Dialect Clustering with Character-Based Metrics: in Search of the Boundary of Language and Dialect
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
Illustration and the Visual Imagination in Modern Japanese Literature By
Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition. As authors endeavored to produce a purely text-based form of fiction, modeled in part on the European novel, they began to reject the inclusion of images in their own work. -
Acta Linguistica Asiatica
Acta Linguistica Asiatica Volume 1, Number 3, December 2011 ACTA LINGUISTICA ASIATICA Volume 1, Number 3, December 2011 Editors : Andrej Bekeš, Mateja Petrov čič Editorial Board : Bi Yanli (China), Cao Hongquan (China), Luka Culiberg (Slovenia), Tamara Ditrich (Slovenia), Kristina Hmeljak Sangawa (Slovenia), Ichimiya Yufuko (Japan), Terry Andrew Joyce (Japan), Jens Karlsson (Sweden), Lee Yong (Korea), Arun Prakash Mishra (India), Nagisa Moritoki Škof (Slovenia), Nishina Kikuko (Japan), Sawada Hiroko (Japan), Chikako Shigemori Bu čar (Slovenia), Irena Srdanovi ć (Japan). © University of Ljubljana, Faculty of Arts, 2011 All rights reserved. Published by : Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) Issued by: Department of Asian and African Studies For the publisher: Andrej Černe, the dean of the Faculty of Arts Journal is licensed under a Creative Commons Attribution 3.0 Unported (CC BY 3.0). Journal’s web page : http://revije.ff.uni-lj.si/ala/ Journal is published in the scope of Open Journal Systems ISSN: 2232-3317 Abstracting and Indexing Services : COBISS, Directory of Open Access Journals, Open J-Gate and Google Scholar. Publication is free of charge. Address: University of Ljubljana, Faculty of Arts Department of Asian and African Studies Ašker čeva 2, SI-1000 Ljubljana, Slovenia E-mail: [email protected] TABLE OF CONTENTS Foreword .....................................................................................................................5-6 RESEARCH -
Download Download
The Complexity of Modernization: How theGenbunitchi and Kokugo Movements Changed Japanese by Mark Laaninen In 1914, the novelist Natsume Soseki published Of the many linguistic crusades of the Meiji his novel Kokoro. Incorporating themes of isolation Period, the genbunitchi and kokugo movements had and detachment into the tragedy of the main the largest and most vocal following. Genbunitchi character Sensei, Kokoro solidified Soseki as one focuses on unifying written and spoken Japanese of Japan’s earliest and greatest modern Japanese into one easily learnable language.2 Advocates writers.1 Yet more than their themes made Soseki’s of genbunitchi argued that the old Tokugawa novels modern. By 1914, writers like Soseki used a wakankonkobun, kanbun, and sorobun were far simple, colloquial style of writing which radically too complicated for anyone without huge amounts differed from the more complex character-based of time to learn. Instead, they wanted a simplified, system used by writers even thirty years prior. What colloquial style that allowed for greater literacy and ease of communication.3 The desired form of writing fueled this change? Many point to the language varied among genbunitchi advocates, however. Some, reform movements of the Meiji Era, especially the like Fukuzawa Yukichi, simply reduced the number genbunitchi and kokugo movements. These language of kanji, or Chinese-style characters, in their writing, reforms attempted to pioneer a new Japanese, one while others like Nishi Amane wanted a wholesale united and tailored for a modern world. Although adoption of romaji, or a Latin alphabet.4 Yet for many they had a far-reaching effect in their own period, reformers, changing written Japanese could only be the long-term impact of these movements is more useful after spoken Japanese had been united. -
Graduation Thesis
Graduation Thesis Bachelor’s Degree ”Metcha suki ya nen” A sociolinguistic attitude survey concerning the Kansai dialect Author: Susanne Södergren Supervisor: Mariya Niendorf Moderator: Herbert Jonsson Högskolan Dalarna Subject: Japanese linguistics Course code: JP2009 791 88 Falun Credits: 15 Sweden Date of defense: 2014-06-04 Tel 023-77 80 00 Abstract: 西日本にある関西弁はたくさん色々な形で標準語と異なる。関西弁は1970年代の後に、全 国で人気を得た。この社会言語学の研究の目的は現在の関西弁に対する感情を調査することで ある。これは関西弁の話し手ではなくて日本語の母語話者に配ったアンケートで調査された。質 的また量的な分析である。結果は一般的に関西弁に好意的であったが、人気がある理由もいろ いろあり、それらをさぐるために歴史的なそして文化的な見方を通して議論する。 Keywords: Japanese, Sociolinguistics, Language attitudes, Dialects, Dialectology, Kansai dialect, Questionnaire survey i Table of Contents Abstract:................................................................................................................................................i Conventions.........................................................................................................................................iii Preface.................................................................................................................................................iv Introduction..........................................................................................................................................1 Method..................................................................................................................................................3 Method and theory of choice...........................................................................................................4 -
General Explanations Nihon Kokugo Daijiten Editorial Policy 1
General Explanations Nihon kokugo daijiten Editorial Policy 1. This dictionary attempts to offer a historical account of the meanings and usages of the Japanese language through reference to various written materials. 2. Entry items include the vocabulary of modern Japanese as well as items from historical texts. Proper nouns, including names of places and people, and technical and specialized terms are also included. 3. Definitions of a given word are generally arranged in historical order; usage citations are accompanied by the name of the text in which they appear. 4. Sources for citations are taken from a broad spectrum of texts including literary, historical, religious, and other works of various periods. 5. Citation sources range from works of antiquity to works of the Meiji, Taishō, and Shōwa periods. Chinese texts are also used for Sino-Japanese words. 6. Citations are taken from the most reliable versions of historical texts; in cases where variant texts are cited, notice is given. 7. Identification of citations is a specific as possible. In order to facilitate comprehension, some citations include the author's name and the field with which the text is associated. 8. Separate subheadings for Dialectal Variants, Etymology, Pronunciation, and Premodern Dictionary Citations are included with commentary where appropriate. 9. Entry headings and definitions are based on modern standards, and are intended to make location and comprehension as easy as possible. Components of the Descriptions The descriptions of words in this dictionary are composed of the following elements: entry heading, historical kana orthography, kanji, part of speech, definitions, examples and sources, supplementary notes, dialectal variants, etymology, pronunciation, and premodern dictionary citations. -
Bungei Shunjū in the Early Years and the Emergence
THE EARLY YEARS OF BUNGEI SHUNJŪ AND THE EMERGENCE OF A MIDDLEBROW LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements of the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Minggang Li, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Richard Torrance, Adviser Professor William J. Tyler _____________________________ Adviser Professor Kirk Denton East Asian Languages and Literatures Graduate Program ABSTRACT This dissertation examines the complex relationship that existed between mass media and literature in pre-war Japan, a topic that is largely neglected by students of both literary and journalist studies. The object of this examination is Bungei shunjū (Literary Times), a literary magazine that played an important role in the formation of various cultural aspects of middle-class bourgeois life of pre-war Japan. This study treats the magazine as an organic unification of editorial strategies, creative and critical writings, readers’ contribution, and commercial management, and examines the process by which it interacted with literary schools, mainstream and marginal ideologies, its existing and potential readership, and the social environment at large. In so doing, this study reveals how the magazine collaborated with the construction of the myth of the “ideal middle-class reader” in the discourses on literature, modernity, and nation in Japan before and during the war. This study reads closely, as primary sources, the texts that were published in the issues of Bungei shunjū in the 1920s and 1930s. It then contrasts these texts with ii other texts published by the magazine’s peers and rivals. -
Style, Discourse, and the Completion of the Vernacular Style in Modern Japanese Literature
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2013-06-28 Style, Discourse, and the Completion of the Vernacular Style in Modern Japanese Literature Jacob Zan Adachi Lee Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Lee, Jacob Zan Adachi, "Style, Discourse, and the Completion of the Vernacular Style in Modern Japanese Literature" (2013). Theses and Dissertations. 3629. https://scholarsarchive.byu.edu/etd/3629 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Style, Discourse, and the Completion of the Vernacular Style in Modern Japanese Literature Jacob Z. A. Lee A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Larry H. Peer, Chair Robert L. Colson J. Scott Miller Department of Humanities, Classics, and Comparative Literature Brigham Young University June 2013 Copyright © 2013 Jacob Z. A. Lee All Rights Reserved ABSTRACT Style, Discourse, and the Completion of the Vernacular Style in Modern Japanese Literature Jacob Z. A. Lee Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts Many histories of modern Japanese literature see the “completion” of the modern vernacular style in the writings of Shiga Naoya (1883–1971), Mushakōji Saneatsu (1885–1976) and Takamura Kōtarō (1883–1956). Why and how this critical-historical perception of stylistic normalcy arose and still continues is better understood, I propose, through a close reading of key texts that identifies instances and patterns of creative manipulation of—as opposed to mere determination by or complicity with—certain philosophical, social, and historical discourses. -
Japanese Learners of English and Japanese Phonology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE RESEARCH BULLETIN OF NARUTO UNIVERSITY OF EDUCATION Volume342019 Japanese Learners of English and Japanese Phonology KITA Yoko (Keywords: English language education, Japanese Learners of English, Japanese Phonology) 1. Introduction Globalization has brought a drastic change to English Education since English is now considered an International language in Japan. According to a survey given out in Japan by the Ministry of Education, Culture, Sports, Science and Technology in 2017, most of the junior high schools nationwide conduct English lessons as a prioritized foreign language. Compulsory English Education in Japan starts the fifth year of elementary school at the age of ten and continues until the third year of junior high school. If a student attends high school and university, which is voluntary after the age of sixteen, then the student must take another three to seven years of English. Since all Japanese must go through a large amount of English education during school, there needs to be a focus on creating a learning environment that helps them become proficient in English. This paper will discuss how Japanese learners of English are influenced by their native language of Japanese, when producing English sounds and it will provide teaching methods to correct pronunciation errors. 2. Japanese Language Japanese is the official language of Japan. However, including Japanese emigrant countries, more than 120 million people speak Japanese throughout the world. The lingua franca of Japan is called Standard Language or Kyotsugo, which is principally based in the Tokyo area. -
The Creation of the Modern Japanese Language in Meiji-Era
The Creation of the Modern Japanese Language in Meiji-Era Paul H. Clark A way to look at the history of the modern Japanese language is to look at what came before and after 1903. This year represents a fundamental division in our understanding of the Japanese language and, by extension, Japanese culture. The reforms instituted in 1903 represented an effort by the Japanese Meiji government to promote a mutually comprehensible language. At the turn of the twentieth century, there were at least four different ways of rendering the language in the written form. It is easy to imagine that this was a serious impediment to the economic, political and cultural development of Japan. Indeed, it is hard to characterize Japan as a modern nation-state until it gained a common form of communication. Today, the Japanese language is a source of national pride and occupies a special position in the national consciousness of the Japanese. The purpose of this essay is to describe how a common form of communication—both in the written and spoken forms—came into existence in Japan. We will discuss what motivated the ruling elite of Japan to make such a change, how the various forms of the language were altered to create modern Japanese, and some of the prominent people and events which will assist us in more fully understanding the movement. A Short History Before describing how modern Japanese assumed its contemporary appearance around the turn of the 20th century, it might be best to describe the various prior forms and how they came to influence the modern form. -
Uhm Phd 4271 R.Pdf
UNIVERSITY OF HAWAI'I LIBRARY A RECONSTRUCTION OF THE ACCENTUAL HISTORY OF THE JAPANESE AND RYUKYUAN LANGUAGES A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN LINGUISTICS DECEMBER 2002 BY Moriyo Shimabukuro Dissertation Committee: Leon A. Serafim, Chairman Robert Blust Kenneth Rehg Patricia Donegan Robert Huey llJ ACKNOWLEDGMENTS Looking back upon my life in Honolulu, I have realized how wonderful my life has been. Vivid memories come back as if I am turning pages of a picture album. People that I have met made my life here precious. My studies at the University of Hawai'i at Manoa have been very fruitful. Since the day I arrived, I have learned a great number of things about the Japonic languages from Leon A. Serafim, my advisor. I have really enjoyed myself being with him. This dissertation could not have been completed without his valuable comments, insightful suggestions, and encouragement. lowe him a great amount, especially his time and energy that he spent with me while I was writing my dissertation. To express my appreciation, I would like to say "Ippee nihwee deebiru." I would also like to thank my other committee members, Ken Rehg, Robert Blust, Patricia Donegan, and Robert Huey, for reading this dissertation and giving me insightful comments. I learned a lot from discussions with them. I am grateful to them for being on my committee. I would also like to express my gratitude to Alexander Vovin, who has taught me a lot in class and outside classrooms while I was at the university. -
Linguistic Reform in Meiji Japan
2 Sound, Scripts, and Styles Kanbun kundokutai and the National Language Reforms of 1880s Japan This chapter explores the popularity of kanbun kundokutai (kanbun-style language in “Japanese” syntactical order with “Japanese” suffixes), which proliferated as a “common language” (futsūbun) in the second decade of the Meiji period, as well as the anti-kanji reforms and discourses that co-existed with this popularity. As I mentioned in the introduction, the issue of kanbun kundokutai is compelling, given that kan, too often uncritically equated with “China,” is treated as a negative reference point against which to posit kokugo, a “national” form of prose.1 The focus on de-Asianization (datsua) in the Meiji period, which has become espe- cially strong given the postcolonial trends in recent literary studies, reinforces the desire to retain kan as the other to the “modern.” As if to supplement such a narrative, much work has been done on the link between the new national lit- erature (kokubungaku) scholars and the Edo nativists (kokugaku), focusing on what Meiji kokubungaku scholars rejected and inherited in their efforts to produce kokugo. However, without exploring the relationship between kokugo and kanbun kundokutai, existing scholarship presents kokugo as if it emerged from a vacuum (or from a kokugaku lineage that had somehow remained dormant until the 1890s). Perhaps to offset such a narrative, critics tend to posit nationalism as that which preceded and hence prompted the emergence of kokugo. This is part and parcel of the teleological narrative, because it once again posits nationalism as the primary motivation. This chapter inquires into the manner in which kokugo negotiated with the proliferation of kanbun kundokutai before the Ueda-led kokugo reform era, and shows how the emergence of kokugo in fact appropriated the realm of kanbun kundokutai.