DOCSLIB.ORG

Music Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music Festival Second Annual \/KXJ/W MUSIC FESTIVAL of the ^PORTLAND FBSTI\M/ ASSOCIATION (" INCOR.POR.ATED ) PORTLAND. OREGON Three Nights JUNE 6th, 7th, 8th, 1918 IN THE MUNICIPAL AUDITORIUM Presenting MABEL RIEGELMAN, SOPRANO FRANCES INGRAM, CONTRALTO MORGAN KINGSTON, TENOR HIRAM TUTTLE, BARITONE PORTLAND FESTIVAL CHORUS PORTLAND SYMPHONY ORCHESTRA Ghorns From Portland High Schools Orchestra From Portland High Schools WM. H. BOYERj CONDUCTORS CARL DENTON > EDGAR E. COURSEN, at the Piano FREDERICK W. GOODRICH, at the Organ MABEL, RIEGELMAN, FRANCES INGRAM, CONTRALTO SOPRANO PROGRAM THURSDAY EVENING, JUNE 6th PART 1 SOLOISTS FRANCES INGRAM .... Contralto MORGAN KINGSTON .... Tenor PORTLAND SYMPHONY ORCHESTRA CARL DENTON Conductor Overture to opera "Mignon" Ambrois Thomas Aria, "Vesti la giubba" from opera "I Pagliacci" Leoncavallo MR. KINGSTON Aria "0 don fatale" from opera "Don Carlos" ..Verdi MISS INGRAM Kammenoi-Ostrow Rubenstein a She is far from the land Lambert b What is love Grant c A memory Thomas MR. KINGSTON a Lungi dal caro bene Secchi b So soon forgotten Tschaikowsky c Vous dansez Marquise Lemaire d The Sheep and the Lambs Homer e Hopak Moussorgsky MISS INGRAM Grand Processional March from opera "The Queen of Sheba" Gounod PART 2 MORGAN KINGSTON .... Tenor PORTLAND SYMPHONY ORCHESTRA PORTLAND FESTIVAL CHORUS WILLIAM H. BOYER .... Conductor Hiawatha's Wedding Feast S. Coleridge-Taylor How the handsome Yenadizze, For the women and the maidens Danced at Hiawatha's wedding; Loved the handsome Pau-Puk-Keewis. How the gentle Chibiabos, He was dressed in shirt of doe-skin He the sweetest of musicians, White and soft, and fringed with ermine, Sang his songs of love and longing, All inwrought with beads if wampum; How iagoo, the great boaster, He was dressed in deer-skin leggings, He the marvellous storyteller, Fringed with hedgehog quills and ermine, Told his tales of strange adventure, And in mocassins of buck-skin That the feast might be more joyous, Thick with quills and beads embroidered. That the time might pass more gaily, On his head were plumes of swan's down, And the guests be more contented. On his heels were tails of foxes, Sumptuous was the feast Nokomis In one hand a fan of feathers, Made at Hiawatha's wedding. And a pipe was in the other. All the bowls were made of bass-wood, Barred with streaks of red and yellow, White and polished very smoothly, Streaks of blue and bright vermilion, AH the spoons of horn of bison, Shone the face of Pau-Puk-Keewis. Black and polished very smoothly. From his forehead fell his tresses. She had sent through all the village Smooth and parted like a woman's Messengers with wands of willow, Shining bright with oil, and nlaited, As a sign of invitation, Hung with braids of scented grasses, As a token of the feasting; As among the guests assembled, And the wedding-guests assembled, To the sound of flutes and singing, Clad in all their richest raiment, To the sounds of drums and voices, Robes of fur and belts of wampum, Rose the handsome Pau-Puk-Keewis, Splendid with their paint and plumage, And began his mystic dances. Beautiful with beads and tassels. First he danced a solemn measure, Very slow in step and gesture, First they ate the stare-eon, Nahma, In and out among the pine trees, And the pike, the Maskenozha, Through the shadows and the sunshine, Caught and cooked by old Nokomis, Treading softly like a panther, Then on pemican they feasted, Then more swiftly and still swifter, Pemican and buffalo marrow, Whirling, spinning round in circles, Haunch of deer and hump of bison, Leaping o'er the guests assembled, Yellow cakes of the Mondamin, Eddying round and round the wigwam, And the wild rice of the river. Till the leaves went whirling with him, But the gracious Hiawatha, Till the dust and wind together And the lovely Laughing Water, Swept in eddies round about him. And the careful old Nokomis, Then along the sandy margin Tasted not the food before them, Of the lake, the Big-Sea-Water, Ony waited on the others, On he sped with frenzied gestures, Only served their guests in silence. Stamped upon the sand, and tossed it And when all the guests had finished, Wildly in the air around him; Old Nokomis, brisk and busy, Till the wind became a whirlwind, From an ample pouch of otter, Till the sand was blown and sifted Filled the red stone pipes for smoking Like great snowdrifts o'er the landscape, With tobacco from the South-land, Heaping all the shores with Sand Dunes, Mixed with bark of the red willow, Sand Hills of the Nagow Wudjoo! And with herbs and leaves of fragrance. Thus the merry Pau-Puk-Keewis Then she said, "0 Pau-Puk-Keewis, Danced his Begar's Dance to please them, Dance for us your merry dances, And, returning, sat lown laughing Dance the Beggar's Dance to please us, There amons; the guests assembled, That the feast may be more joyous, Sat and fanned himself serenely That the time may pass more gaily, With his fan of turkey-feathers. And our guests be more contented!" Then they said to Chibiabos, Then the handsome Pau-Puk-Keewis, To the friend of Hiawatha, He the idle Yenadizze, To the sweetest of all singers. He the merry mischief-maker, To the best of all musicians, Whom the peonle called the Storm-Fool, "Sing to us, O Chibiabos! Rose among the guests assembled. Songs of love and songs of longing Skilled was he in sports and pastimes, That the feast may be more joyous, In the merry dance of snow-shoes, That the time may pass more gaily, In the play of quoits and ball-play; And our guests be more contented!" Skilled was he in games of hazard, And the gentle Chibiabos In all games of skill and hazard, Sang in accents sweet and tender, Pugasaing, the Bowl and Counters, Sang in tones of deep emotion, Koomtassoo, the Game of Plum-stones. Songs of love and songs of longing, Though the warriors called him Faint- Looking still at Hiawatha, Heart, Looking at fair Laughing Water, Called him coward, Shaugodaya, Sang he softly, sang in this wise: Idler, gambler, Yenadizze, (TENOR SOLO) Little needed he their jesting, "Onaway! Awake, beloved! Thou the wild-flower of the forest! But himself could tell a stranger. Thou the wild-bird of the prairie! Would you listen to his boasting, Thou with eyes so soft and fawn-like! Would you only give him credence, ' "If thou only lookest at me, No one ever shot an arrow I am happy, I am happy, Half so far and high as he had; As the lilies of the prairie, Ever caught so many fishes, When they feel the dew upon them! Ever killed so many reindeer, "Sweet thy breath is as the fragrance Ever trapped so many beaver! Of the wild-flowers in the morning, None could run so fast as he could, As their fragrance is at evening, None could dive so deep as he could, In the Moon when leaves are falling. None could swim so far as he could; "Does not all the blood within me None had made so many journeys, Leap to meet thee, leap to meet thee, None had seen so many wonders, As the springs to meet the sunshine, As this wonderful Iagoo, In the Moon when nights are brightest?As this marvellous storyteller! "Onaway! my heart sings to thee, Thus his name became a by-word Sings with joy when thou art near me, And a jest among the people! As the sighing, singing branches And whene'er a boastful hunter In the pleasant Moon of Strawberries! Praised his own address too highly, "When thou art not pleased, beloved, Or a warrior, home returning, Then my heart is sad and darkened, Talked too much of his achievements, As the shining river darkens All his hearers cried, "Iagoo! When the clouds drop shadows on it! Here's Iagoo come among us!" "When thou smilest, my beloved, He it was who carved the cradle Then my troubled heart is brightened, Of the little Hiawatha, As in sunshine gleam the rinples Carved its framework out of linden, That the cold wind makes in rivers. Bound it strong with reindeer's sinews, "Smiles the earth, and smile the waters.He it was who taught him later Smile the cloudless skies above us, How to make his bows and arrows But I lose the way of smiling How to make the bows of ash-tree, When thou art no longer near me! And the arrows of the oak-tree, "I myself, myself! behold me! So among the guests assembled Blood of my beating heart, behold me! At my Hiawatha's wedding O awake, awake, beloved! Sat Iagoo, old and ugly, Onaway! awake, beloved!" Sat the marvellous storyteller. Thus the gentle Chibiabos And they said, "0 good Iagoo, Sang his song of love and longing; Tell us now a tale of wonder, And Iagoo, the great boaster, Tell us of some strange adventure, He the marvellous storyteller, That the feast may be more joyous, He the friend of old Nokomis, That the time may pass more gaily, Jealous of the sweet musician, And our guests be more contented!" Jealous of the applause they gave him, And Iaeoo answered straightway, Saw in all the eyes around him, "You shall hear a tale of wonder. Saw in alll their looks and gestures, You shall hear of strange adventures." That the wedding-guests assembled So he told the strang-e adventures Longed to hear his pleasant stories, Of Osseo, the Magician, His immeasurable falsehoods.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 36,1916
    CARNEGIE HALL NEW YORK Thirty-first Season in New York Boston Symphony Ordhestea Thirty-sixth Season, 1916-1917 Dr. KARL MUCK, Conductor Programmes ©f to THURSDAY EVENING, NOVEMBER 30 AT 8.15 AND THE SATURDAY AFTERNOON, DECEMBER 2 AT 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1916, BY C.A.ELLIS PUBLISHED BY C. A. ELLIS, MANAGER The ideal of the Steinway Piano is a beautiful voice. The work of the Steinway family is to create a sensitive but permanent vehicle for its expression. "The Steinway realization means the eleva- tion and furtherance of the great art of music. Their field is the world and mankind is the beneficiary. Rarely have men had such in- spiration and more rarely have they risen to the heights or possessed such unobscured and prophetic vision of the intellectual needs." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Orchestra <iA~ Thirty-sixth Season, 1916-1917 Dr. KARL MUCK, Conductor PERSONNEL Violins. Witek, A. Roth, 0. Rissland, K. Theodorowicz, J. Concert-master. Hoffmann, J. Schmidt, E. Bak, A. Noack, S. Mahn, F. Ribarsch, A. Goldstein, H. Sauvlet, H. Tak, E. Traupe, W. Baraniecki, A. Griinberg, M. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Siilzen, H. Fiedler, A. Gerardi, A. Pinfield, C. Gewirtz, J. Kurth, R. Gunderson, R Rosen, S. Violas. Ferir, E. Werner, H. Gietzen, A. v.Veen, H. Wittmann, F. Schwerley, P. Berlin, W. Kautzenbach, W. Van Wynbergen, C. Blumenau, W. Violoncellos.
    [Show full text]
  • STEINWAY Meetings in the Hotel Fontland
    6- - Tills ZlDAT OREGOXIAX, TORTLAND, 3IAT 5, 1918. this season of the MacDowell Club. I "Paris Carnival" was produced ty the and possibly the last two under Mrs. I Fine Arts and its unique success makes Thomas Carrlck Burke a direction as I keener the anticipation lor this new president. She leaves soon for the work. The other performances will be East. for war relief. MONDAV MUSICAL, TOHORHOW. At a patriotic meeting of members Episcopal IBPIP The Monday Musical Club will be and friends of the Methodist quite busy tomorrow at its various Church to be held next Sunday, May 12, STEINWAY meetings in the Hotel Fontland. at 4 P. M.. in the Public Auditorium, to The board of management will hold help raise part of the SI, 000, 000 re- jjjl regular meeting: M. quired for the war funds of the church, SC ByJoszph la at 1:30 P. .At an attractive muslo programme has Edited C 2 o'clock all members of the club are prepared auspices I requested to be present for election of been under the of officers. Dr. William Wallace Toungson and the At 2:30 o'clock P. St. a musical pro direction of Jasper Dean MacFalL. The gramme pipe organist will be Mrs. Gladys Mor- will be presented, when this gan Farmer, of the First Methodist music will be rendered: Episcopal Church. The junior vested "Quartet in A Miner. On. 19" (Schubert): choirs of Methodist Episcopal churches allegro ma non troppo. andante, mlnuetto par- allegretto, finale allegro moderato; "An- of this city, about 350 voices, will dante Cantablle." from "D Major." quar- ticipate.
    [Show full text]
  • Forgotten Splendour
    FORGOTTEN SPLENDOUR A Chronology of the North Shore Music Festival 1909 to 1939 by Andrew Cottonaro Beginning in 1909 and lasting until 1939, the North Shore Music Festival of Northwestern University was a significant musical and social event in the Chicago area. For a few days each Spring, the campus hosted a diverse body of performers in a series of grand concerts. Naturally, some of that era’s most eminent singers could be heard there. Their presence certainly helped to sell tickets and their artistry helped to sustain the festival as a popular and critical success. Now, sixty years later, the festival hardly even counts as a faded memory. To date, two books (in part), offer a general outline of the festival’s history, but both lack any detailed analysis of who appeared and what was actually sung. This is the first attempt to present a chronology of the vocal offerings (quite distinct from the orchestral offerings) at the festival. Northwestern University, the official sponsor of the festival, is located in Evanston, Illinois (USA). The town is a suburb of Chicago, directly north of the city and on the banks of Lake Michigan. Because of this geographic position, Evanston and the other cities of the area are called the North Shore, hence the origin of the festival’s name. Northwestern University was incorporated in 1850 and gradually won recognition for its academic excellence. The establishment of musical studies, however, was a tangled web of many failed efforts. In a final and desperate attempt to salvage musical education, the university’s board of trustees in 1891 appointed Peter Christian Lutkin (1858-1931) to direct musical studies, a post that he held until his death.
    [Show full text]
  • "Eugene Onegin" Last Awakens Memories Opera Novelty to Be ';¦ of Events in 1881-82 Next Wednesday Sung
    Coming Music Festival "Eugene Onegin" Last Awakens Memories Opera Novelty To Be ';¦ Of Events in 1881-82 Next Wednesday Sung .-. With tha appreachlnjr mueic feetival torlo and festlval singer. He made at the 71et Ar- his first sueeesses ln oratorio in to be given Regiment where Eng¬ Tschaikowsky's opera "Eugene One-1 knowa himself too well. He has not April 6 to 11, many old New land, he sang at Blrmlngham gin''."lyric scenes," the composer one quality that woule? .fit him to bo aiory. and Oxford. His smooth, resonant a husband. Kc lovera of music will recall the characterizes it.based on a famous considers it his duty York bass, admirably schooled and delivered to be frank, not to di^a} point the festirala given in 1881 and 1882 under wlth raflnement, dignity and classical poem by the popular Russian poet trusting girl. He refuses her love and of repose, added much to the success of the leadership, respectively, Dr. the New York Pushkin, will be given for thc flrst tpkes the blame upon himself. T-.tiana Damrosch and Theodore festival of 1881. He time in this country in its receives his refusal with ensternation. Leepold holds the distinction of having no original Act II. Tatiana;* nanio both dear to the heart of the equal in his for form at the House day is bt \i.g Tho/nas, period oratorio. Metropoiitan Opera celebrated with a ball. Onegin attends of forty years ago. Many other names can be next With its on eoncertgoer in the conjured Wednesday evening.
    [Show full text]
  • PAU1110 PIEWILIE for Tuo March 1930
    PAU1110 PIEWILIE for tuo March 1930 In This Issue: Frank Moulan Stage vs Radio The SOS from Chinatown "Uncle Don" Carney Caroline Andrews -Mme. Galli -Curci The Two Troupers And Other Features RADIO STARS from the Studios of DONALD MCGILL LUCIEN RUT\InN Baritone Ten WOR-WEAF WEAF-WOR A,,,eriea,i Opera Company DIESE ET E 33 West 67th Street New York Telephone: Trafalgar S063 BROWNIE PEE i. Mezo-Sopra Ca,cofhcr National ADELE VASA Railways Marc SILVVIRA Coloratura Soprano WOR-WEAF tgrir Coloratura Soprano WABC- WEAF -WOR American Opera Co,n paria WOR -W ABC Opera Company A,nr r icon Opera Company Anierieun CQ. 11B 63746 MAgï3 hpro VAU®1 C IP E V 1J E F O R THE L I S T E N E R Volume I Number 4 , March, 1930 CONTENTS On the Cover: Caroline Andrews By Gaspano Rirra. Alma Kitchell ... (Photograph) 2 Trying To Be Funny Not As Much Fun as It Might Seem By Frank Mouton 3 Frank Moulan (Photograph) 5 A Gypsy Call By Alice Remsen 6 Radio Gives Actress Greater Thrill Than Does Stage Georgia Backus 7 Cathedral of Underworld Sends SOS From Chinatown By Allen Haglund 10 Trees Need Not Walk the Earth By David Ross 12 Radio Revives Public's Interest in Old -Time Minstrel Show. By Al Bernard 13 Don Carney is "Uncle" to More Than 300,000 Children By David Casein 1 S "Sponsoritis" ... ... ..Anon. 16 At Home on the High "Cs" (Photograph) 17 Mr. Average Fan Answers Some of His Critics By Average Fan 18 Sound Effects Made to Order for Radio Programs By Herbert Devins 20 In Memoriam: A Tribute ro Col.
    [Show full text]
  • Frank Moulan Stage Vs Radio the SO S from Chinatown "Uncle Don" Carney Ca Roline Andrews ~ Mme
    Mareh 1930 0:: . oq" 0 .d ~- a ~ ".. ''\' In This Issue: Frank Moulan Stage vs Radio The SO S from Chinatown "Uncle Don" Carney Ca roline Andrews ~ Mme. Galli-Curci The Two Troupers A nd Other Features RADIO STARS from the Studios of DONALD MCGILL LUCIEN R UT;\IAN Baritoll e Tell or WOR- WEAF W'EAF- W OR A lIlcricall OPera Co 111 pa ll )' WALTER I{IESEWETTER 33 West 67th Street N ew York Telephone: T rafalgar 8063 BROWNIE PEE BLES J\[c :;::; u-So /)ra 110 Ca ll adiall Natio ll al ADELE VASA Railu'a),s MAR y SILVEIRA Coloratura Sojml/IO \VOR- WEAF L)'ric Coloratura Sopra ll o \\7 ABC-WEAF-WOR AlIlericall O J) cr(/ Co 111 /)(/ 1/), WOR-WABC AlIlericall OJ)('ra COll1jW Il )' America ll OJ)('rll Co 111 jWIl )' © Cl B 637!H; I2A()IU /' FOR q:'HE LlSq:'E 'NER Volume I Number 4 . March, 1930 CONTENTS On the Cover: Caroline Andrews . .. ... ... By Gaspano Ricca. Alma Kitchell .. ... .. (Photograph) 2 Trying To Be Funny Not As Much Fun as It Might Seem. By Frank M01dan 3 Frank Moulan ..... ...... ... .. (Photograph) A Gypsy Call ... .... ..... By Alice Remsen , Radio Gives Actress Greater Thrill Than Does Stage .. ... .... Georgia Backus 7 Cathedral of Underworld Sends SOS From Chinatown . .. ... By Allen Haglund 10 Trees Need Not Walk the Earth .. ........ '.' .... ... .. By David Ross 12 Radio Revives Public's Interest in Old-Time Minstrel Show . .... By Al Bernard 13 Don Carney is "Uncle" to More Than 300,000 Children . ... .... By DavM Casem 15 "Sponsori tis" .. An011. 16 At Home on the High " Cs".
    [Show full text]
  • Lhevinnecharll St., Brooklyn
    *-m In »the Wotrld of Concerts and Opera MUSICAL INSTRUCTION MAX GEGNA, 'CELLIST A [FANNIE CONCERTS ANß TSCIENTtFIG SYSTEM OF pits Note the BLOOMFIELD- Random Impressions RECITALS I CONCERTS AND RECITAIS Op Cpming ZEISLER, PIANIST In Current Exhibitions METROPOLITAN g«*£ TUESDAY EVE., FEB. 17, at 8:20 " CULTURE of "Parsifal" VOICE BY $ Continued page «."FIRST AMERICAN APPEARANCES Perfófiíiaiice from fire t M t n4er the patronage of MRS. HAROLD F. Mr( OKMIf K 1 show« paintingi, water h* ^Mowing BUtem«nt bjr Hepry political ideals for which the United colors, pastels, CLOTILDE and ALEXANDER "f BENEDICT E. Kréhblet han be«n Issuedí by the Slates went into battle, monotype», silver-points and etchings. L. t»*«ellea4, Thorowsrn. Complete . I «n.P»e. »._k «.»ti,: Mow" Metropolitan Opera Company Mga*d- As have elsewhere written, the un- *i «A Clotli. »S . T^sttwr. »500 -a-eïlylngr moral of "The There are new ing Warner's "Parsifal," which will be the purpose Ring prints to be seen. DemrlpHv* Pamphlet" rtstored ,.*bx Nibelung" ig to teach .that Mr. atJdfSl r»KB t0 the repertory with Mr. ..selfish egoism, or the "will to power" Philip Little, of Boston, who has Vocal Krohbicls text at a vp,)KK.s> Benedict Studio mat English npeciaU,*Which finds expression in brute force, studied fishing boats on the Grand 8t»T «. *. «T* mee on Thursday, February 16: > must give Way to a dispensation of SAKHAROFF I}1 WEST has a w.nen the directors of the Motr¿¿- justice and lovo; of "TannhäuBer" Banks, collection of his etch¬ PERFIELD roiitnn Opera Company announced, on that salvftt'on come» to humanity ing* at the Mussmann gallery.
    [Show full text]
  • Radio Guide 34-03-31.Pdf
    ONLY TWO MORE WEEKS TO WIN $10,000.00 THE RADIO EDUCATION AND AMUSEMENT Teacher of Hundreds of Millions, Joy of Every Family away from the trifling details of this earthly life. You turn the knob a little further, and a quaint "You're By M. L. ANNENBERC te11ing IHE 1" informs you that the American genius of comeny, Eddie Cantor, is somewhere on the earth's surface, busy enter­ President and Publisher 0/ Radio Guide taining you. You laugh, enjoy ~ire and relax with tens of mil­ Radio is pre-eminently the agent, and all-powerful pro-­ Jions of others for a few moments. mater, of happiness and ed ucntion. 'Vherever there is a listen­ Then, with another tUTn of the knob, comes "ViII Rogers, ing ear, the news, thought, music ot' the world is carried, on mys­ whose philosophy reaches llS wide as the messagc of the radio~ the teriolls waves of ether, by the tireless radio, traveling with the interpreter of events for millions of Americans. speed of light, around the world seven times in a second, with eleven thousand miles to spare. The Ally of Democracy On his distant ranch, far (rom railroad or neighboring 'The effort of human beings, in their wars and their revo­ bouse, the farmer leurns from a friendly broadcastipg voice just lutions, has been to establish EQUALITY, to do away with what his crop is worth, that very day, and decides to ship or selfish, cruel discrimination, that would give everything to the postpone selling. few, nothing to the many. The woman who thinks herself too stout, the man willing The printing press was an aid to democracy, making knowl­ to take exercises to order, wake to hear the radio instructing edge available to all who could rcad.
    [Show full text]
  • Radio Digest, 1930-1931
    A[ight O u bs by '/(udy Fallee flitia 'Dore WMCA-N.Y. no- of Afit^ Nliss Adams tellsyou hoiv to procure your own solar horoscope — FREE Yhe Y)entistsX)entifrice shouldbeyour FAMILY DENTIFRICE "ANY people remember is only a pyorrhea treatment. If you suspect that you M'the time when trips to have this ailment, if your gums are tender, see your den- the dentist were made only to tist at once. When the mouth is healthy — before any get relief from pain. In those tenderness develops — is the time to adopt Forhan's as days, no one thought of your dentifrice. It is far better to avoid disease than to going for prevention, before treat it after it develops. The use of this scientific den- pain developed. tifrice will help you to keep the mouth of youth well And today, there are people into middle age. who do not think of using NOW ON THE AIR! Forhan's,* until their mouths New Forhan's program—featuring Evangeline Adams, world-famous astrologer — every Monday, are beyond the help of ordi- Wednesday and Friday at 7:30 P. M. Eastern Stand- nary tooth-pastes. ard Time — Columbia network. But the well momh needs Forhan's. It is a denti- frice safe and pure and mild — as fine as a dentist can make it, for it was developed by a dentist, R. J. Forhan, D. D. S. The tiny teeth of children— those precious first teeth which have such an influence on the future health and beauty of the mouth — need the scientific cleansing which they will get with this gentle dentifrice.
    [Show full text]
  • The Birthday of the Infanta: an Early Twentieth-Century
    THE BIRTHDAY OF THE INFANTA: AN EARLY TWENTIETH-CENTURY CHICAGO BALLET CONTEXTUALIZED by HEATHER R. LANCTOT A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2012 THESIS APPROVAL PAGE Student: Heather R. Lanctot Title: The Birthday of the Infanta: An Early Twentieth-Century Chicago Ballet Contextualized This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree from the School of Music and Dance: Dr. Marian Smith Chair Dr. Frank Diaz Member Dr. Stephen Rodgers Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Heather R. Lanctot iii THESIS ABSTRACT Heather R. Lanctot Master of Arts School of Music and Dance June 2012 Title: The Birthday of the Infanta: An Early Twentieth-Century Chicago Ballet Contextualized The Birthday of the Infanta, a ballet that was created by John Alden Carpenter, Adolph Bolm, and Robert Edmond Jones, was performed at the Auditorium Theatre in Chicago on December 23, 1919 and the Lexington Theatre in New York on February 23, 1920. Despite the positive reviews from daily papers and music journals alike the ballet was only revived once and is not a part of a known ballet repertoire. Although musicologist Howard Pollack discusses The Birthday of the Infanta briefly in his biography of John Alden Carpenter my analysis serves, through its exploration of both primary and secondary sources, to create a more complete and thorough dialogue through the examination of the social, economic, political and artistic factors surrounding the ballet.
    [Show full text]
  • STEINWAY the INSTRUMENT of TI-Le IMMORTALS
    BROOKLYN .I ACADEMY OF MUSIC STEINWAY THE INSTRUMENT OF TI-lE IMMORTALS IIS:T, greatest of all pianista, preferred the Stein­ way. Wagner, Berlioz, Rubinstein and a host ot master-musicians esteemed it more highly than any other instrument. It is these traditions that have inspired Steinway achievement and raised this piano to its artistic pre-eminence which is today recognized throughout the world. STEINWAY & SONS STEINWA Y HALL 107-1 09 East 14th Street New York City Subway Esp..... Sta~Da at the Door Repreaented by the Foremoat D_lera E .... rywh.r. WAN A M A KElt' S • CHICKERING SCHOMACKER 'EMERSON SllONINOER LINDEMAN KHABEand the wonderful AMPICO The famous Reproducing Piano which appeared as soloist with the Metropolitan Opera House Orchestra. It reproduces faithfuny tM The excellence of Cadillac mechanism IS aug­ actual playing of a hundr~d great masters of the piano- mented and emphasized by coach work which fori,. teflects the designers' art and the builders' skill. m C A L E N DAR Ddroit Cadillac Motor Car Company INGLIS M. UPPERCU, President Monday Eveni1lg, February Twenty-eighth. Violin Recital by Fritz Kreisler. Flatbush and Lafayette Avenues Monday Evming, February Twenty-eighth. Concert by the Pupils of Etta Hamilton Morris. Brooklyn, N. Y. Tf"sday Eve1li1~g, March First. Apol1o Club Concert. New York New Rochel1e Newark Tuesday Evening, March First. Bridgeport Poughkeepsie White Plains Fourth in a Course of Six Lectures on "Current History," by Dr. George Earle Raiguel, of Philadelphia. Subject: "Cur­ rent Events and Japan and Korea." Wed1lesday Ajternoo11, March Second. Third in a Series of Five Lectures on "Art and the Human Spirit," by Professor Edward Howard Griggs, M.A., L.H.D., President of the Department of Philosophy.
    [Show full text]
  • VACHEL LINDSAY's ATIIENS of AMERICA by Charles E Webb
    3 forgOlten. Only a few remain, relics of tions to modem problems? Or should VACHEL LINDSAY'S ATIIENS OF AMERICA long-standing American malady, first by ille in the 1830s? Tocquevil1e eoncluded virtually indifferent to the past. Does Charles E Webb !ational obsession with progre.,'i.~? As the poet Vaehel Lindsay It appears rather obvious that the city approaehed Emporia, Kansas, on his 1912 founders' initial purpose was to develop a walking tour of rural America he paused commercial ccnter in the fertile untapped to write in his journal, "Emporia, the region near the confluence of the Neosho Athens of America, is just ahead ..."! and COllonwood Rivers in east-central Reflection upon Lindsay's journal notation, Kansas. Sclection of the name Emporia -­ and the era when iL was written, may the plural form of the Latin emporium (a cause one to speculClte about the factors trading place) -- offers the first clue as to which had transpired between the timc the their intent. Further evidence of their city was founded in 1857, and the date of motive may be recognized in the names Lindsay'S first visit in 1912, to merit this assigned to the town's primary streets. The spontaneous accolade.(Fig. 1) main thoroughfare was designated Commercial Street, while others bore such names as Market, Merchant and Exchange streets. Emporia's pioneers, unlike some of Lhe zealous but short- sighted town builders of the era, seem to have been practical people with a vision of long range urban growth.2 They were apparently aware of a prineiple of urban geography rclaLing to the need for cities to become "multi-functional" places in order to grow and achieve permanence.
    [Show full text]