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M i (Below) Interviewed, See Page 4A.

The Arts and Entertainment Supplement to the Daily Nexus, for October 27th through November 2nd, 1994

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t.r 2A Thursday, October 27,1994 Daily Nexus « m i r a t m í m e Meryl Streep never dis­ Kevin Bacon takes the amusing. It resembled was no more credible than gie’s presence added sensi­ appoints her audience lead on that side as the be­ Monday night M elrose- Beavis and Butthead play­ tivity to the family. You when it comes to her dy­ guiling lowlife threatening watching; we could pre­ ing Romeo and Juliet The constantly pray that the namic acting ability, even Streep and her family’s dict evety scene but some­ pessimist magically came dog, if no one else, sur­ $2 Ja m Night with if die movie does. security. He plays the role how the continuous ac­ to life: he survived count­ vives the drama. I guess NUTHEG • SW IIT ONION DYNAMIC PRESSURE In The River Wild, as an convincingly enough, tion still kept us hanging less beatings, jumped a that I am a sucker for dogs THOUGHT FESTIVAL athletic rapids guide and overcoming his good guy on for whatever preposter- fifty-foot cliff with a dog, and their presence always protective mother, her image, but the role didn't performance was sincere, look too challenging, and I and ignited the otherwise bet any one of his peers dim dialogue. The content could have assumed the was not original enough to part (perhaps Brad Pitt or bring her another Kiefer Sutherland). Academy Award, but you Adorned with beautiful could feel her sense of sights and a sometimes fer­ power over the waters, and ocious river, The R iver her distinctive facial ex- W ild just wasn’t what I im­ ressions always revealed agined. There were only Eer concern for her fam­ two scenes in which I ily's safety. could feel the rush of the Unfortunately, that is all water, and it took an hour F ad d y Om m W9M ml M Hoi«Gf L ai» I can say that was extraor­ and a half of blissful cur­ "JUSTICE" dinary about the film. Hie rents and theatrical dia­ ous event would happen and ran foster than the increases the intimacy of plot basically consists of a logue to finally reach the next We even joked about boat which glided swiftly an otherwise ordinary family with marital prob­ main one, the unnavigable the absurdity of some of down the river. It made me film. fS K A N K IN lems who travels down a L PICKLE gauntlet that the crew was the lines and characters. wonder what kind of iden­ So all in all, the film was 1 / TMra HoMtan • m Um s river and is overtaken by destined to overcome. The butt of our jokes tity switch Strathairn entertaining to watch if outlaws who need a vehi­ Although my friends came from the comic relief underwent. you are in the mood for cle for their getaway: a and I could predict each of David Strathaim’s char­ The intimacy and heart The Chase or Speed on conventional narrative scene, we were still enter­ acter. He portrayed of the film came from invit­ water, but don’t expect too complete with two bad tained and the fumbling Streep’s prudent, worka­ ing the family dog, Maggie, much whitewater . guys. procession was quite holic husband, but his role to join the escapade. Mag- —Melissa Altman

$2 Jam Night with CHERRIES • Skinny R oom Pénìn DraaGMs • N T HONEYPOT

Well, it’s Halloween Langenkamp breaks out of ered into watching yet ster who rarely speaks, film falls apart, and we are season again, kiddies, and her recurring Nightm are another Nightmare on kills at will, and is omnipo­ left with the same re­ R A S D A V I O you know what that role as Nancy, only to play Elm Street sequel. The cli­ tent within the dream hashed, formulaic plot of &0NE LOVE VIBRATION means. That means it’s herself, the recurring max takes us into Freddy’s world. In the second Freddy mysteriously kill­ w / Dynamic Pressure time again for yet another Nightmare actress. spectacular nightmare pa­ through the fifth Night­ ing everyone close to $2 Pop-P unk J a m Night with part to the Nightmare on After turning down a lace, a spooky and promis­ m are films, too much Heather Langenkamp, un­ ing set which go es virtually background, too many til Heather fights and kills SHELLFISH Elm Street series. role in the last of the RCRNG SIZE The finality in the last N ig h tm a re f il m s , unused. This, combined bad one-liners, and gener­ him forever, or at least un­ couple of films, with titles Heather’s life is turned with some downright ally poor direction has ta­ til tiie next film. like Freddy’s Dead, sug­ upside-down yet again by cheap special effects, leads ken away the brooding evil IS & S & i2Ü <«* gested that New Line that menacing Freddy me to tne assumption that in Freddy, killing the sus­ Hie film has an ex­ Cinema might finally hang Krueger, who has been Craven probably bit off pense, and leaving us with tremely interesting pre­ I W ASTED TAPE up the felt hat and the trapped in the world of more than he could chew, a sort of twisted clown mise, something new and I iiia r .k E y e d S c a v a knife-glove and hit the film until being killed off budgetwise. who kills people we didn’t quite promising, but Cra­ drawing board to invent a once and for all in Most horror writers really care about anyway. ven repeatedly misses the DAYGLO ABORTIONS Wes Craven is at his mark, stubbornly refusing ^C

G reat G lassies

And Today's New Rock 'n Roll Daily Nexus Thursday, October 27,1994 3 A

Associated Students CUDMUESFIM PROGRAM BOARD' Filmmaker and UCSB AW. Say I’m a UCSB doing things for the wrong p r e s e n t s alumnus Jon Fitzgerald student I want to do a reasons. People are getting knows what it’s like to fol­ low-budget film. Is there into colleges and declaring low a dream. Of the many really a market for it? a major based on the an­ wannabes and yet-to-bes JR There are hundreds nual income of what can who suffocate Hollywood of the independent distri­ come out of that major. year after year, few make it butors that look for little Everybody’s doing things as far as writing, directing, projects.... There’s a way for the wrong reasons. ... and producing their own to make the money back, You can’t graduate now film. but more importantly, and go to IBM and become Fitzgerald has done so, everybody will look at a vice president in three in Self Portrait, a semiau- your project, because no­ years. tobiographical look at a body wants to pass up the AW You see Harvard THURSDAY, NOV. 3 UCSB student caught be­ project that’s the next one, Law graduates in the tween creativity and the the next Tarantino. CAA mail room. in the UCEN conventional career. It AW. Any advice? JR There were lawyers only succeeded because of JR Get something done. in my mail room.... I think numerous rehearsals, Just go for it. this movie’s about a kid Anotha Level careful planning, desig­ AW. The press release who looks around and ners and decorators will­ for Self Portrait says this sees that people are not ing to work just for the ex­ film “is not typical of the taking advantage of the job perience, and a few coffeehouse, cigarette­ market and he says, “I’m maxed-out credit cards. smoking, twenty­ going to go for it; I’m going the Waskals Jon even managed to pay something movies recen­ to go get a degree and I’m his crew, a luxury many tly produced." So we're going to be an artist, even if low-budget films don’t not going to walk in and nobody I know appreci- even consider an option. see Reality Bites. ates that or can Unlike most writer- JR To me, most of those understand.” Thursday, Nov. 17 in the UCEN directors, Jon got his start movies are about people in an agency, delivering sitting around philoso­ AW. So we’ll get to see a world surf premiere of mail at Triad Artists to phizing about what’s y o u a n d your film learn about everyone in wrong with the world. ... tonight? the business, instead of They smoke cigarettes and JR Yeah, and realize FOCUS paying dues on a set as a they drink coffee and they that people are not going a taylor steel« video production assistant. Low cuss a lot They don’t really to see Forrest Gump or pay and long hours are re­ do anything, and the dis­ Batm an or something. I featuring LIVE performances by warded with a desk and a tributor puts in a bunch of mean, it’s a $100,000 mm. tiny raise, but plenty of ex­ alternative music from, It's an interesting story perience. After leaving you know, KROQ, to try and it’s got a good Triad, connections helped and sell soundtracks. message. him work on hits like M y AW. What about Self Cousin Vinny and Home­ Portrait? Tonight at 7 p.m., Jon ward Bound. The rest, as PENNYWISE JF: This movie’s about a Fitzgerald will present a they say, is history. Arts- guy who, in the beginning, free preview of Self Por­ Sprung Monkey week spoke with Fitzger­ he kind of sees his situa­ trait in Buchanan 1910. ald recently. What follows tion, and realizes that Unwritten Law is an edited transcript everybody around him is —April Capil EPITAPH FILLED PUNK ROCK CONTINUES.... F rid a y , ISTov. 1 8 in the F ' n tu o rscA R r UCEN Fans of classic horror movies should appreciate the six-part miniseries of Shadows Fall, offered by the Vertigo branch of DC Comics. It aspires to fill the reader with suspense and sickly dread instead of DOWN BY LAW just grossing them out with the usual blood and guts. ______BLACK TRAIN JACK The first issue is out now, and it sets the scene of a city haunted by Warren TUESDAY, DECEMBER 6 Gale’s soul, who for 17 years has been occupying PB?SH ^ IN Till-] people’s darknesses and leading them to suicide. It ' E V E N T S also gives us a glimpse into the life of Gale himself an CUNTKR unsuspecting man who dreams of the lives and ON SALE AT THE deaths of people he does ^ A.S. TICKET OFFICE not know when his soul, in the guise of his shadow, AND AT Al l LOCATIONS visits him at night Many questions invar­ iably arise when reading All shows are NOW ON SALE this comic. Why did Gale’s I soul leave its body? Why at the A.S. Ticket Office in the University Center and how does it make peo­ or charge by phone: 893-2064 ple kill themselves? Why does it visit Gale and leave only disturbing stories of sparse, and arranged in photorealistic, but always suicides in his mind? Part short and poetic phrases manipulated and of the delight in reading a that lend grace and gravity shrouded in shadows so '▼’’tW hit til mi * »-J serial is waiting for the to the city, which is por­ that the reader never feels 1 next issue to come, and trayed as dark, dirty and familiar with the view. hoping it holds all the an­ hopeless. The characters Together, the writing, art Barcelona swers to your questions. A are all small, unremark­ ana layout tell a stoiy that WEDNESDAY NOV good comic should tantal­ able people, which makes even a cinematographer & 10 PM ize but not frustrate, and the events that happen all would have trouble prop­ knowing that Shadow s the more creepy than if the erly telling. ISLA VISTA THEATER Fall will conclude in some story was played out in the $3 student/ $5 general way in five more issues is realm and scope of If you’ve always thought an exciting aspect of read­ superheroes. that comic books were for FOR MORE INFO. ON UPCOMING EVENTS ing it The painted artwork of kids, pick up the first issue CALL THE PROGRAM BOARD John Ney Rieber, the John Van Fleet, due to the of Shadows Fall and see writer, also writes the detail involved, says as how the genre now defies Books of Magic line for much as Reiber’s words misconception. ..dp, The, style., is. at times. —Rena Tom 4 A Thursday, October 27,1994 Daily Nexus WEEZER UNRAVELLED S B With a hit video for their grind? down a couple of songs even know when we’ll PW: Yeah. He rules. No, actually, I hate them “Undone (The Sweater PW: No! It rules be­ and break up. Besides, make the next record. It We’re making a video with all because of little fuck- Song)” in heavy rotation cause we just got a bus. Geffen was the only major could be over a year from him for “Buddy Holly.” ups that I did on them. on MTV’s Buzz Bin, a This is our third or fourth label that was interested. now. Personally, I want to AW. Are you sick of AW. How long did you song on the fast-selling day with the bus. AW . How did you hook do it sooner than then, but “Undone (The Sweater spend in the studio on the compila­ AW . Does your bus say up with your producer I talked to our manager the Song)” yet? album ? tion DGC Rarities, and Weezer on the side? [ex-Cars frontman Ric other day, and he said that PW: Definitely. People PW: About a month — their own eponymous de­ PW: No. We’re not that Ocasek]? the earliest he sees us do­ react to that song more not too long. We recorded but album, the guys from un-credible yet, although I PW: We sent him a four- ing the next record is in the than the others, which I it at Electric Ladyland in Weezer have rocketed into think we’ve lost any credi­ song tape [with “My Name spring. think kind of sucks be­ , so we had Jimi their current state of semi­ bility we had by being on a is Jonas,” “Undone,” AW. Are you going to cause it’s the least indica­ to watch over us. stardom since the album’s major label and having a “Buddy Holly” and “In the tour until then? tive of what we’re all AW Who’s your favo­ May release. crossover hit Garage”] and he dug it. PW: We’re going to go about rite band you’ve toured While the - AW: Where are you AW: Why did you until the middle of Decem­ AW . Whafs the song w ith? based band is not yet a guys from? choose him? Were you ber and then they want us about? PW: Lush. Lush rules. household name, if you PW: We all live in LA., into The Cars? to do and Austra­ PW: I have no idea. I They sound so good live. were to mention the group but we’re all from the East PW: Yeah. You know, lia, but I don’t really want don’t know what any of They should be more po­ to your friends, you might Coast I’m from Buffalo, back in the day, we grew to go. our songs are about. Thaf s pular than they are, but get a response somewhere Rivers is from Connecti­ up listening to them on the AW. Are you big in Rivers’ job. KROQ just bailed on Brit­ along the lines ofr “Ohl cut, Matt is from D.C. and radio. foreign countries? AW. When people see ish music when all that The sweater bandl” or Brian’s from Tennessee. AW. Was “Jamie,” from PW: The record hasn’t you on the street, do they American grunge started “Yeah! Those are the guys AW. Did you play for a the rarities compilation, come out in Europe and say, “Hey, there’s the swe­ coming out with the dogs in the Wait, hold on a second. video!” MTV News is oh. We did Their album, a mix of af­ this thing for them when fectionate pop numbers we were playing at CMJ and straightforward rock [an alternative music con­ ’n’ roll, has sold over vention]. They took us to 300,000 units thus far, and this house in Hoboken will likely go gold in the and interviewed us. It was near future. lame, but I want to see The band consists of how it turned out guitarist , singer- AW. Did Tabitha Soren guitarist , interview you? bassist and PW: No, Allison Stew­ drummer Patrick Wilson. art did. Weezer will be opening AW How was CMJ? up for Live this Saturday PW: Really lame. It was night, Oct. 29, at the Ven­ a bunch of industry guys tura Theatre. A rtsw eek standing around. conducted a phone inter­ view with Wilson about AW Who’s your favo­ life in Weezer while the rite Scooby Doo band was on the road in while in LA. before you the first Weezer song? Australia, so they want us ater bandl” or something character? . got signed? PW: Actually, I don’t to go over there and tour like that? PW: Definitely Shaggy, AW: I met a woman PW: Yeah, we played in know what our first song while they release it. The PW: No, not really. But although we had this con­ this summer, and she told L.A. for a year before we was. When we first started, rest of the guys are kind of sometimes people recog­ versation the other day. me that you got the name got signed. Then every­ we sat down and said that down on me because I nize us. What the fuck is going on Weezer for the band be­ thing was cool after that we’re not going to rehearse don’t want to go, which I A W Whafs it like be­ in this show? They ride ar­ cause Rivers’ little AW What was it like until we’ve written 50 can totally understand, ing in the Buzz Bin? ound in this fucking van, brother used to call him going from playing clubs songs. It took a while, but but the needs of the one PW: I think it’s great and Velma has this huge “Weezer" when he was around LA. to being on we narrowed it down to outweigh the needs of the Every band wants to be in turtleneck, and Fred’s got trying to say “Rivers.” Geffen, one of the biggest the ten songs you hear on many. Whoa! I just quoted the Buzz Bin. You can say this orange scarf, and PW: Something like record labels in the the record. Spock! what you want about MTV Daphne has these tights that. world? AW How do you di­ AW Did you have a and corporate greed and on, and what the fuck is AW. Have you been PW: The best, man. Es­ vide up the songwriting good time making the whatever, but we didn’t going on? Are they on per­ touring nonstop since pecially if you have a hit duties? video for “Undone (The worry about that when we manent summer vacation? you released your album? song, the best thing you PW: I have credits for Sweater Song)”? signed our record deal, so PW: Pretty much. We can do is be on a major half of three songs, but PW: No, we had a terri­ why should we worry ab­ AW. You know, in per­ went out with Lush for a label who knows how to pretty much Rivers wrote ble time. We didn’t want to out it now. If you want to son, you look nothing month, then we did a work it I’m not viciously most of the songs. make a video. Ittumed out sell a bunch of records, like your album photo. month on our own. Now anti-independent or any­ AW: When are you OK, 'cause Spike [Jonze] that’s what you need to do. PW: Well, I shaved my we’re out with Live. thing, but we didn’t think planning to release your did it. We spent $60,000 AW . Whafs your favo­ hair again, but I saw the AW. Is touring still fun, we’d be around that long. next record? on it. rite song on the album? video, and I’m think­ or is it getting to be a We just thought we’d put PW: Honestly, I don’t A W D id you like him? PW: “Only in Dreams.” ing of growing it out again. a /y SERIOUS PSYCHO SWING Big Bad Voodoo Daddy sound is awesome. post-apocalyptic dream. Big Bad Voodoo Daddy And it translates well to Tlie key to the music Big Bad Records CD. From the opening comes from the ability of licks of Kurt Sodergren’s the instruments to mesh so If you follow the local drums on “Jumpin’ Jack,” well. Shumaker’s work on music scene, you’ve no to the sad ballad “Cruel the stand-up bass is excep­ doubt heard of this South Spell,” to the fun energy tional, stepping into the Coast—based band and emanating from the forefront only when their brand of “psycho group’s signature farewell needed, and otherwise swing,” which has rocked song, “So Long, Good consistently laying down a clubs like Soho and Toes Bye,” the album simply subtie, supporting sound. Tavern, and provided a rocks without letting up. The horn section, while unique twist to last Guitarist Scotty Morris, small, is solid and works spring’s UCSB who leads the insanity on well as a duet. And if the Extravaganza. stage with his jiving and unification of Rowley’s But in case you haven’t dancing, takes the lead lung-busting baritone sax heard or read about them, vocal slot on most of the with Sodergren’s work on let me relate to you the hip songs, with trumpeter the skins isn’t enough to details. The Voodoo Dad­ Ralph Votrian and bassist get your pulse pounding, dies play a tight style of Dirk Shumaker picking up then you must be dead. jazz, swing, jive and blues the slack on a couple of Hie only drawback, if it (the grandfathers of pre­ songs each. When not really is one, is that the al­ sent day rock) that stylisti­ playing baritone and tenor bum ends too soon, leav­ cally touches everyone sax, Andy Rowley also ing you wanting more. Af­ from Benny Goodman’s steps up to the mike, with ter seeing the BBVD in big band to the rhythmic backing vocals rotating performance, the album is poundings of drummer among the quartet. Hie only enough to whet your Gene Krupa, a style more majority of the songs on appetite until you see tiiem recently made popular by the album are original, again. Plainly missing are a the likes of Joe Jackson with Morris earning all or few live standards, such as and the Stray Cats. They part of the writing credit “I Want to Be Like You,” perform in pinstripe suits, on seven of the nine from the film The Jungle B ook, which would have you’ll just have to hit their D addy can be bought at wingtip shoes and black tracks. The only covers are next show. Plus, you just their local shows for $10. 1014, Santa Barbara, CA. fedoras and have a loyal a Big Bopper-esque “Fire,” cost huge royalty payments. As it is, if yo,u gotta see Scotty dance. For more information, 93102. crowd that follows them and “13 Women,” a very B ig B a d Voodoo write. BBVD,, -P.O. Box V.r,l,'rLr^9?& .French from show to show. Their oldr hbjhPC. song about a want • to ■ hear that one, Daily Nexus Thursday, October 27,1994 5 A

foe theme song to The bols, checkered boxes, Pink Panther Returns. skeletons, and Moon Re­ The Scofflaws are ska’s cords’ own logo, Skar­ best example of bands who mageddon has ska bands make OK recorded music, from nearly every part of di veries but great live entertain­ ^ SKA foe country, and a great ment The Scofflaws get so fold-out map to let you Thirty years ago in Ja­ sounds, as a result, and into what they’re doing at know where all 31 bands maica, the musical form of what began ten years ago live shows that I’ve actu­ are from. ska was bom. Bom out of under foe name Not Bob ally seen them play chords Among foe highlights real roots, like bebop from Mariey has become foe and vamp through a are: Mustard Plug, a very the East Coast, Dizzy and premier blues-ska band in 15-minute, 20-person strange name for a very Bird, and then blues from foe nation. fight that ended with ejec­ strange band in Grand Ra­ down south. Then you The Toasters come out tions, and some killer pids, Mich., who play a take a little Elvis and with new discs about once solos to boot great sort of grunge- maybe some waltzing En­ eveiy three years or so, and On their new album, influenced song, “Mr. glish junk, and then mix it this one is foe best since The Scofflaws, The Scof­ Smiley.” Skankin Not all up, divide by pi, and S k a b o o m . They drive flaws have followed foe Stirred’s “Number One on send it to Jamaica, and hard, and while the newest genre in making a song ab­ foe Hit List” parodies Mis­ back to England. Freshly version of “Razor Cut” out a dictator, Daniel Or­ sion Impossible’s theme Anglified, send it packing comes nowhere near what tega, to match Hepcatis song. to New York and , the Skaboom Toasters “Manuel Noriega” and Agent 99 and foe Slack­ Los Angeles and Detroit, played, and foe version of Skanlrin Pickle’s “Hussein ers are both terrific in con­ and you’ve got an interna­ “Night in Tunisia” by Skank.” Of course, Danny cert — usually in New tional form of music. Ska Dizzy Gillespie is a failure, Elfman’s “Pee Wee's Big York you can see three big is everywhere, and is in­ the remainder of foe tracks Adventure” is foe comic ska bands for about five fluenced by everything. sound very smooth. The relief on the album, with bucks — but sadly, they After a couple of re­ first two tracks are ex­ “Paul Getty” ending up as don’t contribute their best surgences, ska slowly grew tremely Toasterish, with a song about what it means tracks here. to be big time in New York Specials, whose old hit better than foe standard that hard horn sound to be a Rude Boy. Skapone, from south­ in the '80s. Bands like song “Ghost Town” was in guitar songs and slow jams backed up by foe fluid After listening to all this ern Illinois, and The Ex­ Fishbone and the Bos- the movie Natural Bom they do here. neo-surf guitar on “Direc­ great music, I barely had ceptions, from Michigan, stones have since strayed Killers. Some long-lived ska tion and Freedom.” time to hear foe best of foe are foe two best examples away from their early ska A tour through four re­ bands have only gotten The Toasters are re­ set, foe great two-CD com­ of midwestem ska here. roots, but one can still cent releases will help illu­ better with age, such as foe leased by Moon Records pilation Skarmageddon. Unfortunately, none of foe hear horns and the distinc­ minate the scene, what it is Skatalites, who still man­ out of New York, which Chock-full of big ska sym- Wisconsin bands (there tive beats in most of what today, and where it’s go­ age to front about a nine- seems to have cornered are four, amazingly) are they produce today. Hell, ing. The Clarendonians, piece band at their con­ foe market on new killer very good at all. Jake and Elwood Blues an old Jamaican group, certs, and who can still ska. As well as foe Toas­ From , we have sort of brought the “Rude have a new album out bring big audiences in ters, who have been Moon f T n foe Animals, who cover a Boy” look back into the called Can’t Keep a Good most places. But the constants for as far back as song done almost to ex­ forefront of musical fash­ M an Down. They’ve had a Clarendonians seem to be anyone can remember, CONTACT MOON haustion by other bands: ion. Wearing super- few hit songs that can be jumping on foe bandwa­ they also release the “Hypocrite.” After Bob undersized black suits and found on compilations of gon, and getting caught in Scofflaws. RECORDS AT: Mariey did it, people seem white shirts with skinny old Jamaica ska, and the foe spokes. The Scofflaws are a to think it’s God. South­ black ties, they’d stomp band remains foe same. Also just out is D ub 56 band I was privileged to ern ’s contribu­ and mash all night long, Sadly, foe Clarendonians by foe Toasters. These see in New York a while PO BOX 1412 tion is The Conspiracy’s even while escaping the Il­ are a bit disappointing, guys are ska’s Menudo, back. They have four saxo­ “Her Avenger,” a song linois State Patrol. their new tunes more having put out about four phones and one trom­ COOPER STATION which should make us all Although it is mostly rock-steady and reggaeish or five full-length albums, bone, which make for a proud. Since foe release of word-of-mouth these than ska. I expected them never with foe same li­ mighty powerful, in-your- NEW YORK, NY California Ska Quake, days, the legend rolls on. to be keeping up a steady neup. The one constant, face sound. Most of foe also on Moon, good Cali­ We have a good supply of beat, and driving a hom Buckett, has played on all tunes were written by te­ 10276 fornia ska has been hard to new bands, like the Toas­ section of some sort, of them, and continues to nor sax lead Richard find, and I’m glad to have ters, the Scofflaws, the which they didn’t Old hits lead foe Toasters onward Brooks, and foe others are heard of these guys. Bosstones (who recently like “Do It Right” and and upward. They keep covers of old ’60s tunes played at the Hub) and the “Rules of Life" are a tad coming out with new tike “A Shot in foe Dark,” I g I —Sam Garchik [UHllUIMIEfc 9 M o n t h s o n l y WVVP vV Women’s £ 7500 sq. ft. Facility! Health Club ^ S.B/s LARGEST ^ \U Santa Barbara W’ AEROBIC FLOOR ^ 2500 sq. ft. Aerobic studiol Founded 1986 ■»A ll air conditioned! ^ Student Bonus Offer 26 Step Classes Weekly 191 S. Patterson Goleta, 93117 'Based on paid In full membership when you Join on your first visit to 60 Platform Capacity 9 6 7 - 5 6 8 8 facility. All paid in fall sales are final. Expires 10/31 /94 High/Low Impact Aerobics ------1 = ------^------1 -tK iJU ffllglB 2500 Sq. Ft. Floor Basic & Cardio Fitness No Non-Aerobic Tone Up All Air Conditioned Studio 6 M o n t h s 8 Lifecycles & 10 Stairmasters Nautilus & Maxi Cam Monthly o n l y $7 9 Cybex Leg Press & Hip Flexor 191 S. Patterson Goleta, 93117 'Based on paid In full membership when you join on your first visit to Paramount Full Body Gym 9 6 7 -5 6 8 8 facility. All paid in full sales are final. Expires 10/31/94 Program Consultation Tanning/Lockers & Showers Dues!!! [üwimwiüfc Treadmills & Free Weights Qualified Babysitting Service 9 6 7 - 5 6 8 8 3 M o n t h s Expanded Parking HWY 101 o n l y $5 9 ‘ JÍ 191 S. Patterson Patterson Center 1 9 6 7 - 5 6 8 8 Goleta, 93117 'Based on pald in fui! membershtp when you joln onyour first vlslt to Fitness Gallary B i a»as 9 6 7 * 5 6 8 8 faclllty. AU pald in fuD sales are final. Expires 10/31/94 191 S. Patterson Ave. Hollister. M H M M ian Goleta 93117 6 Ä Thursday, October 27,1994 Daily Nexus

Cielo Foundation presents the 8th annual Mostly Mozart Concert WRITER LISTENS TO featuring music from the motion picture CHINA CASTLE RESTAURANT GUITARS AND LIVES! “AMADEUS” Sex for the soul, I called fining foe meaning of unity two big toes up. •Cocktails* it, as my emotions were as they play in perfect har­ The Assad brothers Goleta Valley FREE DEUVERY sent into an orgasmic mony with one another— will be performing at Chamber Orchestra WITHIN 5 MILES frenzy while listening to chord for chord, stress for Campbell Hall on Tues­ with members of the the CD of Seigio and stress, and emotion for day, Nov. 1 at &00 p.m., Rated the Best Odair Assad, the most ac­ emotion. with a program which en­ Los Angeles Mozart Orchestra Chinese Restaurant claimed and recognized Their strings tell tales of compasses a broad spec­ and award-winning classical guitar duo in foe love, hate, mty and lust trum of works from bar­ in S.B .! world. which I could only com­ oque to contemporary. Violinist Chloe Coventry ’85, ’86, ’87, ’88, ’89, Their complex and en­ prehend in foe subcon­ They will also be con­ Mozart's Violin Concerto, No. 3 ’90, *91, ’92, '93, ’94 trancing manipulation of scious state of blurred ducting a free guitar mas­ chords flowed through ev­ emotions into which I’d ter class with UCSB gui­ Christopher Story Vi, conducting 962-6602 965-9219 ery inch of my being, ele­ been thrown. As savory tar students from 11:00 1202 Chapala St. vating my mind; I fell into a notes danced within my a.m. to 1:30p.m. on Nov. Sunday, October 30 at 3 PM state of bewildered mind and sprinkled my 1 in Geiringer Hall Tick­ enchantment soul with opalescent ra­ Goleta Valley Community Center, 5670 Hollister Ave., Goleta ets for the performance With pieces from sweet diance, I soon realized cost $9 to $12 depending Tickets: $5-$15 Nexus and smooth to wild and in­ that this was a perfor­ on the seats, and can be Available at: The Gramophone Shop, Michael’s Music, vigorating, the Assad mance that I wasn’t going purchased by calling Arlington Ticket Agency and at the Door Classifieds brothers move foe listener to miss. UCSB Arts and Lectures with their inhuman finger­ In other, less elaborate at 893-3535. For information: 962-6609 Work! picking techniques ana or­ words, I give foe Assad iginal compositions, de- brothers two thumbs and —Dano Grill!

at S T I C K S ¡ ¡ ¡ ¡ 1 1 1117 Start» Sc ♦ Downtown Sama Barbara SENIORS DON'T BE LEFT OUT OF THE YEARBOOK! MUSK OF CENTRAI When I was in Mexico lowed him to meld foe Trumpet accompaniment THIS IS THE LAST City, I started my day, spirit of foe mariachi tradi­ was added in foe 1930s to walked to school, and tion with foe grace and provide better clarity and lived my life to foe rhythm poise of classical Euro­ timbre for radio broad­ WEEK TO TAKE and pulse of foe mariachi. pean music. casts and has remained an Tonight, foe sounds will Hailing from Los important part of mariachi be here, as Mariachi Los Angeles, Los Camperos is ever since. Camperos de Nati Cano breathing new life into foe The mariachi sound SENIOR PORTRAITS perform in Campbell Hall. music by addressing mar­ continues to evolve, and Mariachi is a product of iaches European ties. Mariachi Los Camperos central Mexico: Jalisco, Along with their visibility de Nati Cano remains a Colima, Michoacan, Nay- in foe musical mainstream leader in its development. arit and Sinaloa. It has its as accompaniment for So prepare for a brief You DO NOT need roots planted among foe Linda Ronstadt’s album chance to submerge your­ a sitting card! Just legends of foe indigenous Canciones de Ml Padre, self in foe culture of cen­ peoples and foe ballads of Los Camperos has earned tral Mexico. If you aren’t show up under the los vaqueros. new acceptance and en­ acquainted with foe mar­ Natividad Cano, the thusiasm for foe mariachi iachi tradition, expect a tent beneath Storke Los Camperos’ music di­ tradition. Their Los pleasant surprise; you’ll Plaza between the rector, grew up immersed Angeles locale makes probably leave Campbell in foe mariachi tradition. them available for audi­ Hall with foe desire to hours of 8:30-1 and His grandfather played foe ences and fans in both dance. guitarrón (foe bass instru­ nations. Mariachi Los Cam­ 2-5 M-F and we'll ment for mariachi music) The modem mariachi peros de Nati Cano will take your picture. and his father played every ensemble consists of vio­ be at Campbell Hall to­ other mariachi instrument lins, vihuelas, or small night a t 8 :0 0 p.m . For It's absolutely FREE! except for foe trumpet. guitars, foe guitarra de more information, call Cano’s childhood train­ glope, or flat-back guitar, Arts and Lectures at ing, combined with his foe guitarrón, and two 893-3535. time as a chamber or­ trumpets, although more chestra member, has al­ are used on occasion. —Sarah Crane

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...The only nationwide talk show not hosted by a right wing wacko or convicted felon."______JALKRADIO KQSB-AM SANTA BARBARA’S HOME OF I TOM LEYKIS WEEKDAYS 3-8 PM Daily Nexus Thursday, October 27,1994 7 A

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Front line Assembly and keep everything fran­ M illen n iu m tic throughout the song. R o a d ru n n e r The vocals are distorted to •ANY LARGE PIZZA • ANY COMBO OF SALAD & a precise abrasiveness, (2 Items or more) SANDWICHES over $14.95 After a two-year hiatus which fits perfectly with Ask about our free trip! from the music scene, the such lines as “Amid all this “electronic executioners” confusion we lose sight of who constitute Front Line toe enemy; like evil gods of Assembly have returned destruction, they move The Multicultural Center Presents with a vengeance. The lat­ through liquid est release, Millennium, transparencies.” Twentieth Century brings the band onto the M illennium showcases Latin American Artists Roadrunner label and the common sentiments of marks a definite change in disillusionment, despair, Chiles, Tam alesr or A jiato? their sound through the frustration, and anger with addition of guitars to their the world and with poli­ A lecture by Cecilia Puerto sonic arsenal. While re­ tics, feelings which FLA has recognized since its in­ Is Latin American art easily definable, taining the mechanical with characteristics which typify it as precision of previous ma­ ception. They express these feelings with sam­ all o f the same variety? Or, is it rather terial, the addition of an exciting mixture o f styles, tech­ grinding guitars adds a di­ ples from movies and from bands such as , ad­ niques, and oudooks, a minor of the mension never before ex­ diverse cultures and histories which perienced in H A 's music. ding to tiie chaotic texture The extent of FLA’s exper­ cent into the darker as­ and giving the album an imentation is particularly pects of our technologi­ inform it? The title track illustrates apocalyptic feel. obvious on the track “Vic­ cally advanced world, far the revamped sound ex­ tim of a Criminal,” an from the happy, commer­ Thursday, October 27 • 4pm • FREE quisitely. The raspy gritti­ They do it in a musical industrial-rap hybrid. cialized façade of day-to- at the UCSB Multicultural Center ness which the guitar adds framework that crosses If you’ve never heard of day life. Front Line As­ For more inform ation call the UCSB M ulticultural Center a t 893-8411 to the band’s usual digital genres, with veins of in­ Front line Assembly, and sembly has shown that it machinations makes the dustrial music, , song titles like “Vigilante” still has what it takes to Brins This Far Side to Woodstock’s For. song’s landscape even rap, and hardcore. They and “Search and Destroy” stand out in the growing darker and more forebod­ seem to have been strongly don’t give you a clue as to brigade of “industrial” ing than the old FLA. affected by the remixing what to expect from M il­ artists. Hard-hitting drums con­ they did for the death- lennium , think of it as a vey a high level of enetgy, metal band . precise, contorting des- —Peter Pistek LARGE 16” I 2-foppintf Pizza

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for: "Best Writer" r io / is v "Best Continuing Series' "Best Graphic Album" to Benefit Pick up the latest Sandman and other ISLAVISTA M YOUTH PROJECTS m titles at COMICS ON PARADE VOTED BEST COMIC BOOK Thursday, October 27,6:30—9:30pm STORE IN SANTA BARBARA $07 Emharcadero del Norte, Isla Vista $1 suggested donation

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Saturday, October 29 Tales from the Crypt 10 p.m., Events Center (Thunderdome) Rocky Horror Picture Show Midnight, Events Center (Thunderdome) Halloween Evening Monday, October 31 ’s The Nightmare Before Christmas PARKING ON CAMPUS: You w ill need a Halloween Permit 5pm, Friday Oct. 28 - 7 p.m .(the children of Isla Vista are specially invited...) 6:30am, Monday, Oct. 31. The permits are available at & 10 p.m., Campbell Hall Parking Services fo r $5 (see Parking A d in Wed. & Thurs. Nexus) otherwise it w ill cost $20 to park on campus Halloween weekend!! NO BOTTLES • CANS • ALCOHOL FREE ADMISSION TO ALL FILMS WITH UCSB STUDENT ID CARD PRESENTED AT DOOR (WITH THE EXCEPTION OF THE EARLY SHOWING FOR CHILDREN) 'Sponsored by-Daily Nexus, RED Alert,.Major Events Committee; and Office oith e Chancellor,.