De Premios Estás Ahí
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88Th Annual Academy Awards
March 1, 2016 Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88th Annual Academy Awards Every Winner and Nominee for Best Picture, Film Editing, Sound Editing, Sound Mixing and Original Score Relied on Avid Creative Solutions BURLINGTON, Mass., March 01, 2016 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulates its customers recognized as nominees and winners at the 88th Academy Awards®, the world's most prestigious ceremony honoring film industry professionals. Every nominee in the Best Picture, Best Film Editing, Best Sound Editing, Best Sound Mixing and Best Original Score categories, including Best Picture winner Spotlight, was crafted by Avid customers using Avid Artist Suite audio and video creative tools, powered by the Avid MediaCentral™ Platform. All five nominees in the Film Editing category—winner Margaret Sixel for Mad Max: Fury Road, Hank Corwin for The Big Short, Stephen Mirrione for The Revenant, Tom McArdle for Spotlight, and Maryann Brandon and Mary Jo Markey for Star Wars: The Force Awakens—relied on the industry's preeminent editing solution, Avid Media Composer® to cut their films. In the Sound Editing category, all five nominees—winners Mark Mangini and David White for Mad Max: Fury Road, Oliver Tarney for The Martian, Martin Hernandez and Lon Bender for The Revenant, Alan Robert Murray for Sicario, and Matthew Wood and David Acord for Star Wars: The Force Awakens—all relied on the industry-standard digital audio software Avid Pro Tools® for sound editing. "I had an opportunity to develop many soundscapes on The Revenant," said Formosa Group's Lon Bender. "Each day I would take material from our team and hone it using my Avid control surface for reviews with Alejandro. -
December 2014 ONECELEBRATEWITHUS Join the Celebration As We Usher in a New Year of Cinema in Iowa City
A COLLABORATION WITH DEC FilmScene Staff THE EYE OPENER 12-21 Joe Tiefenthaler, Executive Director Andy Brodie, Program Director Complete info at www.icfilmscene.org/flam Andrew Sherburne, Sunday, December 14th Associate Director A curated week of new releases and restored classics on literature, art and music. Tickets: $35 for non-members / $25 for members / Emily Salmonson, Series Pass: $30 non-members / $20 members. Regular price for individual shows. $15 for supporting role and leading role members Director of Operations / FREE for Founders Circle and Screen Legend Ross Meyer, Head Projectionist and Facilities Manager Join FilmScene in celebrating the one year Dan DeMarco, Theater Staff anniversary of the opening of our downtown Jon Graf, Theater Staff Aaron Holmgren, Theater Staff cinema with a delicious brunch of chicken & DIALOGUE: Director Q&A NEWLY RESTORED! NEWLY RESTORED! waffles, scrambled eggs with local cheeses, Phil Ochs, Theater Staff MUSIC OF THE BURROUGHS: ROME, OPEN CITY Tony Pomales, Theater Staff beignets, mini donuts, mimosas and a cash MOMENT THE MOVIE (1983) (2014) Dir. Roberto Emily Brown, Projectionist bar. While you eat, be entertained by music (2014) Dir. Kevin Wisor. Dir. Howard Brookner. Rossellini. Legendary Kelly Gallagher, Projectionist from the films of our first year and the Iowa A locally-made feature The first and only doc Italian drama about the Kasia Plazinska, Projectionist premiere of an acclaimed short film. doc exploring the art of made with the Nazi occupation of Board of Directors improvised music, shot full participation of writer Rome and the brave few Michael Finlayson, Chair FILMFOODDRINKSMUSIC in Iowa City. William S. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Recommended Films: a Preparation for a Level Film Studies
Preparation for A-Level Film Studies: First and foremost a knowledge of film is needed for this course, often in lessons, teachers will reference films other than the ones being studied. Ideally you should be watching films regularly, not just the big mainstream films, but also a range of films both old and new. We have put together a list of highly useful films to have watched. We recommend you begin watching some these, as and where you can. There are also a great many online lists of ‘greatest films of all time’, which are worth looking through. Citizen Kane: Orson Welles 1941 Arguably the greatest film ever made and often features at the top of film critic and film historian lists. Welles is also regarded as one the greatest filmmakers and in this film: he directed, wrote and starred. It pioneered numerous film making techniques and is oft parodied, it is one of the best. It’s a Wonderful Life: Frank Capra, 1946 One of my personal favourite films and one I watch every Christmas. It’s a Wonderful Life is another film which often appears high on lists of greatest films, it is a genuinely happy and uplifting film without being too sweet. James Stewart is one of the best actors of his generation and this is one of his strongest performances. Casablanca: Michael Curtiz, 1942 This is a masterclass in storytelling, staring Humphrey Bogart and Ingrid Bergman. It probably has some of the most memorable lines of dialogue for its time including, ‘here’s looking at you’ and ‘of all the gin joints in all the towns in all the world, she walks into mine’. -
FOXCATCHER Written by E. Max Frye & Dan Futterman INT. UNIVERSITY of WISCONSIN
FOXCATCHER Written by E. Max Frye & Dan Futterman INT. UNIVERSITY OF WISCONSIN GYM - VERY EARLY MORNING MARK SCHULTZ (27, 180 lbs., cauliflower ears) lifts a human- sized, leather WRESTLING DUMMY from the mat to stand in front of him. He performs a series of repetitive moves - hooking one arm under the dummy's arm, then the other; one side, then other. Again and again. It looks almost as if he's dancing gently with it. Then, very fast, Mark spins quickly around behind the dummy, grabs it in a bear hug, arches his back, lifts and SLAMS it to the mat, landing on top. QUICK CUTS: Mark spinning, lifting and slamming the dummy - first one way, then the other - first one hold, then another - SLAM. SLAM. SLAM. SLAM. SLAM - over and over and over again. CUT TO: I/E. BARABOO SCHOOL/PARKING LOT - LATE MORNING Mark pulls his beat-up car into a space in the parking lot of this nondescript, 1960s-era suburban brick-facade school. He's freshly showered, wears a short-sleeve dress shirt, clip- on tie, slacks. He reaches behind the front seat and pulls out a battered BROWN VINYL BRIEFCASE. CUT TO: INT. BARABOO SCHOOL/PRINCIPAL'S OFFICE WAITING ROOM - DAY Mark waits alone in a chair he's much too big for, his brown vinyl briefcase on his lap. A portrait of President Reagan hangs on the painted cinder block wall. A clock ticks. CUT TO: INT. BARABOO SCHOOL/AUDITORIUM - DAY Mark's on stage. An audience of 4th, 5th and 6th graders. MARK Why do I do it? Why do I push myself to my limits - of pain, of exhaustion - every day of my life? Why do I wake up every morning and make the commitment? Why do I do it? 2. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
William B. Kaplan CAS
Career Achievement Award Recipient William B. Kaplan CAS CAS Filmmaker Award Recipient George SPRING Clooney 2021 Overcoming Atmos Anxiety • Playing Well with Other Departments • RF in the 21st Century Remote Mixing in the Time of COVID • Return to the Golden Age of Booming Sound Ergonomics for a Long Career • The Evolution of Noise Reduction FOR YOUR CONSIDERATION CINEMA AUDIO SOCIETY AWARDS NOMINEE MOTION PICTURE LIVE ACTION PRODUCTION MIXER DREW KUNIN RERECORDING MIXERS REN KLYCE, DAVID PARKER, NATHAN NANCE SCORING MIXER ALAN MEYERSON, CAS ADR MIXER CHARLEEN RICHARDSSTEEVES FOLEY MIXER SCOTT CURTIS “★★★★★. THE FILM LOOKS AND SOUNDS GORGEOUS.” THE GUARDIAN “A WORK OF DAZZLING CRAFTSMANSHIP.” THE HOLLYWOOD REPORTER “A stunning and technically marvelous portrait of Golden Era Hollywood that boasts MASTERFUL SOUND DESIGN.” MIRROR CAS QUARTERLY, COVER 2 REVISION 1 NETFLIX: MANK PUB DATE: 03/15/21 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” INSIDE THIS ISSUE SPRING 2021 CAREER ACHIEVEMENT AWARD RECIPIENT WILLIAM B. KAPLAN CAS | 20 DEPARTMENTS The President’s Letter | 4 From the Editor | 6 Collaborators | 8 Learn about the authors of your stories 26 34 Announcements | 10 In Remembrance | 58 Been There Done That |59 CAS members check in The Lighter Side | 61 See what your colleagues are up to 38 52 FEATURES A Brief History of Noise Reduction | 15 Remote Mixing in the Time of COVID: User Experiences | 38 RF in the Twenty-First Century |18 When mix teams and clients are apart Filmmaker Award: George Clooney | 26 Overcoming Atmos Anxiety | 42 Insight to get you on your way The 57th Annual CAS Awards Nominees for Outstanding Achievement Playing Well with Other Production in Sound Mixing for 2020 | 28 Departments | 48 The collaborative art of entertainment Outstanding Product Award Nominees| 32 Sound Ergonomics for a Long Career| 52 Return to the Golden Age Staying physically sound on the job Cover: Career Achievement Award of Booming | 34 recipient William B. -
SETDECOR Magazine – Online 2015 Nominations
SETDECOR Magazine – Online 2015 Nominations NOMINATIONS FOR THE 20th ANNUAL CRITICS’ CHOICE MOVIE AWARDS BEST PICTURE BEST YOUNG ACTOR/ACTRESS Birdman Ellar Coltrane – Boyhood Boyhood Ansel Elgort – The Fault in Our Stars Gone Girl Mackenzie Foy – Interstellar The Grand Budapest Hotel Jaeden Lieberher – St. Vincent The Imitation Game Tony Revolori – The Grand Budapest Hotel Nightcrawler Quvenzhane Wallis – Annie Selma Noah Wiseman – The Babadook The Theory of Everything Unbroken BEST ACTING ENSEMBLE Whiplash Birdman Boyhood BEST ACTOR The Grand Budapest Hotel Benedict Cumberbatch – The Imitation The Imitation Game Game Into the Woods Ralph Fiennes – The Grand Budapest Hotel Selma Jake Gyllenhaal – Nightcrawler Michael Keaton – Birdman BEST DIRECTOR David Oyelowo – Selma Wes Anderson – The Grand Budapest Hotel Eddie Redmayne – The Theory of Ava DuVernay – Selma Everything David Fincher – Gone Girl Alejandro G. Inarritu – Birdman BEST ACTRESS Angelina Jolie – Unbroken Jennifer Aniston – Cake Richard Linklater – Boyhood Marion Cotillard – Two Days, One Night Felicity Jones – The Theory of Everything BEST ORIGINAL SCREENPLAY Julianne Moore – Still Alice Birdman – Alejandro G. Inarritu, Nicolas Rosamund Pike – Gone Girl Giacobone, Alexander Dinelaris, Jr., Reese Witherspoon – Wild Armando Bo Boyhood – Richard Linklater BEST SUPPORTING ACTOR The Grand Budapest Hotel – Wes Josh Brolin – Inherent Vice Anderson, Hugo Guinness Robert Duvall – The Judge Nightcrawler – Dan Gilroy Ethan Hawke – Boyhood Whiplash – Damien Chazelle Edward Norton – Birdman -
BEST PICTURE Director Actor in a Leading Role ACTRESS in A
Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
CED Digest, Vol. 7
************************************************************************ ************************************************************************ CED Digest Vol. 7 No. 1 1/5/2002 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 6, 1982: * Archbishop Jozef Glemp, the Roman Catholic primate of Poland, tells a congregation in Warsaw's St. John's Cathedral that those who signed oaths renouncing Solidarity were coerced by the government and the oaths have no validity. January 7, 1982: * Presidential counselor Edwin Meese III reads a statement that reverses President Reagan's pre-election stand against the registration of 18-year-old males for a possible future military draft. * The Winter 1982 Consumer Electronics Show begins in Las Vegas, Nevada. While a year earlier the RCA VideoDisc system had been one of the most prominent introductions, at the 1982 show the VHD VideoDisc holds the spotlight with a large display space sporting the slogan "There's More to See on VHD." Other notable video-related introductions include the Technicolor CVC mini-cassette VCR system, the first tubeless consumer video camera, and the first Pioneer LaserDisc player with CX noise reduction. A picture of the VHD booth at the Winter 1982 CES can be seen at this URL: http://www.cedmagic.com/history/vhd-1982-ces.jpg January 8, 1982: * Spokesmen for the American Telephone & Telegraph Company (AT&T) and the U.S. Department of Justice announce the settlement of a seven-year-old antitrust case which will result in AT&T divesting itself of 22 telephone companies, effectively breaking up the monopoly. * Future CED title in widespread theatrical release: Four Friends. January 9, 1982: * A frigid blast of artic air arrives in the United States bringing with it a week of record low temperatures.