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Home , Buster Keaton, Damien Chazelle, Event movie, Zhang Yimou

Preparation for A-Level Studies:

First and foremost a knowledge of film is needed for this course, often in lessons, teachers will reference other than the ones being studied. Ideally you should be watching films regularly, not just the big mainstream films, but also a range of films both old and new.

We have put together a list of highly useful films to have watched. We recommend you begin watching some these, as and where you can. There are also a great many online lists of ‘greatest films of all time’, which are worth looking through.

 Citizen Kane: 1941 Arguably the greatest film ever made and often features at the top of film critic and film historian lists. Welles is also regarded as one the greatest filmmakers and in this film: he directed, wrote and starred. It pioneered numerous film making techniques and is oft parodied, it is one of the best.  It’s a Wonderful Life: , 1946 One of my personal favourite films and one I watch every Christmas. It’s a Wonderful Life is another film which often appears high on lists of greatest films, it is a genuinely happy and uplifting film without being too sweet. is one of the best of his generation and this is one of his strongest performances.  Casablanca: , 1942 This is a masterclass in storytelling, staring Humphrey Bogart and Ingrid Bergman. It probably has some of the most memorable lines of dialogue for its time including, ‘here’s looking at you’ and ‘of all the gin joints in all the towns in all the world, she walks into mine’. A true classic of its time.  Rear Window: , 1954 Another James Stewart starrer, here he works alongside one of the most famous directors in history, Alfred Hitchcock. Hitchcock was dubbed the master of suspense and this seemingly calm film quickly takes a turn for the worse. Rear Window makes fantastic use of its space and holds two excellent performances at its heart. It also has one of the finest Simpson’s of all time.  Psycho, Alfred Hitchcock, 1960 Another Hitchcock film, this is perhaps his most iconic. It spawned a number of sequels, a terrible remake, influenced other films and has a TV series, this is a hugely influential film. Psycho has one of the biggest twists in cinema and gave way to an entire subgenre of ‘slasher’ horror.  The Birds: Alfred Hitchcock, 1963 The Birds is either one of the scariest or the funniest horror films of all time. Another Hitchcock film, this has not aged as well as Psycho has, but despite this it has some extraordinary sequences: the school playground for example is a wonderful piece of cinema.  Prometheus: Ridley Scott, 2012 Prometheus is a fascinating film, deeply flawed and yet highly intriguing. The film offers a variety of philosophical themes and beautiful film aesthetics at points, yet narratively there are issues. This is a great film to discuss and debate, as it really is equally strong and problematic.  Gladiator: Ridley Scott, 2000 Gladiator is another Ridley Scott film, highly received at its release and justifiably so. The opening sequence alone is an extraordinary piece of filmmaking and all actual sets, no CGI. The recreation of ancient Rome is another visual feat and essentially contributes further to Scott’s position as an artist of the filmmaking world.  Blade Runner 2049: Denis Vileneuve, 2017 One of your set films at A-Level is Blade Runner (1982), this is its belated sequel and adds some very interesting ideas to the world. The film again is a highly visual one, with very impressive sets and effects throughout  Metropolis: Fritz Lang, 1927 Metropolis is a seminal work from early German cinema. One of the first feature length science fiction films, this film shows a dystopian world with AI capabilities. The film is a strong example of the German movement, and a good introduction into the style.  Hero: Yimou, 2002 An excellent example of a film. This was seen by Quentin Tarrantino and he loved it so much he approached American distributors himself to try and get people outside of to see this film. The film shows a fictional version of of China Shi Huang, and shows both a positive, national representation alongside numerous criticisms. Also features amazing martial arts and impeccable use of colour aesthetics.  Crouching Tiger, Hidden Dragon: , 2001 The world’s first mainstream wuxia film. This was Oscar nominated both for Best Picture and Best Director upon its release. It also features some extraordinary martial arts and examines the role of teacher and student and the impact this can have on a person’s ideology. There’s an argument to say that without this film, Chinese cinema would not have the prestige it does.  The Great Wall: , 2017 A strange merger of Chinese and American production companies, this film shows a fantasy action film in which the Great Wall of China was built to keep out monsters. A strange premise, but an entertaining adventure, this film however, is perhaps best for its production background and being the first of its kind, but I’m sure not the last.  The Devil’s Backbone: , 2001 Del Toro is now an Oscar winning director for his work on , but this is one of his earlier Spanish language films. It is at its heart it is a ghost story; however, being set in the Spanish Civil War offers a much greater depth to this.  Hellboy 2: The Golden Army: Guillermo Del Toro, 2008 This may not be the best film ever made, but the creature design, animatronic work and performance work are highly impressive. Del Toro frequently works with Doug Jones, a strong most often seen behind make up and creature effects. Jones plays Abe Sapien, the chamberlain and the angel of death here.  : A New Hope: George Lucas, 1977 Probably one of the most well-known franchises of all time and in 1977 this was a huge success. Lucas took influence from all over the place, with Jedi supposedly based on Japanese Samurai with Akira Kurusawa a big influence here. The other major influence is Joseph Conrad’s ‘The Hero’s Journey’, a strong overview of narrative structure and content which Lucas has stated frequently was a huge guide as he wrote the script.  Toy Story: John Lassater, 1995 The first ever feature length CGI animated film and a huge influence on future animation. Now aside from in Japan, the vast majority of animated films are computer animated rather than hand drawn, and if Toy Story were not a huge success this would never have happened. As well as being ground breaking in style it is of course also a strong narrative and features excellent characters.  2001: A Space Odyssey: , 1968 Kubrick is possibly one of the best filmmakers of all time; he was a notorious perfectionist with films running over shoot time in almost every occasion. This is arguably his best and most accomplished film. The opening sequence is one of the most discussed moments in cinema and hugely influential.  Indiana Jones and the Raiders of the Lost Ark: , 1981 Indiana Jones is the creation of two of Hollywood’s most successful directors: George Lucas on writing and Steven Spielberg on directing. The first film is arguably the strongest, although this is subjective, with moments such as the swordsman vs. Jones, the opening boulder chase and the final moments with the ark filed away forever all being some of the most iconic in film history.  Jaws: Steven Spielberg, 1975 The first ever blockbuster, Jaws was a huge summer event movie which became the talk of the 70s. Famously the Shark puppet kept on failing throughout the film, meaning they kept being unable to use it in the scenes. This led to the puppet only really coming into play in the last scenes, which is now seen as a huge strength, fear of the unknown rather showing us the monster too soon.  Singing in the Rain: and , 1952 One of the greatest musicals of all time and hugely influential. Songs such as ‘Good morning’ and the titular ‘singing in the rain’; are well remembered and catchy. The film has had a big impact on many filmmakers, for example has put about four different references into alone.  Senna: Asif Kapadia, 2010 A documentary about the F1 racing driver Ayrton Senna looking at his career and the tragedy of his death during a crash in the 1994 San Marino grand prix. This is an extremely well-constructed documentary with no prior interest or knowledge of formula 1 racing needed. Touching and powerful.  The General: Buster Keaton and , 1926 Buster Keaton was a master of the silent movement, and this is perhaps his best known film. The work is named after a steam engine Keaton rides. All stunt work and performances were actually filmed, no trickery, do not try this at home.  City Lights: , 1931 Charlie Chaplin is the other major player in . City Lights at times feels like a series of sketches rather than a feature length film, and yet Chaplin’s performance often means you don’t mind this. His character is endearing and engaging and the last sequence with the flower seller is a beautiful piece of emotive cinema.  Double Indemnity: , 1944 Double Indemnity is a classic Film Noir, the genre of mystery, fully of moral ambiguity. Here the setup is classic: an insurance man pulled into a world of murder and lies by a beautiful femme fatale. Wilder considers the film his best work, which when you look at his filmography, is high praise indeed.  The Prestige: , 2006 Christopher Nolan’s most underrated film. This is a world of magicians and red herrings, two rival magicians constantly seek ways of one upping one another and attempting to work out ‘the transported man’ trick both seem to have perfected in different ways. This is a wonderful film for looking at misleading your audience.  Lord of the Rings: Trilogy: , 2001-2003 As far as adaptations go, this is impressive. Tolkien’s original story is epic and masterful, yet here Peter Jackson seems skilled in thinning and embellishing in all the right places. This is a very strong trilogy of films and far better than the Hobbit.

Tasks:

It is great to watch these, but better if you can do something with them after watching. We suggest the following:

1. Talk about it with someone, not just whether you liked it not, but what specifically you liked about it, referencing film form, narrative etc. 2. Research into the film. Online offers a lot of opportunities to read up on what other people had to say about the film and read up on the meanings, contexts etc. 3. Write on the film. Write some analysis on film form or ideologies etc. drawing attention to key details and meanings. 4. Make a blog, podcast or vlog. Writing about the film and publishing that or if you prefer, keeping it offline; this would give you the chance to test your practical abilities as well as your analytical abilities.