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Eptember L Heist
Ksini1975 CASSIAR, B.C. VOLUME 19 EPTEMBER L HEIST TOP ROW - JACK GRANT, JOHN WRIGHT, JOHN OLSON, JACK ROBISON 2ND ROW - JENNY DEROUIN, BEVERLY EVANS, KAREN CLARK, KATHY ROBISON LEFT TO RIGHT. 2ND ROW - DAVID RASMUS, DONNA A B LIN , N ATALIE OLSON, PAUL WOOD, B IL L BURR MISSING FROM PICTURE: MARGARET METCALFE, KIRSTEN SMIDT, PAT HICKMAN. Joining the staff are: Margaret Metcalfe, who takes over the Kindergarten. CASSIAR SCHOOL STAFF. NUMBERS FIFTEEN Mr. Metcalfe has taught in Scotland and Africa. Cassiar Elementary Secondary School welcomes ten new Jenny DeRouin, teaches Grade three. Mrs. DeRouin members to the staff for the coming school year. The new has taught previously in Clinton Creek and Ontario. comers join Beverly Evans, Grade one; Paul Wood, Grade Four; John Olson, Grade Six and Seven; Natalie Olson, Kathy and Jack Robison, have come to Cassiar from English and Commerce; and Pat Hickman, Industrial Good Hope Lake where they taught last year. Mrs. Robison Education and Math; — all of whom are well known to teaches the Grade Two Class, and Mr. Robison has charge Cassiar residents and students. of the Grade Five-Six Group. New members of the Secondary Staff include: KAREN CLARK - LEARNING ASSISTANT Bill Burr, who after training at U.B.C. and Simon Mrs. Karen Clark has been appointed full time Fraser, assumes teaching duties in Mathematics and Science learning assistant for the Stikine School District. Karen, who is widely known in the north for her contribu John Wright, an experienced teacher from New Denver tions to education, will supervise learning assistance and Squamish, teaches the Social Studies courses. -
The Eagle the Eagle
Texas Early College High School Texas Early College High School TheThe EagleEagle TheThe EagleEagle October 2020 October 2020 Behind The Mask By: Amma and Macy Once a year everyone dresses up on Halloween as their favorite characters going door to door gathering candy. Considering everything going on with Covid, will Halloween look different this year? Here are a few students and their thoughts on how Halloween will work out this year and what they plan to dress up as. Eighth-Grader Conner Christmas received a costume hint from his friend Karlee Sawyer and Pinterest. He is leaning towards a ‘traffic cone.’ “I want to add a sombrero,” he said, still contemplating his wardrobe. On a somber note, Conner is concerned about what Halloween will look like this year. “I think a lot of people won't participate handing out or receiving candy. many people will most likely be wearing masks and many kids probably won't be al- lowed to trick or treat,” he lamented. A similar sentiment was expressed by Freshman Montana Allen and Eighth-Grader Yasmine Else. “I think many people will stop from doing halloween or Maybe make costume adjustments,” says Montana. She plans on dressing as Jack from “Hotline Miami.” The character wears normal clothes, a letterman, and a chicken mask. Yasmine also be- lieves there will be a bigger problem than finding a costume, saying “A Lot of people will get coronavirus from hal- loween parties, especially from high school students.” Despite her misgivings, Yasmine plans on becoming a character from the video game “Among Us.” Not all Students are deterred by the virus. -
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Behind the Mask: My Autobiography
Contents 1. List of Illustrations 2. Prologue 3. Introduction 4. 1 King for a Day 5. 2 Destiny’s Child 6. 3 Paris 7. 4 Vested Interests 8. 5 School of Hard Knocks 9. 6 Rolling with the Punches 10. 7 Finding Klitschko 11. 8 The Dark 12. 9 Into the Light 13. 10 Fat Chance 14. 11 Wild Ambition 15. 12 Drawing Power 16. 13 Family Values 17. 14 A New Dawn 18. 15 Bigger than Boxing 19. Illustrations 20. Useful Mental Health Contacts 21. Professional Boxing Record 22. Index About the Author Tyson Fury is the undefeated lineal heavyweight champion of the world. Born and raised in Manchester, Fury weighed just 1lb at birth after being born three months premature. His father John named him after Mike Tyson. From Irish traveller heritage, the“Gypsy King” is undefeated in 28 professional fights, winning 27 with 19 knockouts, and drawing once. His most famous victory came in 2015, when he stunned longtime champion Wladimir Klitschko to win the WBA, IBF and WBO world heavyweight titles. He was forced to vacate the belts because of issues with drugs, alcohol and mental health, and did not fight again for more than two years. Most thought he was done with boxing forever. Until an amazing comeback fight with Deontay Wilder in December 2018. It was an instant classic, ending in a split decision tie. Outside of the ring, Tyson Fury is a mental health ambassador. He donated his million dollar purse from the Deontay Wilder fight to the homeless. This book is dedicated to the cause of mental health awareness. -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
What Are You So Scared About?: Understanding the False
What Are You So Scared About?: Understanding the False Fear Response to Horror Films Sarah Seyler HSS 490-01H Faculty Director: Dr. Jeffrey Adams April 22nd, 2019 1 When a horror movie delivers a scare to an audience member, it is able to achieve something that is entirely illogical; it has made someone scared of something that poses no threat. So what is the logic behind a horror film? What aspects make a horror movie, something that can pose no physical threat, scary? In order to solve this question, many different aspects of filmmaking in horror will be looked at, including filmmaking techniques, psychological manipulation through storytelling, and the exploration of certain cultural elements in horror films that contextualize the fears a society has. By analyzing the different aspects of horror, we can understand how and why a movie is able to override the rational side of a viewer’s brain and make them scared. We can then understand why these aspects cause the body to have a physical reaction to the false threat, and why some people respond more intensely to horror than others. The goal of any movie is to elicit some sort of emotional response in the audience observing the film, and this is no different for horror movies. However, instead of a joy or sadness response, the horror movie aims to cause an observer to feel some sort of fear -- whether that be an immediate physical fear or longer-lasting psychological distress. Scaring people may sound simple, however it is actually a pretty complex process, as the film must be logical enough for the audience to buy into, allowing them to become immersed in the movie. -
GENRE STUDIES in MASS MEDIA Art Silverblatt Is Professor of Communications and Journalism at Webster Univer- Sity, St
GENRE STUDIES IN MASS MEDIA Art Silverblatt is Professor of Communications and Journalism at Webster Univer- sity, St. Louis, Missouri. He earned his Ph.D. in 1980 from Michigan State University. He is the author of numerous books and articles, including Media Literacy: Keys to Interpreting Media Messages (1995, 2001), The Dictionary of Media Literacy (1997), Approaches to the Study of Media Literacy (M.E. Sharpe, 1999), and International Communications: A Media Literacy Approach (M.E. Sharpe, 2004). Silverblatt’s work has been translated into Japanese, Korean, Chinese, and German. GENRE STUDIES IN MASS MEDIA A HANDBOOK ART SILVERBLATT M.E.Sharpe Armonk, New York London, England Copyright © 2007 by M.E. Sharpe, Inc. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher, M.E. Sharpe, Inc., 80 Business Park Drive, Armonk, New York 10504. Library of Congress Cataloging-in-Publication Data Silverblatt, Art. Genre studies in mass media : a handbook / Art Silverblatt. p. cm. Includes bibliographical references and index. ISBN: 978-0-7656-1669-2 (cloth : alk. paper) 1. Mass media genres. I. Title. P96.G455S57 2007 302.23—dc22 2006022316 Printed in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z 39.48-1984. ~ BM (c) 10 9 8 7 6 5 4 3 2 1 To my “first generation” of friends, who have been supportive for so long: Rick Rosenfeld, Linda Holtzman, Karen Techner, John Goldstein, Alan Osherow, and Gary Tobin. -
159 Minutes Directed & Produced by Robert Altman Written by Joan
APRIL 17, 2007 (XIV:13) (1975) 159 minutes Directed & produced by Robert Altman Written by Joan Tewkesbury Original music by Arlene Barnett, Jonnie Barnett, Karen Black, Ronee Blakley, Gary Busey, Keith Carradine, Juan Grizzle, Allan F.Nicholls, Dave Peel, Joe Raposo Cinematography by Paul Lohmann Film Editiors Dennis M. Hill and Sidney Levin Sound recorded by Chris McLaughlin Sound editor William A. Sawyer Original lyrics Robert Altman, Henry Gibson, Ben Raleigh, Richard Reicheg, Lily Tomlin Political campaign designer....Thomas HalPhillips David Arkin...Norman Barbara Baxley...Lady Pearl Ned Beatty...Delbert Reese Karen Black...Connie White Ronee Blakley...Barbara Jean Timothy Brown ...Tommy Brown Patti Bryant...Smokey Mountain Laurel Keith Carradine...Tom Frank Richard Baskin...Frog Geraldine Chaplin...Opal Jonnie Barnett...Himself Robert DoQui...Wade Cooley Vassar Clements...Himself Shelley Duvall...L. A. Joan Sue Barton...Herself Allen Garfield...Barnett Elliott Gould...Himself Henry Gibson...Haven Hamilton Julie Christie...Herself Scott Glenn...Private First Class Glenn Kelly Robert L. DeWeese Jr....Mr. Green Jeff Goldblum...Tricycle Man Gailard Sartain...Man at Lunch Counter Barbara Harris...Albuquerque Howard K. Smith...Himself David Hayward ...Kenny Fraiser Academy Award for Best Song: Keith Carradine, “I’m Easy” Michael Murphy...John Triplette Selected for the National Film Registry by the National Film Allan F. Nicholls...Bill Preservation Board Dave Peel...Bud Hamilton Cristina Raines...Mary ROBERT ALTMAN (20 February 1925, Kansas City, Bert Remsen...Star Missouri—20 November 2006, Los Angeles), has developed Lily Tomlin...Linnea Reese the form of interlocked narrative to a level that is frequently Gwen Welles ... Sueleen Gay copied (e.g. -
MAGAZINE ® ISSUE 6 Where Everyone Goes for Scripts and Writers™
DECEMBER VOLUME 17 2017 MAGAZINE ® ISSUE 6 Where everyone goes for scripts and writers™ Inside the Mind of a Thriller Writer PAGE 8 Q&A with Producer Lauren de Normandie of Status Media & Entertainment PAGE 14 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 Feature Scripts – FIND YOUR Grouped by Genre SCRIPTS FAST 5 ON INKTIP! Inside the Mind of a Thriller Writer 8 INKTIP OFFERS: Q&A with Producer Lauren • Listings of Scripts and Writers Updated Daily de Normandie of Status Media • Mandates Catered to Your Needs & Entertainment • Newsletters of the Latest Scripts and Writers 14 • Personalized Customer Service • Comprehensive Film Commissions Directory Scripts Represented by Agents/Managers 40 Teleplays 43 You will find what you need on InkTip Sign up at InkTip.com! Or call 818-951-8811. Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers than InkTip – nobody. -
Find a Quiet Place in the Finger Lakes Spring 2009 by Carol White Llewellyn
TheThe magazinemagazine thatthat re-introducesre-introduces itsits readersreaders The magazine that re-introduces its readers toto thisthis specialspecial NewNew YorkYork StateState regionregion eacheach passingpassing seasonseason to this special New York State region each passing season Home || Contact Us || Subscribe/Renew || Gift Subscriptions || Calendar || Advertiser Links || Where to Buy || ExploretheFingerLakesFingerLakes Home | Contact Us | Subscribe/Renew | Gift Subscriptions | Calendar | Advertiser Links | Where to Buy | ExploretheFingerLakes Search: Search: << Back to Archived Article Main Page << Back to Archived Article Main Page Print Article || Email to a Friend Print Article | Email to a Friend Lifestyle LifestyleLifestyle FindFindFind aa a QuietQuiet Quiet Place PlacePlace ininin thethethe FingerFinger LakesLakes Spring 2009 SpringSpring 2009 2009 by Carol White Llewellyn byby Carol Carol White White Llewellyn Llewellyn In Bloomfield, an A-frame house stands nestled among tall trees and evergreens. Except for the mailbox, you might drive past without noticing its presence. The solitude of its location serves Eric Moon and Jan McKie well. Eric is a professional voiceover talent, and Jan is a former graphic artist turned entrepreneur. They both work from home, and the concept of The Quiet Place is their brainchild. The Quiet Place opened in April 2000 as one secluded getaway cabin conveniently located near Cumming Nature Center, Bristol Mountain, Grimes Glen and several wonderful restaurants and wine trails. Today, there are eight cabins and cottages scattered throughout the Finger Lakes, each one designated as The Quiet Place. The cabins range in size from one to four bedrooms, with the largest accommodating up to eight people. Serenity is inspirational A life-size scarecrow greets me from a lawn chair as I step onto their deck. -
Eastern Progress 1978-1979 Eastern Progress
Eastern Kentucky University Encompass Eastern Progress 1978-1979 Eastern Progress 1-25-1979 Eastern Progress - 25 Jan 1979 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1978-79 Recommended Citation Eastern Kentucky University, "Eastern Progress - 25 Jan 1979" (1979). Eastern Progress 1978-1979. Paper 16. http://encompass.eku.edu/progress_1978-79/16 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1978-1979 by an authorized administrator of Encompass. For more information, please contact [email protected]. Volurrw 57. No. 17 Official StudMit Publication 14 JmiKV 26. 1t7t of EMMM Kentucky Unnforeity Overall thefts down over break Stolen keys linked to robbery in Todd Hall By ROB DOLLAR keys could have opened. have been responsible for this theft, Staff Writer This theft eventually turned out to be since arrests were made in the previous the only one reported which involved the case and the people involved were no; According to a Public Safety and nine missing keys. longer on campus. According to the Security report filed Security report filed Jan. 7 by David iin the brighter side. Lindquist - Cecil. Todd Hall dorm director, an by Baker, a $400 stereo system and a 12- inch television set were removed from pointed out that dorm thefts mn unknown person or persons somehow Christmas break this year were> gained access into the dormitory, en- his room, which indicated no signs of forced entry. tremendously lower than for the same£ tered a locked office, and then pried period last year open an office key box. -
Abstract/Freewrite/Blueprint
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Transnational Crime Fictions and Argentina's Criminal State Permalink https://escholarship.org/uc/item/8wd0d8hz Author Caballero, Juan Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Transnational Crime Fictions and Argentina’s Criminal State by Juan Caballero A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy In Comparative Literature In the Graduate Division Of the University of California, Berkeley Committee in charge: Professor Francine Masiello, Chair Professor Natalia Brizuela Professor Michael Lucey Spring 2013 1 Abstract Transnational Crime Fictions and Argentina’s Criminal State by Juan Caballero Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Francine Masiello, Chair My dissertation proposes a new understanding of the dictatorship novels of Ricardo Piglia, Juan José Saer, and Manuel Puig grounded in their shared appropriation from popular crime fiction. Across the 1940’s, 50’s, and 60’s, a wide range of popular crime fiction was translated, written, theorized, printed and reprinted in Argentina, and these popular genres grew steadily in readership, visibility, and cultural legitimacy. These genres were largely dismissed as insipid forms of mass-culture entertainment by contemporary criticism, however, and their relevance has been downplayed by literary history to this day. My study of the novels of these influential authors restores this context in order to highlight their appropriations from these undervalued narrative traditions, in which they found incipient forms of social critique and unique modes of representing history and the social order.