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Boston Symphony Orchestra Concert Programs, Season 36,1916
CARNEGIE HALL NEW YORK Thirty-first Season in New York Boston Symphony Ordhestea Thirty-sixth Season, 1916-1917 Dr. KARL MUCK, Conductor Programmes ©f to THURSDAY EVENING, NOVEMBER 30 AT 8.15 AND THE SATURDAY AFTERNOON, DECEMBER 2 AT 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1916, BY C.A.ELLIS PUBLISHED BY C. A. ELLIS, MANAGER The ideal of the Steinway Piano is a beautiful voice. The work of the Steinway family is to create a sensitive but permanent vehicle for its expression. "The Steinway realization means the eleva- tion and furtherance of the great art of music. Their field is the world and mankind is the beneficiary. Rarely have men had such in- spiration and more rarely have they risen to the heights or possessed such unobscured and prophetic vision of the intellectual needs." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Orchestra <iA~ Thirty-sixth Season, 1916-1917 Dr. KARL MUCK, Conductor PERSONNEL Violins. Witek, A. Roth, 0. Rissland, K. Theodorowicz, J. Concert-master. Hoffmann, J. Schmidt, E. Bak, A. Noack, S. Mahn, F. Ribarsch, A. Goldstein, H. Sauvlet, H. Tak, E. Traupe, W. Baraniecki, A. Griinberg, M. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Siilzen, H. Fiedler, A. Gerardi, A. Pinfield, C. Gewirtz, J. Kurth, R. Gunderson, R Rosen, S. Violas. Ferir, E. Werner, H. Gietzen, A. v.Veen, H. Wittmann, F. Schwerley, P. Berlin, W. Kautzenbach, W. Van Wynbergen, C. Blumenau, W. Violoncellos. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Dominican Republic Jazz Festival @ 20
NOVEMBER 2016 VOLUME 83 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
STEINWAY Meetings in the Hotel Fontland
6- - Tills ZlDAT OREGOXIAX, TORTLAND, 3IAT 5, 1918. this season of the MacDowell Club. I "Paris Carnival" was produced ty the and possibly the last two under Mrs. I Fine Arts and its unique success makes Thomas Carrlck Burke a direction as I keener the anticipation lor this new president. She leaves soon for the work. The other performances will be East. for war relief. MONDAV MUSICAL, TOHORHOW. At a patriotic meeting of members Episcopal IBPIP The Monday Musical Club will be and friends of the Methodist quite busy tomorrow at its various Church to be held next Sunday, May 12, STEINWAY meetings in the Hotel Fontland. at 4 P. M.. in the Public Auditorium, to The board of management will hold help raise part of the SI, 000, 000 re- jjjl regular meeting: M. quired for the war funds of the church, SC ByJoszph la at 1:30 P. .At an attractive muslo programme has Edited C 2 o'clock all members of the club are prepared auspices I requested to be present for election of been under the of officers. Dr. William Wallace Toungson and the At 2:30 o'clock P. St. a musical pro direction of Jasper Dean MacFalL. The gramme pipe organist will be Mrs. Gladys Mor- will be presented, when this gan Farmer, of the First Methodist music will be rendered: Episcopal Church. The junior vested "Quartet in A Miner. On. 19" (Schubert): choirs of Methodist Episcopal churches allegro ma non troppo. andante, mlnuetto par- allegretto, finale allegro moderato; "An- of this city, about 350 voices, will dante Cantablle." from "D Major." quar- ticipate. -
Forgotten Splendour
FORGOTTEN SPLENDOUR A Chronology of the North Shore Music Festival 1909 to 1939 by Andrew Cottonaro Beginning in 1909 and lasting until 1939, the North Shore Music Festival of Northwestern University was a significant musical and social event in the Chicago area. For a few days each Spring, the campus hosted a diverse body of performers in a series of grand concerts. Naturally, some of that era’s most eminent singers could be heard there. Their presence certainly helped to sell tickets and their artistry helped to sustain the festival as a popular and critical success. Now, sixty years later, the festival hardly even counts as a faded memory. To date, two books (in part), offer a general outline of the festival’s history, but both lack any detailed analysis of who appeared and what was actually sung. This is the first attempt to present a chronology of the vocal offerings (quite distinct from the orchestral offerings) at the festival. Northwestern University, the official sponsor of the festival, is located in Evanston, Illinois (USA). The town is a suburb of Chicago, directly north of the city and on the banks of Lake Michigan. Because of this geographic position, Evanston and the other cities of the area are called the North Shore, hence the origin of the festival’s name. Northwestern University was incorporated in 1850 and gradually won recognition for its academic excellence. The establishment of musical studies, however, was a tangled web of many failed efforts. In a final and desperate attempt to salvage musical education, the university’s board of trustees in 1891 appointed Peter Christian Lutkin (1858-1931) to direct musical studies, a post that he held until his death. -
U.K. Telegraph: 100 Best Jazz Recordings (Pdf)
4 Jelly Roll Morton: grace of amuch smaller group. Volumes 1-5 (JSP 1926- Sevendecades later,this music 1930) deleted still sounds fresh minted. Jelly Roll wasapool-shark, 11 Billie Holiday&Lester hustler and pimp, but also the Young: AMusical finest pianist to come out of Romance (Columbia 1937- Telegraph NewOrleans and the first great 57) £5.86, RRP £8.99 composer/arranger in jazz, Holiday’s voice and Young’s above all in these recordings. saxophone made awonderfully 5 JohnnyDodds: compatible musical couple, both 100 DefinitiveDodds (Retrieval wry,tender,vulnerable and 1926-7) £10.76, RRP £11.99 beautiful. This compilation 18:33:52; Skirling and insistent in the contains some of their most upper register,plumyand fluid delightful encounters, plus one in the lower, Dodds’s clarinet poignant reunion. 2009 wasamong the most 12 DjangoReinhardt and e compelling voices to emerge Stéphane Grappelli: 03, b st from NewOrleans. Swing from Paris (ASV 6 Louis Armstrong: The 1935-39) £6.84, RRP £8.99 Nov Complete Hot Fiveand Reinhardt’s Roma guitar and Hot SevenRecordings Grappelli’s lilting violin both draw (Columbia 1925-9) deleted on European musical traditions, The Old Testament of jazz in but fuse with American jazz in a Date: j which the youthful Louis combination that is propulsive, Armstrong emergeslikea filled with joie de vivre and is a prophet, filled with powerand just irresistible. mm); z glorious eloquence. His example 13 BennyGoodman: At z influenced almost all of 20th- Carnegie Hall 1938 century popular music. (Columbia 1938) deleted recordings 7 Fletcher Henderson: This renowned concert marked 311.00 ILLUSTRATIONS JiM FLORa Tidal Wave (GPR 1930) the arrival of big-band jazz as x From Ella to Billie, Coltrane to Ellington, NewOrleans £9.78, RRP £10.99 the major form in popular music. -
BROADCAST WEEKLY Per Cent of All Votes Cast Favored This Represents, We Again Express Our Appreciation¡ to Program
OE WEBK ifOR3130 12t 1 www.americanradiohistory.com The NEW MAYFLOWER 10 Special New Features ...PLUS Authentic Colonial Design What a joy-a thing so beautiful, so perfect, and yet so easy to own and eco- nomical to operate. MAYFLOWER'S gleaming Colonial cabinet was designed in the very New England shops where were fashioned those historic old chests and highboys which are veritable treas- Aristocrat of All ures today. And MAYFLOWER'S 10 big new SPECIAL features insure long Electric Refrigerators years of economical trouble -free opera- tion second to none in the field. Write, wire, or phone for complete informa- tion, or come in for demonstration. $189.50 complete installed KlERVLáávÉNS[ Ï ELECTRIC INCORPORATED RADIO EQUIPMENTÓ REFRIGERATION DIVISION San Francisco -121-131 Ninth St. Los Angeles-135-139 West 17th St. www.americanradiohistory.com B ROADCAST WEEKLY The Leading Radio Guide of the Pacific Coast Vol X, No. 28 A. J. URBAIN, Editor and Publisher July 11, 1931 PROGRAM CONTEST SURPRISES rjrkHE final tabulation and classifica- hour, independent of the day of the week, tion of the ballots in BROADCAST 8 p. m., second, 8:30 p. m., third. WEEKLY'S recent "Program Popu- Among the days of the week, Monday larity Contest," brought many surprises. received most votes. Saturday, second ; According to the most popu- this survey, Tuesday, third ; Sunday, fourth ; Thurs- lar radio reaching Pacific program Coast day, fifth; Wednesday, sixth ; and Fri- listeners between 6 p. m. and 11 p. m., day last. Pacific Time, is Seth Parker, broadcast In behalf of the great radio audience at 6:45 p. -
Thelonious Monk Timeline
Thelonious Monk Timeline 1917. Thelonious Monk was born on October 10, 1917 in Rocky Mount, North Carolina. His badly written birth certificate misspelled his first name as "Thelious" or "Thelius". It also did not list his middle name, taken from his maternal grandfather, Sphere Batts. 1921. When he was just four, his parents, Barbara and Thelonious, Sr., moved to 2 43 West 63rd Street, in Manhattan, New York City, where he would spend the next five decades of his life. 1928. Monk began studying classical piano when he was eleven but had already shown some aptitude for the instrument. "I learned how to read before I took lessons," he later recalled. "You know, watching my sister practice her lessons over her shoulder." 1930. By the time Monk was thirteen, he had won the weekly amateur competition at the Apollo Theater so many times that the management banned him from reentering the contest. 1934. At age seventeen, Monk dropped out of the esteemed Stuyvesant High School to pursue his music career. He toured with the socalled "Texas Warhorse," an evangelist and faith healer, before assembling a quartet of his own. Although it was typical to play for a big band at this time, Monk preferred a more intimate work dynamic that would allow him to experiment with his sound. 1941. At age twenty four, Monk began working at Minton's Playhouse in Harlem, where he joined the house band and helped develop the school of jazz known as bebop. Alongside Charlie Parker and Dizzy Gillespie, he explored the fast, jarring, and often improvised styles that would later become synonymous with modern jazz. -
"Eugene Onegin" Last Awakens Memories Opera Novelty to Be ';¦ of Events in 1881-82 Next Wednesday Sung
Coming Music Festival "Eugene Onegin" Last Awakens Memories Opera Novelty To Be ';¦ Of Events in 1881-82 Next Wednesday Sung .-. With tha appreachlnjr mueic feetival torlo and festlval singer. He made at the 71et Ar- his first sueeesses ln oratorio in to be given Regiment where Eng¬ Tschaikowsky's opera "Eugene One-1 knowa himself too well. He has not April 6 to 11, many old New land, he sang at Blrmlngham gin''."lyric scenes," the composer one quality that woule? .fit him to bo aiory. and Oxford. His smooth, resonant a husband. Kc lovera of music will recall the characterizes it.based on a famous considers it his duty York bass, admirably schooled and delivered to be frank, not to di^a} point the festirala given in 1881 and 1882 under wlth raflnement, dignity and classical poem by the popular Russian poet trusting girl. He refuses her love and of repose, added much to the success of the leadership, respectively, Dr. the New York Pushkin, will be given for thc flrst tpkes the blame upon himself. T-.tiana Damrosch and Theodore festival of 1881. He time in this country in its receives his refusal with ensternation. Leepold holds the distinction of having no original Act II. Tatiana;* nanio both dear to the heart of the equal in his for form at the House day is bt \i.g Tho/nas, period oratorio. Metropoiitan Opera celebrated with a ball. Onegin attends of forty years ago. Many other names can be next With its on eoncertgoer in the conjured Wednesday evening. -
Music Festival
Second Annual \/KXJ/W MUSIC FESTIVAL of the ^PORTLAND FBSTI\M/ ASSOCIATION (" INCOR.POR.ATED ) PORTLAND. OREGON Three Nights JUNE 6th, 7th, 8th, 1918 IN THE MUNICIPAL AUDITORIUM Presenting MABEL RIEGELMAN, SOPRANO FRANCES INGRAM, CONTRALTO MORGAN KINGSTON, TENOR HIRAM TUTTLE, BARITONE PORTLAND FESTIVAL CHORUS PORTLAND SYMPHONY ORCHESTRA Ghorns From Portland High Schools Orchestra From Portland High Schools WM. H. BOYERj CONDUCTORS CARL DENTON > EDGAR E. COURSEN, at the Piano FREDERICK W. GOODRICH, at the Organ MABEL, RIEGELMAN, FRANCES INGRAM, CONTRALTO SOPRANO PROGRAM THURSDAY EVENING, JUNE 6th PART 1 SOLOISTS FRANCES INGRAM .... Contralto MORGAN KINGSTON .... Tenor PORTLAND SYMPHONY ORCHESTRA CARL DENTON Conductor Overture to opera "Mignon" Ambrois Thomas Aria, "Vesti la giubba" from opera "I Pagliacci" Leoncavallo MR. KINGSTON Aria "0 don fatale" from opera "Don Carlos" ..Verdi MISS INGRAM Kammenoi-Ostrow Rubenstein a She is far from the land Lambert b What is love Grant c A memory Thomas MR. KINGSTON a Lungi dal caro bene Secchi b So soon forgotten Tschaikowsky c Vous dansez Marquise Lemaire d The Sheep and the Lambs Homer e Hopak Moussorgsky MISS INGRAM Grand Processional March from opera "The Queen of Sheba" Gounod PART 2 MORGAN KINGSTON .... Tenor PORTLAND SYMPHONY ORCHESTRA PORTLAND FESTIVAL CHORUS WILLIAM H. BOYER .... Conductor Hiawatha's Wedding Feast S. Coleridge-Taylor How the handsome Yenadizze, For the women and the maidens Danced at Hiawatha's wedding; Loved the handsome Pau-Puk-Keewis. How the gentle Chibiabos, He was dressed in shirt of doe-skin He the sweetest of musicians, White and soft, and fringed with ermine, Sang his songs of love and longing, All inwrought with beads if wampum; How iagoo, the great boaster, He was dressed in deer-skin leggings, He the marvellous storyteller, Fringed with hedgehog quills and ermine, Told his tales of strange adventure, And in mocassins of buck-skin That the feast might be more joyous, Thick with quills and beads embroidered. -
PAU1110 PIEWILIE for Tuo March 1930
PAU1110 PIEWILIE for tuo March 1930 In This Issue: Frank Moulan Stage vs Radio The SOS from Chinatown "Uncle Don" Carney Caroline Andrews -Mme. Galli -Curci The Two Troupers And Other Features RADIO STARS from the Studios of DONALD MCGILL LUCIEN RUT\InN Baritone Ten WOR-WEAF WEAF-WOR A,,,eriea,i Opera Company DIESE ET E 33 West 67th Street New York Telephone: Trafalgar S063 BROWNIE PEE i. Mezo-Sopra Ca,cofhcr National ADELE VASA Railways Marc SILVVIRA Coloratura Soprano WOR-WEAF tgrir Coloratura Soprano WABC- WEAF -WOR American Opera Co,n paria WOR -W ABC Opera Company A,nr r icon Opera Company Anierieun CQ. 11B 63746 MAgï3 hpro VAU®1 C IP E V 1J E F O R THE L I S T E N E R Volume I Number 4 , March, 1930 CONTENTS On the Cover: Caroline Andrews By Gaspano Rirra. Alma Kitchell ... (Photograph) 2 Trying To Be Funny Not As Much Fun as It Might Seem By Frank Mouton 3 Frank Moulan (Photograph) 5 A Gypsy Call By Alice Remsen 6 Radio Gives Actress Greater Thrill Than Does Stage Georgia Backus 7 Cathedral of Underworld Sends SOS From Chinatown By Allen Haglund 10 Trees Need Not Walk the Earth By David Ross 12 Radio Revives Public's Interest in Old -Time Minstrel Show. By Al Bernard 13 Don Carney is "Uncle" to More Than 300,000 Children By David Casein 1 S "Sponsoritis" ... ... ..Anon. 16 At Home on the High "Cs" (Photograph) 17 Mr. Average Fan Answers Some of His Critics By Average Fan 18 Sound Effects Made to Order for Radio Programs By Herbert Devins 20 In Memoriam: A Tribute ro Col. -
Frank Moulan Stage Vs Radio the SO S from Chinatown "Uncle Don" Carney Ca Roline Andrews ~ Mme
Mareh 1930 0:: . oq" 0 .d ~- a ~ ".. ''\' In This Issue: Frank Moulan Stage vs Radio The SO S from Chinatown "Uncle Don" Carney Ca roline Andrews ~ Mme. Galli-Curci The Two Troupers A nd Other Features RADIO STARS from the Studios of DONALD MCGILL LUCIEN R UT;\IAN Baritoll e Tell or WOR- WEAF W'EAF- W OR A lIlcricall OPera Co 111 pa ll )' WALTER I{IESEWETTER 33 West 67th Street N ew York Telephone: T rafalgar 8063 BROWNIE PEE BLES J\[c :;::; u-So /)ra 110 Ca ll adiall Natio ll al ADELE VASA Railu'a),s MAR y SILVEIRA Coloratura Sojml/IO \VOR- WEAF L)'ric Coloratura Sopra ll o \\7 ABC-WEAF-WOR AlIlericall O J) cr(/ Co 111 /)(/ 1/), WOR-WABC AlIlericall OJ)('ra COll1jW Il )' America ll OJ)('rll Co 111 jWIl )' © Cl B 637!H; I2A()IU /' FOR q:'HE LlSq:'E 'NER Volume I Number 4 . March, 1930 CONTENTS On the Cover: Caroline Andrews . .. ... ... By Gaspano Ricca. Alma Kitchell .. ... .. (Photograph) 2 Trying To Be Funny Not As Much Fun as It Might Seem. By Frank M01dan 3 Frank Moulan ..... ...... ... .. (Photograph) A Gypsy Call ... .... ..... By Alice Remsen , Radio Gives Actress Greater Thrill Than Does Stage .. ... .... Georgia Backus 7 Cathedral of Underworld Sends SOS From Chinatown . .. ... By Allen Haglund 10 Trees Need Not Walk the Earth .. ........ '.' .... ... .. By David Ross 12 Radio Revives Public's Interest in Old-Time Minstrel Show . .... By Al Bernard 13 Don Carney is "Uncle" to More Than 300,000 Children . ... .... By DavM Casem 15 "Sponsori tis" .. An011. 16 At Home on the High " Cs".