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Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
The Guardian, October 11, 1984
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 10-11-1984 The Guardian, October 11, 1984 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1984). The Guardian, October 11, 1984. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. The Daily Guardian "Twenty years serving the students of Wright Stato University Thursday, October 11, 1984 Number 20. Volume XXI Budget Board funding process explained to students By KRISTEN HUFF Next, the representative must fill out the application, return it to Student Jim St. Peter, Budget Board Development and request a time to member, discussed funding for club's at yesterday's Inter-Club Council meet with Budget Board. At the meeting the representative is meeting. expected to explain in a brief statement St. Peter addressed departmental what the requested money is to be and professional clubs. "A major used for. The board will ask questions decision has been made to subsidize pertaining to the event in an attempt some of your club's functions." to help the club produce a worthwhile This additional funding is to be used for professional or academic effort. There is a better than 50 percent activities, such as bringing guest speakers to campus or for rooms and chance a grant will awarded for an event that is for the entire student admission at professional conferences. -
Triller Network Acquires Verzuz: Exclusive
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
The Basis of the Economic Structure of South Africa Is the Native Section Population
LM5RM72 THE NATIVE QUESTION (MAJORITY) LM5RM72 THE NATIVE QUESTION (MAJORITY) The basis of the economic structure of South Africa is the Native section population. This is not only because it is numerically the predominant the mines and also, though to a lesser degree, in industry generally. Almost all the productive labour on the farms is performed by the agricultural Native labourer. There are about one and half million Natives forming the land proletariat in South Africa. The productive part played by European and other mines, as well as on the alluvial diggings, the Native plays by far the greatest part in productive labour. In September, 1932, the ratio of Native labourers employed on the Rand mines compared with Europeans, artisans and labourers was 9.3 to 1, on coal mines 16.8 to 1, and on the alluvial diamond diggings 4.5 to 1. In this primary industry of mining about half a million Native workers are employed. In other industrial enterprises, as well as in commerce and transport, the Native worker is playing an increasingly important part. With the growing rationalisation of industry, the practice of substituting unskilled for skilled labour is continually extending, and this process must lead to an ever greater prominence of the Native worker, both numerically and as a producer. The main character of the South African economic system, as it is oday, is the exceptionally low level of the wages of the unskilled SId semi-skilled workers. There are very few countries in the 0 rld whLre Capitalism is able to extract such tremendous profits C of the meanest type of exploitation. -
“We're Not Rated X for Nothin', Baby!”
CORSO DI DOTTORATO IN “LE FORME DEL TESTO” Curriculum: Linguistica, Filologia e Critica Ciclo XXXI Coordinatore: prof. Luca Crescenzi “We’re not rated X for nothin’, baby!” Satire and Censorship in the Translation of Underground Comix Dottoranda: Chiara Polli Settore scientifico-disciplinare L-LIN/12 Relatore: Prof. Andrea Binelli Anno accademico 2017/2018 CONTENTS CONTENTS ........................................................................................................................................................................ 1 INTRODUCTION ............................................................................................................................................................. 3 SECTION 1: FROM X-MEN TO X-RATED ............................................................................................................ 11 Chapter 1. “DEPRAVITY FOR CHILDREN – TEN CENTS A COPY!” ......................................................... 12 1.1. A Nation of Stars and Comic Strips ................................................................................................................... 12 1.2. Comic Books: Shades of a Golden Age ............................................................................................................ 24 1.3. Comics Scare: (Self-)Censorship and Hysteria ................................................................................................. 41 Chapter 2. “HAVE YOU EVER SEEN THE RAIN?”: RISE AND FALL OF A COUNTERCULTURAL REVOLUTION ................................................................................................................................................................ -
Examining the Role Hip-Hop Texts Play in Viewing the World
Georgia State University ScholarWorks @ Georgia State University Department of Middle-Secondary Education and Middle-Secondary Education and Instructional Instructional Technology (no new uploads as of Technology Dissertations Jan. 2015) Fall 1-10-2014 Wordsmith: Examining the role hip-hop texts play in viewing the world Crystal LaVoulle Follow this and additional works at: https://scholarworks.gsu.edu/msit_diss Recommended Citation LaVoulle, Crystal, "Wordsmith: Examining the role hip-hop texts play in viewing the world." Dissertation, Georgia State University, 2014. https://scholarworks.gsu.edu/msit_diss/119 This Dissertation is brought to you for free and open access by the Department of Middle-Secondary Education and Instructional Technology (no new uploads as of Jan. 2015) at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle-Secondary Education and Instructional Technology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, WORDSMITH: EXAMINING THE ROLE HIP-HOP TEXTS PLAY IN VIEWING THE WORLD, by CRYSTAL LAVOULLE, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree, Doctor of Philosophy, in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chairperson, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs. _________________________________ _________________________________ Peggy Albers, Ph.D. Tisha Y. Lewis, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kimberly Glenn, Ph.D. -
Estudio Cultural De La Canción Comprometida En Bárbara Dane Y Luis Eduardo Aute
UNIVERSIDAD DE LAS PALMAS DE GRAN CANARIA DEPARTAMENTO DE FILOLOGÍA MODERNA TESIS DOCTORAL “LODO POR LA PATRIA”: ESTUDIO CULTURAL DE LA CANCIÓN COMPROMETIDA EN BÁRBARA DANE Y LUIS EDUARDO AUTE DAVID SHEA Las Palmas de Gran Canaria, junio de 2001 Título de la tesis: “LODO POR LA PATRIA”: ESTUDIO CULTURAL DE LA CANCIÓN COMPROMETIDA EN BÁRBARA DANE Y LUIS EDUARDO AUTE Thesis title: “MUD FOR THE MOTHERLAND”: CULTURAL STUDY OF SOCIALLY-COMMITTED FOLK SONG IN THE WORK OF BARBARA DANE AND LUIS EDUARDO AUTE ABSTRACT The examination and analysis of so-called folk protest song in two cultural settings, Spain and the United States, in the second half of the twentieth century provide a broad scope for comparative research. The very terminology employed to describe this phenomenon varies from year to year and between cultures. This study concentrates on two artists whose work spans several decades and is marked by a clear intention of raising social consciousness about issues such as war, global injustice and censorship, among other topics. The approach of US singer and activitist Barbara Dane and Spanish poet, painter, cartoonist and cantautor Luis Eduardo Aute could hardly be more distinct. Dane concentrates her efforts on collective notions of art. Born in 1927 and raised in Detroit, her roots can be traced to the 1930s cultural front era. Aute, a devote fan of Bob Dylan and the Beat Generation, explores the human condition on a far more personal, individual level. Despite their different tacts, however, both are linked with two crucial struggles in recent US and Spanish history: the Vietnam War in the case of Dane and the Franco dictatorship and subsequent Transition era with regards to Aute. -
Foreign Students
DOCUMENT RESUME ED 362 112 HE 026 720 AUTHOR Klasek, Charles B., Ed.; And Others TITLE Bridges to the Future: Strategies for Internationalizing Higher Education. INSTITUTION Association of International Education Administrators, Carbondale, IL. PUB DATE Nov 92 NOTE 220p. AVAILABLE FROMAssociation of International Education Administrators, Anthony Hall 218, SouthernIllinois University at Carbondale, Carbondale,IL 62901 ($9.95 single copy; $8.95 5-10 copies; $7.9511-20 copies; $6.95 21 or more). PUB TYPE Books (010) Collected Works General (020) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Black Colleges; College Administratior%;College Faculty; Curriculum Development; Definitions; Educational Environment; Foreign Students;*Higher Education; Intercollegiate Cooperation; *International Education; InternationalEducational Exchange; International Programs; International Studies; *Program Administration; PublicService; School Business Relationship; StudyAbroad ABSTRACT This book offers 13papers on the creation, development, and enhancement of internationalprograms in colleges and universities. Followinga preface by Charles B. Klasek anda list of contributors, thepapers are:(1) "Administration of International Education" (Tannaz Rahman and LaMarrKopp; (2) "Foreign Students and Scholars" (Ann Kuhlman); (3)"Implementation of International Competence Strategies: Faculty" (HollyM. Carter); (4) "Internationalization of the Curriculum"(Maurice Harari): (5) "Education Abroad and InternationalExchange" (Marian Aitches andTom Hoemeke); (6) "InternationalEducation: -
2012 ILDA Awards Booklet
2012 ILDA Awards Banquet San Antonio, Texas • November 5, 2012 Host: Tim Walsh, Laser Spectacles AV Production: Paul Berthot, Clandestine Systems 2012 ILDA Awards Banquet 2 2012 ILDA Awards Banquet 2012 ILDA Artistic Awards The 2012 ILDA Awards were judged in Texas this year. Many thanks to the judges and coordinator: Judging Coordinator: Greg Sutherland Judges: Paul Berthot, Keith Kettrey, Randy White Beams/Atmospherics Beams/Atmospherics Third Place Finowfurt 2011 LaserAnimation SOLLINGER Producer: Frank Henning (Laser Performance) Designer & Programmer: Stephan Rieck 3 2012 ILDA Awards Banquet Music: Age of Discovery by Immediate Length of original show: 13:02 Every year, Finowfurt, a charming little town near Berlin, is host to the Floesserfest. In addition to fireworks and the graphics part about the history of the town, this beam part was also contained in the show. The effect of the show is greatly enhanced because of the proximity of the river which reflects the beams. (Note: The show was created in cooperation with a non-ILDA Member partner.) Beams/Atmospherics Second Place Adagio LaserAnimation SOLLINGER Designer & Programmer: Stephan Rieck Music: Surface of the Sun by John Murphy 4 2012 ILDA Awards Banquet Length of original show: 3:41 There are four new commands coming in a laser software system. This is the first show using these commands to demonstrate how they work and look. This show is a new free show delivered with the laser software system. An additional outstanding feature of this show is the use of large floor mirrors which reflect the moving beams and create amazing 3D effects.