Client and Artist List

Total Page:16

File Type:pdf, Size:1020Kb

Client and Artist List STUDIO AT THE PALMS Client List 2 Cellos David Copperfield Jeff Timmons 50 Cent Death Cab for Cutie Jersey Boys (Broadway) Aaron Lewis Diplo Joe Bonamassa Akina Nakamori Disturbed Joe Jonas Akon Divinyls Joey Fatone Al B Sure Dizzy Wright Joey McIntyre Alabama DJ Mustard John Fogarty Alan Parsons Doc McStuffins John Legend Ali Lohan Donny & Marie Johnny Gill Alice in Chains Dr. Dre JoJo Alicia Keys Dr. Luke Jordin Sparks Andrea Bocelli Duck Commander Josh Gracin Annie Leibovitz Eddie Levert Jose “Pepe” Quintano Ashley Tinsdale Ellie Goulding Journey Barry Manilow Elton John Jr. Sanchez Beauty of Magic (Broadway) Eminem (Grammy) Juan Montero Beyonce Ennio Morricone Juicy J Bianca Ryan Eric Benet Justin Timberlake Big Sean Evanescence K Camp Billy Bob Thornton Eve Katy Perry Birdman Family Feud (TV) Keith Galliher Bird and the Bee Family Guy (TV) Kelly Rowland Black Eyed Peas Far East Movement Kendrick Lamar Black Stone Cherry Frankie Moreno Keri Hilson Blue Man Group (Broadway) Franky Perez Keyshia Cole Bobby Valentino Future Kool & the Gang Bone, Thugs & Harmony Gavin Rossdale Kris Kristofferson Boyz II Men Ghostface Killa Kyle Cousins Brandon Flowers Gloriana Hinder Britney Spears Great Big World Lady Gaga Busta Rhymes Goo Goo Dolls Lang Lang Carnage Graham Nash Larry Goldings Charise Guns n’ Roses Lee Carr Cassie Gucci Mane Lee Hazelwood Cedric the Entertainer Gym Class Heroes Lil Jon Cee-lo Haley Reinhart Lil Wayne Celine Dion Hinder Limp Bizkit Charlie Wilson Human Nature LL Cool J Chevelle Ice-T LMFAO Chris Daughtry Icona Pop Los Tucanes Ciara Imagine Dragons Ludacris Cindy Blackman J Blue Luis Fonsi Cirque du Soleil J Cole Luz Rios Cisco J Holiday Maceo Parker Common Jack Blades Madonna Conan O’Brien James Fauntleroy Manny Pacquiao Creep Magnet James Taylor Marie Osmond Crosby, Stills & Nash Jamie Foxx Marcus Schultz Danger Mouse Jason Derulo Mark Ronson Daughtry Jazmine Sullivan Mariah Carey Dave Matthews Band Jay-Z Maroon 5 (Grammy) Mary J Blige (Grammy) Silverchair Mary Mary Sky Blu Meat Loaf Spam-a-lot Matt Goss Steve Lawrence MGMT Smash Mouth Michael Jackson Snoop Dogg Mickey Hart Straight No Chaser Monica (#1 Record) Sugarland Morrissey Swizz Beats Motley Crue T.I. MTV Video Music Awards T-Pain My Morning Jacket Taboo Nancy Sinatra Tamar Braxton Nas Tank Ne-Yo Terry Fator Nelly The Dream New Kids On the Block The Fray Nick Hawk The Imperials Nicole Scherzinger The Killers Nikki Williams The Monks of Mellenwah Niko Vega The Offspring No Doubt The Stereotypes No ID The Time Norm of the North The Weeknd Olivia Newton-John Tiesto Omarion Timbaland One Republic Tinashe P. Diddy Toby Keith Pablo Albaran Tommy Shaw Panic at the Disco Tony Bennett (Grammy) Paris Hilton Tony Maserati Paul Oakenfold Tyga Pharrell Williams Shrek III (Film) Plain White T’s Sterling Simms Peepshow UGK Phantom of the Opera Usher (Grammy) Pink Wale Play for Keeps Wayne Newton Pop Star Puppy Whitney Houston Prince Royce Will.i.am Psy William Orbit Queen Wolfmother Randy Jackson Wu Tang Clan Recycled Percussion YG Regina Spektor Yellowcard Rev Theory Yo Gotti Rihanna Zab Judah Rita Ora Zarkana Rock of Ages Zayn Malik Rock the Web (TV) Rock n Roll Fantasy Camp Ryan Tedder Sam Riddle Sandra Boynton Santana Showstoppers .
Recommended publications
  • Umphrey's Mcgee
    Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp.
    [Show full text]
  • COURSE CATALOG 2016-2017 Academic Calendar
    COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes.
    [Show full text]
  • Music 18145 Songs, 119.5 Days, 75.69 GB
    Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L..
    [Show full text]
  • Red Hot & Boom Quiz
    Red Hot & Boom Quiz 1. What was the name of the Independence Day celebration that preceded Red Hot & Boom in the 1980s? a. Lights On the Lake b. Fourth of July Jam c. Kaboom Town d. Skyblast 2. Who has been the radio partner with the City of Altamonte Springs for Red Hot & Boom? a. iHeart Radio b. XL 106.7 FM c. Clear Channel d. All of the Above 3. Only one Red Hot & Boom artist has the distinction of creating a dance craze. Los Del Rio performed what mega hit in 1996? a. C’mon Ride the Train b. Gangnam Style c. Macarena d. Cupid Shuffle 4. Many artists began their careers as child stars. Which boy band members were part of the cast of Disney’s The All-New Mickey Mouse Club? a. Jordan Knight & Joey McIntyre (New Kids on the Block) b. Justin Timberlake & JC Chasez (*NSYNC) c. Zach Herron & Jack Avery (Why Don’t We) d. Brady Tutton & Drew Ramos (In Real Life) 5. Several artists have appeared on the floating stage more than once. Which artist’s performances were 16 years apart? a. MAX b. Stacie Orrico c. Jessie James d. Shaggy 6. Florida was experiencing a severe drought and subsequent wild fires, so fireworks were not a part of the event in what year? a. 1998 b. 2000 c. 2005 d. 2013 7. A number of Red Hot & Boom artists have competed on national music competition shows. Which of these performers did NOT appear on American Idol? a. Kimberly Locke b. Alex & Sierra c.
    [Show full text]
  • 2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
    OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish.
    [Show full text]
  • 100 Years: a Century of Song 1970S
    100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17
    RIAA GOLD & PLATINUM HAMILTON//BROADWAY CAST AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17 BRUNO MARS//24K MAGIC PLATINUM ALBUM In February 2017, RIAA certified 70 Digital Single Awards and 22 Album Awards. All RIAA DIERKS BENTLEY//BLACK GOLD ALBUM Awards dating back to 1958, plus #RIAATopCertified tallies for your favorite artists, are available at DAVID BOWIE//BLACKSTAR GOLD ALBUM riaa.com/gold-platinum! KENNY CHESNEY//THE BIG REVIVAL SONGS GOLD ALBUM www.riaa.com //// //// GOLD & PLATINUM AWARDS FEBRUARY // 2/1/17 - 2/28/17 MULTI PLATINUM SINGLE // 13 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// X 21 Savage & Metro R&B/ 2/22/2017 Slaughter Gang, LLC 7/15/2016 (Feat. Future) Boomin Hip Hop R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic 2/22/2017 This Is How We Roll Florida Georgia Line Country BMLG Records 12/4/2012 Jidenna Feat. Ro- R&B/ 2/2/2017 Classic Man Epic 2/3/2015 man Gianarthur Hip Hop Last Friday Night 2/10/2017 Katy Perry Pop Capitol Records 8/24/2010 (T.G.I.F) 2/3/2017 I Don’t Dance Lee Brice Country Curb Records 2/25/2014 Lil Wayne, Wiz Khal- ifa & Imagine Drag- R&B/ 2/1/2017 Sucker For Pain ons With Logic And Atlantic Records 6/24/2016 Hip Hop Ty Dolla $Ign (Feat. X Ambassadors) My Chemical 2/15/2017 Teenagers Alternative Reprise 10/20/2006 Romance 2/21/2017 Bad Blood Taylor Swift Pop Big Machine Records 10/27/2014 2/21/2017 Die A Happy Man Thomas Rhett Country Valory Music Group 9/18/2015 2/17/2017 Heathens Twenty One Pilots Alternative Atlantic Records 6/17/2016 Or Nah R&B/ 2/1/2017 (Feat.
    [Show full text]
  • ALLA Press Release May 26 2015 FINAL
    ! ! ! A$AP ROCKY’S NEW ALBUM AT.LONG.LAST.A$AP AVAILABLE NOW ON A$AP WORLDWIDE/POLO GROUNDS MUSIC/RCA RECORDS TRENDING NO. 1 ON ITUNES IN THE US, UK, CANADA, AUSTRALIA, FRANCE, GERMANY AND MORE SOPHOMORE ALBUM FEATURES APPEARANCES BY KANYE WEST, LIL WAYNE, ScHOOLBOY Q, MIGUEL, ROD STEWART, MARK RONSON, MOS DEF, JUICY J, JOE FOX AND OTHERS [New York, NY – May 26, 2015] A$AP Rocky released his highly anticipated new album, At.Long.Last.A$AP, today (5/26) due to the album leaking a week prior to its scheduled June 2nd release date. The album is currently No. 1 at iTunes in the US, UK, Canada, Australia, France, Germany, Denmark, Finland, New Zealand, Poland, Switzerland, Russia and more. The follow-up to the charismatic Harlem MC’s 2013 release, Long.Live.A$AP, A$AP Rocky’s sophomore album, features a stellar line up of guest appearances by Rod Stewart, Miguel and Mark Ronson on “Everyday,” ScHoolboy Q on “Electric Body,” Lil Wayne on a new version of the previously released “M’$,” Kanye West and Joe Fox on “Jukebox Joints,” plus Mos Def, Juicy J, UGK and more on other standout tracks. Producers Danger Mouse, Jim Jonsin, Juicy J and Mark Ronson among others, contributes to the album’s trippy new sound. Executive Producers include Danger Mouse, A$AP Yams and A$AP Rocky with Co-Executive Producers Hector Delgado, Juicy J, Chace Johnson, Bryan Leach and AWGE. In 2013, A$AP Rocky announced his global arrival in a major way with his chart- topping debut album LONG.LIVE.A$AP.
    [Show full text]
  • RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
    Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital
    [Show full text]
  • MGMT: Little Dark Age
    MGMT: Little Dark Age spectrumculture.com/2018/02/11/mgmt-little-dark-age-review/ Daniel Bromfield One imagines a pang of dread shooting through the members of MGMT as their debut album, Oracular Spectacular, turned 10 last month. For better or for worse, Oracular Spectacular is now a classic, and its three titanic hit singles—“Kids,” “Time to Pretend” and “Electric Feel”—show no signs of going away. Most bands would be pleased to have a legacy set in stone, but MGMT have spent the better part of the last decade trying to distance themselves from pop stardom and prove to the world—or to themselves— that they’re a serious experimental band. They’ve succeeded, sort of. Though most of the world will always know MGMT for their hits, we no longer have any safe expectations for the “next MGMT album,” and it makes perfect sense that they’re ditching the psych-poppet affectations to reposition themselves as compadres of Ariel Pink and John Maus. Little Dark Age, the duo’s long-gestating fourth album, casts them as graveyard goths whose madcap sense of humor barely keeps the bad vibes at bay. That it works is a testament to just how unpredictable this band has become in its experimental period. This feels like the logical endpoint of the band’s hermeticism. While Andrew VanWyngarden and Ben Goldwasser once presented themselves as cult leaders, with “the handshake under our tongue,” here they’re more like mad prophets broadcasting their ravings to the world from a dingy basement. The music is mid-fi, shrouded in filters that feel like the musical embodiment of the band’s misanthropy, and the dominant instrument isn’t synth or guitar but Matt Asti’s bass, which burbles nauseously out of the gloom.
    [Show full text]
  • The Grey Album and Musical Composition in Configurable Culture
    What Did Danger Mouse Do? The Grey Album and Musical Composition in Configurable Culture This article uses The Grey Album, Danger Mouse’s 2004 mashup of Jay-Z’s Black Album with the Beatles’“White Album,” to explore the ontological status of mashups, with a focus on determining what sort of creative work a mashup is. After situating the album in relation to other types of musical borrowing, I provide brief analyses of three of its tracks and build upon recent research in configurable-music practices to argue that the album is best conceptualized as a type of musical performance. Keywords: The Grey Album, The Black Album, the “White Album,” Danger Mouse, Jay-Z, the Beatles, mashup, configurable music. Downloaded from captions. What’s most embarrassing about this is how http://mts.oxfordjournals.org/ immensely improved both cartoons turned out to be.”2 n 1989 Gary Larson published The PreHistory of The Far Larson’s tantalizing use of quotation marks around “acci- Side, a retrospective of his groundbreaking cartoon. In a dentally” implies that the editor responsible for switching the I section of the book titled Mistakes—Mine and Theirs, captions may have done so deliberately. If we assume this to be Larson discussed a couple of curious instances when the Dayton the case and agree that both cartoons are improved, a number of Daily News switched the captions for The Far Side with the one questions emerge. What did the editor do? He/she did not for Dennis the Menace, its neighbor on the comics page. The come up with a concept, did not draw a cartoon, and did not first of these two instances had, by far, the funnier result: on the compose a caption.
    [Show full text]