DOCSLIB.ORG

VIPNEWSPREMIUM > VOLUME 146 > APRIL 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

11 12 6 14 4 4 VIPNEWS PREMIUM > VOLUME 146 > APRIL 2012 3 6 10 8 1910 16 25 9 2 VIPNEWS > APRIL 2012 McGowan’s Musings It’s been pouring with rain here for the last below normal levels. As the festival season weather! Still the events themselves do get couple of days, but it seems that it’s not the looms and the situation continues, we may covered in the News you’ll be glad to know. right type of rain, or there’s not enough of see our increasingly ‘green’ events having it because we are still officially in drought. to consider contingency plans to deal with I was very taken by the Neil McCormick River levels across England and Wales are the water shortages and yet more problems report in UK newspaper The Telegraph from lowest they’ve been for 36 years, since our caused by increasingly erratic weather. I’m the Coachella festival in California, as he last severe drought in 1976, with, according sure that many in other countries who still wrote, “The hairs went up on the back of my to the Environmental Agency, two-thirds picture England as a rain swept country neck…” as he watched the live performance ‘exceptionally ’ low, and most reservoirs where everybody carries umbrellas will find of Tupac Shakur…” This is perfectly it strange to see us indulging in rain dances understandable , as unfortunately, and not to over the next couple of months! put too fine a point on it, Tupac is actually dead. His apparently very realistic appearance Since the last issue of VIP News I have was made possible by the application of new journeyed to Canada, Estonia and Paris, and holographic projection technology. This all talking of strange weather, things on that puts a new slant on the phrase, You can’t front were not as usual. Having prepared recreate the Live experience ’ and opens myself to pack thermal underwear and ski up all sorts of quite bizarre and disturbing COLOPHON > wear for Toronto, having been told by old possibilities , as apparently you can do more hands at Canadian Music Week to expect than just holographically present a pre-filmed temperatures of – 10º and below, I discovered performance, it is now possible to work the VIP-News is published by: VIP-Booking on checking that shorts and swimwear were images to present something entirely new. 145-157 St John Street London Ec1V 4PW nearer the mark (especially as my hotel room We hear all the time that there is a lack of flooded on the first night – but that’s another new headliners, and about bands reforming Managing Director: Ronni Didriksen story!) and in fact the first day there turned all the time to sell out tours, but bringing [email protected] out to be the hottest March day ever recorded acts back from the dead now seems at General Manager: at 21º. Estonia a few days later was cold, but least visually – and of course acoustically – Peter Briggs [email protected] just above freezing, unlike last year when The possible? The Sonisphere show with Adam Writer and editorial: Great Escape’s Martin Elbourne managed to Lambert fronting Queen at Knebworth in the Allan McGowan [email protected] bring attention to himself, becoming Tallin UK was recently cancelled, seemingly due Music Week’s first casualty by skidding on to poor ticket sales – now if Freddy made Writer: Manfred Tari the ice covered pavement and breaking three a virtual comeback it may well have been a [email protected] ribs. This year was happily as far as I know different story… For advertising enquiries injury free. Then a trip to Paris in connection please contact: Peter Briggs with this year’s MaMA event was positively So, with Frankenstein images and thoughts [email protected] +44 870 755 0092 spring like! – Oh no! - I’ve just realised that of the Grateful Undead going through my I’ve done that most English of things and head – Ladies and Gentlemen – The News… spent the whole time talking about the 2 VIPNEWS > APRIL 2012 The UK Live Music Act Becomes Official Allan McGowan [email protected] It has been confirmed that The Live Music Jo Dipple, chief executive of UK Music Act will come into effect on October 1. said: “This act will reverse the damaging The implementation of the Act means that effec t the Licensing Act had on live musical performances of live amplified music with performances in the UK. Our most successful audiences of less than 200 people between musicians, such as Joy Division, The Sex Pis- the hours of 8am-11pm will no longer tols and the Rolling Stones all learnt their require local authority permission in England trade and earned their livings in small clubs and Wales. Also there will be no audience and bars. Reversing overzealous licensing limit for performances of unamplified live regulations will create new opportunities for music. British artists. The Rose & Crown in Totteridg e Park and The Constitution in Camden Town The Private Members Bill which became the will be - thanks to this Act - full of music and Live Music Act was introduced by Liberal seedbeds for talent. Tomorrow’s headline Democrat Peer, Lord Tim Clement-Jones and acts will grow from these seedbeds which is was championed in the Commons by the great for music lovers and for the wider UK Member of Parliament for Bath Don Foster. economy.” Jo Dipple The intention and the hope is that the Act will encourage more pubs and small venues John Smith, MU General Secretary, said: will be a real boost for live music, and we to host live music events in 2012 and beyond. “The MU is delighted to be hosting this thought it was right to celebrate it with a live event alongside UK Music. Personally, I music party in Parliament.” VIP News attended the party held hosted have been campaigning on this issue ever by UK Music and the Musicians Union at since the Licensing Bill first started going Lord Tim Clement Jones told VIP News, Westminster to celebrate, as did musicians through Parliament in 2002-03, and once “After a campaign lasting several years it was such as Roxy Music’s Phil Manzanera, the Licensing Act came into place in 2003 hugely satisfying to see the Bill go through folk artists Show of Hands and producer our members immediately started telling us on the 20th January, especially when no-one Trevor Horn along with various MP’s and that the number of gigs being held in small except Don Foster seemed to understand representatives of the music industry. There venues was going down. the procedure! I am sure the Act will make a weren’t that many small venue operators real difference especially to young musicians that I was aware of, but presumably they “The exemption that the Live Music Act will and local small venues. It’s high time we were at their desks preparing for more gigs! bring in is fantastic news for musicians and celebrated not regulated our musical talent.” The VIP-Booking European Live Entertainment Book Advertising in the VIP Book will make you visible to 10.000 business professionals all over Europe. You will find no better place to expose your company to the whole European Live Entertainment Industry. » REServe YOUR AD NOW ON WWW.VIP-BOOKING.COM 3 VIPNEWS > APRIL 2012 > CONFERENCE ROUND UP Canadian Music Week Allan McGowan [email protected] Harvey Goldsmith at CMW 2012 Neill Dixon This was the 30th edition of CMW and CMW is truly international and as far as sense, these insights may be life-or-death it’s taken me this long to actually gets Europe was concerned this year Portugal – especially in the face of the exponential there. For the last few years the event has and Spain were featured territories. The growth of social networking, mobile web, unfortunately clashed with ILMC, but a International Market Place was the main viral marketing and online TV. Competitive strategic rescheduling to allow international meeting point for the out of Canada guests, executives need an “edge,” and CMW is professionals to fit in both SXSW and CMW and the room in the Tardis like Fairmont Hotel the place to acquire it. Of course have not made it possible for me to make it to Toronto was one of the main networking places. forgotten our roots and CMW continues to – and I’m glad I did! be Canada’s biggest, internationally-focused Speakers included Harvey Goldsmith, Slash new music fest showcasing over 1,000 bands The event is big… nearly 3000 delegates and Paul Rodgers of Free and Bad Company from 40 countries” attended . CMW incorporates the Conference, fame. The panels were full and active, with Awards Shows a Trade Show, and Comedy, the Festivals session attracting 400 plus - one Next year’s CMW European focus will be Film, and of course Music Festivals; featuring of the best-attended panels I’ve ever seen! on Northern Europe’s Nordic Countries – international and home grown acts in 35 Norway , Iceland, Finland, Denmark and venues over three nights.. There are a lot of CMW President Neill Dixon told VIP News, Sweden – and the associated regions of good bands coming out of Canada and I was “For Canadian Music Week’s 30th anniversary the Faroe Islands, Greenland and Aaland. particularly impressed by Half Moon Set from and beyond our goal is to be on the forefront Japan the second largest music market in the Montreal (playing at Brighton’s Great Escape of issues and trends shaping both the digital world, just after the US will also be featured.
Recommended publications
  • V&A Acquires the Glastonbury Festival Archive

    V&A Acquires the Glastonbury Festival Archive

    V&A acquires the Glastonbury Festival Archive The V&A is delighted to announce a collaboration with Glastonbury Festival to create an archive reflecting more than 40 years of diverse and creative performance. Glastonbury Festival is the longest-running popular music and performing arts festival in the world. Set up in 1970 by Michael Eavis on Worthy Farm in Pilton, Somerset – the Eavis’s family farm for four generations - the Festival is now attended by around 175,000 people annually. It has a long and unique history of hosting music, dance, comedy, theatre, circus, cabaret and other arts and collaborating with artists, set designers and craftspeople. Many distinguished names have performed at the summer festival over the last four decades including Beyoncé, Bjork, Blondie, Marc Bolan, Coldplay, The Cure, Jay-Z, Paul McCartney, Van Morrison, New Order, Oasis, Radiohead, The Rolling Stones, Toots and the Maytals, Velvet Underground and Amy Winehouse. This eclectic archive includes a range of material, from programmes and posters from every festival since 1970, designs for the Festival identity, interviews, unseen film and photographs, correspondence, t-shirts, tickets and other memorabilia. Personal accounts and documents trace the origins of the Festival and festival maps reveal how it has grown and developed within the landscape. Press cuttings document the relationship of the Festival with the local community and stories that captured the nation. The working processes of the Festival will be captured in the archive with original backstage passes, photographs and performers’ set-lists. The archive also includes photographs that reveal the evolution of the legendary Pyramid stage since its creation in 1971 to a permanent stage – also briefly used as a cattle shed in 1981.
  • The Electric Kool-Aid Acid Test Free

    The Electric Kool-Aid Acid Test Free

    FREE THE ELECTRIC KOOL-AID ACID TEST PDF Tom Wolfe | 416 pages | 10 Aug 2009 | St Martin's Press | 9780312427597 | English | New York, United States Merry Pranksters - Wikipedia In the summer and fall ofAmerica became aware of a growing movement of young people, based mainly out of California, called the "psychedelic movement. Kesey is a young, talented novelist who has just seen his first book, One Flew Over the Cuckoo's Nestpublished, and who is consequently on the receiving end of a great deal of fame and fortune. While living in Palo Alto and attending Stanford's creative writing program, Kesey signs up to participate in a drug study sponsored by the CIA. The drug they give him is a new experimental drug called LSD. Under the influence of LSD, Kesey begins to attract a band of followers. They are drawn to the transcendent states they can achieve while on the drug, but they are also drawn to Kesey, who is a charismatic leader. They call themselves the "Merry Pranksters" and begin to participate in wild experiments at Kesey's house in the woods of La Honda, California. These experiments, with lights and noise, are all engineered to create a wild psychedelic experience while on LSD. They paint everything in neon Day-Glo colors, and though the residents and authorities of La Honda are worried, there is little they can do, since LSD is not an illegal substance. The Pranksters first venture into the wider world by taking a trip east, to New York, for the publication of Kesey's newest novel.
  • B2 Woodstock – the Greatest Music Event in History LIU030

    B2 Woodstock – the Greatest Music Event in History LIU030

    B2 Woodstock – The Greatest Music Event in History LIU030 Choose the best option for each blank. The Woodstock Festival was a three-day pop and rock concert that turned out to be the most popular music (1) _________________ in history. It became a symbol of the hippie (2) _________________ of the 1960s. Four young men organized the festival. The (3) _________________ idea was to stage a concert that would (4) _________________ enough money to build a recording studio for young musicians at Woodstock, New York. Young visitors on their way to Woodstock At first many things went wrong. People didn't want Image: Ric Manning / CC BY (https://creativecommons.org/licenses/by/3.0) any hippies and drug (5) _________________ coming to the original location. About 2 months before the concert a new (6) _________________ had to be found. Luckily, the organizers found a 600-acre large dairy farm in Bethel, New York, where the concert could (7) _________________ place. Because the venue had to be changed not everything was finished in time. The organizers (8) _________________ about 50,000 people, but as the (9) _________________ came nearer it became clear that far more people wanted to be at the event. A few days before the festival began hundreds of thousands of pop and rock fans were on their (10) _________________ to Woodstock. There were not enough gates where tickets were checked and fans made (11) _________________ in the fences, so lots of people just walked in. About 300,000 to 500,000 people were at the concert. The event caused a giant (12) _________________ jam.
  • ANDERTON Music Festival Capitalism

    ANDERTON Music Festival Capitalism

    1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667).
  • Organization of a Large Scale Music Event: Planning and Production

    Organization of a Large Scale Music Event: Planning and Production

    Organization of a large scale music event: planning and production Tatiana Caciur Thesis MUBBA 2012 Abstract 17.1.2012 MUBBA Author or authors Group or year of Tatiana Caciur entry 2008 Title of report Number of Organization of a large scale music event: planning and pages and production. appendices 54 + 4 Teacher/s or supervisor/s Heta-Liisa Malkavaara Live entertainment is currently one of the few vital components of the music industry as it struggles to survive in the XXI century and conform to the drastic changes on the music market. Music events occur in great amount on a daily basis and it is important to plan and produce them in the right manner in order to stay relevant and secure one‟s place on the market. This report introduces various crucial matters that require attention during event organization process, such as marketing and strategic planning, communication and promotion, risk management, event programming and capacity management, to name a few. The 5-phase project management model is applied as the base on which this thesis is built. The research is conducted by comparing the theoretical and practical approach used in the music event business. The practical approach is based on examinations and interviews with the world market leader in live entertainment – Live Nation. An additional analysis of practices used in other large and successful music events in Europe and USA is also conducted. As this thesis shows, the practical approach is often easier and less rigorous than the theory. Some of the steps in this process may be simply omitted due to being considered of little relevance by the management team, many other are outsourced to professional agencies depending on requirements (security, catering).
  • Aimoeilsillielve'rinee New Album

    Aimoeilsillielve'rinee New Album

    M&M Features Its Spring Jazz Special. Also, MTM Looks At The Sunshine Behind Eros Ramazzotti. See Pages 9-13 & 14. Europe's Music Radio Newsweekly . Volume 10 . Issue 20 . May 15, 1993 .2.95, US$ 5, ECU 4 Branson Discusses Virgin Bows With Exclusive Virgin Switch To FM Playlist UNITED KINGDOM Says Branson, "It is going to RichardBranson's 25 -year by Mike McGeever be much tougher for us [being on wish for a national rock station AM]. To me it seems strange that became reality at 12:15 on April Richard Branson is spearhead- a station playing such good music 30 with the launch of AOR Vir- inga campaignto move his is not able to do it on FM for lis- gin 1215 AM, the country's first recently launched AOR national teners who are used to hearing commercial rock network. "I've service Virgin 1215 AM to the music of the high quality sound been waiting for this moment FM band. Branson says he is to produced by CDs. We should for .25 years, along with many hold talks "in a few days" with have something like Radio 4's others," said Branson after he EUROPE JUMPS ON MUSIC VIDEO KARUSSELL - Music executives from BBC's director general John Birt [frequency].They havetalk officially launched thestation 10 countries got together in Hamburg recently to discuss setting up Karus about the possibility of swapping shows and don't need an FM fre- from one of his Virgin Megas- sell Musik & Video in their respective countries. Pictured OA are Poly - his station's AM slot with the cor- quency." tore record shops in Manch- Gram executives: Wolfgang Gramatke (Germany president), Werner poration'snews/talkRadio4 He contendsthatRadio 4 ester.
  • Using Green Man Festival As a Case Study

    Using Green Man Festival As a Case Study

    An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study.
  • Audizione Fondazione Arezzo Wave Italia 7° Commissisone Del Senato Della Repubblica Giovedi 26 Febbraio 2015 (Ore 14)

    Audizione Fondazione Arezzo Wave Italia 7° Commissisone Del Senato Della Repubblica Giovedi 26 Febbraio 2015 (Ore 14)

    Audizione Fondazione Arezzo Wave Italia 7° Commissisone del Senato della Repubblica Giovedi 26 Febbraio 2015 (ore 14) Offerta culturale nel settore musicale, al fine di identificare delle strategie in grado di mantenere vivo l’immenso repertorio italiano e di attivare processi virtuosi di creazione e innovazione musicale, permettendo l’accesso e il confronto con la realtà internazionale (atto 409). Chi Siamo “Lo scrittore belga Paul Carvel ha scritto che la musica meriterebbe di essere la seconda lingua obbligatoria in tutte le scuole del mondo. È in effetti un lingiaggio universale e che detiene un posto privilegiato nella vita culturale dell’Europa, il che ne fa un argomento fondamentale della cooperazione culturale europea da più di dieci anni.” Cit. di Harald Hartung, capo dell’Unità della Curlura Europea presso la Direzione Generale Educazione e Cultura, Commissione Europea, in occasione dell’evento organizzato dalla Fondazione Arezzo Wave Italia “Musica per tutti”, Arezzo, 25 Febbraio 2005 La Fondazione Arezzo Wave Italia (FAWI) nasce il 18 aprile 2002 come ente no profit, diretta erede dellʼesperienza e della rete di relazioni nazionali ed internazionali di Arezzo Wave Love Festival, il principale evento musicale estivo nel campo delle musiche attuali italiane ed internazionali. La Fondazione Arezzo Wave Italia si presenta come una struttura unica in Italia per la costante ricerca e valorizzazione dei nuovi talenti delle scene musicali oltre che per la promozione, valorizzazione e comunicazione della cultura contemporanea. La FAWI è inoltre l'unico rappresentante italiano all’interno di ETEP, il progetto di esportazione musicale finanziato dalla Commissione Europea, e membro di YOUROPE, l’associazione di tutti i festival rock d’Europa.
  • Coffey Audio Files

    Coffey Audio Files

    Production Sound Post Production Hardware Software Tech Tips Interviews News Tom Stasinis Building Reality The Interior Fostex FM-3 Mixing Entourage with Wexler Video by Gary Hoffman Portable 3 Channel Mixer VOLUME 21 | ISSUE 2 | 2009 THE www.coffeysound.com COFFEY AUDIO FILES ALSO IN THIS ISSUE: Survivor Dick Hansen Untouchables Mad Men Sound Mixer Details his journey Jim Tanenbaum Peter Bentley Sterling Moore from Aerosmith’s revisits the 1987 journals a typical takes us to Brazil tour manager to classic directed by day mixing this to record the production sound Brian De Palma popular AMC blockbuster reality mixer. series. series. dream EM 3732: the machine wireless Introducing the Sennheiser EM 3732 Advanced Wireless Receiver There’s never been a wireless system as flexible or powerful as Sennheiser’s new EM 3732. It’s loaded with features designed to make your life easy - so you can concentrate on the performance rather than your gear. • 90 MHZ switching bandwidth • Do it yourself tuning in 5 kHz steps - maximum flexibility • Very intuitive menu settings - fast setup • Ethernet port for computer monitoring and control. Integrates all NET1 functionality • New compander circuit is backward and forward compatible with all Sennheiser 3000 & 5000 series pro wireless gear • Daisy chain up to 16 channels without the need for an external antenna distribution system www.sennheiserusa.com coffey_ad_0908.indd 1 9/30/08 10:21:31 AM Table of Contents The Coffey Audio Files 2009 10 Volume 21, Issue 2 IN THIS Entourage by Tom Stasinis President: John Coffey, C.A.S. ISSUE Editor in Chief: Steven Wolstrup 13 Mixing American Idol Advertising Inquiries: Ed Greene Contact Steven Wolstrup at 03 Coffey’s Brew (323) 876-7525 or via email at A Message from the President.
  • FACING the MUSIC the Hidden Cost of Festivals

    FACING the MUSIC the Hidden Cost of Festivals

    INDUSTRY REPORT FACING THE MUSIC The Hidden Cost of Festivals Author: David Jinks MILT Head of Consumer Research email: [email protected] web: parcelhero.com/festivals THE FAMOUS PYRAMID STAGE AT GLASTONBURY. IN 2014 THE EVENT PULLED IN £37M BUT SAW PROFITS OF JUST £86,000: LESS THAN 50P A TICKET. EXECUTIVE SUMMARY Can you make money from festivals, or do overwhelming logistical demands – plus the British weather – mean most festivals will cease festivities? 1. Coachella, the biggest festival in the world, sells 198,000 tickets and pulls in $84 million for the Californian event. The UK’s largest festival – Glastonbury – has a turnover of £37m but sees profits of just £86,000: less than 50p per ticket. 2. In the wet summer of 2012 57 UK music festivals were cancelled. It’s a tough business: famous events such as The Big Chill, Sonisphere, Oxegen and Cloud 9 have all fallen silent recently. This year Austin’s 3-day Levitation Festival, Manchester’s All Today’s Parties festival and the Forgotten Fields 2016 Festival have already joined their ranks. 3. This year 14 million UK residents plan to attend a festival, (3.5 million music festivals alone). Around 1,000 festivals are planned in the UK for 2016 and, with the average ticket price being over £200 for major events, it’s a £2.3bn industry! www.parcelhero.com Facing the Music: The Hidden Cost of Festivals 2/19 4. The logistics behind a big event are amazing. The five stages at Download weigh 278 tons and require 57 artics to transport them.
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai

    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai

    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
  • Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog

    Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog

    Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith