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Umphrey's Mcgee
Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. -
A Sheffield Hallam University Thesis
How do I look? Viewing, embodiment, performance, showgirls, and art practice. CARR, Alison J. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19426/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/19426/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. How Do I Look? Viewing, Embodiment, Performance, Showgirls, & Art Practice Alison Jane Carr A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy ProQuest Number: 10694307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694307 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Declaration I, Alison J Carr, declare that the enclosed submission for the degree of Doctor of Philosophy, and consisting of a written thesis and a DVD booklet, meets the regulations stated in the handbook for the mode of submission selected and approved by the Research Degrees Sub-Committee of Sheffield Hallam University. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
183 Anti-Valentine's Day Songs (2015)
183 Anti-Valentine's Day Songs (2015) 4:24 Time Artist Album Theme Knowing Me Knowing You 4:02 Abba Gold Break up Lay All Your Love On Me 5:00 Abba Gold cautionary tale S.O.S. 3:23 Abba Gold heartbreak Winner Takes it All 4:55 Abba Gold Break up Someone Like You 4:45 Adele 21 Lost Love Turning Tables 4:08 Adele 21 broken heart Rolling in the Deep 3:54 Adlele 21 broken heart All Out Of Love 4:01 Air Supply Ulitimate Air Supply Lonely You Oughta Know 4:09 Alanis Morissette Jagged Little Pill broken heart Another heart calls 4:07 All American Rejects When the World Comes Down jerk Fallin' Apart 3:26 All American Rejects When the World Comes Down broken heart Gives You Hell 3:33 All American Rejects When the World Comes Down moving on Toxic Valentine 2:52 All Time Low Jennifer's Body broken heart I'm Outta Love 4:02 Anastacia Single giving up Complicated 4:05 Avril Lavigne Let Go heartbreak Good Lovin' Gone Bad 3:36 Bad Company Straight Shooter cautionary tale Able to Love (Sfaction Mix) 3:27 Benny Benassi & The Biz No Matter What You Do / Able to Love moving on Single Ladies (Put a Ring On It) 3:13 Beyonce I Am Sasha Fierce empowered The Best Thing I Never Had 4:14 Beyonce 4 moving on Love Burns 2:25 Black Rebel Motorcycle Club B.R.M.C. cautionary tale I'm Sorry, Baby But You Can't Stand In My Light Anymore 3:11 Bob Mould Life & Times moving on I Don't Wish You Were Dead Anymore 2:45 Bowling for Soup Sorry for Partyin' broken heart Love Drunk 3:47 Boys Like Girls Love Drunk cautionary tale Stronger 3:24 Britney Spears Opps!.. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Inecxxii, ISSUE XVIII SERVING the COLLEGE of WOOSTER SINCE 1883 Tuesday, February 21, 20O6
The College of Wooster Open Works The oV ice: 2001-2011 "The oV ice" Student Newspaper Collection 2-21-2006 The oW oster Voice (Wooster, OH), 2006-02-21 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice2001-2011 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 2006-02-21" (2006). The Voice: 2001-2011. 405. https://openworks.wooster.edu/voice2001-2011/405 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 2001-2011 by an authorized administrator of Open Works. For more information, please contact [email protected]. VOL.IneCXXII, ISSUE XVIII SERVING THE COLLEGE OF WOOSTER SINCE 1883 Tuesday, February 21, 20O6 "You can't blame anybody else ... I'm the guy who pulled the trigger and shot my friend. Vice President Dick Cheney in a public comment to Fox News Channel Wooster ; Fees-rise- sUiti Gifts butraoed this Liz Miller Robert Walton said the fee will contin- competitive salaries for faculty and that they paid much, much less ue to rise in 2007-0- 8 "and, most likely as staff members." because the College provided ample Editor-in-Chi- ef with other schools, each year after that." "I think it's ridiculous," said Gillian financial aid to make the cost more com- President R. Stanton Hales sent a let- The comprehensive fee is another Trownson '07. Trownson's aid does not parable to that of other public colleges." Monday, Feb. -
AND LEEDS GENEML ABYEHTISEE. J
TO THE WOREIKG CLAS3E3. ;J fori!)fomfn5 Cijafttet $&tt\in&. I Ht *>*** Feeisds ,—l?o circumsta nce connected infii iie existence of Chartism has cau sed greate r ticmlo the enemy than oar recent spring eonster na Rochdils.—Mr. Edward jftgj the crash of 1842. Even the Times news- Ciafk e# of Manches ter will deliver two lectures on Sunda y , thai panders to the worst passions of the fle*t ( in paper af ternoon , a t half *past two o'clock, and in the even- ttd isj secSwis of the middling classe s, considers it to publish the spleen ing at six, in the Association Room , top of York * ueoessarf , of the LeedtTimes shtr e-street. second hand, hsnne exhausted all its owa Toca- abuse. You, however , HAUFAX.---Discour6e8 will be delivered at thtf ^^ jjj y of will und erstand , following p pro portionas we are reviled , we aw dr eaded : laces, on Sunda y (to-morrow) :—Mr ; B jj t»t in Rushton will deliver two discourses grade d by the upholders of oppression of one class in the Halifa x AND Association Room, Pellon-lane , at two o' clock in &e other , and of all of whose abas es the LEEDS GENEML ABYEHTISEE. j n& the afternoon , and six in the evening ; Times, and its name sake ©f Leeds, are con- Mr . John j0wfc» ~ Snowden , at Sowerby , at tix in the evening ; Mr. s ent supporters. So long as ihe active agitation pmcb rov^ Mir rab , furnished matter for dail y YO1- VI- NO. 306. SATURDAY, 23, ^c^ h^penkT^ at Ovenden ,at six in the evening ; Mir. -
Alt-Nation: Joe Moody, Electric Six and Handsome Pete
Alt-Nation: Joe Moody, Electric Six and Handsome Pete When local studio owner Joe Moody passed away earlier this year it left a gaping wound in the heart of the local music community. Through his Danger Studio, Joe recorded hundreds of aspiring musicians across multiple genres. He gave many artists the opportunity to give voice to their dreams by documenting their work on a recording. In Joe’s honor, a motley collection of Providence metal titans will be reuniting to play together for the first time since 1997. Some of these bands — like Shed — have never done a reunion show! Kilgore Smudge vocalist Jay Berndt was kind enough to take some time to answer a few questions on the show, Kilgore and what he is up to now. Marc Clarkin: Can you talk about Joe Moody’s influence on your music career? Jay Berndt: With all the recording studios I’ve been in, Joe was easily the nicest, sweetest guy to work with. He had this immediate way of putting you at ease. And let’s face it: Musicians can be delicate creatures, especially under the microscope in the studio. When we first recorded our Spill demo with Joe in August 1993, we had never been in a recording studio. The whole recording process can be incredibly intimidating and Joe really helped build all of our confidence as songwriters and musicians. He just made the whole process interesting and fun. We recorded, overdubbed and mixed the 10 songs on Spill in 14 hours, which is just unheard of. It also fostered our love of recording because of that amazing first experience with Joe. -
Download Neutral Milk Hotel, in the Aeroplane Over the Sea Free Ebook
NEUTRAL MILK HOTEL, IN THE AEROPLANE OVER THE SEA DOWNLOAD FREE BOOK Kim Cooper | 144 pages | 19 Jan 2006 | Bloomsbury Publishing PLC | 9780826416902 | English | London, United Kingdom What Neutral Milk Hotel's 'In the Aeroplane Over the Sea' Is Really About The Village Voice. The front cover contains a drawing of two old-fashioned bathers out at sea. Archived from the original on June 25, Obsessed as it is with the textures of the flesh and the physical self as Neutral Milk Hotel emotional antenna, listening to Aeroplane sometimes seems to involve more than just your ears. Aeroplane is a place of nameless sensations and frightening desires, where historical imagery is scrambled, and lines between past, present, and future are porous. Two-Headed Boy, Pt. Inspired by a reading of the Anne Frank story, and with the help from the Elephant Six recording collective Apples in Stereo and Olivia Tremor ControlNeutral Milk Hotel the Aeroplane Over the Sea is a personal meditation on the rich joys of life and the tragedy of death. According to Carter: "It was more like talking them through what was about to happen, because so much was happening onstage that without someone helping, it was a wail or squeal and the soundman Neutral Milk Hotel look at In the Aeroplane Over the Sea instruments onstage and not know what to dive for. The A. In the U. Ishmael Cormack. Peter Guralnick's homage to writing about music, 'Looking to Get Lost', shows how good music writing gets the music into the readers' head. He explained that shortly after releasing On Avery In the Aeroplane Over the Sea he read the book for the first time, and found himself completely overwhelmed with sadness and grief. -
Stephen Jones Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Stephen Jones And the Accent of Fashion Hanish Bowles ISBN 9781851496525 Publisher ACC Art Books Binding Hardback Territory World Size 300 mm x 240 mm Pages 240 Pages Illustrations 297 color Price £45.00 First monograph on the work of the celebrated milliner Stephen Jones With a preface by John Galliano and texts by authorities such as Hamish Bowles, Andrew Bolton, Suzy Menkes and Anna Piaggi, with new photography by Nick Knight and David Bailey "Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight. -
February, 1945
\- # • PENNSYLVANIA ' em v "•••M^-'" \JfmK*'.' • « • •• m €'-(l^ ^ I >" DgGB^ „?• - < 'ANGLER' OFFICIAL STATE PUBLICATION PUBLISHED MONTHLY EDWARD MARTIN Governor by the PENNSYLVANIA BOARD OF FISH COMMONWEALTH OF PENNSYLVANIA COMMISSIONERS BOARD OF FISH COMMISSIONERS Publication Office: The Telegraph Press, Cameron and Keller Streets, Harrisburg, Pa. Executive and Editorial Offices: Commonwealth of Penn sylvania, Pennsylvania Board of Fish Commissioners, Har risburg, Pa. CHARLES A. FRENCH Commissioner of Fisheries 10 cents a copy—50 cents a year MEMBERS OF BOARD CHARLES A. FRENCH, Chairman EDITED BY— Ellwood City J. ALLEN BARRETT, Lecturer JOHN L. NEIGER Pennsylvania Fish Commission Scranton South Office Building, Harrisburg JOSEPH M. CRITCHFIELD Confluence * CLIFFORD J. WELSH NOTE Erie Subscriptions to the PENNSYLVANIA ANGLER should J. FRED McKEAN be addressed to the Editor. Submit fee either by check New Kensington or money order payable to the Commonwealth of Penn sylvania. Stamps not acceptable. Individuals sending cash MILTON L. PEEK do so at their own risk. Radnor CHARLES A. MENSCH Bellefonte PENNSYLVANIA ANGLER welcomes contributions and photos of catches from its readers. Proper credit will be EDGAR W. NICHOLSON qiven to contributors. Philadelphia H. R. STACKHOUSE Secretary to Board All contributions returned if accompanied by first class postage. Entered as Second Class matter at the Post Office of C. R. BULLER Harrisburg, Pa., under act of March 3, 1873. Chief Fish Culturist, Bellefonte IMPORTANT—The Editor should be notified immediately of change in subscriber's address. Please give old ar.d new addresses. Permission to reprint will be granted provided proper credit notice is given. 1 S VOL. 9, No. 2 ANGLER7 February, 1945 Cover Sucker Fisherman! Photo by Marty Myers, Williams Grove, Pa. -
The Dark Side User Manual
USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries.