The Electric Kool-Aid Acid Test Free

Total Page:16

File Type:pdf, Size:1020Kb

The Electric Kool-Aid Acid Test Free FREE THE ELECTRIC KOOL-AID ACID TEST PDF Tom Wolfe | 416 pages | 10 Aug 2009 | St Martin's Press | 9780312427597 | English | New York, United States Merry Pranksters - Wikipedia In the summer and fall ofAmerica became aware of a growing movement of young people, based mainly out of California, called the "psychedelic movement. Kesey is a young, talented novelist who has just seen his first book, One Flew Over the Cuckoo's Nestpublished, and who is consequently on the receiving end of a great deal of fame and fortune. While living in Palo Alto and attending Stanford's creative writing program, Kesey signs up to participate in a drug study sponsored by the CIA. The drug they give him is a new experimental drug called LSD. Under the influence of LSD, Kesey begins to attract a band of followers. They are drawn to the transcendent states they can achieve while on the drug, but they are also drawn to Kesey, who is a charismatic leader. They call themselves the "Merry Pranksters" and begin to participate in wild experiments at Kesey's house in the woods of La Honda, California. These experiments, with lights and noise, are all engineered to create a wild psychedelic experience while on LSD. They paint everything in neon Day-Glo colors, and though the residents and authorities of La Honda are worried, there is little they can do, since LSD is not an illegal substance. The Pranksters first venture into the wider world by taking a trip east, to New York, for the publication of Kesey's newest novel. They buy a bus, which they paint in Day-Glo and name "Furthur. This is The Movie, which The Electric Kool-Aid Acid Test comes to symbolize the great experiment they are all participating in: either you are in The Movie, The Electric Kool-Aid Acid Test you are not. Back in California, Kesey's profile as a leader of this new counter cultural movement begins to rise. He befriends the Hell's Angels motorcycle gang, and even leads a retreat of Unitarian church leaders. Some begin to think of him as "the Prophet Kesey" - and indeed, much of what the Pranksters are doing does resemble a new religious movement. To get the word out about the new understanding of life that the Pranksters achieve while high on LSD, they start Acid Tests. Acid Tests are huge parties with multi-media presentations where everyone takes LSD and transcends reality into a The Electric Kool-Aid Acid Test of intersubjectivity. The Acid Tests become wildly popular, and Kesey is the de facto leader of the new movement. Soon, however, Kesey is busted by the authorities for possession of marijuana, and facing jail time, he flees the country to Mexico. The Pranksters join him, but in this desert land they simply cannot recreate the feeling of the Acid Tests that they held back in California. Kesey decides to sneak back into the U. When Kesey goes before a judge, he tells him that in California he had a vision of "moving beyond acid. This Graduation, which draws huge media attention and much consternation from the huge community of people now taking LSD ends up being a total failure, and though Kesey and the Pranksters believe they might have graduated from acid, no one follows along this time. Kesey The Electric Kool-Aid Acid Test does his jail time and settles down in Oregon with his wife and family. The Pranksters disperse, though some come The Electric Kool-Aid Acid Test, and the bus, "Furthur," sits beside Kesey's small house in the Oregon woods. What is the theme? Major themes addressed in the book, The Electric Kool-Aid Acid Test, include new journalism, religion, and counter-culture. How do you shorten this. I'm sorry, this is a short-answer literature forum. We are unable The Electric Kool-Aid Acid Test assist students with other academic subjects. The Electric Kool-Aid Acid Test study guide contains a biography of Tom Wolfe, quiz questions, major themes, characters, and a full summary and analysis. Remember me. Forgot your password? Buy Study Guide. I don't think I can do it in one sentence but check this out:. The Electric Kool-Aid Acid Test by Tom Wolfe Ken Kesey and the Merry Pranksters lived communally at Kesey's homes in California and Oregonand are noted for the sociological significance of a lengthy road trip they took in the summer oftraveling across the United States in a psychedelic painted school bus called Furthurorganizing parties and giving out LSD. Kesey was in flight from a drug charge at the time. These events are also documented by one of the original pranksters, Lee Quarnstrom, in his memoir, When I Was a Dynamiter. Kesey and George Walker and I were out wandering around and the rest of the gang were sitting around a fire in Kesey's house in La Honda, and when we came back it was dark and Mike Hagen called out "Halt! Who goes there? And our motto will be 'the obliteration of the entire nation' Although a great many friends and associates spent time with Kesey at his La Honda, California ranch in the Santa Cruz Mountains south of San Franciscothe core group of 14 people who became the 'Merry Band of Pranksters' that drove across the country in were: [5] [6]. Other on-again, off-again Pranksters—who The Electric Kool-Aid Acid Test not participate in the first cross-country journey but may have the later trips -- include but are not limited to: [13] [14]. The Electric Kool-Aid Acid Test wanted to see what would happen when hallucinogenic - inspired spontaneity confronted what he saw as the banality and conformity of American society. Ken Babbs has suggested that the bus trip reversed the historic American westward movement. The Pranksters were enthusiastic users of marijuanaamphetaminesand LSDand in the process of their journey are said to have "turned on" many people by introducing them to these drugs. The psychedelically painted bus's stated destination — "further" — was the Merry Pranksters' goal: a destination that could be reached only through the expansion of one's own perception of reality. The details of their relationship are documented in Wolfe's above-mentioned book, in Hunter S. InFurther and the Pranksters minus Kesey attended the Woodstock rock festival. Kesey's Demon Boxa collection of short pieces, several about the Merry Pranksters, was a critical success. Frank Baum 's Wizard of Oz works. The Merry Pranksters filmed and audiotaped much of what they did on their bus trips. The original Prankster bus is at Kesey's farm in Oregon. In Novemberit was pulled out of the swamp by Zane Kesey and family and a group of the original Merry Pranksters with the intent of restoring it. Kesey died of complications The Electric Kool-Aid Acid Test to liver cancer in November The bronze sculpture depicted a life-size Kesey reading to three children while seated on a curved granite bench covered with quotations from Kesey's novels One Flew Over the Cuckoo's Nest and Sometimes a Great Notion Pulitzer Prize-winning photographer Brian Lanker supplied the image. The fundraiser was successful, and the trip took place between June and September The journey was over 15, The Electric Kool-Aid Acid Test, 53 different events, took place in 29 different states and was 75 days of Merry Prankster mayhem and fun on the road. A group of filmmakers from Canada are producing a documentary about the project slated for release in under the title Going Furthur. From Wikipedia, the free encyclopedia. Retrieved Studio BBC World Service. Cathode Ray Tube. Archived from The Electric Kool-Aid Acid Test original on New York: St. Martin's Press. Prime Green: Remembering the Sixties. Collected Poems Harper Perennial Library Edition. Demon box. Sailor Song. Penguin Books. January 20, Retrieved July 15, The Seattle Times. Archived from the original on 24 May Retrieved 18 July April 28, Going Furthur. Ken Kesey. Kesey's Garage Sale Demon Box Twister Historic rock and The Electric Kool-Aid Acid Test festivals. Counterculture of the s Summer of Love UK underground hippies la Onda deadheads rock concert crowd surfing audience wave music festival folk festival pop festival rock festival free festival. Categories : establishments in Oregon Counterculture festivals activists Oregon culture Pranksters. Hidden categories: All articles with unsourced statements Articles with unsourced statements from August Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. The Electric Kool-Aid Acid Test - Wikipedia Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Tom Wolfe's much-discussed kaleidoscopic non-fiction novel chronicles the tale of novelist Ken Kesey and his band of Merry Pranksters. In the s, Kesey led a group of psychedelic sympathizers around the country in a The Electric Kool-Aid Acid Test bus, presiding over LSD- induced "acid tests" all along the way. Long considered one of The Electric Kool-Aid Acid Test greatest books about the history of the hippies, Wolfe's Tom Wolfe's much-discussed kaleidoscopic non-fiction novel chronicles the tale of novelist Ken Kesey and his band of Merry Pranksters. Long considered one of the greatest books about the history of the hippies, Wolfe's ability to research like a reporter and simultaneously evoke the hallucinogenic indulgence of the era ensures that this book, written inwill live long in the counter-culture canon of American literature.
Recommended publications
  • B2 Woodstock – the Greatest Music Event in History LIU030
    B2 Woodstock – The Greatest Music Event in History LIU030 Choose the best option for each blank. The Woodstock Festival was a three-day pop and rock concert that turned out to be the most popular music (1) _________________ in history. It became a symbol of the hippie (2) _________________ of the 1960s. Four young men organized the festival. The (3) _________________ idea was to stage a concert that would (4) _________________ enough money to build a recording studio for young musicians at Woodstock, New York. Young visitors on their way to Woodstock At first many things went wrong. People didn't want Image: Ric Manning / CC BY (https://creativecommons.org/licenses/by/3.0) any hippies and drug (5) _________________ coming to the original location. About 2 months before the concert a new (6) _________________ had to be found. Luckily, the organizers found a 600-acre large dairy farm in Bethel, New York, where the concert could (7) _________________ place. Because the venue had to be changed not everything was finished in time. The organizers (8) _________________ about 50,000 people, but as the (9) _________________ came nearer it became clear that far more people wanted to be at the event. A few days before the festival began hundreds of thousands of pop and rock fans were on their (10) _________________ to Woodstock. There were not enough gates where tickets were checked and fans made (11) _________________ in the fences, so lots of people just walked in. About 300,000 to 500,000 people were at the concert. The event caused a giant (12) _________________ jam.
    [Show full text]
  • Grateful Dead Records: Realia
    http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD.
    [Show full text]
  • The Last of the Hippies
    The Last of the Hippies An Hysterical Romance Penny Rimbaud First published in 1982 as part of the Crass record album Christ: The Album, Penny Rimbaud’s The Last of the Hippies is a fiery anarchist polemic centered on the story of his friend, Phil Russell (aka Wally Hope), who was murdered by the State while incarcerated in a men- tal institution. Wally Hope was a visionary and a freethinker, whose life had a pro- found influence on many in the culture of the UK underground and be- yond. He was an important figure in what may loosely be described as the organization of the Windsor Free Festival from 1972 to 1974, as well providing the impetus for the embryonic Stonehenge Free Festival. Wally was arrested and incarcerated in a mental institution after hav- ing been found in possession of a small amount of LSD. He was later released, and subsequently died. The official verdict was that Russell committed suicide, although Rimbaud uncovered strong evidence that SUBJECT CATEGORY Music-Punk/Subculture-UK he was murdered. Rimbaud’s anger over unanswered questions sur- rounding his friend’s death inspired him in 1977 to form the anarchist PRICE punk band Crass. $12.00 In the space of seven short years, from 1977 to their breakup in 1984, ISBN 978-1-62963-103-5 Crass almost single-handedly breathed life back into the then moribund peace and anarchist movements. The Last of the Hippies fast became PAGE COUNT the seminal text of what was then known as anarcho-punk and which 128 later contributed to the anti-globalization movement.
    [Show full text]
  • 94 DOWNBEAT JUNE 2019 42Nd ANNUAL
    94 DOWNBEAT JUNE 2019 42nd ANNUAL JUNE 2019 DOWNBEAT 95 JeJenna McLean, from the University of Northern Colorado in Greeley, is the Graduate College Wininner in the Vocal Jazz Soloist category. She is also the recipient of an Outstanding Arrangement honor. 42nd Student Music Awards WELCOME TO THE 42nd ANNUAL DOWNBEAT STUDENT MUSIC AWARDS The UNT Jazz Singers from the University of North Texas in Denton are a winner in the Graduate College division of the Large Vocal Jazz Ensemble category. WELCOME TO THE FUTURE. WE’RE PROUD after year. (The same is true for certain junior to present the results of the 42nd Annual high schools, high schools and after-school DownBeat Student Music Awards (SMAs). In programs.) Such sustained success cannot be this section of the magazine, you will read the attributed to the work of one visionary pro- 102 | JAZZ INSTRUMENTAL SOLOIST names and see the photos of some of the finest gram director or one great teacher. Ongoing young musicians on the planet. success on this scale results from the collec- 108 | LARGE JAZZ ENSEMBLE Some of these youngsters are on the path tive efforts of faculty members who perpetu- to becoming the jazz stars and/or jazz edu- ally nurture a culture of excellence. 116 | VOCAL JAZZ SOLOIST cators of tomorrow. (New music I’m cur- DownBeat reached out to Dana Landry, rently enjoying includes the 2019 albums by director of jazz studies at the University of 124 | BLUES/POP/ROCK GROUP Norah Jones, Brad Mehldau, Chris Potter and Northern Colorado, to inquire about the keys 132 | JAZZ ARRANGEMENT Kendrick Scott—all former SMA competitors.) to building an atmosphere of excellence.
    [Show full text]
  • Issue 148.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 148 November Oxford’s Music Magazine 2007 Little Fish Fins are going swimmingly for Oxford’s brightest new rock sprats - interview inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] AS HAS BEEN WIDELY Oxford, with sold-out shows by the REPORTED, RADIOHEAD likes of Witches, Half Rabbits and a released their new album, `In special Selectasound show at the Rainbows’ as a download-only Bullingdon featuring Jaberwok and album last month with fans able to Mr Shaodow. The Castle show, pay what they wanted for the entitled ‘The Small World Party’, abum. With virtually no advance organised by local Oxjam co- press or interviews to promote the ordinator Kevin Jenkins, starts at album, `In Rainbows’ was reported midday with a set from Sol Samba to have sold over 1,500,000 copies as well as buskers and street CSS return to Oxford on Tuesday 11th December with a show at the in its first week. performers. In the afternoon there is Oxford Academy, as part of a short UK tour. The Brazilian elctro-pop Nightshift readers might remember a fashion show and auction featuring stars are joined by the wonderful Metronomy (recent support to Foals) that in March this year local act clothes from Oxfam shops, with the and Joe Lean and the Jing Jang Jong. Tickets are on sale now, priced The Sad Song Co. - the prog-rock main concert at 7pm featuring sets £15, from 0844 477 2000 or online from wegottickets.com solo project of Dive Dive drummer from Cyberscribes, Mr Shaodow, Nigel Powell - offered a similar deal Brickwork Lizards and more.
    [Show full text]
  • The Sixties Counterculture and Public Space, 1964--1967
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Introduction in Their Thirty Years Together, the Grateful Dead Forever
    Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement.
    [Show full text]
  • VIPNEWSPREMIUM > VOLUME 146 > APRIL 2012
    11 12 6 14 4 4 VIPNEWS PREMIUM > VOLUME 146 > APRIL 2012 3 6 10 8 1910 16 25 9 2 VIPNEWS > APRIL 2012 McGowan’s Musings It’s been pouring with rain here for the last below normal levels. As the festival season weather! Still the events themselves do get couple of days, but it seems that it’s not the looms and the situation continues, we may covered in the News you’ll be glad to know. right type of rain, or there’s not enough of see our increasingly ‘green’ events having it because we are still officially in drought. to consider contingency plans to deal with I was very taken by the Neil McCormick River levels across England and Wales are the water shortages and yet more problems report in UK newspaper The Telegraph from lowest they’ve been for 36 years, since our caused by increasingly erratic weather. I’m the Coachella festival in California, as he last severe drought in 1976, with, according sure that many in other countries who still wrote, “The hairs went up on the back of my to the Environmental Agency, two-thirds picture England as a rain swept country neck…” as he watched the live performance ‘exceptionally ’ low, and most reservoirs where everybody carries umbrellas will find of Tupac Shakur…” This is perfectly it strange to see us indulging in rain dances understandable , as unfortunately, and not to over the next couple of months! put too fine a point on it, Tupac is actually dead. His apparently very realistic appearance Since the last issue of VIP News I have was made possible by the application of new journeyed to Canada, Estonia and Paris, and holographic projection technology.
    [Show full text]
  • Barefoot Into Cyberspace Adventures in Search of Techno-Utopia
    Barefoot into Cyberspace Adventures in search of techno-Utopia By Becky Hogge July 2011 http://www,barefootintocyberspace.com Barefoot into Cyberspace Becky Hogge Read This First This text is distributed by Barefoot Publishing Limited under a Creative Commons Attribution-ShareAlike 2.0 UK: England & Wales Licence. That means: You are free to copy, distribute, display, and perform the work to make derivative works to make commercial use of the work Under the following conditions Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar licence to this one. For any reuse or distribution, you must make clear to others the licence terms of this work. The best way to do this is with a link to http://barefootintocyberspace.com/book/hypertext Any of these conditions may be waived by seeking permission from Barefoot Publishing Limited. To contact Barefoot Publishing Limited, email barefootpublishing [AT] gmail [DOT] com. More information available at http://creativecommons.org/licenses/by- sa/2.0/uk/. See the end of this file for complete legalese 2 Barefoot into Cyberspace Becky Hogge Contents Prologue: Fierce Dancing ...................................................................................................................................... 5 Chapter 1: Digging the command line ............................................................................................................
    [Show full text]
  • The Electric Kool-Aid Acid Test and the Limits of Language Original
    The Electric Kool-Aid Acid Test and the Limits of Language Original submission October 2014; revised manuscript resubmitted January 2016 Eva Kowalska, University of Johannesburg, 2015 [email protected]; 076 349 6775 Postnet Suite no. 35 Private Bag X9 Melville 2109 The Electric Kool-Aid Acid Test and the Limits of Language drug literature, psychedelics, New Journalism,Tom Wolfe, American literature The Electric Kool-Aid Acid Test (1968) by Tom Wolfe is an important account of the Counter-culture, and a seminal work of the New Journalism. Its central concerns are the use of psychedelic drugs within a specific social and sub-cultural setting; and the formal strategies for representing the often ineffable experience of psychedelic drugs in literary non-fiction. In this article I discuss Wolfe’s use of a number of techniques and approaches to the breach between experience and representation, as well as his treatment of the limitations of langauge to encompass the psychedelic. 1 The Electric Kool-Aid Acid Test and the Limits of Language Tom Wolfe’s The Electric Kool-Aid Acid Test (1968) is a non-fiction novel concerned with an experimental community called the Merry Pranksters which formed around the writer Ken Kesey. More broadly the text is about the Counter-culture and its use of psychedelic drugs. The focus of this discussion is the relationship between the experience of psychedelics in a group setting, and its representation through literary language. While the distance between experience and representation endemic to psychedelics, and the author’s attempts at bridging it might be seen as a fault, I argue that the lag between the two is essentially the subject of the text, and as such is accurately represented.
    [Show full text]
  • Literatura Y Contracultura: Los Jipitecas, La Onda Y Pasto Verde Literature and Counterculture: the Jipitecas, La Onda and Pasto Verde
    UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra romanistiky Literatura y contracultura: los jipitecas, la onda y Pasto verde Literature and counterculture: the jipitecas, la onda and Pasto verde Bakalářská diplomová práce Autor: Alice Tučková Vedoucí práce: Mgr. Daniel Esparza, Ph.D. Olomouc 2021 Čestné prohlášení: Já, Alice Tučková, čestně prohlašuji, že předloženou bakalářskou diplomovou práci jsem vypracovala samostatně pod odborným vedením Mgr. Daniela Esparzy, Ph.D. a uvedla v ní veškerou literaturu a ostatní zdroje, které jsem použila. V Olomouci dne ……………………… …..…………………………….. Alice Tučková Poděkování: En primer lugar me gustaría agradecer a mi supervisor de trabajo Mgr. Daniel Esparza, Ph.D. por apoyarme en la elaboración de este tema que me interesa personalmente y observarlo desde un punto de vista académico, recibiendo valiosos consejos y comentarios que me ayudaron a escribir este trabajo. También quiero agradecer a Mgr. Markéta Riebová, Ph.D. por brindarme todos los recursos y herramientas que fueron necesarios para llevar a cabo el proceso de investigación. No hubiese podido llegar a estos resultados de no haber sido por la incondicional ayuda de ellos. Índices Introducción .............................................................................................................................. 6 1 Marco teórico .................................................................................................................... 8 1.1 Cultura .........................................................................................................................
    [Show full text]
  • For Immediate Release
    FOR IMMEDIATE RELEASE presents A TESTAMENT TO THE SHEER JOY OF LIVING A LIFE OF SERVICE TO HUMANKIND AND OUR PLANET THE WAVY GRAVY MOVIE: SAINT MISBEHAVIN' RELEASES NOVEMBER 15 ON DIGITAL AND DVD An unforgettable trip through the extraordinary life of a poet, clown, activist and FUNdraiser “’Saint Misbehavin’’ is an unabashed love letter to the world that defies the cynicism of our age.” – The New York Times September 19, 2011 – “Some people tell me I’m a saint, I tell them I’m Saint Misbehavin’.” Poet, activist, entertainer, clown. These are a few ways to describe Wavy Gravy, an activist and prominent figure during the Woodstock era who continues to spread a message that we can make a difference in the world and have fun doing it! THE WAVY GRAVY MOVIE paints a moving and surprising portrait of his lifelong passion for peace, justice and understanding. The film features extensive verité footage and interviews with Wavy telling his own stories: from communal life with The Hog Farm, to his circus and performing arts camp, Camp Winnarainbow, to the epic cross-continent bus trip through Europe and South Asia that led to the founding of the Seva Foundation. Award-winning director Michelle Esrick weaves together this compelling film with rare footage from key events: Greenwich Village beat poets and folk music, Woodstock, non- violent protests, and many seminal moments of the ‘60s and ‘70s, and Wavy’s present day life. The Gaslight Café The year was 1958. The Vietnam War had just begun. Born as Hugh Romney, Wavy commanded the stage as a poet, comedian “tongue dancer,” and MC at The Gaslight Café in New York City’s Greenwich Village.
    [Show full text]