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Zbornik Radova Akademije Umetnosti 8 ZBORNIK RADOVA AKADEMIJE UMETNOSTI 8 2020 Zbornik radova Akademije umetnosti / Collection of Papers of the Academy of Arts Univerzitet u Novom Sadu / University of Novi Sad Akademija umetnosti / Academy of Arts Centar za istraživanje umetnosti / Centre for Research in Arts Novi Sad 2020. Glavna i odgovorna urednica / Editor in Chief dr Nataša Crnjanski Uredništvo / Editorial Board prof. emer. dr Irina Subotić, dr Ira Prodanov, dr Marina Milivojević Mađarev, dr Dijana Metlić, dr Manojlo Maravić, dr Dragan Stojmenović Međunarodno uredništvo / International Editorial Board dr Günter Berghaus (University of Bristol, UK), dr Tatjana Marković (Universität für Musik und darstellende Kunst Wien, Austria), dr Ildar Khannanov (University of Baltimore, USA), dr Dmitri Ninov (University of Texas, USA), dr Michael Broderick (Murdoch University, Australia), dr Karen A. Ritzenhoff (Central Connecticut State University, USA), dr Ivan Moody (Cesem - Universidade Nova de Lisboa, Portugal), dr Roderick Munday (Aberystwyth University, UK), dr Michal Babiak (University of Bratislava, Slovak Republic), dr Boris Senker (Svečilište u Zagrebu, Hrvatska), dr Veronica Demenescu (West University of Timisoara, Romania), dr Athena Katsanevaki (University of Macedonia in Thessaloniki, Greece), dr Darko Lukić (Sveučilište u Zagrebu, Hrvatska), dr Elisabeta Pasquini (University of Bologna, Italy), dr Elisa Pezzotta (University of Bergamo, Italy) Sekretarica / Secretary MA Ivana Nožica Recenzenti / Reviewers dr Robert Hatten (University of Texas at Austin, USA), dr Lawrence Zbikowski (University of Chicago, USA), dr Laura Emmery, dr Jason Yust (Boston University, College of Fine Arts), dr Milena Dragićević Šešić (Univerzitet umetnosti, FDU Beograd), dr Maria Mannone (University of Palermo), dr Petar Jevremović (Univerzitet u Beogradu, Filozofski fakultet), dr Ksenija Radulović (Univerzitet umetnosti, FDU Beograd), dr Bojana Škorc (Univerzitet umetnosti, FLU Beograd), dr Petar Grujičić (Fakultet savremenih umetnosti Beograd), dr Sanja Kiš Žuvela (Sveučilište u Zagrebu, Muzička akademija), dr Ivana Medić (Muzikološki institut SANU), dr Milena Medić (Univerzitet umetnosti, FMU Beograd), dr Srđan Teparić (Univerzitet umetnosti, FMU Beograd), dr Marija Dumnić Vilotijević (Muzikološki institut SANU), dr Vesna Đukić (Univerzitet umetnosti, FDU Beograd), dr Vesna Kruljac (Univerzitet umetnosti, FPU Beograd), dr Maja Ristić (Univerzitet umetnosti, FDU Beograd), dr Nina Mihaljinac (Univerzitet umetnosti, FDU Beograd), dr Danijela Korolija Crkvenjakov (Univerzitet u Novom Sadu, Akademija umetnosti), dr Dubravka Đukanović (Univerzitet u Novom Sadu, Akademija umetnosti), dr Ljubica Ilić (Univerzitet u Novom Sadu, Akademija umetnosti), dr Žolt Lazar (Univerzitet u Novom Sadu), dr Olivera Gajić (Univerzitet u Novom Sadu, Filozofski fakultet), dr Danijela Zdravić Mihailović (Fakultet umetnosti Niš), dr Živko Popović (Univerzitet u Novom Sadu, Akademija umetnosti), dr Amra Lafitić (Univerzitet Singidunum, Fakultet za medije i komunikacije Beograd), mr Miloš Zatkalik (Univerzitet umetnosti, FMU Beograd), dr Radovan Popović, dr Kristina Planjanin-Simić (Visoka škola strukovnih studija za obrazovanje vaspitača Kikinda), mr Dragan Dimčić (Univerzitet umetnosti, Interdisciplinarne studije Beograd), dr Zlatomir Gajić (Univerzitet u Novom Sadu, Filozofski fakultet) Adresa uredništva / Editorial Office Address Đure Jakšića 7 21000 Novi Sad E-mail: [email protected] akademija.uns.ac.rs Časopis je indeksiran u ERIH PLUS (European Reference Index for the Humanities and Social Sciences), DOAJ (Directory of Open Access Journals), RILM (Répertoire International de Littérature Musicale) i SCIndeks (Srpski citatni indeks) Articles are covered in ERIH PLUS (European Reference Index for the Humanities and Social Sciences ), DOAJ (Directory of Open Access Journals), RILM (Répertoire International de Littérature Musicale) and SCIndeks (Serbian citation index) SADRŽAJ / CONTENTS Uvodnik / Editorial ________________________________________________ 8 / 9 REČ UMETNIKA / THE WORD OF THE ARTIST Ira Prodanov Mi još možemo uraditi mnogo dobrih stvari zajedno – razgovor sa profesorom Kemalom Gekićem____________________________________________________10 We Can Still Do Many Good Things Together – An Interview with Professor Kemal Gekić_________________________________________________________10 TEATROLOGIJA I STUDIJE FILMA / THEATROLOGY AND FILM STUDIES Gabriela Abrasowicz Transcultural Hybridity in the Post-Yugoslav Theater_________________________16 Apstrakt: Transkulturna hibridnost u postjugoslovenskom pozorištu_____________28 Goran Pavlić Protiv konotacijske manije: Prilog sociologiji kazališta_______________________30 Abstract: Against Connotation Mania: A Contribution to the Sociology of Theater______________________________________________41 Andrej Čanji Postmoderni mimezis u filmu Vudija Alena „Zelig“__________________________42 Abstract: Postmodern Mimesis in Woody Allen’s film Zelig_____________________51 STUDIJE O MUZIČKOJ UMETNOSTI / STUDIES ON MUSIC Georges Bériachvili Musical Gesture and Phenomenology of Musical Space in 20th-Century Avant-Garde Music_______________________________________________________________53 Apstrakt: Muzički gest i fenomenologija muzičkog prostora u avangardnoj muzici 20. veka_______________________________________________________________71 Haruki Noda Cross-Contaminations: On Schönberg’s political beliefs and his music theoretical writings____________________________________________________73 Apstrakt: Unakrsna kontaminacija: o Šenbergovim političkim uverenjima i njegovim muzičko-teorijskim napisima ___________________________________________83 Eva-Maria de Oliveira Pinto Franz Liszt’s „Bell Compositions“: Attempting a Survey______________________84 Apstrakt: Zvuk zvona u kompozicijama Franca Lista: pokušaj studije____________96 Marija Golubović, Nikola Komatović An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo_________________________________________97 Apstrakt: Ekstrovert i mizantrop: komparativna analiza virtuoznih aspekata i uticaja ličnosti u „Klavirskom knocertu br. 1“ u Es-duru Franca Lista i Alkanovog „Koncerta za solo klavir“_______________________________________________________111 Federico Favali Entropic Dynamics and Rhizomatic Archetypes in Aeriality by Anna Thorvaldsdottir__112 Apstrakt: Entropijska dinamika i rizomatični arhetipovi u delu „Aeriality“ Ane Torvaldsdotir________________________________________________________136 Maria Mannone, Dimitri Papageorgiou Gestural Similarity, Mathematics, Psychology: Hints from a First Experiment and some Applications between Pedagogy and Research ________________________137 Apstrakt: Gestovna sličnost, matematika, psihologija: nagoveštaji nakon prvog eksperimenta i neke primene između pedagogije i istraživanja_________________152 Ivana Paula Gortan-Carlin, Leonarda Romić Upotreba istarskih folklornih elemenata u klavirskim skladbama Đeni Dekleva-Radaković______________________________________________154 Abstract: The Use of Istrian Floklore Elements in Piano Compositions by Đeni Dekleva-Radaković___________________________168 TEORIJA I ISTORIJA UMETNOSTI, TEORIJA KULTURE / THEORY AND HISTORY OF ARTS, CULTURE THEORY Jagor Bučan (O)soba s pogledom: Poetika prozorskog okna u slikarstvu Pjera Bonara_______169 Abstract: A Room with a View: Poetics of a Windowpane in Painting by Pierre Bonnard___________________________________________________________186 Nemanja Sovtić Džejms Braun u mreži ideoloških raslojavanja afroameričkog pokreta za građanska prava____________________________________________________188 Abstract: James Brown in a Network of Ideological Stratifications of the Afro-American Civil Rights Movement_______________________________199 Nikola Božilović Sociologija jugoslovenskog rokenrola šezdesetih: subverzija, moralna panika, cenzura______________________________________________200 Abstract: Sociology of the 1960s Rock ‘n’ Roll in Yugoslavia: Subversion, Moral Panic, Censorship____________________________________217 Iva Hraste-Sočo Muzički i kazališni festivali u identitetskim procesima_______________________219 Abstract: Music and Theater Festivals in the Identity Processes_______________233 Miona Miliša Pre-Romanesque interlace sculpture: a problem of stone motif terminology______234 Apstrakt: Predromanička pleterna skulptura: problem terminologije motiva u kamenu____________________________________________________________253 Dušica Dragin Uloga dramskog pisca u razvoju pozorišne publike__________________________254 Abstract: The Role of a Playwright in the Development of Theater Audience_____271 PSIHOLOGIJA STVARALAŠTVA / PSYCHOLOGY OF CREATIVITY Mila Alečković-Bataj Stvaralaštvo i psihološki mehanizmi odbrane ličnosti________________________273 Abstract: Artistic Creation and Psychological Personality Defense Mechanisms__293 PRIKAZI / REVIEWS Sanja Kiš Žuvela Nataša Crnjanski: Pojmovnik muzičke semiotike____________________________294 Nataša Crnjanski: Glossary of Music Semiotics____________________________294 Julijana Baštić Ljubomir Nikolić: Journey to the Beginnings: Primordial music/virtual prehistoric orchestra__________________________________________________________296 Ljubomir Nikolić: Putovanje ka počecima: primordijalna muzika / virtuelni praistorijski orkestar_________________________________________________296 IN MEMORIAM Dragoslav
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