DOCSLIB.ORG

"Eugene Onegin" Last Awakens Memories Opera Novelty to Be ';¦ of Events in 1881-82 Next Wednesday Sung

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Coming Music Festival "Eugene Onegin" Last Awakens Memories Opera Novelty To Be ';¦ Of Events in 1881-82 Next Wednesday Sung .-. With tha appreachlnjr mueic feetival torlo and festlval singer. He made at the 71et Ar- his first sueeesses ln oratorio in to be given Regiment where Eng¬ Tschaikowsky's opera "Eugene One-1 knowa himself too well. He has not April 6 to 11, many old New land, he sang at Blrmlngham gin''."lyric scenes," the composer one quality that woule? .fit him to bo aiory. and Oxford. His smooth, resonant a husband. Kc lovera of music will recall the characterizes it.based on a famous considers it his duty York bass, admirably schooled and delivered to be frank, not to di^a} point the festirala given in 1881 and 1882 under wlth raflnement, dignity and classical poem by the popular Russian poet trusting girl. He refuses her love and of repose, added much to the success of the leadership, respectively, Dr. the New York Pushkin, will be given for thc flrst tpkes the blame upon himself. T-.tiana Damrosch and Theodore festival of 1881. He time in this country in its receives his refusal with ensternation. Leepold holds the distinction of having no original Act II. Tatiana;* nanio both dear to the heart of the equal in his for form at the House day is bt \i.g Tho/nas, period oratorio. Metropoiitan Opera celebrated with a ball. Onegin attends of forty years ago. Many other names can be next With its on eoncertgoer in the conjured Wednesday evening. Lenski's invitation. He is ths Bub- The festival of 1881, then, aa now, up memories of the survlving production General Manager Giulio ject of comment by the guosi.-.. An¬ music lovers of forty years ago. There he seeks to himself wss held nnder the auspicea of the waa Frederick the Gatti-Casazza will have completed his noyed, reverge upon of New Bergner cellist who promised list of "novelties and reviv- Lenski by courting Olga. Lenski takes Orstorlo Society York. Among played in a trio with F. von Inten different his jest seriousiy. quarrels with his old operatic stars and Dr. Damrosch at the first concert als," making thirty-four operas the distinguished of the Oratorio presented so far this season. friend and challenges Onegin to a and oratorio and concert artists tak¬ Society, when half a Although Onegin" has been duel. Soeial cofisiderat >or.3 force One¬ dozen soloist* and twenty-eight choral heard in this|'Eugene gin to the and Zarct- ing part in the work of the Oratorio enthusiasts on country only in concert accept challenge, met December 3, 1878, form, it is one of the most ski, a dueling, landlord, Society are recorded Annie Louise m a room over the old Knabe piano popular fans Lenski's blustermg warorooms operas in Russia. Even to-day tne Bol¬ anger,' so that a recon- Samuel P. at 112 Fifth Avenue. The sheviki are ciliation is nfade Cary, Campanini, Warren, names of Marlani applauding it in Moscow.' impossible. This part ajuriani Brandt, Frederick Bergner, P. Brandt, William Writing about "Eugene Onegin" the of Pushkin's work is kecn satire, an Inten, Williarn Castle, D. Castle, Alvina Valleria, Juiian Jordan composer said: extraordinarily effective mockery of von Myron and Etelka Gerster, all famous nrtistB There Whitney, Signor Ravelli, Mlle. Alvina of their stand out "The character of Tatiana, the hero- dueling. is derision, too, on day, prominently in is one that had been for he chooses as his Vslleria, Etelka (ierster, Minnie Hauk the early programs of the ine, almost dui- Onegin's side, aad many others. Of this society. fied by the Russian people. She is a second his cpachman, Gillot. But the Walter to whom the array of celebrities the young and fashion.\ble of duel itself is fought in earnest. Lenski Damrosch, brilliant though short career of Etelka lady society, shot konor falls of conducting the festival Gerster offers much of showing those qualities of simple-heart- falls, by his opponent's bulict. the as a of interest to the ed and devotion which (This Bcene recalls tho of ef 1920, played organ boy student of This accom- honesty Turge- experience Utteen at the festival of when bygone days. nieff has revealed to us in his women the poet himself, who fell in a duel by 1881, plished Hungarian became famous over ClfiUVM Muzio, f/tj the r*.ther wielded the baton. Besides Her voice "EUGENE characters." bullet of a courtier, Georg d'An- [r. there are few survivors night. resembled Jenny Om^GiN." thes-Keckeren, who died in Alsace Jis Damrosch, Lind's in clear and birdlike quality.a The cast in detail will be as follows: in who in the great musical Tatiana .Claudia Muzio 1895.) eventsparticipatedof that but these few in¬ pure soprano without fiaw. She owned Vlllanelle.,.Del Acqua' Act III. Twenty-six years later. day, every requirement of the perfect Who'U Buy My Lavender?.German Olga .Frances Ingram has clude Annie Louise Cary and Minnie The most difficult Russian Folksong.Arr. by Zimbalist Larina .Flora Perini Onegin resiles-ly Qandered over Bauk. singer. passages re¬ Solveg's Song .Grieg Filipievna .Kathleen Howard the world. Now he ia s.% St. Peters- quired no effort and her pitch was al¬ Girometta.Old Italian Onegin.Giuseppe de Luca burg.at a ball given Gremine. A Democratic Artist ways true. Voci Lenski .Giovanni byiv $»cft primavera . Strauss MartinelU He sees in Princess GreS |b, an accora- Kiaa Cary waa affectionately known Cooking Her Hobby A Little Winding Road.Ronald Prince Gremine.Adamo Didur plished woman of the woi *t the former Butterflies . Seiler Tritjuet.Angelo Bada to her-public as'"Annie Cary," just as Zaretskl Tatiana. Now his pasaioS is aroused anc would say "Jennie Lind." She Etelka Gerster's hobby was cooking, Snow . Lie .Millo Picco sang and she spent much time in arranging Tho Wind's ln the South.Scott A captain.Louis d'Angelo in all its strength. He must win her. the details of her eating. She would Conductor, Artur Bodanzky Tatiana, however, no longer loves him send for the hotel Carnegie Hall, 8:15 p. m. Concert Richard has with her former ardor. When she up- cook and tell him of new Spanish music, by the Schola Ordynski prepared the braids for how she wanted prepared this or that Cantorum: mise en scene, while Mr. Giuli Setti Onegin loving her only be¬ dish. Once she demanded that the has trained the chorus. Special dances cause she has become brilliant and Folksongs of tho Basque people. In mod¬ have been worldly, she is only herself l.>ropvietor, of the hotel where she was ern settings arranged by Miss Rosina deceiving staying the cook because he by Basque composers. Galli. and her adorer as to her real feelings. discharge Goiko Mcndiyan (On the Mountain Tops), The has At last she reveals her true had put too much salt into the soup. manuscript; Txori Urretxindorra (The scenery been painted by She feelings. She refused to use Miss Nipthtingale'B Message).Jesus Guridi Joseph Urban, who also designed the tells Onfigin that sh-> loves him Kellogg's olive Itiuna but that she will oil because she said that it was fit only (Molancholy), manuscript: Txori- costumes, which have been made in as-before, explains tor an American. nusk Kaloian (The Bird in Iits Cage), the atelfcr of the Metropoiitan under remain true to her wifely vows. Broken (firBt performance anywhere) ; Goixian An amusing episode which added to On the direction of Mme. Castel-Bert. hearted, Onegin leaves her. the worries of (Humorous Drinking Song), manu¬ Other operas of the week will bej Colonel Mapleson, the script . Norberto Almandoz The Story "Le manager, was the Gerster-Patti war. Songs of Asturia and Spanish Galicia. Prophete" to-morrow evening, lt seems that the colonel favored Mme. Rafaelo Diaz, tenor. Act I. Eugene Onegin has been with Mmes. Muzio, Matzenauer and Patti in this Compositions by Modern Composers of Cata- called from a wild life of pleasure to Mellish and Messrs. Caruso, Rothier, merry passage of wits. "Tb(- Music Box".Lladow lonia. the deathbed of his sick uncle. After Patti received the flowers over the Etude Heroique .Leschitzky El Cant de la Mardones, Anunian, Rescbiglian, Picco, Senyera (Flate Song of the his relative's death the young man Schlegel, Audisio and Paltrinieri. Miss iootlights, while Gerster received the Orf.-o Catala) .Lluia Millet takes of his Galli and Mr. applause. Mme. Patti became so em- Els Fadrins* da Saint Boi Proud possession property. From Bonficlio will dance. Mr. TUESDAY (The the he has a will conduet. bittered that she positively refused to Bachelors) .,.. Antoni Perez Moya city brought profound Bodanzky with Aeolian Hall, 8 p. m. Song recital Remorxliment (Remorse). Enric Morera satiety of aU enjoyment and a "Zaza," at a special matinee on sing the quick-tempered Hun¬ by Edna El Fill de Don Gallardo for the deep garian. Then Gerster saw Mme. Patti's Mampell: (Bell Chorus), contempt society of mankind. Thursday afternoon, with Mmes. Far¬ name in the Je n'en jamais cherl.Gluck J. Sancho Marraco At his solitary country seat he forms rar and Howard and Miss Quintina and poster displayed in larger Chi vuol la zinsarella.Paiiello Dlvendrea Sant (Good Friday Music), a with Messrs. type than her own, and she Antoni Nicolau friendship a young fanatic, the Crimi and Amato. for disappeared Lescia ch'io piana.....Handel . , poet Lenski. Through him he is intro- "Marta" three days. Mme. Patti predicted Un certo non so ehe.Vivaldi For four cholrs ln thirteen parts.
Load more

Recommended publications
  • Portland Daily Press Stock Dial Athertou, York
    ESTABLISHED JUNE 23, 1862.—VOL. 15. PORTLAND. THURSDAY MORNING. DECEMBER 20. 1877. TERMS $8.00 PER ANNUM, IN ADVANCE ENTERTA INMENTS. ENTERTAINMENTS. MISCELLANEOUS. EDUCATIONAL. MISCELLANEOUS. THE PRESS. Cap and Bells. Marsh’s Theati e, The Ladies of “Willislon Circle” XlJDWIO TRllsrT THURSDAY HORNING. DEC. SO. Whenever yon have ten minutes to spare go Fanny an! bother Articles some one who hasn't. PORTLAND, will have a tale of Useful and Fancy at Of Interest to all Mankind! PROFESSOR OF LANGUAGES, HOLIDAY GOODS Wa do not read anonymous etters and common] Graduate of the of Highest University Germany. cations. The One Week Only 1 WILLISTON CHHIIRCH The name and address of the writer are in frost on the milkman's moustache chills Positively Emin and Greek. Gcrinas, French, all cases indispeusable, not necessarily for publication the hired to the on Thursday Afternoon and girl core. Commencing Monday. Dec. 17Hi. Grand Few People thoroughly understand the correct meaning ot German and French Classes. but as a guaranty of good faith. Dec. 20th. t. p. McGowan Matinee Saturday, Dec. 22d. Evening, We cannot undertake to return or preserve com- UNITED STATES HOTEL. The snow at Erzeroum is three feet Refreshments will lie for sale. del8dt3* munications that are not used. deep, nol 1 d Jm desires to Inform tho public that he makes a Extraordinary, specialty and the inhabitants are all out slaying. Engagement nadqueradk prize at RED FIGURES ! and Hall, THURSDAY EVE- And first appearance in 10 years ol tho GrandArmy Navy Instruction in English and Class- Evert regular attache of the Pbess is furnished NING, Dec.
    [Show full text]
  • Arriva Un Bastimento Carico Di Artisti. Sulle Tracce Della Cultura Italiana Nella Buenos Aires Del Centenario
    RiMe Rivista dell’Istituto di Storia dell’Europa Mediterranea ISSN 2035-794X numero 6, giugno 2011 Arriva un bastimento carico di artisti. Sulle tracce della cultura italiana nella Buenos Aires del Centenario Irina Bajini Istituto di Storia dell’Europa Mediterranea Consiglio Nazionale delle Ricerche http://rime.to.cnr.it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
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 35,1915-1916, Trip
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY ^\^><i Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor ITTr WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 23 AT 8.00 COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1 €$ Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to I you. and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extra dollars and got a Steinway." pw=a I»3 ^a STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, O. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet. H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Sulzen, H.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 36,1916
    CARNEGIE HALL NEW YORK Thirty-first Season in New York Boston Symphony Ordhestea Thirty-sixth Season, 1916-1917 Dr. KARL MUCK, Conductor Programmes ©f to THURSDAY EVENING, NOVEMBER 30 AT 8.15 AND THE SATURDAY AFTERNOON, DECEMBER 2 AT 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1916, BY C.A.ELLIS PUBLISHED BY C. A. ELLIS, MANAGER The ideal of the Steinway Piano is a beautiful voice. The work of the Steinway family is to create a sensitive but permanent vehicle for its expression. "The Steinway realization means the eleva- tion and furtherance of the great art of music. Their field is the world and mankind is the beneficiary. Rarely have men had such in- spiration and more rarely have they risen to the heights or possessed such unobscured and prophetic vision of the intellectual needs." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Orchestra <iA~ Thirty-sixth Season, 1916-1917 Dr. KARL MUCK, Conductor PERSONNEL Violins. Witek, A. Roth, 0. Rissland, K. Theodorowicz, J. Concert-master. Hoffmann, J. Schmidt, E. Bak, A. Noack, S. Mahn, F. Ribarsch, A. Goldstein, H. Sauvlet, H. Tak, E. Traupe, W. Baraniecki, A. Griinberg, M. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Siilzen, H. Fiedler, A. Gerardi, A. Pinfield, C. Gewirtz, J. Kurth, R. Gunderson, R Rosen, S. Violas. Ferir, E. Werner, H. Gietzen, A. v.Veen, H. Wittmann, F. Schwerley, P. Berlin, W. Kautzenbach, W. Van Wynbergen, C. Blumenau, W. Violoncellos.
    [Show full text]
  • Vol. 4. Contents. No.2
    Price, Its Cents. 53.76 Worth of MUSIC in This Number. Vol. 4. No.2. Contents. GENERAL ..........•......................... , ...• page 55 What Care I? (Poetry).-Comical Chords. EDITORIAL ...................................... page 56 Paragraphs.-The People's l\fusical Taste. l\fUSICAL ................ ........................ page 66 Piano Recitals at the St. Louis Fair. l\1ISCELLANEOUS ......... .. ..................... page 58 The Musician to His Love (Poetry) .-Major and Mmor. -Love and Sorrow (Poetry).-New York.-Pleyel. -Anecdote of Beethoven.-Donizetti's Piano -Forte. -l\fnsic and IUedicine.-Answers to Correspondents. -What the PTess Think of lt.-Smith and Jones. MUSIC IN THIS NUMBER. " Careless Elegance," Geo. Schleiffarth ......... page fi7 "Peep o' Day Waltz," Alfred von Rochow ...... page 70 " The Banjo," Claude Melnotte .........•........ page 72 " Greetings of Love" (Duet), Wm. Siebert ...... page 74 ~· 'l'hou'rt Like Unto a Flower," A. Rubinstein ... page 78 "Because 1 Do," J. L. Molloy .................... page 80 "Goldbeck's Harmony" .........................._ page Si KUNKEL BROS., Publishers, ST. LOUIS, MISSOURI. COPYRIGHT, KUNKEL BROS., 1S8l. 50 KUNKEL'S MUSICAL REVIEW, OCTOBER, 1881. "USED BY ALL THE GREAT ARTISTS" THE AJR'll'JI§'Jf§. AR'lfli§'Jf§, LIEBLING, HE~RY F. MILLE~ PI) NOS SHERWOOD, PERRY, PRESTON, ARE PRONOUNCED THE BEST HENRIETTA MAURER, BY '£HE MRS. SHERWOOD, HOFFMAN, Leadin Artists of the Present Time, PEASE, AND ARE USED Bl' THEM CHARLES R. ADAMS, P. BIUGNOLI, IN PUBLIC AND PRIVATE. CLARA LOUlSE KET"LOGG, ANNIE LOUISE CARY, EMMA TIIURSRY, These celebrated instruments arc the favorites, at1d are MARIE ROZE, used in the finest concerts in the principal cities of TOll! KARL, i\mericn. W. II. l<'ESSENDEN, The characteristir.s which have given these Pianos their l\1.
    [Show full text]
  • Il Trittico Pucciniano
    GIACOMO PUCCINI IL TRITTICO PUCCINIANO Il trittico viene rappresentato per la prima volta al Teatro Metropolitan di New York il 14 dicembre 1918. Il tabarro - Luigi Montesanto (Michele); Giulio Crimi (Luigi), Claudia Muzio (Giorgetta); Suor Angelica - Geraldine Farrar (Suor Angelica), Flora Perini (Zia Principessa); Gianni Schicchi - Giuseppe de Luca (Gianni Schicchi), Florence Easton (Lauretta), Giulio Crimi (Rinuccio); direttore d'orchestra Roberto Moranzoni. La prima italiana ha luogo, meno d'un mese dopo, al Teatro Costanzi (odierno Teatro dell'opera di Roma) l'undici gennaio 1919, sotto la prestigiosa direzione di Gino Marinuzzi, fra gli interpreti principali: Gilda dalla Rizza, Carlo Galeffi, Edoardo de Giovanni, Maria Labia, Matilde Bianca Sadun. L'idea d'un "Trittico" - inizialmente Puccini aveva pensato a tre soggetti tratti dalla Commedia dantesca, poi a tre racconti di autori diversi - si fa strada nella mente del Maestro almeno un decennio prima, già a partire dal 1905, subito a ridosso di Madama Butterfly. Tuttavia, sia questo progetto sia quello d'una "fantomatica" Maria Antonietta (che, come si sa, non fu mai realizzata) vengono per il momento accantonati in favore della Fanciulla del West (1910). La fantasia pucciniana è rivisitata dall'immagine d'un possibile "trittico" nel 1913, proprio mentre proseguono - gli incontri con Gabriele D'Annunzio per una possibile Crociata dei fanciulli...... Infatti, proprio nel febbraio di quello stesso anno Puccini è ripreso dall'urgenza del "trittico": immediatamente avvia il lavoro sul primo dei libretti che viene tratto da La Houppelande, un atto unico, piuttosto grandguignolesco, di Didier Gold, cui il compositore aveva assistito, pochi mesi prima, in un teatro parigino: sarà Il tabarro, abilmente ridotto a libretto da Giuseppe Adami.
    [Show full text]
  • 122 a Century of Grand Opera in Philadelphia. Music Is As Old As The
    122 A Century of Grand Opera in Philadelphia. A CENTURY OF GRAND OPERA IN PHILADELPHIA. A Historical Summary read before the Historical Society of Pennsylvania, Monday Evening, January 12, 1920. BY JOHN CURTIS. Music is as old as the world itself; the Drama dates from before the Christian era. Combined in the form of Grand Opera as we know it today they delighted the Florentines in the sixteenth century, when Peri gave "Dafne" to the world, although the ancient Greeks listened to great choruses as incidents of their comedies and tragedies. Started by Peri, opera gradually found its way to France, Germany, and through Europe. It was the last form of entertainment to cross the At- lantic to the new world, and while some works of the great old-time composers were heard in New York, Charleston and New Orleans in the eighteenth century, Philadelphia did not experience the pleasure until 1818 was drawing to a close, and so this city rounded out its first century of Grand Opera a little more than a year ago. But it was a century full of interest and incident. In those hundred years Philadelphia heard 276 different Grand Operas. Thirty of these were first heard in America on a Philadelphia stage, and fourteen had their first presentation on any stage in this city. There were times when half a dozen travelling companies bid for our patronage each season; now we have one. One year Mr. Hinrichs gave us seven solid months of opera, with seven performances weekly; now we are permitted to attend sixteen performances a year, unless some wandering organization cares to take a chance with us.
    [Show full text]
  • Enrico Caruso
    NI 7924/25 Also Available on Prima Voce ENRICO CARUSO Opera Volume 3 NI 7803 Caruso in Opera Volume One NI 7866 Caruso in Opera Volume Two NI 7834 Caruso in Ensemble NI 7900 Caruso – The Early Years : Recordings from 1902-1909 NI 7809 Caruso in Song Volume One NI 7884 Caruso in Song Volume Two NI 7926/7 Caruso in Song Volume Three 12 NI 7924/25 NI 7924/25 Enrico Caruso 1873 - 1921 • Opera Volume 3 and pitch alters (typically it rises) by as much as a semitone during the performance if played at a single speed. The total effect of adjusting for all these variables is revealing: it questions the accepted wisdom that Caruso’s voice at the time of his DISC ONE early recordings was very much lighter than subsequently. Certainly the older and 1 CAVALLERIA RUSTICANA, Mascagni - O Lola ch’ai di latti la cammisa 2.50 more artistically assured he became, the tone became even more massive, and Rec: 28 December 1910 Matrix: B-9745-1 Victor Cat: 87072 likewise the high A naturals and high B flats also became even more monumental in Francis J. Lapitino, harp their intensity. But it now appears, from this evidence, that the baritone timbre was 2 LA GIOCONDA, Ponchielli - Cielo e mar 2.57 always present. That it has been missed is simply the result of playing the early discs Rec: 14 March 1910 Matrix: C-8718-1 Victor Cat: 88246 at speeds that are consistently too fast. 3 CARMEN, Bizet - La fleur que tu m’avais jetée (sung in Italian) 3.53 Rec: 7 November 1909 Matrix: C-8349-1 Victor Cat: 88209 Of Caruso’s own opinion on singing and the effort required we know from a 4 STABAT MATER, Rossini - Cujus animam 4.47 published interview that he believed it should be every singers aim to ensure ‘that in Rec: 15 December 1913 Matrix: C-14200-1 Victor Cat: 88460 spite of the creation of a tone that possesses dramatic tension, any effort should be directed in 5 PETITE MESSE SOLENNELLE, Rossini - Crucifixus 3.18 making the actual sound seem effortless’.
    [Show full text]
  • The Hyechra Club
    THE HYECHRA CLUB The narrator has had a lively interest in The Hyechka Club since its beginning and believes that its history merits recording and dmu- menting in The Chronicles of OkZuhoma, Members of the Club in the past have been interested and its members today are interested in building and supporting a city and a state as cultural centers in which to rear patriotic and Clod-fearing children worthy of the loftiest ideals. Instead of a brief history, this band of music lovers is entitled to a fdsized, two volume publication to report ad* quately all that they have given to the education of young people along cdtural lines and to the wealth of Tulsa and the State of Oklahoma as expressed in the leadership and influence of the known and unknown contributors. Looking over the names of world famous artists that have appeared on its early programs and in its annual Spring Festivals, the words of Warner Van Valkenburg are a fitting tribute and introduction even to this brief history of Tulsa's pioneer organization of music lovers :l "I AM MUSIC. "I am the hymns of the Christian Martyrs in the catacombs; I am the songs of thanksgiving of the kneeling Pilgrime; I am the fugues of Bach, and the oratorios of Handel and Haydn; I am the magic flute of Momrt; I am the immortal symphonies of Beethoven; I am the throbbing mee- sages of Schubert and Schumann; I am the nocturnes of Chopin and the folk melodies of Dvorak; I am the rhapsodies of Linzt and the music- dramas of Wagner; I am the voice of Peter Tchaikowski, crying in the wilderness; I am Brahms and Richard Straues, and Verdi, fulfilling the command of destiny; yea I have breathed upon the harps of MacDowell and Cadman, and have sung of a new world in the west.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 28,1908-1909, Trip
    MECHANICS HALL . WORCESTER Twenty-eighth Season, I908-J909 Ionian ^ptpfjmuj GDrdf^fra MAX FIEDLER, Conductor ffrogramm? of a?* Third and Last Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, APRIL 20 AT 8. J 5 PRECISELY COPYRIGHT, 1908, BY C. A. ELLIS MANAGER PUBLISHED BY C. A. ELLIS, Mme. CECILE CHAMINADE The World's Greatest Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest Woman Singer USE ^^ Piano. THE JOHN CHURCH CO., 37 West 3*d Street New York City REPRESENTED BY THE JOHN CHURCH CO., 37 West 32d Street, New York City Boston Symphony Orchestra PERSONNEL TWENTY-EIOHTH SEASON, 1908-1909 MAX 1FIEDLER, Conductor First Violins. Hess, Willy Roth, O. Hoffmann, J, Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Noach, S. Mahn, F. Eichheim, H, Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Marble, E. Eichler, J. Tischer-Zeitz, H. Kuntz, A, Goldstein, H. Goldstein, S. Kurth, R. Werner, H. Violas. Fenr, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, K Warnke, J. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Brooke, A. Lenom, C.
    [Show full text]
  • Werner Alberti Jerzy S. Adamczewski Martin Abendroth Bessie Abott
    Martin Abendroth Sinfonie Orchester, dir. Felix Günther Die Zauberflöte Mozart 1929, Berlín 52434 In diesen heiligen Hallen Hom. A 8030 5101 52435 O Isis und Osiris Hom. A 8030 5101 Bessie Abott, Enrico Caruso, Louise Homer, Antonio Scotti orchestra Rigoletto Verdi 20.2.1907, New York A 4259 Bella figlia dell´amore HMV DO 100 6823 Jerzy S. Adamczewski Orkiestra symfoniczna, dir. Olgierd Straszyński Halka Stanisław Moniuszko / Włodzimierz Wołski 1955±, Varšava WA 1489 Racitativ i ariaJanusza Muza 1717 P 1321 Auguste Affre, Etienne Billot Orchestre Faust Gounod x.5.1907, Paříž XP 3362 Duo du 1er Acte – 2 Disque Odeon 60329 X 40 Werner Alberti klavír Martha Flotow x.9.1905, Berlín xB 675 Mag der Himmel euch vergeben Odeon Record 34296, 1/10 okraj X 15 Postillion von Lonjumeau Adam x.9.1905, Berlín Bx 679 Postillionslied Odeon Record 34296, 1/10 okraj X 15 Orchester Troubadour Verdi x.2.1906, Berlín 1001 Ständchen Hom. B. 838 P 11261 14.5.1906, Berlín 1701 Stretta Hom. B. 838 P 11261 Bajazzo Leoncavallo x.7.1912, Berlín 14281 Nein, bin Bajazzo nichr bloss! Beka B. 3563 P 10964 14285 Hüll´ dich in Tand Beka B. 3563 P 10964 Odeon-Orchester, dir. Friedrich Kark Troubadour Verdi x.9.1906, Berlín Bx 1641 Ständchen Odeon Record 50152 X 65 Lohengrin Wagner x.9.1906, Berlín Bx 1659 Nun sei bedankt, mein lieber Schwann Odeon Record 50161 X 65 Frances Alda, Enrico Caruso, Josephine Jacoby, Marcel Journet Victor Orchestra, dir. Walter B. Rogers Martha Flotow 7.1.1912, New York A 11437 Siam giunti, o giovinette HMV DM 100 5420 A 11438 Che vuol dir cio HMV DM 100 5420 A 11439 Presto, presto andiam HMV DM 104 5422 A 11440 T´ho raggiunta sciagurata HMV DM 104 5422 Frances Alda, Enrico Caruso, Marcel Journet Victor Orchestra, dir.
    [Show full text]
  • The Musical Critic and Trade Review
    THE MUSICAL CRITIC AND TRADE REVIEW. SHEET MUSIC. —Snoring. A DISHONEST EMPLOYEE.—For nine months past Joseph Andrie, aged 21, of No. 531 Sixth avenue, has been in the employ of D'Oyley Carte, operatic DE VEEE.—Mile. De Vere, soprano, has been engaged at the Grand Opera manager, at No. 1193 Broadway, and enjoyed the confidence of his employer. in Paris. Recently Mr. William White, Mr. Carte's agent, sent Andrie to the Bowery BOHEER.—Mme. Chatterton-Bohrer, the famous English harpist, is the National Bank to get a check for $300 cashed. As the young man did not gnest of Mr. and Mrs. H. K. White, Jr., at Squantum. return within a reasonable time, Mr. White made inquiries, and found that Andrie had been to the bank and had drawn the money. Acting-Sergeant STUB.—Professor Stub, the leader of the United States Hotel at Sara- Wallace, of the Twenty-ninth Precinct, arrested Andrie last week. The young- toga, had his annual benefit on the night of the 7th inst. man confessed his guilt, and said he had spent the money in dissipation. SCHARWENKA.—Xaver Scharvvenka and Gustav Hollander are giving a He was remanded to prison by Justice Murray to await examination. series of concerts at the principal German watering places. ADOLPH FRANOSCH.—This well-known singer in German opera, died VAN ZANDT.—The Opera Comique, Paris, will begin the next season with suddenly on Wednesday, August 4, at No. 909 Sixth avenue, from disease of "Jean de Nivelle," and " Mignon," for the reappearance of Mile. Van the heart.
    [Show full text]