The Skills of Soul Rapture Sultan Valad
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CHAPTER II. DISCUSSION of the PROBLEM and SOLUTION Here
CHAPTER II. DISCUSSION OF THE PROBLEM AND SOLUTION Here are the data found through literature review which explains about all the journey of Rumi on turning to Sufi mystic and Poet: II. 1 A Brief Introduction of Rumi Maulana Rumi was born in Persian Empire, on Eastern shores in Balkh city that is current Afghanistan on September 30, 1207. In order to avoid the Mongol’s invasion his family moved to Turkey and settled in the city today known as Konya. In the first years of 2000 Maulana Jalaluddin Rumi had known to be one of the most readable Persian poets on the West. People say he is on the same level as Mozart, Beathoven and Shakespeare for his talent and creativity. In our time, countries such Iran, Turkey and Afghanistan call the Sufis their national poets, but none of these countries actually existed at that time. Iran was known as Persian Empire, with its monarchy, and the area of this empire was much larger than today. This territory now includes the territories of modern countries of Iran, Afghanistan, as well as parts of Pakistan, Turkmenistan, Tajikistan, Uzbekistan, Turkey and Iraq. Turkey was not yet formed, and Afghanistan was part of the province of Khorasan in the old Persian Empire. In general, Rumi's life story is full of intrigues and drama, mixed with intense creative flashbacks. Rumi was a charming, wealthy nobleman, a brilliant theologian, a law professor and intelligent, wise scientist, who, at the age of thirty, met a wild man Shams. Rumi himself said that after meeting with Shams, he has changed from an ordinary student to a scientist, who realized that he was a seeker of passion for truth and universal love (Shahram Shiva 2018). -
A ( Mss ARABIC 1 - 13 ) Prev
A ( mss ARABIC 1 - 13 ) Prev. call # mss ARABIC 1 Transliteration Alfiyyah,al fi usul al-hadith (2) 42 اﻷٌف١ح فٟ أطٛي اٌذذ٠ث Title Author al-‗Iraqi, (d.806/1404), Description 31 fols. Notes G II, 66.-- Some fols. missing at end.-- 18th century.-- Wrappers. Abstract mss ARABIC 2 Transliteration Anwar al-tanzil wa asrar al-ta’wil (1) 71 أٛٔاس اٌرٕض٠ً ٚأعشاس اٌرأ٠ًٚ Title Author Abu Sa‘id Nasir al-Din al-Baydawi Description 501 leaves; 29 lines per page.-- 10 1/4 x 6 1/4 inches Notes N.d. approx. 10th century A.H.; scribe: Mansur b. Hasan al-Khwanaji.- - Fine naskh, text of Qur‘an in red, tafsir in black.-- Each page bordered in gold and black; surah headings in blue and gold; nice sarlawh in blue, gold, red, etc.-- Complete and excellent condition. Abstract mss ARABIC 3 Transliteration Anwar,al (2) 99 اﻻٛٔاس Title Author No author Description 307 fols. Notes Second vol. of a Hanafite compendium, entitled al-anwar.-- This title is given both on the trench of this vol: ―al-Jild al-thani min al-anwar‖ and in a waqf entry at the very end, dated, 1321H.-- This vol. is moreover, incomplete at the beginning, starting with Kitab al-Nikah (ch. on marriage). -- Undated, 18th cent.-- Leather with flap, worn. Abstract 1 mss ARABIC 4 Transliteration Anwar,al al-Ilahiyah fi sharh muqaddimat al- sanusiyah (1) 188 اﻷٛٔاس اﻹ١ٌٙح فٟ ششح اٌّمذِح اٌغٕٛع١ح Title Author Abd al-Ghani b. Ism. b. 'Abd al-Ghani al-Nabulusi Description 143 leaves.-- 6 5/8 x 4 3/8 inches Notes This compilation comprises four parts: [1] al-Anwar al-Ilahiyah fi sharhi muqaddimat al-sanusiyah by ‗Abd al-Ghani Ism. -
A Study About the Persian Cultural Legacy and Background of the Sufi Mystics Shams Tabrizi and Jalal Al-Din Rumi
تٚ ٗاّ ـكاٝٗك ظإ ٝ ـهق کىیٖ اٗكیّٚ تهذه تهٗگمنق A Study about the Persian Cultural Legacy and Background of the Sufi Mystics Shams Tabrizi and Jalal al-Din Rumi By Rahgozari Minutalab October 2009, Open Source. The author is not association with any modification of the current article but any author is free to use the materials within this article. ٓ٘گه تٛ ٚه گكایی کٚ ذٞ ـاْ او إٓ ٓایی ٓلهَٝ ـٞیُ انوإ کٚ ذٞ تً گهإ تٜایی تػ ٕٚا ِکاف قنیا کٚ ذٞٓ ٌٞی وٓاٗی تكنإ هثای ٚٓ نا کٚ و ٞٗن ٕٓطلایی تّکٖ ٌثٞی ـٞتإ کٚ ذٞ یٌٞق ظٔاُی چػٍٍٓ ٞ قّ نٝإ کٖ کٚ ذٞ ٍٗى او إٓ ٞٛایی تٚ ٔق اٗكنآی ذٜ٘ا کٚ ٌل٘كیان ٝهری قن ـٍثه اٌد تهکٖ کػ ِٚی ٓهذٙایی تٍرإ و قیٞ ـاذْ کٚ ذٞیی تٚ ظإ ٌٍِٔإ تّکٖ ٌپاٙ اـره کٚ ذٞ آكراب نایی چٞ ـٍَِ نٝ قن آذُ کٚ ذٞ ـإُی ٝ قُفَٞ چٞ ـٙه ـٞن آب ٍٞؼإ کٚ ذٞ ظٛٞه توایی تٍکَ و تی اٞٔﻻٕ ّٞ٘ٓ كهیة ٞؿﻻٕ کٚ ذٞ او ِهیق أِی کٚ ذٞ او تِ٘ك ظایی ذٞ تٚ نٝغ تیوٝاُی و قنٚٗٝ تاظٔاُی ذٞ او إٓ لٝاُعﻻُی ذٞ و پهذٞ ـكایی ذٞ٘ٛ ٞو ٗاپكیكی و ظٔاٍ ـٞق چٚ قیكی ؽٌهی چٞ آكراتی و قنٕٝ ـٞق تهآیی ذٞ چٍٖ٘ ٜٗإ قنیـی کٜٓ ٚی تٚ ویه ٍٓـی تكنإ ذؾٍٓ ٞ ذٖ نا کٜٓ ٚی ٝ ـَٞ ُوایی چٞ ذؼُ َٞ کإ ٗكانق چٞ ذٞ ظإ ظٜإ ٗكانق کٚ ظٜإ کاُٛ اٌد ایٖ ٝ ذٞ ظإ ظإ كىایی ذٞ چٞ ذؾٍ لٝاُلوانی ذٖ ذؿ ٞﻻف چٞتٍٖ اگه ایٖ ؿﻻف تّکٍد ذٞ ِکٍرٚ قٍ چهایی ذٞ چٞ تاو پای تٍرٚ ذٖ ذٞ چٞ ک٘كٙ ته پا ذٞ تٚ چ٘گ ـٞیُ تایك کٚ گهٙ و پا گّایی چٚ ـَٞ اٌد ون ـآُ چٞ تٚ آذُ اٗكنآیك چٞ ک٘ك قنٕٝ آذُ ٛ٘ه ٝ گٜهٗٔایی ٓگهیى ای تهاقن ذٞ و ٛ ِٚؼِای آلن و تهای آرؽإ نا چِٞ ٚق اگه قنآیی تٚ ـكا ذٞ نا ٍٞٗوق نؾ ذٞ چٞ ون كهٝوق کٚ ـٍَِ واقٙ ای ذٞ و هكیْ آِ٘ایی ذٞ و ـاک ٌه تهآٝن کٚ قنـد ٌهتِ٘كی ذٞ تپه تٚ هاف ههتد کٚ ِهیلره ٛٔایی و ؿﻻف ـٞق تهٕٝ آ کٚ ذٞ ذؾٍ آتكانی و کٍٖٔ کإ تهٕٝ آ کٚ ذٞ ٗوك تً نٝایی ِکهی ِکهكّإ کٖ کٚ ذٞ ه٘ك ِٞٗو٘كی تٞ٘او ٗای قُٝد کػ ٚظٍْ ـٞٗ َٞایی )قیٞإ ًِٔ( TABLE OF CONTENT Introduction and reason for this article .......................................................................................... -
"Mevlana Rumi- the Persian Poet of Divine Love and Mysticism"
www.ijcrt.org © 2021 IJCRT | Volume 9, Issue 4 April 2021 | ISSN: 2320-2882 "Mevlana Rumi- The Persian Poet of Divine Love and Mysticism" By: DR SHEERAZA AKHTER Ph.D. Scholar, Department of Persian, University of Kashmir, Srinagar, J&K, India E-mail: [email protected] Keywords: Mevlana Rumi, Persian, Masnavi, Sufi, Divan, Shamsi Tabrizi, Mystic Mevlana Khodavandgar Jalaluddin Muhammad Balkhi Rumi, popularly known as Mevlana Rumi, is arguably the finest Persian poet of all times who had a great influence on Muslim writing and culture. His poetry is still well known throughout the modern world, and he is one of the best selling poets even in modern-day America. He was born in 1207 AD to native Persian-speaking parents in Balkh in present-day Afghanistan. Increasing Mongol attacks forced his family to leave Afghanistan, who travelled to Baghdad, Mekkah, Damascus and finally settled in Konya in Turkey. Rumi was the son of a renowned Sufi scholar, Sultan-ul-Ulama Baha-ud-Din Walad, and consequently he was introduced to Sufism from a very young age. Sufism is a branch of Islam primarily concerned with developing the spirituality, or more precisely, the inner character of a Muslim. In fact, much of Rumi’s work is dedicated to waking people up from the deep materialistic slumber, and inspiring them to experience life themselves, rather blindly following the scholars of the day. The most important influences upon Rumi, besides his father, were the Persian poets Attar and Sanai. Rumi expresses his appreciation for the poets in these words: “Attar was the spirit, Sanai his eyes twain, And in time thereafter, came we in their train” “Attar has traversed the seven cities of Love, We are still at the turn of one street” Rumi witnessed the greatest turning point in his life when he met a travelling Sufi, named Shams-ud-Din of Tabriz or Shams-i-Tabrizi which changed the whole course of his life. -
Art. X.—Catalogue of the Arabic, Persian, Hindustani, and Turkish MSS
Journal of the Royal Asiatic Society http://journals.cambridge.org/JRA Additional services for Journal of the Royal Asiatic Society: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Art. X.—Catalogue of the Arabic, Persian, Hindustani, and Turkish MSS. in the Library of the Royal Asiatic Society. O. Codrington Journal of the Royal Asiatic Society / Volume 24 / Issue 03 / July 1892, pp 501 - 569 DOI: 10.1017/S0035869X00067204, Published online: 15 March 2011 Link to this article: http://journals.cambridge.org/ abstract_S0035869X00067204 How to cite this article: O. Codrington (1892). Art. X.—Catalogue of the Arabic, Persian, Hindustani, and Turkish MSS. in the Library of the Royal Asiatic Society.. Journal of the Royal Asiatic Society, 24, pp 501-569 doi:10.1017/S0035869X00067204 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JRA, IP address: 128.218.248.209 on 08 Apr 2015 CATALOGUE OF ARABIC MSS. 503 6. Koran. Finely written in Naskh. First page illumi- nated in gold and colour, and the others lined and marked in gold. Headings of Surah in gold. Ajzaa, half Ajzaa, 60th parts of the book, and groups of five and of ten verses noted in gold in the margin. Fol. 349. 14 lines on a page. Dated A.H. 1098. Size, 8| by 5|. (M. Ms. Cat. 7.) 7. Portions of the Koran. Parts of the 4th, 5th, 7th, and 9th, and the whole of the 8th Surah. Naskh. Fol. 69. 11 lines on a page. Size, 7J by 4J. (M. Ms. Cat. -
A Shelflist of Islamic Medical Manuscripts at the National Library of Medicine
A Shelflist of Islamic Medical Manuscripts at the National Library of Medicine U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service | National Institutes of Health History of Medicine Division | National Library of Medicine Bethesda, Maryland 1996 Single copies of this booklet are available without charge by writing: Chief, History of Medicine Division National Library of Medicine 8600 Rockville Pike Bethesda, MD 20894 A Shelflist of Islamic Medical Manuscripts at the National Library of Medicine U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service | National Institutes of Health History of Medicine Division | National Library of Medicine Bethesda, Maryland 1996 Preface In 1994, to celebrate the 900th anniversary of the oldest Arabic medical manuscript in its collection, the History of Medicine Division of the National Library of Medicine mounted an exhibit entitled "Islamic Culture and the Medical Arts." Showcasing the library's rich holdings in this area, the exhibit was very well received -so much so that there has been a scholarly demand for the library to issue a catalogue of its holdings. This shelflist serves as an interim guide to the collection. It was made possible by the splendid work of Emilie Savage-Smith of Oxford University. Over the past few years, Dr. Savage-Smith has lent her time and her considerable expertise to the cataloguing of these manuscripts, examining every volume, providing much new information on authorship, contents, provenance, etc., superseding the earlier cataloguing by Francis E. Sommer, originally published in Dorothy M. Schullian and Francis E. Sommer, A Catalogue of Incunabula and Manuscripts in the Army Medical Library in 1950. -
Ode Mixing and Style Repertoire in Sufi Folk Literature of Urdu and Punjabi
S ;ODE MIXING AND STYLE REPERTOIRE IN SUFI FOLK LITERATURE OF URDU AND PUNJABI °THESIS ' SUBMITTED FOR THE AWARD-OF THE DEGREE OF IN ._ _ _ - ._ . COMPARATIVE STUDY OF INDIAN LANGUAGES & CULTURE - BY RABIA NASIR UNDER THE SUPERVISION OF PROF. A.R. FATIHI CENTRE FOR COMPARATIVE STUDY OF INDIAN LANGUAGES & CULTURE ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2013 'wccsILc CENTRE FOR COMPARATIVE STUDY OF INDIAN LANGUAGES & CULTU Dated .............................. Cerfif i caste This is to certify that the thesis entitled "Code !Mi ing and Style pertoire in Sufi To( , Literature of 4Jrdu and tPunja6i" being submitted by 9rfs. cR¢6ia Nash' for the award of the (Degree of (Doctor of (Philosophy in Comparative Studies of Indian Languages aZ Culture. Entire research work has been carried out under my guidance and supervision and is original 'This thesis embodies the work of the candidate herself and to my knowledge, it contains her own of gina(workanct no part of this thesis was earlier submitted for the award of any degree to any other institute or university. It rs further added that she has completed the course workand has published a research paper in International journal of Advancement in ovf. A.VFatihi '4search eZ Technology ("o( 2, Issue 1, (Director January 2013) IJOJ4R`7 ISS_"V 2278-7763. She Centre for Comparative Study of has also made a pre-submission presentation. Indian Languages and Culture A%11V, math. (Supervisor) DI RECTO Centre for Comparative Sh. r ' of Indian Languages & Cc- B-2, Zakaut ah Roy — AMU. Aligarh-2'Pf' ; Acknowledgements All the praises and thanks are to Allah (The Only God and Lord of all). -
Common Mystical Themes of the Spiritual Masnavi of Ru- Mi and Golshan Raz by Sheikh Mahmoud Shabestari
Propósitos y Representaciones Sep. 2020, Vol. 8, SPE(3), e760 ISSN 2307-7999 Special Number: Teaching for University Students in the Context of Quarantine Measures During Pandemics e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2020.v8nSPE3.760 CONFERENCE Common mystical themes of the spiritual Masnavi of Ru- mi and Golshan Raz by Sheikh Mahmoud Shabestari Temas místicos comunes del Masnavi espiritual de Rumi y Golshan Raz por Sheikh Mahmoud Shabestari Saeedeh Ghadmalsaltani* Islamic Azad University, Neishabur Branch, Iran. Mahboubeh Zia Khodadadian Islamic Azad University, Neishabur Branch, Iran. Faramarz Abbasi Islamic Azad University, Neishabur Branch, Iran. Mehdi Nowruz Islamic Azad University, Neishabur Branch, Iran. Received 06-14-20 Revised 08-10-20 Accepted 09-01-20 On line 09-30-20 *Correspondence Cite as: Email: [email protected] Ghadmalsaltani, S., Zia Khodadadian, M., Abbasi, F., & Nowruz, M. (2020). Metacognitive Awareness Instruction: A Mixed Meth- od Study on High School EFL Learners’ Writing Development. Propósitos y Representaciones, 8 (SPE3), e760. Doi: http://dx.doi.org/10.20511/pyr2020.v8nSPE3.760 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2020. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/) Common mystical themes of the spiritual Masnavi of Rumi and Golshan Raz by Sheikh Mahmoud Shabestari Summary There are many pure mystical themes and ideas in the thoughts of Rumi Jalaluddin Mohammad and Sheikh Mahmoud Shabestari. The main purpose of this research is to study the common themes in Rumi and Golshan Raz Shabestari's Masnavi and the sub-objectives are to study the dimensions of Shabestari's influence and follow-up on mystical issues and to study intellectual differences. -
Research Paper Commerce English Rumi: the Rays of Divine Love
Volume-4, Issue-6, June-2015 • ISSN No 2277 - 8160 Commerce Research Paper English Rumi: The Rays of Divine Love Research scholar, English Department, Banaras Hindu University, Varanasi, Mahdieh Boostani India Nasrin Sharifizad M.A Persian Literature ABSTRACT Jalal ad-Din Rumi is a Persian Sufi poet and was born in Balkh, on that time was part of Persian Empire. His important work was his massive Mathnavi. He was a love poet. For him love is for God only not anything else. For him the center of this universe is God. The general theme of Rumi’s thought is the concept of Tawhid. The ultimate truth is nothing exists but God. In his life, first he experienced divine love with his enigmatic friend, Shams Tabrizi. After Shams’ leaving, he understood that the most important way toward God is love. He declares that love is the reason for the creation of universe. In this article, researcher tries to explain Rumi’s view about love. In this work, we pay attention to first Rumi’s life and second Rumi and divine love. KEYWORDS : Rumi, God, Divine love Introduction Never did he rest by day or night. He had been a mufti. - He became Jalal ad-Din Rumi is master of Sufism and also he used love as the a poet. most important factor in world. But the word “love” which he has used is not human’s love, it is only love for God, so it is only divine. He had been an ascetic: he became intoxicated by Love. ‘Twas not the Generally for religion, love is only divine, and it is different from hu- wine of the grape: man’s love. -
Sonnet Story in Shams Tabrizi's Poetic Works
UCT JOURNAL OF SOCIAL SCIENCE AND HUMANITIES RESEARCH 2018(01) Available online at http://journals.researchub.org Sonnet story in Shams Tabrizi's Poetic works Ghadamali Sarrami1 , Arezo Veysi2* 1 Department of Materials Engineering, Najafabad Branch, Islamic Azad University, Najafabad, Iran. 2 Faculty of Engineering,Shahrekord University, Shahrekord, iran A R T I C L E I N F O A B S T R A C T Article history: Objective: mulana has revealed in various ways his free thought about belief and fundamental issues that Received 20 July 2017 is rooted in his worldview. This article is a inquiry about sonnet story in Poetical works of Shams Tabrizi Received in revised form 29 Sept 2017 and saying poetry which is all the secrets and while is also considered as long meaning of kind of Accepted 17 Dec 2017 narrative and story. Methodology: in her sonnets, mulana presents controversial stories to the audience through the flow of mental fluid so that everyone understands his inner message and his inner secrets. The Keywords: methodology which followed by Rumi is to present a story that a throughout a sonnet which leads to the Poetic works of Shams Tabrizi, conclusion of story beyond the colour. Results: He narrate a story in his works and say the myth , but he Sonnet, open a getaway toward meaning imagination world in every story and myth and he uses the method of Story, meaning, allegory , ciphers and symbols in the description his purposes more loudly in form of sonnet Sonnet story and short story. Conclusion: He trgards the liberation of the belongs and terrestrial contaminations along with the decline of obstacles and dignity as a tool for reaching oneself principle. -
'Panentheistic' View of Divine Love in Man and Nature
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revistes Catalanes amb Accés Obert ‘Panentheistic’ View of Divine Love in Man and Nature: A Comparative Study in Whitman’s Leaves of Grass and Maulana Jalal al-Din Rumi’s Mathnavi Mehrad Golkhosravi University of Barcelona [email protected] Abstract This article is a part of my MA thesis A Comparative Study of Walt Whitman and Jalal Al- Din Rumi’s Poetry in Relation to Mysticism, in which the researcher has attempted to investigate the common mystical and transcendental tenets of Walt Whitman and Rumi despite their geographical distance, language differences and historical divisions. In this comparative study, Leaves of Grass and Rumi’s Mathnavi have been examined as the writers’ major works. This work deals with both poets’ mystical view of human beings and the image of the Divine. In order to do so, attention is paid to two common, major themes: ‘Man’s Divinity in Love’ and ‘God and the Nature-Mystics’. Moreover, the concepts of ‘pantheism’ and ‘panentheism’ as well as the Sufi expression wahdat al-wujud are discussed in Whitman and Rumi’s poetic works . 1. Introduction The comparative study of Walt Whitman (1819-1892) and Jalal al-Din Rumi (1207-1273) is significant for several reasons. Firstly, Rumi’s Mathnavi is one of the most challenging mystical literary works in Persian literature as well as the Islamic world.1 In the same way, Whitman’s major work Leaves of Grass is considered one of the most challenging literary works not only in the history of American literature but in world literature. -
The Concept of Calmness and Its Reason at Rumi's Thought
European Online Journal of Natural and Social Sciences 2015; www.european-science.com Vol.4, No.3 pp. 469-475 ISSN 1805-3602 The Concept of Calmness and its Reason at Rumi’s Thought Seyed Karam Ebadi Jokandan Department of Islamic Mysticism, Lahijan branch, Islamic Azad University, Lahijan, Iran E-mail: [email protected] Received for publication: 03 February 2015. Accepted for publication: 12 June 2015. Abstract Welfare and calmness are very important for humans to achieve comprehensive development in different fields, and overcome distress and anxiety. Now it should be noticed that what the real meaning of calmness in life is and how we can achieve it. Therefore, this research is going to explain the concept of calmness and its reason through the inspiration of illuminated thought of Rumi that rooted in education and noble tradition. The results show that Rumi knew calmness as an internal thing not external one, as the origin of beauty exists inside world, not outside of it. Therefore, belief, politeness, family, children, honesty, trust, companionship, contentment, honesty, good imagination, sleep, travel, dance, love and kindness are its most important factors. Keywords: calmness, belief, politeness, Rumi Introduction Calmness is the most precious jewel which is still unattainable .In spite of relative welfare and comprehensive development of human in different fields of life, it’s a goal that is remained in hearts Of course, human’s attempt is still in continuing to achieve it. If we take a look at the depth of human activities, we will understand that, final goal is just calmness because,” there are love, pain, thorn and demand in human nature that if all the belongings of the world is given to him, he cannot be relaxed” (Zamani, 1990).