The VIP-Booking European Live Entertainment Book Advertising in the VIP Book Will Make You Visible to 10.000 Business Professionals All Over Europe

Total Page:16

File Type:pdf, Size:1020Kb

The VIP-Booking European Live Entertainment Book Advertising in the VIP Book Will Make You Visible to 10.000 Business Professionals All Over Europe WWW.VIP-BOOKING.coM VIP- News›› ›› PREmiUM VOL. 137 JUNE 2011 McGowan’s Musings: So there I was, crossing a wide and fast collectively known, strangely enough, as flowing river on bridge that looked per- Music Festivals. Encouraged by a Hop Farm fectly solid from the river bank but began sell-out with Prince, extending this year’s to sway from side to side in a strangely edition in July by a day, Power has filed the disturbing fashion when supporting the application for Music Festival’s admission weight of a man in full Scottish highland to Aim, the London Stock Exchange’s inter- dress playing the bagpipes and being national market for smaller growing com- followed by a trail of music industry folk panies, which will raise £6.5m. (See Busi- looking forward to the first drink of the ness News in this issue) Although there are evening. I was however temporarily dis- some worries being expressed about the tracted from concerns about the stability fortunes of many of this season’s events Allan McGowan of the bridge by the sight of the man up to with Reading tickets selling for less than his chest in the centre of this rushing river face value on the secondary market and unconcernedly wielding a very substantial Music and Arts Festival in Manchester, audiences being spread thin by a combi- fishing rod and also wearing a highland Tennessee, temperatures stayed in the 90s nation of a lack on new acts on the bills ‘bunnet’ while he attempted to catch fish (F), 30s (C) for almost the whole four days and increased competition (there were on their way to the one and only Loch Ness. of the event, with reports of about 1,500 715 events last year in the UK alone) other Scottish seagulls were of course hanging of the 80,000 attendees being treated for festivals and businesses have already been around looking for a chance to steal any- heat-related illnesses. Two deaths were marked for Power’s expansion – watch this thing he caught! No, I wasn’t dreaming or reported, whether or not these were as a space! under the influence, I was of course in In- result of the heat was still to be confirmed. verness at this year’s edition of Go North, a Lets hope the rest of the season wherever Talking about making money from music fine event!(See report in this issue) festivals takes place, stays free of such un- - there was a time when lots of people did fortunate casualties, and that the weather you know! – I see that Forbes, the US mag- The Festival season has kicked off with gods are kind. azine that concerns itself with the fortunes the weather again playing its leading part; (literally) of the rich and famous has pro- in the UK the Isle of Wight Festival had a In other festival news the irrepressible duced a new list of the highest earners in sunny Saturday but suffered from heavy Vince Power, the man who set up the Mean the music business (we’ve included the list rain and low temperatures on the Sunday, Fiddler in the 1980s, is going public with just in case you’re interested or might be but by all reports high spirits prevailed, his festival interests; Benicassim in Spain, thinking of calling on someone to borrow with the reformed Pulp scoring a big hit. the Hop Farm Music Festival in Kent and a few dollars, pounds or Euros!). The first At the other end of the meteorological the first Feis Festival in London, (I’m off to thing that is obvious is that, even though scale across the Atlantic at the Bonnaroo see Bob Dylan there tonight - as I write) there have been drop offs in concert ticket The VIP-Booking European Live Entertainment Book Advertising in the VIP Book will make you visible to 10.000 business professionals all over Europe. You will find no better place to expose your company to the whole European Live Entertainment Industry. ›› RESERVE yoUR AD NOW ON WWW.VIP-BOOKING.coM 1 VIP-BOOKING.COM VIP- News - June 2011 buying, these days the best way to make big bucks in the music business is tour- Trade Event ing. The lists of the top earners are very similar to the lists of top grossing tours Roundup - U2, Bon Jovi, Lady Gaga and Michael Allan McGowan [email protected] Bublé are all in the top five. How accurate these figures are is of course in question, Just as the Summer Festival season is but according to Forbes, they represent upon us we find ourselves being regu- pre-tax income earned from May 2010 larly reminded that the round of Confer- to May 2011, before subtracting agent ence and showcase events continues. and manager fees (they’d be interesting We report on VIP’s visit to last week’s to see!). As well as compiling data from Pollstar, RIAA and others, apparently (June 9/10) Scottish event GoNorth, lawyers, managers, concert promoters, and follow up with news on the events agents and, in some cases, the musi- planned for September and October in cians themselves were interviewed – so Germany, France and Finland: the figures must be completely accurate – right?! 68 year old Granddad Paul Mc- Cartney’s in there, but so is that young whippersnapper Justin Bieber – what do you do with those millions when you’re 17? The Americans are as usual ahead of the game with 17 of them in the list - although hang on, one might be Cana- dian… Go North 2011 Well, I’d better bring this to a close and goNORTH 2011was launched in 2001 to let you all get on with making your mil- provide a platform for artists from the lions – but only after you’ve read this is- north of Scotland to showcase for mu- sue of The News! We won’t be here next sic industry and media representatives month, but we’ll be back in August, so seriously I wish you all sunshine and suc- on their own patch. cess in the next few weeks! Originally hosted in several venues on Aberdeen’s Belmont Street, the event Forbes list of the world’s 25 highest- briefly relocated to Dundee, before set- paid musicians tling in Scotland’s most northerly city, Inverness. The event has since widened 1. U2 its remit becoming a Creative Industries COLOPHON ›› 2. Bon Jovi Festivals, covering Screen and Broad- 3. Elton John $100 million VIP-News is published by: cast to Designer Fashion and Publish- VIP-Booking 4. Lady Gaga $90 million 145-157 St John Street 5. Michael Buble ($70 million) ing. goNorth delivers a programme London Ec1V 4PW 6. Paul McCartney ($67 million) of panels, workshops, film screenings, 7. Black Eyed Peas ($61 million) training opportunities, Q&A sessions, Managing Director: 8. Eagles ($60 million) Ronni Didriksen camera equipment and special effects [email protected] 9. Justin Bieber ($53 million) showcases and live music showcases 10. Dave Matthews Band ($51 million) featuring over 50 bands in 9 city ven- General Manager: 11. Toby Keith ($50 million) ues. Alongside the Scottish acts this Peter Briggs 12. Usher ($46 million) [email protected] year’s programme also presented art- 13. Taylor Swift $45 million) ists from England, Ireland, Belgium, Writer and editorial: 14. Katy Perry ($44 million) Allan McGowan 15. Brad Paisley ($40 million) Norway, Latvia and Australia. [email protected] 16. Tom Petty & the Heartbreaks ($38 million) A change this year, after five successful Writer: 17. Jay-Z ($38 million) Manfred Tari years of programming a goNorth stage [email protected] 18. AC/DC ($35 million) at the RockNess Festival, is a return to 18. Sean “Diddy” Combs ($35 million) the event’s roots by supporting emerg- For advertising enquiries pls. contact 18. Beyonce ($35 million) ing talent at five independent festivals Peter Briggs [email protected] 18. Tim McGraw ($35 million) or +44 870 755 0092 18. Muse ($35 million) in Scotland: Belladrum Tartan Heart Festival, The Wickerman Festival, Lay-out: 23. Rascal Flatts ($34 million) Pekaye Graphics, Phuket – Thailand 24. Kenny Chesney ($30 million) Loopallu, Summer In The City 2011 [email protected] 25. Rihanna ($29 million) and Wizard Festival. 2 VIP-BOOKING.COM VIP- News - June 2011 All acts selected to showcase at goNORTH 2011 had the opportunity to showcase at one or more of these independent festivals featured on the goNORTH Festival tour. The panels, some of which were organised and chaired by Olaf Furniss of Edinburgh’s Born To Be Wide, featured a high level of panellists and chairmen – including a ses- sion on Modern Management chaired by yours truly. I was impressed, as I have been at Scottish events in the past by the en- thusiastic attendance and involvement of delegates - people seem more prepared to gather information and to ask ques- tions than at some other events. Although I thought I was reasonably aware, I learnt a lot more about the workings of Public Per- formance Ltd – PPL for instance, and I rec- Panel at goNorth ommend artists and managers to find out more as you may well have money waiting Our tenth anniversary last year was partic- and his team for delivering a stellar event! I for you! ularly strong, but I am delighted to say that look forward to Go North 2012. goNORTH 2011 proved our most success- Keynote interviews with Feargal Sharkey of ful event to date. This year’s programme UK Music (who did for a change get to talk was the most ambitious we have delivered »This year’s programme about his Undertones days as well as his and boasted more cross creative industry was the most ambitious we present position as head of UK Music!) and activity than ever before.
Recommended publications
  • B2 Woodstock – the Greatest Music Event in History LIU030
    B2 Woodstock – The Greatest Music Event in History LIU030 Choose the best option for each blank. The Woodstock Festival was a three-day pop and rock concert that turned out to be the most popular music (1) _________________ in history. It became a symbol of the hippie (2) _________________ of the 1960s. Four young men organized the festival. The (3) _________________ idea was to stage a concert that would (4) _________________ enough money to build a recording studio for young musicians at Woodstock, New York. Young visitors on their way to Woodstock At first many things went wrong. People didn't want Image: Ric Manning / CC BY (https://creativecommons.org/licenses/by/3.0) any hippies and drug (5) _________________ coming to the original location. About 2 months before the concert a new (6) _________________ had to be found. Luckily, the organizers found a 600-acre large dairy farm in Bethel, New York, where the concert could (7) _________________ place. Because the venue had to be changed not everything was finished in time. The organizers (8) _________________ about 50,000 people, but as the (9) _________________ came nearer it became clear that far more people wanted to be at the event. A few days before the festival began hundreds of thousands of pop and rock fans were on their (10) _________________ to Woodstock. There were not enough gates where tickets were checked and fans made (11) _________________ in the fences, so lots of people just walked in. About 300,000 to 500,000 people were at the concert. The event caused a giant (12) _________________ jam.
    [Show full text]
  • LÚR Festival
    Háskóli Íslands Hugvísindasvið Hagnýt menningarmiðlun LÚR festival Greinagerð um menningarviðburðinn LÚR festival: Listahátíð Lengst Útí Rassgati Greinagerð til MA-prófs í Hagnýtri menningarmiðlun Ólöf Dómhildur Jóhannsdóttir Kt.: 170281-4119 Leiðbeinandi: Sigurjón B. Hafsteinsson September 2015 ÁGRIP Greinargerð þessi er hluti af af lokaverkefni mínu í hagnýtri menningarmiðlun við Háskóla Íslands og fjallar um vinnsluferli miðlunarhluta verkefnisins og fræðilegra þátta. Miðlunarleiðin sem valin var er listahátíð sem ber nafnið „LÚR-festival“ með undirtitilinn „Listahátíð lengst útí rassgati“. Hátíðin er menningarhátíð ungmenna haldin í fyrsta sinn sumarið 2014 og í annað sinn sumarið 2015. Undirbúningur hátíðarinnar er stór hluti verkefnisins og er greint frá vinnuferlinu frá upphafi til enda og eru bæði verklegir og fræðilegir þættir teknir fyrir. Ég vil tileinka verkefnið öllum þeim ungmennum sem hafa áhuga á listum og menningu sem nær út fyrir hátíðarhöld sautjánda júní og annarra hefðbundinna hátíða. 1 Efnisyfirlit 1 Inngangur .................................................................................................................... 4 2 Farvegur lista og menningar ......................................................................................... 5 3 Samhengið ................................................................................................................... 7 3.1 Hvað er hátíð? .................................................................................................................. 7 3.2 Fyrir
    [Show full text]
  • Nagy Rock 'N' Roll Könyv
    Szakács Gábor Nagy rock ʼnʼ roll könyv Szakács Gábor „Ahogy SzakácsSzakács GáborGábor mondjamondja aa műfajábanműfajában egyedülegyedülálló álló Nagy rock’n’rollOzzy Osbourne: c. könyvében: …el kell döntenünk, hogy zajt vagy zenét aka- runk„Amikor hallani.” fiam rehabilitációján megismertem a szerek mélységét, és ez hasonló a heroinhoz, teljesen ledöbbentem.Juhász Kristóf: 55 éves Magyar vagyok Idők és 2017/3/7.hátralé- vô életemben újra kell gondolnom sok mindent, mivel saját magamat is hihetetlenül hosszú ideig károsítottam.” Ozzy Osbourne: „Amikor fiam rehabilitációján megismertem a szerek mélységét, és ez hasonló a heroinhoz, teljesen ledöbbentem. 55 éves vagyok és hátralévő életemben újra kell gondolnom sok mindent, mivel saját magamat is hihetetlenül hosszú ideig károsítottam.” A szerző külünköszönetet köszönetet mond mondaz Attila az ifjúságaAttila ifjúsága lemez zenészeinek:zenészeinek: Kecskés együttes: L. Kecskés András, Kecskés Péter, Herczegh László, Lévai Péter, Nagyné Bartha Anna ifjúifj.© Szakács CsoóriCsoóri Gábor, SándorLászló 2004. június Rock:ISBN Bernáth 963 216 329Tibor, X Berkes Károly, Bóta Zsolt, Horváth János, Hor- váth Menyhért, Papp Gyula, Sárdy Barbara, Szász Ferenc A szerző köszönetet mond Valkóczi Józsefnek a könyv javításáért. © Szakács Gábor, 2004. június, 2021 ISBN© Szakács 963 216Gábor, 329 2004. X június, 2021. február ISBN 963 216 329 X FOTÓK: Antal Orsolya, Ágg Károly, Becskereki Dusi, Dávid Zsolt, Galambos Anita, Knapp Zoltán, Rásonyi Mária, Tóth Tibor BORÍTÓTERV, KÉPFELDOLGOZÁS: FortekFartek Zsolt KIADVÁNYSZERKESZTÔ: Székely-Magyari Hunor KIADÓ ÉS NYOMDA: Holoprint Kft. • 1163 Bp., Veres Péter út 37. Tel.: 403-4470, fax: 402-0229, www.holoprint.hu Nagy Rock ʼnʼ Roll Könyv Tartalomjegyzék Elôszó . 4 Így kezdôdött . 6 Írók, költôk, hangadók . 15 Családok, gyermekek, utódok . 24 Indulás, feltûnés, beérkezés .
    [Show full text]
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • Brushless Servo Motors Bsm132 Thrust Load Capacities
    — Brushless Servo Motors Installation and Operating Manual July 2020 — MN1240_July 2020 Any trademarks used in this manual are the property of their respective owners. Note: Baldor Electric Company, became ABB Motors and Mechanical, Inc. on March 1, 2018. Nameplates, Declaration of Conformity and other collateral material may contain the company name of Baldor Electric Company and the brand names of Baldor-Dodge and Baldor-Reliance as well as the company name of ABB until such time as all materials have been updated to reflect our new corporate identity of ABB. Table of Contents Section 1 General Information . 1-1 Overview . 1-1 Safety Notice . 1-1 Section 2 Installation . 2-1 Overview . 2-1 Location . 2-1 Alignment . 2-1 Receiving . 2-2 Storage . 2-2 Unpacking . 2-2 Handling . 2-2 Repairs . .. 2-2 Prevent Electrical Noise . 2-2 Shaft Loads . 2-3 Life Determination . 2-5 Speed and Torque . .. 2-7 Holding Brake . 2-7 Electrical Connections . 2-8 Motor Lead Termination . 2-9 Strain Relief (Mounted at Terminal Box) . 2-9 Feedback Termination . 2-9 Feedback Devices . 2-13 Brushless Servo Motor Identification . 2-15 MN1240 i ii MN1240 Section 1 General Information Overview This manual contains general procedures that apply to ABB Motor products. Be sure to read and understand the Safety Notice statements in this manual. For your protection, do not install, operate or attempt to perform maintenance procedures until you understand the Warning and Caution statements. A Warning statement indicates a possible unsafe condition that can cause harm to personnel. A Caution statement indicates a condition that can cause damage to equipment.
    [Show full text]
  • Open'er Festival
    SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr.
    [Show full text]
  • Green Events & Innovations Conference 2019
    GREEN EVENTS & INNOVATIONS CONFERENCE 2019 Tuesday 5th March 2019 Royal Garden Hotel, Kensington High St, London, W8 4PT GREEN EVENTS & INNOVATIONS CONFERENCE 2019 CONTENTS Welcome ..............................................................................................................................................................4 Schedule ..............................................................................................................................................................5 Agenda .................................................................................................................................................................6 AGF Juicy Stats ................................................................................................................................................12 Delegates ..........................................................................................................................................................16 International AGF Awards Shortlist ........................................................................................................21 Feature: Campsite waste ............................................................................................................................22 Note paper ........................................................................................................................................................26 Welcome to the eleventh edition of the Green Events & Innovations conference (GEI11), presented
    [Show full text]
  • Serbia Turns Blind Eye to Rare Bird Slaughter
    Issue No. 211 Friday, July 22 - Thursday, September 08, 2016 ORDER DELIVERY TO Belgrade ‘failing to Political Must-see YOUR DOOR +381 11 4030 303 develop satirists eye music [email protected] - - - - - - - ISSN 1820-8339 1 mid-market Belgrade local festivals BELGRADE INSIGHT IS PUBLISHED BY 0 1 tourism’ elections in August Page 5 Page 9 Page 13 9 7 7 1 8 2 0 8 3 3 0 0 0 Even when the Democrats longas continue to likely is This also are negotiations Drawn-out Surely the situation is urgent Many of us who have experi We feel in-the-know because bia has shown us that (a.) no single no (a.) that us shown has bia party or coalition will ever gain the governa form to required majority negotiations political (b.) and ment, will never be quickly concluded. achieved their surprising result at last month’s general election, quickly itbecame clear that the re sult was actually more-or-less the result election other every as same in Serbia, i.e. inconclusive. as Serbia’s politicians form new political parties every time disagree with they their current party reg 342 currently are (there leader political parties in Serbia). istered the norm. One Ambassador Belgrade-based recently told me he was also alarmed by the distinct lack of urgency among politicians. Serbian “The country is standstill at and a I don’t understand their logic. If they are so eager to progress towards the EU and en theycome how investors, courage go home at 5pm sharp and don’t work weekends?” overtime.
    [Show full text]
  • Discoursing Finnish Rock. Articulations of Identities in the Saimaa-Ilmiö Rock Documentary Jyväskylä: University of Jyväskylä, 2010, 229 P
    JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S210 toukokuun 14. päivänä 2010 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in Auditorium S210, on May 14, 2010 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2010 Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2010 Editor Erkki Vainikkala Department of Art and Culture Studies, University of Jyväskylä Pekka Olsbo Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Paula Kalaja, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Tarja Nikula, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä Cover picture by Marika Tamminen, Museum Centre Vapriikki collections URN:ISBN:978-951-39-3887-1 ISBN 978-951-39-3887-1 (PDF) ISBN 978-951-39-3877-2 (nid.) ISSN 1459-4331 Copyright © 2010 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2010 ABSTRACT Skaniakos, Terhi Discoursing Finnish Rock.
    [Show full text]
  • Live Music Matters Scottish Music Review
    Live Music Matters Simon Frith Tovey Professor of Music, University of Edinburgh Scottish Music Review Abstract Economists and sociologists of music have long argued that the live music sector must lose out in the competition for leisure expenditure with the ever increasing variety of mediated musical goods and experiences. In the last decade, though, there is evidence that live music in the UK is one of the most buoyant parts of the music economy. In examining why this should be so this paper is divided into two parts. In the first I describe why and how live music remains an essential part of the music industry’s money making strategies. In the second I speculate about the social functions of performance by examining three examples of performance as entertainment: karaoke, tribute bands and the Pop Idol phenomenon. These are, I suggest, examples of secondary performance, which illuminate the social role of the musical performer in contemporary society. 1. The Economics of Performance Introduction It has long been an academic commonplace that the rise of mediated music (on record, radio and the film soundtrack) meant the decline of live music (in concert hall, music hall and the domestic parlour). For much of the last 50 years the UK’s live music sector, for example, has been analysed as a sector in decline. Two kinds of reason are adduced for this. On the one hand, economists, following the lead of Baumol and Bowen (1966), have assumed that live music can achieve neither the economies of scale nor the reduction of labour costs to compete with mass entertainment media.
    [Show full text]
  • Participation and Formation in Europe
    4th issue May-October 2009 PROEUROPE1 1 4th issue May-October 2009 Index 4 WHAT IS PROEUROPE1? 5 PARTICIPATION AND FORMATION IN EUROPE ● Participate in the Hemispheres project 7 WORK AND COOPERATE IN EUROPE ● Working in the European Parliament 12 DISCOVERINGS Seinajoki‟s Finnish city Schwedt, Germany city 18 CULTURAL EUROPE ● The house of word 21 EUROCALENDAR ● Look for all the funny, exotic and special festivals, traditions and festivities all over Europe 33 WE BUILD EUROPE ● The clash of “civilizations”or the intercultural dialogue? 37 YOU TALK ● European Youth Parliament of Macedonia and PROEUROPE1 2 4th issue May-October 2009 training of Hemispheres project 40 A LOOK AT THE WORLD ●The artistic and cultural Morelia PROEUROPE1 3 4th issue May-October 2009 We build Europe In the new magazine‟s issue Proeurope1 we have a new section for you. The section, we build Europe, conduced by Martina Braggion, informs to youths about decrees, treaties, agreements, finally, about policies being carried out at European level. As a European citizens, that all of us, we must Know events are held. Despite the doubts that we have about the usefulness of the EU and we are missing of European identity, all affects us, the Bolonya Process, the crisis, etc. Europe is the future. Is important young people can build it, but just we can do it, if we know well their social, cultural and political issues, if we want to be active youths and we participate in the spaces that we have, one of them is the European Parliament elections, next June; Europe is the culmination of the diversity and progress.
    [Show full text]
  • Download Rock Over the Edge: Transformations in Popular Music
    Rock Over the Edge: Transformations in Popular Music Culture, Roger Beebe, Denise Fulbrook, Ben Saunders, Duke University Press, 2002, 0822383373, 9780822383376, 392 pages. DIVThis collection brings new voices and new perspectives to the study of popularвЂ―and particularly rockвЂ―music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en espaГ±ol,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain.Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom.Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music.Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J.
    [Show full text]