Why the Red Hot Chili Peppers?
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Hanszen Freshman Hospitalized in Alcohol Incident Freshman Reported Hazy Memory
VOLUME 79, NO. 7 ERIK LEIDAL IN A BOX OCTOBER 4,1991 Events set Hanszen freshman hospitalized in alcohol incident freshman reported hazy memory. guardian's consent to treat the mi- Rice. for music by Rodney Gibbs According to roommates, the fresh- nor. The father was eventually In the past, the University has man returned to the party and con- reached and arrived at the hospital at not intervened in parties held be- A Hanszen College freshman sumed ten additional shots. the same time as Waldman. hind close doors to enforce alcohol school's was taken to Park Plaza hospital As the freshman's condition After approximately two hours in policy regulations. Whether clas- Tuesday, September 24, after worsened, the roommates unsuc- thehospital,thefreshmanwenthome sified as a public or private party, drinking sixteen shots of straight cessfully attempted to induce vomit- with the father. alcohol policy violations are evi- big debut tequila at Hanszen's traditional Te- ing. A party co-host, a trained drunk- dent quila Night' room party. The sitter, and friends subsequently came Reactions to the Party "There's little doubt this is a by Michelle Price freshman, released to family later to the freshman's room after hearing violation in [the alcohol policy]," that night, registered a blood alco- about the intoxication level After de- Waldman and the father both ex- said Stebbings. hol level of 0.25 and a blood-oxygen liberation and at the advice of the pressed disbelief at the occurrence Waldman said that Tequila Rice University President George percentage of 82% Legal intoxica- drunk sitter, the friends and room- of such an event Night' crossed the line from a pri- Rupp, Shepherd School Dean tion is 0.1 blood alcohol level and mates notified the campus police and Waldman stated, "It's pathetic that vate to apublic party at the moment Michael Hammond, and a represen- brain damage may begin at a blood- left for the emergency room. -
PTSVNWU JS-5 Jam Station Style Listing
PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06 -
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams. -
John Frusciante (Red Hot Chili Peppers) Californication Tour Rig
www.customtone.com John Frusciante (Red Hot Chili Peppers) Californication Tour Rig Original Guitar Used: Pre-CBS Fender® Strat® Variax Setting: Spank - Various Tuning: Various Brit J ®! Boss®! Electro-! MXR®! Ibanez®! Boss ® DS-2! Harmonix ! Phase 90! WH-10! CE-1 ! Marshall® model 1967! Marshall® model 2555! Big Muff®! Marshall® 412 cab! Marshall® 412 cab! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Fender and Strat are registered trademarks of Fender Musical Instruments Corp. Boss is a registered trademarks of Roland Corp. Electro-Harmonix and Big Muff are registered trademarks of New Sensor Corp. MXR is a registered trademark of Dunlop Manufacturing, Inc. Ibanez is a registered trademark of Hoshino Gakki Co. Ltd. Marshall is a registered trademark of Marshall Amplifica,on Plc. www.customtone.com John Frusciante (Red Hot Chili Peppers) Otherside Original Guitar: Gretsch® White Falcon Variax Setting: R-Billy 1 Tuning: Standard: E-A-D-G-B-E BASS Boss®! Fender® Showman®! DS-1! (2) Marshall® 412 Cabs! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Gretsch is a registered trademark of Fred W. Gretsch Enterprises, Ltd. Boss is a registered trademark of Roland Corp. -
Rockpile, Fevrier 96 the Flea
ROCKPILE, FEVRIER 96 THE FLEA INTERVIEW by André Calilhanna Flea, the infamous bassist of the Red Hot Chili Peppers, hardly needs much of an introduction. Having defined the criteria by which modern slap and pop rock bass is measured, he is something of an icon in the halls of rock and roll. W ith a new album, and another new guitarist in Dave Navarro, The Red Hot Chili Peppers have embarked on another leg in their dynamic and often troubled careers. Rockpile's André Calilhanna had the opportunity to talk with Flea about life, the universe and everything just as the Chilis ready themselves for a tour of the United States. With (Dave) Navarro joining the band, things have changed a lot, I'm assuming, in the way you guys were writing. I mean, you've got another writer in the mix right now... FLEA: Yeah, well, he's more of a reactor than he is a writer. He's a different kind of creator. He's more a reactor than someone who'll say, 'here I've got this part...' Yeah, there are certain parts of the album where I guess I understand because it was more in the solos and in parts that are sort of over the core of the music that I thought I could hear his influence, over top something that was more of a Chili Peppers' sound. What was it like working with him? Was it easy ? Was it tough ? I mean, I know you guys had been courting him for a little while. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow. -
Californication Biography Song List What We Play
Californication Biography about us Established in early 2004, Californication the all new Red Hot Chili Peppers Show, aims to deliver Australia’s tribute to one of the world’s most popular and distinguishable bands: the Red Hot Chili Peppers. Californication recreates an authentic and live experience that is, the Red Hot Chili Peppers. The Chili Peppers themselves first came to prominence 20 years ago by fusing funk, rock and rap music styles through their many groundbreaking albums. A typical 90 minute show performed by Californication includes all the big hits and smash anthems that have made the Chili Peppers such an enduring global act. From their breakthrough cover of Stevie Wonder’s Higher Ground to the multiplatinum singles Give it Away, Under the Bridge and Breaking the Girl; as well as Aeroplane, Scar Tissue, Otherside and Californication; fans of the Chili Peppers’ music will never walk away disappointed. Fronted by Johnny, the vocalist of the Red Hot Chili Peppers Show captures all the stage antics and high energy required to emulate Anthony Kiedis, while the rest of the band carry out the very essence of the Red Hot Chili Peppers through the attention of musical detail and a stunning visual performance worthy of the famous LAbased quartet. And now, exclusively supported by the exciting, upcoming party band Big Way Out, you can be guaranteed an enjoyable night’s worth of entertainment. Be prepared to experience Californication the Red Hot Chili Peppers Show. Coming soon to a venue near you! Song List what we play Mothers -
Gumbaynggirr Language Database
Source: Morelli, Steve: Gumbaynggirr Bijaarr GUMBAYNGGIRR LANGUAGE NAMES Jandaygam, Ngaawa Gugaarrigam Gumbaynggirr Dictionary and Learner’s Gumbaynggirr Aboriginal names for animals, plants and places. Grammar. (There are many other animals, plants and places known to the Muurrbay Aboriginal Language & Cultural Co-operative, 2008, Nambucca Heads, NSW. Gumbaynggirr people: these are just a few.) with kind permission of the publishers. 1. ANIMALS Common name Gumbaynggirr name Common name Gumbaynggirr name bandi-bandi wagabirrul mullet buluunggal bearded dragon guri-guri mussel waluurlay bird jiibiny native bee dungaarr bird, any large jiibinygany octopus janyaany black cockatoo, glossy biliirrgan oyster barliin.gurr black cockatoo, yellow-tailed gawiyarr pademelon guljuu blackfish warraagan pelican junggaarr blue-faced honeyeater gawang periwinkle jundi blue-tongue lizard wandarrga pied cormorant barrigurrun boobook owl (mopoke) guubuny pipi garlaany bream gaayi platypus muluny brown cuckoo dove gungbilan potaroo gayban brush turkey gilgunyjan prawn wurrjay brushtail possum gurraagay quoll, eastern (native cat) baalijin butcher bird wulaaran red-browed finch bunyun butterfly or moth baarany regent bowerbird wagaybulun carpet python jumbaal ring-tailed possum giilung cockatoo, sulphur-crested gayaarr satin bowerbird jirrgan cockle murriyal sea eagle ngangaarr crab ngaduun seagull gaawil crimson rosella jambaarriny shark yanggaay crow waagan shellfish damaan cunjevoi (sea squirt) waluurlay snail bigaa currawong dawaalam snake dungguuny death -
Red Hot Chili Peppers E Dave Matthews Band Estão Confirmados No Palco Mundo Do Rock in Rio
Rock in Rio 2019: Red Hot Chili Peppers e Dave Matthews Band estão confirmados no Palco Mundo do Rock in Rio Consideradas duas bandas relevantes para a história do rock, Red Hot Chili Peppers encerra a noite do dia 03 de outubro e Dave Matthews Band se apresenta no dia 29 de setembro Para fazer download do material dos artistas, clicar no link abaixo: https://rockinrio- my.sharepoint.com/:f:/p/fernandaferraz/EhhG19O4_DJBhpNREXKnnWYBFOw8oE3Lpu t5Rt7hE6q6dA?e=UZKUe9 Rio de Janeiro, 14 de fevereiro de 2019 — A organização do Rock in Rio acaba de anunciar mais duas atrações para o Palco Mundo. O grupo Red Hot Chili Peppers encerra a noite do dia 03 de outubro e a banda americana premiada com o grammy Dave Matthews Band se apresenta no dia 29 de setembro, abrindo para Bon Jovi, o headliner da noite. O Red Hot Chili Peppers detém até hoje, desde 2001, o recorde de público em uma noite do Rock in Rio, quando reuniu 250 mil pessoas para assistir a sua apresentação que mistura rock com elementos de outros gêneros como punk, funk rock e rock psicodélico. O grupo surgiu nos anos 1980 na cidade de Los Angeles e é uma das bandas de rock mais bem-sucedidas da história. Anthony Kiedis, Flea, Chad Smith e Josh Klinghoffer prometem colocar o público para cantar clássicos como “Give It Away”, “Under The Bridge”, “Californication”, “Otherside” e “By The Way” embalando a noite na Cidade do Rock em mais um show marcante na história do festival. Já Dave Matthews Band, que se apresentou na Cidade do Rock em 2001, retorna ao Brasil no dia 29 de setembro para apresentar faixas de seu álbum recém lançado “Come Tomorrow”, que consolidou a banda como a primeira da história a ter sete álbuns de estreia consecutivos em primeiro lugar na Billboard 200. -
Sock Hop Helps Museum of Education
June 13, 2016 www.knoxfocus.com PAGE A1 WANTED Quality Consignments. Quality Antiques. Fountain City Auction for all of your auction needs (865)604-3468 FREE Take One! June 13, 2016 Festival on the Fourth Sock Hop helps Museum of Education Sunsphere By Mike Steely [email protected] diner was your favorite hangout, of Elvis covers performed by much more— all to help the very Put on your Blue Suede and you kicked off your shoes Chuck Ayers; Sammy “Barney special museum. to glow red, Shoes or your Poodle Skirt and and danced the night away with Fife” Sawyer and his Mayberry As a non-profit organization step back into the 50s and 60s your date. crew will provide laughs; and the Knox County Education next month as the Knox County Friday night, July 15th is when the recorded Doo Wop music of Museum depends on dona- white & blue Museum of Education relives the Museum of Education invites Four Dots and a Dash will be per- tions for its operation and the those times. The Museum wants you to the “Let’s Go Back to the fect for dancing. There’s “Doo Sock Hop is a major fundraising Beginning with a lighting cere- to take you back to the days Hop 2.” Entertainment for the Wop” food, a silent auction, a event. The Museum is located in mony on Monday evening, June 27, when Rock and Roll was King, a night will feature three sets “promo” photo package and Continue on page 2 the base of the World’s Fair Park Sunsphere will be illuminated red, white and blue in celebration of the City of Knoxville’s Festival on the Fourth and the City’s 225th anni- versary. -
Outsiders' Music: Progressive Country, Reggae
CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C.