06 MPLC US Producer List by Product
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film)
Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) by Agnieszka Mlynarz A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in Theatre Studies Guelph, Ontario, Canada © Agnieszka Mlynarz, April, 2017 ABSTRACT Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) Agnieszka Mlynarz Advisor: University of Guelph, 2017 Professor Alan Filewod This thesis is an investigation of five Canadian genre films with female leads from the Tax Shelter era: The Pyx, Cannibal Girls, Black Christmas, Ilsa: She Wolf of the SS, and Death Weekend. It considers the complex space women occupy in the horror genre and explores if there are stylistic cultural differences in how gender is represented in Canadian horror. In examining variations in Canadian horror from other popular trends in horror cinema the thesis questions how normality is presented and wishes to differentiate Canuxploitation by defining who the threat is. ACKNOWLEDGEMENTS I would like to express my deepest gratitude to Dr. Paul Salmon and Dr. Alan Filewod. Alan, your understanding, support and above all trust in my offbeat work ethic and creative impulses has been invaluable to me over the years. Thank you. To my parents, who never once have discouraged any of my decisions surrounding my love of theatre and film, always helping me find my way back despite the tears and deep- seated fears. To the team at Black Fawn Distribution: Chad Archibald, CF Benner, Chris Giroux, and Gabriel Carrer who brought me back into the fold with open arms, hearts, and a cold beer. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences. -
Good Food ... Good Feelings • Shirley (Neon) — Elisabeth Moss, Logan Lerman, Michael Stuhlbarg
Jay’s Pix Presents at the International improvisational style with a cast of non-actors. Museum — Film historian Jay Duncan and the Fountain Theatre — 2469 Calle de Sunset Film Society host presentations at 2 Guadalupe, 1/2 block south of the plaza in p.m. Saturdays at International Museum of Art, Mesilla. Theatre closed at least through April 3; 1211 Montana (door on Brown opens at 1:30 check website for updates and reopening p.m.). Admission is free. Snacks available for schedule. purchase; guests encouraged to come early for directed and co-written by Billy Wilder. Two Miami — which also happens to be the destina- The historic theater, operated by the Mesilla special attractions. Information: 543-6747 musicians in 1929 Chicago (Jack Lemmon and tion for the mobsters attending a convention. Valley Film Society, features films at 7:30 p.m. (museum), internationalmuseumofart.net and Tony Curtis) accidentally witness the St. • April 18: “Chicago.” The 2002 musical crime nightly, plus 1:30 p.m. Saturday and 2:30 p.m. sunsetfilmsociety.org. Valentine’s Day massacre and go on the lam, comedy-drama film, based on the stage musi- Sunday. Some 7:30 p.m. Sunday night screen- This month’s films Celebrate the Roarin’ 20s. hiding from the mobsters who saw them. Since cal, explores the themes of celebrity, scandal ings have an open caption option. Admission: • April 11 : “Some Like It Hot.” Voted the jobs are scarce during the Great Depression, and corruption in Chicago during the Jazz Age. $8 ($7 matinees, seniors, military and students No. -
Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
Big Names Open Expo
THE OFFICIAL PUBLICATION OF LICENSING EXPO June 10, 2015 Day 2 Breaking News Cartoon Network Inks ‘Ben Big Names Open Expo 10’ Master Toy Partner Licensing Expo kicked off with multiple conversations with top digital talent such as Playmates Toys will serve as the master toy summits, celebrity appearances, theatrical Andrea Brooks, Amanda Steele, Tati Westbrook, partner for Cartoon Network’s brand-new reveals, educational seminars and much, much Samantha Woolfe, Hanah Hart, Missy Lynn and “Ben 10” series. more. Lia Marie Johnson, The series will premiere on CN channels in On Monday, alongside international territories in fall 2016 and in Licensing Expo executives from North America in 2017. Products will follow. hosted the YouTube, rst-ever Digital AwesomenessTV, Prominent Signs Hagar Summit, part of United Talent New brand management and development the Licensing Agency, The Honest consortium Prominent Brand + Talent has University Company, Style signed on to represent musician Sammy Hagar. educational series Haul, Re nery29 Prominent will look to extend Hagar’s (organized by the and more. Sammy’s Island brand into multiple lifestyle International Licensing Expo categories. Dow Famulak, Global Brands Group; Richard Barry, Toys ‘R’ Licensing Industry Us; Lisa Harper, Hot Topic; and Mike Fitzsimmons, 2015 of cially Merchandisers’ Delivery Agent launched Tuesday Not-to-Be Missed Events: Association). The Digital Summit was opened with a panel-style keynote that included top-level Q Nitro Circus Live performances–11 am, 1 with a keynote Q&A that featured YouTube’s executives Dow Famulak of Global Brands Group, pm and 4 pm, booth #A62 (in the Sports director of content partnerships, Malik Ducard. -
Vme and BRB SEAL ALLIANCE at MIPCOM
Vme AND BRB SEAL ALLIANCE AT MIPCOM • Various productions from the Spanish company will be aired on the American channel as a first step in a long-term accord Madrid, October 15, 2014. Vme Media and BRB Internacional have just sealed at MIPCOM an accord for U.S. Hispanic audiences in the United States. The television channel, the first that broadcasts exclusively in Spanish throughout America, will air various BRB productions, including international hits, Bernard (156 x 3’), Mica (26 x 15’), Zoobabu (104 x 2’) and Kambu (52 x 7’). This is the first step in a long-term agreement between the two entertainment-sector companies that will be progressively widened in the future. In this first phase of the accord, Vme and BRB Internacional have agreed on various animation series for broadcast in the U.S. Hispanic markets in the United States – and some feature-length films, too, such as My Friend Bernard – aimed at pre-school and family audiences. The agreement includes the disemination of these productions both on Vme’s television network that reaches 70M U.S. housholds and via its video-on- demand services. Emilie Pasquet, Sales Chief at BRB Internacional, said: “We are thrilled with becoming a partner of Vme, a channel that really emphasizes the quality of its productions for the pre-school target audience in a very important market for us in the new digital panorama, both for kids and their parents.” For more information: Stand R7-H14 (MIPCOM) ABOUT VME TELEVISION: Vme TV (pronounced veh-meh), is the first national Spanish-language television network in association with public television stations. -
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses The Ritz-Carlton, New Orleans • March 10–13, 2011 • SCMS 2011 Letter from the President Welcome to New Orleans and the fabulous Ritz-Carlton Hotel! On behalf of the Board of Directors, I would like to extend my sincere thanks to our members, professional staff, and volunteers who have put enormous time and energy into making this conference a reality. This is my final conference as SCMS President, a position I have held for the past four years. Prior to my presidency, I served two years as President-Elect, and before that, three years as Treasurer. As I look forward to my new role as Past-President, I have begun to reflect on my near decade-long involvement with the administration of the Society. Needless to say, these years have been challenging, inspiring, and expansive. We have traveled to and met in numerous cities, including Atlanta, London, Minneapolis, Vancouver, Chicago, Philadelphia, and Los Angeles. We celebrated our 50th anniversary as a scholarly association. We planned but unfortunately were unable to hold our 2009 conference at Josai University in Tokyo. We mourned the untimely death of our colleague and President-Elect Anne Friedberg while honoring her distinguished contributions to our field. We planned, developed, and launched our new website and have undertaken an ambitious and wide-ranging strategic planning process so as to better position SCMS to serve its members and our discipline today and in the future. At one of our first strategic planning sessions, Justin Wyatt, our gifted and hardworking consultant, asked me to explain to the Board why I had become involved with the work of the Society in the first place. -
ME,YOUBY BILLE AUGUST a Film Based on the Novel “Tu, Mio” by ERRI DE LUCA SYNOPSIS
ME,YOUBY BILLE AUGUST A Film based On The Novel “Tu, Mio” by ERRI DE LUCA SYNOPSIS Ischia, 1955. In the waters of the island in the bay of Naples, Marco (16) Caia is Jewish. Marco does not have these prejudices, on the contrary, spends his days sailing with Nicola (52), a hardened fisherman who tells this discovery pushes him to delve into the girl’s life even more. A stories about the sea and the war, that is still very fresh in his memory. beautiful complicity is established between the two in which Caia reveals Marco is different from the other boys, he prefers spending his time her painful past, with a childhood stolen by the SS and a father who in the company of the hermetic Nicola rather than going to the beach, preferred to throw his daughter out of a train in Yugoslavia, rather having courting girls or bathing in the ocean like his peers. Shy and curious, he her to experience the horrors of a concentration camp. takes advantage of his holidays on the Italian island to fill his eyes with Marco’s gestures remind Caia of her father: his protective attitudes, the images of a world that is so distant from his native London or from the way he kisses her on the forehead, the sound of his voice when he the gloomy boarding school in Scotland where his family sheltered Marco pronounces her name in Romanian, Chaiele. Next to him she feels the to protect him from the bombings. presence of her father, even though Marco is just a slender boy 4 years On vacation with his parents at his maternal uncle’s house, he will live younger than her. -
Wealth-X Laura Jeanne Reese WITHERSPOON Dossier
Laura Jeanne Reese WITHERSPOON Dossier 29 Dec 2020 The materials herein are solely for member's internal business purposes to assist in the acquisition and retention of member's clients (i.e. permitted purpose). Except as required by the law, member will not reveal these materials to any person or entity whose data is contained herein or to persons acting on their behalf. To the maximum extent permitted by law, Wealth-X excludes and disclaims all conditions, terms, representations and warranties relating to the subject matter hereof, whether express or implied, including the implied warranties of satisfactory quality and fitness for a particular purpose. While every attempt is taken to ensure that these materials are kept up to date, Wealth-X cannot guarantee that information contained in them in relation to any person or entity will not have changed or be correct. Laura Jeanne Reese WITHERSPOON Primary Position Producer Source Self-Made Primary Company Pacific Standard Age 44 Estimated Net Worth At least $280 million Birthday 22 Mar 1976 Estimated Liquid Assets At least $220 million Marital Status Married Estimated Household Wealth - Religion Christian (Episcopalian) Estimated Household Liquid Alternate Names Reese Witherspoon Assets Estimated Family's Net Worth Estimated Family's Liquid Assets Wealth Trend Fortune fluctuates with the value of Pacific Standard and with the broad equity and bond markets. Residences Pacific Palisades, California, United States Nashville, Tennessee, United States Malibu, California, United States Hometown New Orleans, Louisiana, United States Biography Witherspoon began modeling at age seven, shooting a television commercial for a florist. After several local commercials, at age 11 she won the Ten-State Talent Fair.