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The University of Chicago Tears in the Imperial Screen
THE UNIVERSITY OF CHICAGO TEARS IN THE IMPERIAL SCREEN: WARTIME COLONIAL KOREAN CINEMA, 1936-1945 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY HYUN HEE PARK CHICAGO, ILLINOIS AUGUST 2017 TABLE OF CONTENTS Page LIST OF TABLES ...…………………..………………………………...……… iii LIST OF FIGURES ...…………………………………………………..……….. iv ABSTRACT ...………………………….………………………………………. vi CHAPTER 1 ………………………..…..……………………………………..… 1 INTRODUCTION CHAPTER 2 ……………………………..…………………….……………..… 36 ENLIGHTENMENT AND DISENCHANTMENT: THE NEW WOMAN, COLONIAL POLICE, AND THE RISE OF NEW CITIZENSHIP IN SWEET DREAM (1936) CHAPTER 3 ……………………………...…………………………………..… 89 REJECTED SINCERITY: THE FALSE LOGIC OF BECOMING IMPERIAL CITIZENS IN THE VOLUNTEER FILMS CHAPTER 4 ………………………………………………………………… 137 ORPHANS AS METAPHOR: COLONIAL REALISM IN CH’OE IN-GYU’S CHILDREN TRILOGY CHAPTER 5 …………………………………………….…………………… 192 THE PLEASURE OF TEARS: CHOSŎN STRAIT (1943), WOMAN’S FILM, AND WARTIME SPECTATORSHIP CHAPTER 6 …………………………………………….…………………… 241 CONCLUSION BIBLIOGRAPHY …………………………………………………………….. 253 FILMOGRAPHY OF EXTANT COLONIAL KOREAN FILMS …………... 265 ii LIST OF TABLES Page Table 1. Newspaper articles regarding traffic film screening events ………....…54 Table 2. Newspaper articles regarding traffic film production ……………..….. 56 iii LIST OF FIGURES Page Figure. 1-1. DVDs of “The Past Unearthed” series ...……………..………..…..... 3 Figure. 1-2. News articles on “hygiene film screening” in Maeil sinbo ….…... 27 Figure. 2-1. An advertisement for Sweet Dream in Maeil sinbo……………… 42 Figure. 2-2. Stills from Sweet Dream ………………………………………… 59 Figure. 2-3. Stills from the beginning part of Sweet Dream ………………….…65 Figure. 2-4. Change of Ae-sun in Sweet Dream ……………………………… 76 Figure. 3-1. An advertisement of Volunteer ………………………………….. 99 Figure. 3-2. Stills from Volunteer …………………………………...……… 108 Figure. -
From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film)
Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) by Agnieszka Mlynarz A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in Theatre Studies Guelph, Ontario, Canada © Agnieszka Mlynarz, April, 2017 ABSTRACT Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) Agnieszka Mlynarz Advisor: University of Guelph, 2017 Professor Alan Filewod This thesis is an investigation of five Canadian genre films with female leads from the Tax Shelter era: The Pyx, Cannibal Girls, Black Christmas, Ilsa: She Wolf of the SS, and Death Weekend. It considers the complex space women occupy in the horror genre and explores if there are stylistic cultural differences in how gender is represented in Canadian horror. In examining variations in Canadian horror from other popular trends in horror cinema the thesis questions how normality is presented and wishes to differentiate Canuxploitation by defining who the threat is. ACKNOWLEDGEMENTS I would like to express my deepest gratitude to Dr. Paul Salmon and Dr. Alan Filewod. Alan, your understanding, support and above all trust in my offbeat work ethic and creative impulses has been invaluable to me over the years. Thank you. To my parents, who never once have discouraged any of my decisions surrounding my love of theatre and film, always helping me find my way back despite the tears and deep- seated fears. To the team at Black Fawn Distribution: Chad Archibald, CF Benner, Chris Giroux, and Gabriel Carrer who brought me back into the fold with open arms, hearts, and a cold beer. -
Image – Action – Space
Image – Action – Space IMAGE – ACTION – SPACE SITUATING THE SCREEN IN VISUAL PRACTICE Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.) This publication was made possible by the Image Knowledge Gestaltung. An Interdisciplinary Laboratory Cluster of Excellence at the Humboldt-Universität zu Berlin (EXC 1027/1) with financial support from the German Research Foundation as part of the Excellence Initiative. The editors like to thank Sarah Scheidmantel, Paul Schulmeister, Lisa Weber as well as Jacob Watson, Roisin Cronin and Stefan Ernsting (Translabor GbR) for their help in editing and proofreading the texts. This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Copyrights for figures have been acknowledged according to best knowledge and ability. In case of legal claims please contact the editors. ISBN 978-3-11-046366-8 e-ISBN (PDF) 978-3-11-046497-9 e-ISBN (EPUB) 978-3-11-046377-4 Library of Congress Control Number: 2018956404 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche National bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de. © 2018 Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com, https://www.doabooks.org and https://www.oapen.org. Cover illustration: Malte Euler Typesetting and design: Andreas Eberlein, aromaBerlin Printing and binding: Beltz Bad Langensalza GmbH, Bad Langensalza Printed in Germany www.degruyter.com Inhalt 7 Editorial 115 Nina Franz and Moritz Queisner Image – Action – Space. -
June 2018 New Releases
June 2018 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 76 Vinyl Audio 3 CD Audio 15 FEATURED RELEASES HANK WILLIAMS - CLANNAD - TURAS 1980: PIG - THE LONESOME SOUND 2LP GATEFOLD RISEN Music Video DVD & Blu-ray 50 Non-Music Video DVD & Blu-ray 52 Order Form 84 Deletions and Price Changes 82 PORTLANDIA: CHINA SALESMAN THE COMPLETE SARTANA 800.888.0486 SEASON 8 [LIMITED EDITION 5-DISC BLU-RAY] 203 Windsor Rd., Pottstown, PA 19464 HANK WILLIAMS - SON HOUSE - FALL - LEVITATE: www.MVDb2b.com THE LONESOME SOUND LIVE AT OBERLIN COLLEGE, LIMITED EDITION TRIPLE VINYL APRIL 15, 1965 A Van Damme good month! MVD knuckles down in June with the Action classic film LIONHEART, starring Jean-Claude Van Damme. This combo DVD/Blu-ray gets its well-deserved deluxe treatment from our MVD REWIND COLLECTION. This 1991 film is polished with high-def transfers, behind-the- scenes footage, a mini-poster, interviews, commentaries and more. Coupled with the February deluxe combo pack of Van Damme’s BLACK EAGLE, why, it’s an action-packed double shot! Let Van Damme knock you out all over again! Also from MVD REWIND this month is the ABOMINABLE combo DVD/Blu-ray pack. A fully-loaded deluxe edition that puts Bigfoot right in your living room! PORTLANDIA, the IFC Network sketch comedy starring Fred Armisen and Carrie Brownstein is Ore-Gone with its final season, PORTLANDIA: SEASON 8. The irreverent jab at the hip and eccentric culture of Portland, Oregon has appropriately ended with Season 8, a number that has no beginning and no end. -
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses The Ritz-Carlton, New Orleans • March 10–13, 2011 • SCMS 2011 Letter from the President Welcome to New Orleans and the fabulous Ritz-Carlton Hotel! On behalf of the Board of Directors, I would like to extend my sincere thanks to our members, professional staff, and volunteers who have put enormous time and energy into making this conference a reality. This is my final conference as SCMS President, a position I have held for the past four years. Prior to my presidency, I served two years as President-Elect, and before that, three years as Treasurer. As I look forward to my new role as Past-President, I have begun to reflect on my near decade-long involvement with the administration of the Society. Needless to say, these years have been challenging, inspiring, and expansive. We have traveled to and met in numerous cities, including Atlanta, London, Minneapolis, Vancouver, Chicago, Philadelphia, and Los Angeles. We celebrated our 50th anniversary as a scholarly association. We planned but unfortunately were unable to hold our 2009 conference at Josai University in Tokyo. We mourned the untimely death of our colleague and President-Elect Anne Friedberg while honoring her distinguished contributions to our field. We planned, developed, and launched our new website and have undertaken an ambitious and wide-ranging strategic planning process so as to better position SCMS to serve its members and our discipline today and in the future. At one of our first strategic planning sessions, Justin Wyatt, our gifted and hardworking consultant, asked me to explain to the Board why I had become involved with the work of the Society in the first place. -
B Movies and Beyond: the Crippled Masters 2 (1980, Shia Yue)
2/9/2011 B Movies and Beyond: The Crippled Ma… Share Report Abuse Next Blog» Create Blog Sign In MONDAY, JANUARY 24, 2011 ABOUT ME The Crippled Masters 2 (1980, Shia Yue) STARMUMMY My name is Starmummy. I am not from Earth. I do live here though. I like to review movies, particularly ones that will offend the average person. I review whatever movie I feel like reviewing whenever I want. I will gladly take suggestions and free stuff. VIEW MY COMPLETE PROFILE SITES YOU SHOULD CHECK OUT 3B Theater Micro-brewed Reviews Attack from Planet B B Movie Central B Movie Film Vault Bad Movie Realm Political correctness is a touchy subject in today's world. It seems BadMovies.org the only time you see anything politically incorrect nowadays is either deliberately offensive or an homage to the innocent days when the Basement of Ghoulish Decadence world just "didn't know any better". Sometimes when you are BugEyedMovies.com watching an older film, you have to take that into consideration. Cani Arrabbiati (Italian Genre Other times though, a film will just be so inexcusably/unbelievably Cinema) politically incorrect that you can't believe your eyes. This isn't always Classic-Horror.com a bad thing either, as this film proves. Darksider's Realm Dire Wit Films As the oh so politically incorrect title states, The Crippled Masters 2 DVD Holocaust (aka Two Crippled Heroes) centers around two martial arts experts Eccentric Cinema who also happen to be handicapped. The first (Frankie Shum) has Full Moon Reviews one (malformed) arm and the other (Jackie Conn) has diminutive legs Giallo Fever that don't work. -
My Movies Collection
My Movies Collection The [REC] Collection [REC] Type: Movie Type: Movie Year: 1900 Rel. Date: - Year: 2007 Rel. Date: - Director: - Runtime: 5h 38min Director: Paco Plaza Runtime: 1h 18min Actors: - Actors: Paco Plaza, Manuela Velasco, Ferran Terraza. Audio: - Audio: Subtitles: - Subtitles: [REC] 2 [REC] 3: Genesis Type: Movie Type: Movie Year: 2009 Rel. Date: - Year: 2012 Rel. Date: - Director: Paco Plaza Runtime: 1h 25min Director: Paco Plaza Runtime: 1h 20min Actors: Paco Plaza, Jonathan D. Mellor, Óscar Zafra, Ariel Casas. Actors: Paco Plaza, Leticia Dolera, Diego Martín. Audio: Audio: Subtitles: Subtitles: [REC] 4: Apocalypse 10 Cloverfield Lane Type: Movie Type: Movie Year: 2014 Rel. Date: - Year: 2016 Rel. Date: - Director: Jaume Balagueró Runtime: 1h 35min Director: Dan Trachtenbe... Runtime: 1h 43min Actors: Jaume Balagueró, Manuela Velasco, Paco Manzanedo. Actors: Dan Trachtenberg, John Goodman. Audio: Audio: Subtitles: Subtitles: 12 Angry Men 28 Days Later Type: Movie Type: Movie Year: 1957 Rel. Date: - Year: 2002 Rel. Date: - Director: Sidney Lumet Runtime: 1h 36min Director: Danny Boyle Runtime: 1h 53min Actors: Sidney Lumet, Martin Balsam, John Savoca. Actors: Danny Boyle, Alex Palmer, Bindu De Stoppani. Audio: Audio: Subtitles: Subtitles: 28 Weeks Later 3 Silent Classics by Josef Von Sternberg Type: Movie Type: Movie Year: 2007 Rel. Date: - Year: 1900 Rel. Date: - Director: Juan Carlos Fres... Runtime: 1h 40min Director: - Runtime: 4h 04min Actors: Juan Carlos Fresnadillo, Robert Carlyle, Rose Byrne. Actors: - Audio: Audio: - Subtitles: Subtitles: - The 39 Steps Abrakadabra Type: Movie Type: Movie Year: 1935 Rel. Date: - Year: 2018 Rel. Date: - Director: Alfred Hitchcock Runtime: 1h 26min Director: Nicolás Onetti Runtime: - Actors: Alfred Hitchcock, Robert Donat, Madeleine Carroll. -
VIDEO NASTY? by Ben from Video Distribution Warehouses
WHAT THE HECK IS A VIDEO NASTY? by Ben The term “video nasty” goes all the way back to the dawn of home video in the UK, from video distribution warehouses. Newspapers and the media when a bunch of conservative politicians thought a bunch of cheap horror movies helped fan the flames, with more conservative outlets going so were too much for the youth of the Isles to handle. far as to publish stories with erroneous quotes and manipulated data. One such article quoted a survey that claimed four out of Having defeated Betamax in the first-ever format war, VHS became a sensation in ten children over the age of six had seen a video nasty, at a time the UK in the early 1980’s, and video stores popped up everywhere. With the major when even adults had difficulty finding one on a video store studios ignoring the trend of home video for fear of piracy and lesser box office shelf. receipts, small independent labels took the reins and flooded the market with cheap exploitation films, low budget bush and gore sleaze, licensed from and produced As for the legacy of the “video nasty”, while the term itself was primarily in the US and Italy. And while the UK had a history of censoring theatrical designed to frighten the public, in the end, it was nothing short fare, home video was new, and there was no such oversight yet, so the sky was the of intriguing. Now fans had a definitive list of must-see films, limit for sex and violence. -
06 MPLC US Producer List by Product
11/13/2019 CLU CLU The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: General Membership Clubs MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS Buena Vista Pictures Cannon Pictures Dreamworks Animation SKG Dreamworks Pictures (Releases 2011 to Dreamworks Pictures (Releases prior to Fine Line Features present) 2011) Focus Features Fox - Walden Fox 2000 Films Fox Look Fox Searchlight Pictures Hanna-Barbera Hollywood Pictures Lionsgate Lorimar Telepictures Lucasfilm Marvel Studios Metro-Goldwyn-Mayer (MGM) Studios New Line Cinema Nickelodeon Movies Orion Pictures Paramount Classics Paramount Pictures Paramount Vantage Picturehouse Pixar Animation Studios Polygram Filmed Entertainment Republic Pictures RKO Pictures STX Entertainment Touchstone Pictures Twentieth Century Fox Film Corp. United Artists Pictures Universal Pictures USA Films Walt Disney Pictures Warner Bros. Warner Bros. Television Warner Horizon Television Warner Independent Pictures CHILDRENS Central Park Media Cosgrove Hall Films DC Comics D'Ocon Dreamworks Classics (f/k/a Classic Family Entertainment Library Media) Golden Books Entertainment Harvey Entertainment Peter Pan Video 11/13/2019 CLU CLU The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: General Membership Clubs Scholastic Entertainment Warner Bros. Animation Zodiak Kids Studios UK FAITH-BASED Alley Cat Films American Portrait Films Big Idea Entertainment Billy Graham Evangelistic Ass. -
Event Information
CORRECTIONS Event information Gender Summit ® 2016 9 Gender-based research, innovation and development for sustainable economies and societal wellbeing Quality Research and Innovation through Equality 8-9 November 2016, Brussels First Edition Online ISBN: 978-1-910663-20-2 Published in the United Kingdom by: Portia Ltd 9 Bonhill Street LONDON, EC2A 9DJ, UK Copright © Portia Ltd 2015. All rights reserved. PROGRAMME AT A GLANCE Nov 2016, European Parliament Arrivals and registration 07:30 – Hemicycle, Paul-Henri Spaak 08:30 Building Plenary: Role of policy in 08:30- achieving societal well-being 10:15 through science 10:15- 9 Nov 2016, BEL Brussels BREAK 10:30 08:30 – Arrivals and coffee 10:30 – Plenary: Tackling gender 09:00 Please make sure you bring your 11:45 inequalities in Health badge with you on both days. 11:45 – Plenary: Gender Summit - global 09:00- Plenary: Strategic priorities for 12:30 policy impact 10:50 regional STEM gender equality Auditorium policy 8 Nov 2016, BEL Brussels 10:50 – 12:30 – Break Transfer to the BEL venue 11:10 13:30 Plenary: Developing and 13:00 – 11:10 – Arrivals, registration, lunch implementing gender equality 14:15 12:40 measures for fair advancement in 14:15- Auditorium Plenary: Improving quality of STEM careers 15:50 STEM gender equality indicators Auditorium 12:40 – Lunch, Poster exhibition (13:00 – 13:40 13:30) 15:50 – 13:40 – Break Parallel sessions 1 16:10 15:00 16:10 - Plenary: Social impact and Para 1A: Integrating sex and gender 17:35 responsibility of science and Auditorium in research and -
Traces of Snuff: Black Markets, Fan Subcultures and Underground Horror in the 1990S
Northumbria Research Link Citation: Walker, Johnny (2016) Traces of snuff: black markets, fan subcultures and underground horror in the 1990s. In: Snuff: Real Death and Screen Media. Bloomsbury, London, pp. 137-152. ISBN 9781628921137 Published by: Bloomsbury URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/27964/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Chapter 7 Traces of snuff: black markets, fan subcultures and underground horror in the 90s Johnny Walker This chapter seeks to explore the centrality, and significance, of underground horror films to fan cultures in the 1990s, demonstrating how a swelling interest in gory paracinema1 coincided with the emergence of an array of contemporary, direct-to-video “death films” which collated sequences of genuine human tragedy and atrocity for the purposes of entertainment. -
El Eterno Retorno Del No-Muerto Como Arquetipo Fílmico: Una Aproximación a La Figura Del Zombi En La Cultura Popular Contemporánea
UNIVERSITAT RAMON LLULL TESIS DOCTORAL El eterno retorno del no-muerto como arquetipo fílmico: Una aproximación a la figura del zombi en la cultura popular contemporánea. Alex del Olmo Ramon Director: Dr. Fernando de Felipe Co-director: Iván Gómez García DEPARTAMENTO DE COMUNICACIÓN FACULTAD DE COMUNICACIÓN BLANQUERNA UNIVERSIDAD RAMON LLULL 2012 Gracias a la Fundación Tecnocampus Mataró-Maresme y a la EUPMT en la que desarrollo mi labor como docente universitario y a mis colegas de trabajo así como a su director, el Dr. Marcos Fáundez, y al coordinador del grado de Mitjans Audiovisuals, Sr. Joan Jou, por la confianza depositdada en mi. Al coordinador del grado CAFE, Juanjo García, de la ESCS, por su apoyo en la finalización de esta tesis. A los amigos y a los compañeros que pese a que muchos de ellos nunca han entendido los motivos para realizar un estudio de este tipo siempre han mostrado interés por el desarrollo de esta investigación y algunos incluso la han enriquecido con sus puntos de vista y comentarios, a veces jocosos, así como a la ayuda inestimable de Sol Magarolas, quien pacientemente realizó las correcciones y aguantó el chaparrón con una sonrisa en los labios y también al Dr. Jaume Josa Llorca por tener una cabeza tan bien amueblada y una mente preclara y además quererla compartir conmigo. A mi director de tesis, Dr. Fernando de Felipe por sus sabios consejos y visión crítica así como al Dr. Iván Gómez García por su extrema profesionalidad y saber hacer, que han conseguido que finalice esta tesis contra viento y marea.