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Special Report
SPECIAL REPORT Key points for the 8th term of the European Parliament (2014-2019) Madrid, November 2014 BARCELONA BOGOTÁ BUENOS AIRES LIMA LISBOA MADRID MÉXICO PANAMÁ QUITO RIO J SÃO PAULO SANTIAGO STO DOMINGO KEY POINTS FOR THE 8TH TERM OF THE EUROPEAN PARLIAMENT (2014-2019) 1. THE EUROPEAN PARLIAMENT 1. THE EUROPEAN PARLIAMENT 2. THE LATEST ELECTION The European Parliament has, since its creation in 1962 in the 3. MAIN ISSUES IN THE context of the evolution of European integration, become the LEGISLATIVE AGENDA European Union (EU) Institution to have gained more power and 4. SPANISH DELEGATION relevance in the decision-making process of the Union. Indeed, over the years, it has gained increasingly important powers, legitimized 5. CONCLUSIONS and differentiated by the fact that it is the only EU Institution to be 6. APPENDIX 1: COMPETENCES elected by universal suffrage. 7. APPENDIX 2: CURRENT COMPOSITION OF THE It has evolved from being a mere advisory body to having the COMMITTEES power to co-legislate, together with the Council, in more than 85 legislative areas, exercising legislative powers as well as powers 8. APPENDIX 3: THE CURRENT of budgetary and political control. It also wields a considerable BUREAU OF THE EUROPEAN amount of political influence, and its competences include those PARLIAMENT of electing the President of the European Commission, vetoing the 9. APPENDIX 4: EUROPEAN appointment of the College, and even forcing the resignation of the PARLIAMENT DELEGATIONS entire Commission after a motion of no confidence. AUTHORS The official headquarters of the Parliament are in Strasbourg, where the main plenary sessions are held. -
List of Delegations to the Seventieth Session of the General Assembly
UNITED NATIONS ST /SG/SER.C/L.624 _____________________________________________________________________________ Secretariat Distr.: Limited 18 December 2015 PROTOCOL AND LIAISON SERVICE LIST OF DELEGATIONS TO THE SEVENTIETH SESSION OF THE GENERAL ASSEMBLY I. MEMBER STATES Page Page Afghanistan......................................................................... 5 Chile ................................................................................. 47 Albania ............................................................................... 6 China ................................................................................ 49 Algeria ................................................................................ 7 Colombia .......................................................................... 50 Andorra ............................................................................... 8 Comoros ........................................................................... 51 Angola ................................................................................ 9 Congo ............................................................................... 52 Antigua and Barbuda ........................................................ 11 Costa Rica ........................................................................ 53 Argentina .......................................................................... 12 Côte d’Ivoire .................................................................... 54 Armenia ........................................................................... -
REPORT of the FILM EDUCATION WORKING GROUP Acknowledgements
Making Movies Matter REPORT OF THE FILM EDUCATION WORKING GROUP Acknowledgements Cover Still: The Boy Who Stopped Talking, available from BFI Video Photographs courtesy of: Artificial Eye British Film Institute Buena Vista International (UK) Ltd. Eros International Ltd. Marysia Lachowicz Metro Tartan Miracle Communications PolyGram Filmed Entertainment Yvonne Salmon Transit Films United International Pictures Warner Bros First published in 1999 by the British Film Institute 21 Stephen Street London W1P 2LN Copyright © British Film Institute 1999 The British Film Institute promotes greater understanding and appreciation of, and access to, film and moving image culture in the UK. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. ISBN 0 85170 766 1 Designed by Amanda Hawkes Printed in Great Britain by Norwich Colour Print Ltd. Contents Summary 2 CHAPTER THREE: TEACHING 49 The Working Group’s Proposals 3 Who Teaches? 50 Introduction: Why Movies Matter 6 Teaching the Moving Image in Schools 51 Glossary of Acronyms 8 Continuing Professional Development 53 Teaching in the Post-16 Sectors 55 Teaching “Practice” 57 CHAPTER ONE: ACCESS 9 CHAPTER FOUR: RESOURCES 59 The Cinema Experience 10 Video 60 Who Has Access? 11 Copyright 61 Cinemas as an Educational Resource 16 Digital 61 Film Societies 18 Knowing What’s Available 63 Access to What? 20 Archives and Museums 64 Increasing Access through European Funding 24 Classroom Resources 68 The Child Audience 26 APPENDICES 71 Appendix One: -
Securities and Exchange Commission Washington, D.C. 20549
SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 1994 COMMISSION FILE NUMBER 1-9553 VIACOM INC. (Exact Name Of Registrant As Specified In Its Charter) Delaware 04-2949533 (State Or Other Jurisdiction Of (I.R.S. Employer Incorporation Or Organization) Identification No.) 1515 Broadway, New York, NY 10036 (ADDRESS OF PRINCIPAL EXECUTIVE OFFICES) (ZIP CODE) Registrant's telephone number, including area code (212)258-6000 Securities Registered Pursuant to Section 12(B) of the Act: Title Of Each Class Name Of Each Exchange On Which Registered Class A Common Stock, $0.01 par value American Stock Exchange Class B Common Stock, $0.01 par value American Stock Exchange Warrants Expiring on July 7, 1997 American Stock Exchange Warrants Expiring on July 7, 1999 American Stock Exchange Contingent Value Rights American Stock Exchange Variable Common Rights American Stock Exchange 8% Exchangeable Subordinated Debentures due 2006 American Stock Exchange 6.625% Senior Notes due 1998 New York Stock Exchange Securities Registered Pursuant To Section 12(G) of the Act: None (Title Of Class) Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports) and (2) has been subject to such filing requirements for the past 90 days. Yes X No Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of registrant's knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K. -
ECAS-Activity-Report-2017-4.Pdf
TABLE OF CONTENTS Table of Contents ................................................................................................................................... 3 SUMMARY ............................................................................................................................................. 5 EU RIGHTS Focus Area ............................................................................................................................ 7 Services to Citizens ................................................................................................................................. 9 Your Europe Advice ................................................................................................................................................... 9 EU Rights Clinic ........................................................................................................................................................15 Citizen Brexit Observatory .......................................................................................................................................18 Projects................................................................................................................................................ 19 5 Takeaways on Brexit: Outlining Possible Scenarios for a New UK-EU Relationship and their Impact on Citizens .....................................................................................................................................................................19 -
Video Nasties’: Economics, Marketing
RETHINKING THE ‘VIDEO NASTIES’: ECONOMICS, MARKETING, AND DISTRIBUTION MARK MCKENNA A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy October 2017 February 2017 2 CONTENTS ABBREVIATIONS _________________________________________________________ 4 LIST OF ILLUSTRATIONS __________________________________________________ 5 ACKNOWLEDGEMENTS ___________________________________________________ 6 ABSTRACT _______________________________________________________________ 9 INTRODUCTION: A VERY ‘NASTY BUSINESS’ _____________________________ 10 PART ONE: RATIONALE AND CONTEXT __________________________________ 16 1 HISTORICAL OVERVIEW: INTRODUCTION ___________________________ 17 1.1 The Established History of the Campaign _________________________________ 17 1.2 Complicating the Established Narrative __________________________________ 27 2. LITERATURE REVIEW _______________________________________________ 37 3. METHODOLOGICAL APPROACHES: INTRODUCTION _________________ 51 3.1 The New Film History ________________________________________________ 52 3.2 Production Studies ___________________________________________________ 54 3.3 Beyond the Text_____________________________________________________ 56 3.4 The Old Film History ________________________________________________ 57 3.5 Summation _________________________________________________________ 58 4. TECHNOLOGY AND POWER _________________________________________ 63 4.1 Introduction ________________________________________________________ -
Memoria De Legislatura 2014 – 2019 Beatriz Becerra- Eurodiputada Alde
MEMORIA DE LEGISLATURA 2014 – 2019 BEATRIZ BECERRA- EURODIPUTADA ALDE Respetado ciudadano europeo: Llegué al Parlamento Europeo en 2014 sin experiencia previa en cargos políticos. Sabía que tendría que llevar a cabo un aprendizaje rápido y confiaba en que los principios que me habían llevado a presentarme me sirvieran de brújula. También esperaba que mi experiencia profesional previa en la empresa privada me permitiera salir adelante. Sabía que una cosa siempre estaría en mi mano: trabajar muy duro. Puedo decir que acerté en todo esto. Mis principios, mi experiencia y el esfuerzo me han permitido terminar esta etapa como eurodiputada con la satisfacción del deber cumplido. Una satisfacción que no puede ser completa porque la política no termina nunca, porque todo cambia cada día y siempre quedan cosas importantes por hacer. Da igual si estás cinco años o cincuenta: el objetivo no es otro que trabajar por mejorar las vidas de las personas (en lo material y en lo inmaterial) en la esperanza de que otros continúen con tu labor. Dado que se trataba de mi primera legislatura tal vez habría que preguntar a alguien con más política europea a sus espaldas, pero dudo que haya habido un periodo tan convulso desde que se creó la Eurocámara. Estos años hemos vivido la crisis de la deuda griega, la de los refugiados, el brexit, la victoria de Trump, la de Macron, el intento de golpe en Cataluña… La Unión Europea nunca ha estado tan tensa. Es en este contexto en el que he llevado a cabo mi trabajo parlamentario integrada en la Alianza de Liberales y Demócratas por Europa (ALDE). -
Main Listing
Australian Lesbian and Gay Archives Videocassette Collection: Main Listing Id Title 2 (segment Number Author Series (if applicable) Title 1 title if series) Type of video Place Date 1p Fox Video My Own Private Idaho Movie USA 1991 2p CEL Another Country Movie UK 1984 3p Force Video The Versace Murder Movie USA 1997 4p Home Cinema Claire Of The Moon Movie USA 1992 5p CEL Victim Movie UK 1961 6p Rawcomm Made In China Movie China 1989 6p Rawcomm Drawing The Line Movie China 1989 7p Force Video Scum Movie UK 8p Thames Video The Naked Civil Servant Movie UK 1981 9p CBS Fox The Boys In The Band Movie USA 1970 Jason Donovan Greatest Video 10p Mushroom Hits Music Australia 1991 11 SBS Parting Glances Movie USA 1986 12p Filmpac The Everlasting Secret Family Movie Australia 1988 13p Jerico Video Gay Erotica From The Past #1 Movie 14p Jerico Video Gay Erotica From The Past #2 Movie 15p BC Entertainment Glen Or Glenda Movie USA 1953 Love And Death On Long 16p Siren Island Movie USA 1998 17p VCL Video Girl Stroke Boy Movie UK 1982 18p The Gay Deceivers Movie USA 1969 19p Home Cinema We Think The World Of You Movie UK 1988 Kenneth Anger's Hollywood 20p Pandora Babylon Volume Two Movie USA 1994 21p AFI Distribution Archival Film Series: The Hal Porter Documentary Australia 1987 22p CEL Another Country Movie UK 1984 23 Channel 9 Another Country Movie UK 1984 24 Channel 7 Cruising Movie USA 1980 The Making of Super Mario 24 Bros Television 24 NBC News News 25 SBS The Wounded Man Movie France 1984 26 ABC The Lost Language Of Cranes Movie UK 1991 26 Music -
194969015.Pdf
Anyone who wants to know more about how films and TV shows are dis- tributed and exploited can learn a huge amount from this book. —Jim Morris, Pixar Animation Studios General Manager, EVP, Production, and Producer Wall•E The entertainment industry is an industry with ongoing challenges with constant change. Jeff provides a road map to see where you are going by understanding where you started. —Louis Feola, President, Paramount Famous Productions Ulin expertly depicts the fluid nature of content creation and distribution in a concise and understandable way. There’s never been a better insider’s look at the choices and challenges that studio executives face every day. —Gary Marenzi, President, MGM Worldwide Television Jeff Ulin’s broad spectrum of expertise, spanning all aspects of motion pic- ture and television distribution, from theatrical to home entertainment to new media and television licensing, render him uniquely qualified to illu- minate the business side of the entertainment business. —Hal Richardson, President of Paramount Worldwide Television Jeff Ulin’s book is a must read for practitioners, academics and potential in- vestors in the new media space. Having worked in all segments of the indus- try, Ulin brings together a unique combination of experience and analytical rigor to deconstruct the driving forces of an industry in dynamic change. —Pablo Spiller, Jeffrey A. Jacobs Distinguished Professor of Business and Technology, Haas School of Business. This is the book that everyone in the business has been waiting for — Jeff’s seen it all, and has written a must-read book for those wanting to under- stand the jigsaw of media distribution and in what ways the web is influ- encing how, when and where money is made. -
The Star Trek Playing Card Compendium
The Star Trek Playing Card Compendium by Rex Ungericht Version 1.80, July 2020 Star Trek and related marks are trademarks of CBS Studios, Inc. Introduction What exactly is a "Star Trek Playing Card"? • For the "Star Trek" part, it includes: o cards used in episodes of the show, and o cards made to commemorate the show. • For the "Playing Card" part, it mostly (but not exclusively) means four suits of ace through king. Interestingly, Star Trek playing cards are almost as old as Star Trek itself. The second episode that was broadcast ("Charlie X, on September 15, 1966) had a scene where playing cards can be seen scattered on a table. Fifty years later, as I begin to put together what will hopefully become a comprehensive list of all Star Trek playing cards, it is interesting to see that the majority of decks are related to just two of the many Star Trek series and movies: the original series and The Next Generation. Even though I am making this compendium publicly available, it is not finished: I still need to work my way through every episode of Star Trek to see if there are any cards that need to be added. This will get done sometime :-) Request for Information If anyone reading this has information about: • decks of Star Trek playing cards not listed in this compendium, and/or • the stories behind the cards, including info on the companies that made them please let me know. Also, many of the decks in my collection are new and sealed, and I am unwilling to open them to scan the cards for this compendium. -
Paramount Pictures - Wikipedia, the Free Encyclopedia Paramount Pictures from Wikipedia, the Free Encyclopedia
7/20/2014 Paramount Pictures - Wikipedia, the free encyclopedia Paramount Pictures From Wikipedia, the free encyclopedia Paramount Pictures Corporation (commonly known as Paramount Pictures Corporation Paramount Pictures or simply Paramount, and formerly known as Famous Players-Lasky Corporation) is a film studio, television production company and motion picture distributor, consistently ranked as one of the "Big Six" film studios of Hollywood. It is a subsidiary of U.S. media conglomerate Viacom, Paramount is a member of the Motion Picture Association of America (MPAA).[2] It has distributed various commercially successful film series, such as Shrek, Transformers, Mission: Impossible, Marvel Cinematic Type Subsidiary of Viacom Universe (2008–11), Titanic, Indiana Jones (1981–2008), The Godfather, Star Trek, Jack Ryan, Jackass, The Bad Industry Film News Bears, Beverly Hills Cop, "Crocodile" Dundee, Founded 1912 (as Famous Players Film Paranormal Activity, Friday the 13th and G.I. Joe. It's the Company) world's fourth oldest major film studio. 1914 (as Paramount Pictures) As of 2014, Paramount Pictures became the first big Headquarters Hollywood, California, Hollywood studio to distribute all its films in digital-form United States only.[3] Area served Worldwide Key people Brad Grey (Chairman and CEO) Contents Rob Moore (Vice Chairman) 1 History Frederick D. Huntsberry (COO) 1.1 1911–1920: Early history Mark Badagliacca 1.2 1921–1930: The rise (CFO) 1.2.1 Publix, Balaban and Katz, Adam Goodman[1] Loew's competition, and wonder President of Paramount Film Group theaters Products Motion pictures 1.3 1931–1940: Receivership Revenue $1.2 billion (2011) 1.4 1941–1950: United States v. -
Middlesex University Research Repository
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Barratt, Alexander James Bligh (1998) An investigation into the notion of "parental responsibility" as it features in the home-based regulation of children's video viewing habits. PhD thesis, Middlesex University. Accepted Version Available from Middlesex University’s Research Repository at http://eprints.mdx.ac.uk/13626/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this thesis/research project are retained by the author and/or other copyright owners. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non- commercial, research or study without prior permission and without charge. Any use of the thesis/research project for private study or research must be properly acknowledged with reference to the work’s full bibliographic details. This thesis/research project may not be reproduced in any format or medium, or extensive quotations taken from it, or its content changed in any way, without first obtaining permission in writing from the copyright holder(s). If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. Mi~dles.ex Un iversity London " Middlesex University Research Repository: an open access repository of Middlesex University research http://eprints.mdx.ac.uk Barratt, Alexander James Bligh, 1998.