En Levande Funkvulkan Gästar Malmö 28 Juni!

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2011-06-27 07:00 CEST En levande funkvulkan gästar Malmö 28 juni! På tisdag kommer Ebo Taylor, 74 år, till Pildammsteatern. Tillsammans med sin gitarr, sin låtskatt och kompbandet Afrobeat Academy gästar han Malmö för att dela med sig av sin afrobeat - en blandning av funk, soul och highlife. På tisdag kl, 19.00 kommer Afrobeat-legenden Ebo Taylor att träda in på Pildammsteaterns scen. Ebo Taylor räknas till en av Afrobeaterns största hjältar och är en av de få som fortfarande lever och turnerar. Med sig till Malmö har han det Tysklandsbaserade bandet The Afrobeat Academy som även återfinns på hans nysläppta skiva Love and death. En av Afrobeatens fäder Ebo föddes i i en liten by i Ghana 1935. Hans föräldrar var fiskare, men redan från en tidig ålder var det tydligt att Ebo var en musikbegåvning. 1962 vann Ebo och hans Nigerianska motpart Fela Kuti ett prestigefyllt musikstipendium som gjorde att de två blivande legenderna spenderade fyra år i London. Deras vänskap betydde inte bara att det skapades musikaliska band mellan Ghana och Nigeria. Tillsammans lade de även grunden för en helt ny musikstil – Afrobeat. Afrobeat är en distinkt blandning av jazz, funk, soul och highlife som dominerade den västafrikanska musikscenen under 70-talet. Ebo Taylors låtskatt från 70-talet har fått en ny publik det senaste decenniet. Hans aktualitet visade sig även när RnB artsiten Usher samplade honom på sin hit She dont know förra året. En energisk 74-åring Till skillnad från många andra musiklegender som blivit till åren så är Ebo Taylors konserter varken sömniga eller daterade. Bandet The Afrobeat Academy tillhör den absoluta världseliten av afrobeatband. Ebo Taylor själv står i centrum av showen och levererar sin distinkta tappning av Afrobeat. Så gott som aldrig stillastående och alltid med ett leende på läpparna. Ebo Taylor Söndag 28 juni kl 19 Pildammsteatern För mer information kontakta: Ditte Nielsen, ansvarig producent: 0708-34 53 33, [email protected] McKinley, kommunikatör: 0709-205 204 [email protected] Se hela programmet på: www.malmo.se/sommarscen Öviga länkar: http://www.ebotaylor-loveanddeath.com/Spotify: Ebo Taylor MALMÖ - ÅRETS KULTURKOMMUN 2011.

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Ghanaian Highlife Sound Recordings of the 1970S: the Legacy of Francis Kwakye and the Ghana Film Studio
Popular Music (2021). © The Author(s), 2021. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited, page 1 of 18 10.1017/S0261143021000143 Ghanaian highlife sound recordings of the 1970s: the legacy of Francis Kwakye and the Ghana Film Studio ERNEST OWUSU-POKU University of Ghana, Music, Legon, Greater Accra, Ghana E-mail: [email protected] Abstract There is a striking variance between the sounds of highlife music recorded in the 1950s and 1960s and that of the 1970s. This difference can be attributed partly to the advancement of recording technology, a shift from shellac to vinyl records as well as the advent of multi-track tape recorders in Ghana. The 1970s had a unique highlife sound that can be situated within and explained by the socio-cultural context of recording approaches embraced by studio engineers. This paper inves- tigates the technological approaches to the production of highlife songs at the Ghana Film Studio (GFS) and how they reshaped the highlife soundscape in the 1970s. It also draws attention to the influence of Francis Kwakye, the then resident recording engineer of GFS as a case study to explore highlife sound on records within this period. Employing document review, audio review, observations and interview for data collection, the paper reveals that the engineering techniques and tools employed on the recordings were socio-culturally influenced and constructed to resonate with the Ghanaian identity of the time.
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