CHAPTER I INTRODUCTION in This Chapter, the Writer Presents (A) Background of the Study, (B) Statements of the Problem, (C) Purp

Total Page:16

File Type:pdf, Size:1020Kb

CHAPTER I INTRODUCTION in This Chapter, the Writer Presents (A) Background of the Study, (B) Statements of the Problem, (C) Purp 1 CHAPTER I INTRODUCTION In this chapter, the writer presents (a) background of the study, (b) statements of the problem, (c) purpose of study, (d) scope and limitation, (e) significance of study, and (f) definition of key term. 1.1 Background of the Study Literature has been widely known by many people and experts. The word ‘literature’ derives from the word ‘littera’ in Latin which means letter. It refers to the written or printed words. However, now, the term ‘literature’ is focused move on and restricted to merely imaginative works, which comes up from the imaginative mind of the story writers. Klarer (2004:1) asserts that in most cases, literature referred to as the entirety of written expression, with the restriction that not every written document can be categorized as literature in the more exact sense of the word. Literature then, can be said as a creative writing by an author with aesthetic values which makes literature regarded as an art. Nowadays, literature exists because it pleasures us by imitating life, or more precisely, by displaying its writers’ vision of life as it should be (Koesnosoebroto in Vibriyanti (2016: 1). Its means literature can give pleasure, and show what is happening around us and in what perspective of life and poured into literary work. One of literary works is film. Film is predetermined by literary techniques: conversely, literary practice developed particular features under the impact of film (Klaler, 2004: 56). People in every part of the world watch film that tells stories as a type of entertainment; a way to have fun. Most of films are made by producers so that films 2 can be shown on big screen at cinemas or film theatres. By watching a film, people can get some information and get the moral value from the film which is important and can be applied in our life.There are several genres of film. One of them is drama film. According to Dirk (2008), drama film tells about human dramas of everyday life and conveys their meaning. In this genre, threats to love and family come from society and the families themselves and reflect the concern of the prevailing culture. The researcher is very interested in drama film because it has relations with the real world. One example of drama film as “Whiplash”. It is an American independent drama music film written and directed by Damien Chazelle which is released in 2014. Whiplash shows us about kid who faced a bullying. The previous study done by Riffaudin (2016) in analyzing bullying phenomenon faced by teenagers in Indonesia tells about cyberbullying. Cyberbulling is a type of bullying which used social media as a intermediary. The researcher focused on analyzing social media, especially in facebook. He found some issues such as the impact of cyberbullying and a solution offerings and show the ethics of using social media. Furthermore, previous study which has been done by Darmalina (2014) in analyzing the school bullying action shows that bullying can happen in every situation even in a school. Specifically, the object of the study was pupils in Elememetary School. She found a problem and ways to solve it. However, it is not enough to explain about the bullying action faced by a person in one life or not detailed yet. Based on that’s previous study, the researcher is interested in conducting reasearch about film, that is “Whiplash” film. This study focuses on analyzing bullying. The topic which is chosen is the bullying action faced by the main character which will 3 be explained in more detailed in the study entitled “Analysis on bullying action faced by Andrew in”whiplash”film by Damien Chaezelle”. In this current study, the film is analyzed because it offers many valuable lessons, message and interesting story. “Whiplash” film is chosen to be analyzed because it tells bullying action faced by Andrew in high school musical. This story is based on the experience that the director already got when he learned about music. Bullying is a unique but complex form of interpersonal aggression, which takes many forms, serves different functions, and is manifested in different patterns of relationships (Swearer and Hymel 2015:344).The researcher conducts this study because he interest on a bullying which shows by the film. The reasons above are motivated to conduct this study is expected to give new insight and important lesson to the audiences who know and involve to bullying and to the teachers who have the student that is involved in bullying actions. Moreover, the study is relevant to include in literature which shows one of the phenomenon in human life that is bullying actions faced by Andrew. Furthermore, there is no student in University of Muhammadiyah Malang have analyzed about bullying. 1.2 Statement of the Problem Based on the background of the study, the statements of problem can be formulated as follows: 1. What are bullying actions faced by Andrew in “Whiplash” Film by Damien Chazelle? 2. What are the factors causing the bullying on his life? 4 1.3 Purpose of Study In the line with the formulated research questions, the purposes of the study are becoming the target of this study. These purposes of the study are: 1. To explain bullying actions faced by Andrew in “Whiplash” Film by Damien Chazelle 2. To find out the factors causing bullying on Andrew’s life 1.4 Scope And Limitation The scope of this study is focused on bullying actions which happen in “Whiplash” film directed by Damien Chazelle. Furthermore, it is limited to discussing the factors causing bullying actions on Andrew’s life. 1.5 Significance of Study It is hoped that the result could give worthy contributions to the development of literature courses. Generally, the reseacher hopes that it could encourage students to read literature and to get good appreciation on English literature works. Specifically, the result of this study can be used as reference in writing a similar research from different tittle. 1.6 Definition of Key Term 2. Film or motion pictures communicate information and idea to get the information and idea often driven by stories, with the characters we come to care about, but a film might also develop an idea or explore visual qualities or sound texture (Bordwell and Tompson: 2008). 3. Bullying is one type of violences that threatens a youth’s well-being in schools and neighborhoods (Gladden et all:2004). 5 4. “Whiplash” is a drama film released in 2014, tells about a young ambitious drummer conducted by his abusive teacher. 5. Damien Chazelleis an American film director and screenwriter.He made his directorial debut with the musical guy and madeline on a Park Bench (2009). 6. Andrew is the main character in “Whiplash” .
Recommended publications
  • Recommended Films: a Preparation for a Level Film Studies
    Preparation for A-Level Film Studies: First and foremost a knowledge of film is needed for this course, often in lessons, teachers will reference films other than the ones being studied. Ideally you should be watching films regularly, not just the big mainstream films, but also a range of films both old and new. We have put together a list of highly useful films to have watched. We recommend you begin watching some these, as and where you can. There are also a great many online lists of ‘greatest films of all time’, which are worth looking through. Citizen Kane: Orson Welles 1941 Arguably the greatest film ever made and often features at the top of film critic and film historian lists. Welles is also regarded as one the greatest filmmakers and in this film: he directed, wrote and starred. It pioneered numerous film making techniques and is oft parodied, it is one of the best. It’s a Wonderful Life: Frank Capra, 1946 One of my personal favourite films and one I watch every Christmas. It’s a Wonderful Life is another film which often appears high on lists of greatest films, it is a genuinely happy and uplifting film without being too sweet. James Stewart is one of the best actors of his generation and this is one of his strongest performances. Casablanca: Michael Curtiz, 1942 This is a masterclass in storytelling, staring Humphrey Bogart and Ingrid Bergman. It probably has some of the most memorable lines of dialogue for its time including, ‘here’s looking at you’ and ‘of all the gin joints in all the towns in all the world, she walks into mine’.
    [Show full text]
  • SETDECOR Magazine – Online 2015 Nominations
    SETDECOR Magazine – Online 2015 Nominations NOMINATIONS FOR THE 20th ANNUAL CRITICS’ CHOICE MOVIE AWARDS BEST PICTURE BEST YOUNG ACTOR/ACTRESS Birdman Ellar Coltrane – Boyhood Boyhood Ansel Elgort – The Fault in Our Stars Gone Girl Mackenzie Foy – Interstellar The Grand Budapest Hotel Jaeden Lieberher – St. Vincent The Imitation Game Tony Revolori – The Grand Budapest Hotel Nightcrawler Quvenzhane Wallis – Annie Selma Noah Wiseman – The Babadook The Theory of Everything Unbroken BEST ACTING ENSEMBLE Whiplash Birdman Boyhood BEST ACTOR The Grand Budapest Hotel Benedict Cumberbatch – The Imitation The Imitation Game Game Into the Woods Ralph Fiennes – The Grand Budapest Hotel Selma Jake Gyllenhaal – Nightcrawler Michael Keaton – Birdman BEST DIRECTOR David Oyelowo – Selma Wes Anderson – The Grand Budapest Hotel Eddie Redmayne – The Theory of Ava DuVernay – Selma Everything David Fincher – Gone Girl Alejandro G. Inarritu – Birdman BEST ACTRESS Angelina Jolie – Unbroken Jennifer Aniston – Cake Richard Linklater – Boyhood Marion Cotillard – Two Days, One Night Felicity Jones – The Theory of Everything BEST ORIGINAL SCREENPLAY Julianne Moore – Still Alice Birdman – Alejandro G. Inarritu, Nicolas Rosamund Pike – Gone Girl Giacobone, Alexander Dinelaris, Jr., Reese Witherspoon – Wild Armando Bo Boyhood – Richard Linklater BEST SUPPORTING ACTOR The Grand Budapest Hotel – Wes Josh Brolin – Inherent Vice Anderson, Hugo Guinness Robert Duvall – The Judge Nightcrawler – Dan Gilroy Ethan Hawke – Boyhood Whiplash – Damien Chazelle Edward Norton – Birdman
    [Show full text]
  • Stealing the Show By: Emma Robertson in Damien Chazelle's Hit Movie Musical “La La Land," Heartthrob Ryan Gosling and C
    Stealing the Show By: Emma Robertson In Damien Chazelle’s hit movie musical “La La Land," heartthrob Ryan Gosling and charmer Emma Stone come together to artfully portray two struggling performers living in the fast-paced world of Los Angeles. Mia (Stone) is an aspiring actress who has been juggling auditions and her part-time job as a barista at a coffee shop on the Warner Bros. lot. Sebastian (Gosling) is a jazz musician who aspires to open his own jazz club in order to revive the music genre. The two are swept up into a whirlwind romance but must eventually choose between their relationship and their flourishing careers. The musical opens with a dramatic dance number; people who are stuck in standstill traffic pour out of their cars and flood the streets, jumping, dancing and singing. The following few songs are also accompanied by strong choreography, all at the hands of choreographer Mandy Moore. However, as the movie progresses, the music transitions to softer pieces that use the lyrics to propel the plot. Composer Justin Hurwitz works in simple, yet hauntingly beautiful melodies that will get stuck in your head for days. A standout feature of “La La Land” is the acting. Gosling and Stone play their characters with such a naturalness that you may feel almost intrusive at times. In particular, during a scene in which Mia and Sebastian are arguing, it feels as if you are sitting in on a conversation you shouldn’t be because the argument is so realistic and intimate. The actors feel like real people, not like movie characters.
    [Show full text]
  • The Lack of Recognition for the Film Choreographer in Hollywood
    Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 6-2020 The Lack of Recognition for the Film Choreographer in Hollywood Claire Ross Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Dance Commons, and the Film and Media Studies Commons The Lack of Recognition for the Film Choreographer in Hollywood Claire Ross Commercial Dance Major Art & Entertainment Management Minor Virginia Cox, MS Dyson College of Arts and Sciences Presentation Date: June 2020 Graduation Date: May 2020 1 Abstract The following research directly addresses why the film choreographer has lacked adequate recognition within the Academy Awards, popularly known as the Oscars, presented by the Academy of Motion Picture Arts and Sciences. Additionally, this study aims to fill the research gap in relation to the minimal documentation that exists regarding the role and contributions of the film choreographer within the film industry. In order to move forward in assessing how the film choreographer can be recognized within the Oscars, one must address why they have not been sufficiently recognized within the history of the Academy Awards. By assessing the film choreographer’s value within the film industry through semi-structured interviews and data analysis methodologies, it was concluded their lack of recognition within the Oscars is due to the lack of dance’s presence in film, the undefined role of a film choreographer, and the general lack of awareness revolving around their contributions to film. All of which directly contribute to the film choreographer’s disproportionately perceived value within the film industry. Overall, this research intends to increase the dialogue revolving around the film choreographer as well as validate their value within the film industry.
    [Show full text]
  • Allusion As a Cinematic Device
    I’VE SEEN THIS ALL BEFORE: ALLUSION AS A CINEMATIC DEVICE by BRYCE EMANUEL THOMPSON A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2019 An Abstract of the Thesis of Bryce Thompson for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2019 Title: I’ve Seen this All Before: Allusion as a Cinematic Device Approved: _______________________________________ Daniel Gómez Steinhart Scholarship concerning allusion as a cinematic device is practically non- existent, however, the prevalence of the device within the medium is quite abundant. In light of this, this study seeks to understand allusion on its own terms, exploring its adaptation to cinema. Through a survey of the effective qualities of allusion, a taxonomy of allusionary types, film theory, and allusion’s application in independent cinema, it is apparent that allusion excels within the cinematic form and demonstrates the great versatility and maximalist nature of the discipline. With the groundwork laid out by this study, hopefully further scholarship will develop on the topic of allusion in order to properly understand such a pervasive and complex tool. ii Acknowledgements I would like to thank my thesis committee of Professor Daniel Steinhart, Professor Casey Shoop, and Professor Allison McGuffie for their continued support, mentorship, and patience. I would also like to thank Professor Louise Bishop who has been immensely helpful in my time at university and in my research. I have only the most overwhelming gratitude towards these gracious teachers who were willing to guide me through this strenuous but rewarding process, as I explore the maddening and inexact world of allusion.
    [Show full text]
  • EXPLORING THETA WAVES an Ambient Live Set with Binaural Beats & Modular Synths
    C O S T A N Z A F R A N C A V I L L A __________________________________________________ EXPLORING THETA WAVES an ambient live set with Binaural Beats & Modular Synths Born in Rome and based in Ibiza, Costanza Francavilla is an Italian composer and music producer. She combines the use of analog / modular synthesizers and sound manipulation mixing electronica with classical music, with an evocative and minimalist approach. Her sultry vocals and electronic dreamlike compositions fascinated Massive Attack member Tricky, with whom she collaborated for several years as a singer and co-producer. He would referred to her as 'the female version of me’ Throughout her carrier she's been performing with many acts in prestigious festivals and venues around the world including Royal Festival Hall, Glastonbury (UK), Sonar (ES), Montreaux Jazz Festival. She composes and produces music for movie trailers (such as “Blade Runner 2049”, “Counterpart, “Hunger Games” among others) and film. Her film-score credits include “Friedkin Uncut” about The Exorcist cult director William Friedkin starring Quentin Tarantino, Francis Ford Coppola, Wes Anderson, Damien Chazelle , (Nominee at Venice Film Festival), “S is For Stanley” about Stanley Kubrick (winner at Davide Di Donatello), “Free Men”about death-row inmate Kenneth Rems (presented at Festival of Human Rights). Since she moved to Ibiza in 2016 she’s been exploring ways of vibroacoustic & sound-wave therapies that include the use of meditation instruments such as Tibetan Singing Bowls, Crystals Pyramids, Hand Pans. Costanza’s ambient live set includes such instruments and her ethereal vocals combined with the use of modular synthesizers guiding the audience into a dreamlike-state through Binaural Beat stimulation in Theta brainwave frequencies.
    [Show full text]
  • 89Th Oscars® Nominations Announced
    MEDIA CONTACT Academy Publicity [email protected] January 24, 2017 FOR IMMEDIATE RELEASE Editor’s Note: Nominations press kit and video content available here 89TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, joined by Oscar®-winning and nominated Academy members Demian Bichir, Dustin Lance Black, Glenn Close, Guillermo del Toro, Marcia Gay Harden, Terrence Howard, Jennifer Hudson, Brie Larson, Jason Reitman, Gabourey Sidibe and Ken Watanabe, announced the 89th Academy Awards® nominations today (January 24). This year’s nominations were announced in a pre-taped video package at 5:18 a.m. PT via a global live stream on Oscar.com, Oscars.org and the Academy’s digital platforms; a satellite feed and broadcast media. In keeping with tradition, PwC delivered the Oscars nominations list to the Academy on the evening of January 23. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Monday, February 13 through Tuesday, February 21. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m.
    [Show full text]
  • Sundance Institute Selects Eight Firsttime Filmmakers for Directors
    FOR IMMEDIATE RELEASE Media Contact: May 5, 2016 Chalena Cadenas 310.360.1981 [email protected] Sundance Institute Selects Eight First­Time Filmmakers for Directors Lab, May 30­June 23 Filmmakers Head to Mountains of Utah for Month of Hands­On Project Development; ​ Advisors, Actors and Crew Include Robert Redford, Catherine Hardwicke, Kasi Lemmons, Ira Sachs Frances Bodomo | Annie Silverstein | César Cervantes | Kibwe Tavares | Eva Vives | Sandhya Suri | Pippa Bianco | Boots Riley Los Angeles, CA — Sundance Institute has selected eight first­time filmmakers for its signature Directors ​ Lab, which helped launch the careers of award­winning filmmakers Cary Fukunaga, Dee Rees, Marielle Heller, Benh Zeitlin and Quentin Tarantino. Taking place May 30­June 23 in the mountains of Sundance Resort in Utah, the annual Lab supports the next wave of independent filmmakers exploring new ideas and shaping the future of storytelling. At the Directors Lab, under the leadership of Sundance Institute Feature Film Program Founding Director Michelle Satter, Labs Director Ilyse McKimmie and the artistic direction of Gyula Gazdag, the Fellows will work with an accomplished group of creative advisors, professional actors and production crews to shoot and edit key scenes from their screenplays. Through this concentrated, hands­on process, the Fellows workshop and make key discoveries about their scripts, collaborate with actors and find a visual storytelling language for their films. Michelle Satter, Founding Director of the Sundance Institute Feature Film Program, said, “Our Directors ​ ​ Lab and other programs play a critical role in discovering diverse artists and launching their careers, and this year's filmmakers are our most diverse group ever in terms of their backgrounds, experiences and perspectives.
    [Show full text]
  • Nominations by Film and Distributor
    EE BRITISH ACADEMY FILM AWARDS IN 2015 NOMINATIONS BY FILM/DISTRIBUTOR BY FILM (40 films) ‘71 2 Into the Woods 2 20 Feet From Stardom 1 Kajaki: The True Story 1 20,000 Days on Earth 1 The Lego Movie 1 American Sniper 2 Leviathan 1 Big Eyes 2 Lilting 1 Big Hero 6 1 The Lunchbox 1 Birdman 10 Mr. Turner 4 The Boxtrolls 1 Nightcrawler 4 Boyhood 5 Northern Soul 1 Citzenfour 1 Paddington 2 Dawn of the Planet of the Apes 1 Pride 3 Finding Vivian Maier 1 Still Alice 1 Foxcatcher 2 The Theory of Everything 10 Gone Girl 2 Trash 1 The Grand Budapest Hotel 11 Two Days, One Night 1 Guardians of the Galaxy 2 Under the Skin 2 The Hobbit: The Battle of the Five Armies 1 Virunga 1 Ida 2 Whiplash 5 The Imitation Game 9 Wild 1 Interstellar 4 X-Men:Days of Future Past 1 BY DISTRIBUTOR Alchemy (1) Soda Pictures (1) Kajaki: The True Story 1 Finding Vivian Maier 1 Altitude (1) Sony Pictures (5) 20 Feet From Stardom 1 Whiplash 5 Artificial Eye (8) Studio Canal (15) Citizenfour 1 ‘71 2 Ida 2 The Imitation Game 9 Leviathan 1 Paddington 2 Lilting 1 Under the Skin 2 The Lunchbox 1 Twentieth Century Fox (26) Still Alice 1 Birdman 10 Two Days, One Night 1 Dawn of the Planet of the Apes 1 Disney (5) Gone Girl 2 Big Hero 6 1 The Grand Budapest Hotel 11 Guardians of the Galaxy 2 Wild 1 Into the Woods 2 X-Men: Days of Future Past 1 Entertainment Film (2) Universal (17) Big Eyes 2 The Boxtrolls 1 Entertainment One (10) Boyhood 5 Foxcatcher 2 The Theory of Everything 10 Mr.
    [Show full text]
  • Sundance Institute Announces New 'Filmtwo' Initiative to Support
    FOR IMMEDIATE RELEASE Media Contact: May 17, 2016 Chalena Cadenas ​ 310.360.1981 [email protected] Sundance Institute Announces New ‘FilmTwo’ Initiative to Support Second­Time Feature Filmmakers Created with Support from Founding Partner NBCUniversal Expansion of Signature Programs Addresses Unique Challenges and Barriers to Sustainable Filmmaking Careers 13 Filmmakers Selected for Inaugural FilmTwo Fellowship Andrew Ahn | Shaz Bennett | Bernardo Britto | Steven Caple Jr. | Jonas Carpignano | Marta Cunningham | Alistair Banks Griffin Siân Heder | Marielle Heller | Anna Rose Holmer | Crystal Moselle | Felix Thompson | Yared Zeleke Los Angeles, CA — Sundance Institute today announced a significant expansion of its signature artist development ​ programs to include targeted support for second­time feature filmmakers, addressing a growing need in the field of independent storytelling, especially for women and filmmakers of color. The new FilmTwo Initiative, led by the ​ ​ Institute’s renowned Feature Film Program, with generous support from Founding Partner NBCUniversal, will offer selected directors specialized creative and tactical guidance in navigating the unique challenges of making their second feature films. The Initiative’s inaugural Fellows announced today participated in a Screenwriters Intensive in March and continue to receive customized creative and tactical support and participate in select FFP activities. The FilmTwo Initiative was created to provide support to a diverse group of independent filmmakers in response to the specific challenges they face in developing and completing their second feature film, often the greatest barrier to a sustainable career as a filmmaker. These include identifying and/or writing their second project, defining their distinctive voice, scaling up and creating more ambitious projects in terms of budget and scope and a dearth of development financing.
    [Show full text]
  • 2020 DISNEY ENTERPRISES, INC. CAST Stargirl Caraway
    © 2020 DISNEY ENTERPRISES, INC. CAST Stargirl Caraway . GRACE VANDERWAAL Leo Borlock . GRAHAM VERCHERE DISNEY Archie . .GIANCARLO ESPOSITO presents Mr. Robineau . MAXIMILANO HERNANDEZ Kevin Singh . KARAN BRAR A Tess Reed . .ANNACHESKA BROWN GOTHAM GROUP Benny Burrito . COLLIN BLACKFORD Production Dori Dilson . ALLISON WENTWORTH Alan Ferko . JULIOCESAR CHAVEZ In Association with Mallory Franklin . ARTEMIS HAHNSCAPE ENTERTAINMENT Summer . JULIA FLORES Kim . GABRIELLA SURODJAWAN Hillary Kimble . .SHELBY SIMMONS Wayne Parnell. JOHN APOLINAR Zack James . .ALEX JAMES Gloria Borlock . .DARBY STANCHFIELD Leo Age 8 . ENZO CHARLES DE ANGELIS Cool Girl . CAYMAN GUAY Ana Caraway . .SARA ARRINGTON Principal Sutters . LUCINDA MARKER Band Leader . HANNAH KAUFFMANN Big Kid #1 . GAVIN WILLIAM WHITE Big Kid #2 . SEAN DENNIS Big Kid #3 . .DAVID TRUJILLO Ron Kovak . .TROY BROOKINS Mud Frog Fan . RYAN BEGAY Leo’s Dad . DAMIAN O’HARE Emcee . AUDRA CHARITY Kevin Age 8 . ATHARVA VERMA Teacher . JIMMY E. JONES Young Male Teacher . .ORION C. CARRINGTON Directed by . JULIA HART EMT . THOMAS SONS Screenplay by . KRISTIN HAHN Athletic Trainer . .ERIC ARCHULETA and JULIA HART WINTER DANCE BAND & JORDAN HOROWITZ Keyboard Player . REBECCA ANN ARSCOTT Based on the Novel by . .JERRY SPINELLI Lead Singer/Guitar . HERVE GASPARD Produced by . ELLEN GOLDSMITH-VEIN, p.g.a. Drummer . PAUL PALMER III LEE STOLLMAN, p.g.a. Bass . ARTHA MEADORS KRISTIN HAHN, p.g.a. Mudfrogs Marching Band Executive Producers . .JORDAN HOROWITZ ARMANDO ARELLANO VICTOR ARMIJO JIM POWERS ANDREW BLAIR VINCENT CONTE JERRY SPINELLI GISELLE CRUZ OSCAR GAMBOA EDDIE GAMARRA EDGAR HERNANDEZ GABE HICKS CATHERINE HARDWICKE CHRIS KINGSWADD SHANNON LATHAM JONATHAN LEVIN JULIO QUIROZ LOPEZ SPENSER LOTZ Director of Photography . BRYCE FORTNER GUS PEDROTTY ISIAH ROJAS Production Designer .
    [Show full text]
  • De Premios Estás Ahí
    TEMPORADA NOMINADOSINDICADOS 2015 2014 DE PREMIOS ESTÁS AHÍ DOCUMENTARY (FEATURE) MR. TURNER - Gary Yershon THE PHONE CALL - Mat Kirkby and James Lucas jandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo ACTRESS IN A SUPPORTING ROLE CITIZENFOUR - Laura Poitras, Mathilde Bonnefoy and Dirk Wilutzky THE THEORY OF EVERYTHING - Jóhann Jóhannsson BOYHOOD - Written by Richard Linklater PATRICIA ARQUETTE - Boyhood FINDING VIVIAN MAIER - John Maloof and Charlie Siskel SOUND EDITING FOXCATCHER - Written by E. Max Frye and Dan Futterman BEST PICTURE LAURA DERN - Wild LAST DAYS IN VIETNAM - Rory Kennedy and Keven McAlester MUSIC (ORIGINAL SONG) UNBROKEN - Becky Sullivan and Andrew DeCristofaro THE GRAND BUDAPEST HOTEL - Screenplay by Wes Anderson; Story by Wes AMERICAN SNIPER - Clint Eastwood, Robert Lorenz, Andrew Lazar, Bradley KEIRA KNIGHTLEY - The Imitation Game THE SALT OF THE EARTH - Wim Wenders, Juliano Ribeiro Salgado and David THE LEGO MOVIE - "Everything Is Awesome" from The Lego Movie; Music AMERICAN SNIPER - Alan Robert Murray and Bub Asman Anderson & Hugo Guinness Cooper and Peter Morgan, Producers EMMA STONE - Birdman or (The Unexpected Virtue of Ignorance) Rosier and Lyric by Shawn Patterson BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) - Martín Hernán- NIGHTCRAWLER - Written by Dan Gilroy BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) - Alejandro G. MERYL STREEP - Into the Woods VIRUNGA - Orlando von Einsiedel and Joanna Natasegara SELMA - "Glory" from Selma; Music and Lyric by John Stephens and Lonnie
    [Show full text]