a musical style very close to metal, while Frusciante didn't feel comfortable playing in that way. Even if there were many incomprehensions, what came up is a fantastic record, the one who pledged the band in the world and that many Chili Peppers fans still love nowadays, thanks to songs like “Fire”, “Nobody Weird Like Me” and “Higher Ground”. Regarding Stevie Wonder's cover, is a track that Beinhorn was asking for a lot, so we have to thank him if the band decided to put on the record; this has generated many contrasts between the producer and Kiedis, since Michael was asking to Anthony to sing the improvisation at the end of the song, according to his autobiography. But The Red Hot Chili Peppers represented only the beginning for the glorious career of Michael Beinhorn as a producer: in fact, he worked with several artists during the years, such as Soundgarden (Superunknown, 1994), Ozzy Osbourne (Ozzmosis, 1995), Hole (Celebrity Skin, 1998), Marilyn Manson - 1 - (Mechanical Animals, 1998), Korn (Untouchables, 1998) and Black Label Society (Shoot To Hell, 2006), just to mention the most imporant.