The Guardian, October 11, 1984
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Proclamation of Domination
FRIDAY January 4, 2019 BARTOW COUNTY’S ONLY DAILY NEWSPAPER 75 CENTS Better Self 101 to prepare attendees for final arrangements BY MARIE NESMITH insurance, what to [choose], who doesn’t let’s bring it to the community for free to likely happen to all of us. I believe that empowered and equip them with the [email protected] have it, etc.?’ Having buried my mother clear any cobwebs and answer any ques- being educated and prepared will help us knowledge needed to succeed in all facets and brother over the past year and [a] half, tions.” through the difficult times when we may in life,” Whitfield said. “No one really Striving to help others be “educated and I know that worrying about money is that Geared only to adults, Better Self 101 not be thinking clearly or not prepared. I wants to have these talks about death but prepared,” Will2Way Foundation Inc. and last burden that one should endure while will take take place from 10 a.m. to 1 p.m. will be helping to develop some of the it’s inevitable.What better way than to let Cartersville resident Brad Cowart are join- trying to grieve through the process. at the Cartersville-Bartow County Cham- topics and getting speakers to discuss your loved ones know what you want, ing forces Jan. 12 to present Better Self “After I posed the question, I received ber of Commerce, 122 W. Main St. in them. what you have and talk about it now rather 101: Wills, Insurance, Estate Planning. -
ACTING with an ACCENT
ACTING with an ACCENT ********************* I R I S H (Hyberno English) by DAVID ALAN STERN, PhD Copyright ©1979, 2003 DIALECT ACCENT SPECIALISTS, Inc. P.O. Box 44, Lyndonville, VT 05851 (802) 626-3121 www.LearnAccent.com No part of this manual or the accompanying audio CD may be reproduced or otherwise transmitted in any form, electronic or mechanical, including photocopying or audio dubbing, without permission in writing from Dialect Accent Specialists, Inc. 2 The ACTING WITH AN ACCENT series New York City Standard British French American Southern Cockney German Texas British North Russian Boston Irish Yiddish "Down East" Scottish Polish "Kennedyesque" Australian Norw./Swed. Chicago Spanish Arabic Mid-West Farm Italian Farsi West Indian/Black African Programs are Also Available for REDUCING Foreign Accents and American Regional Dialects Other Programs Include AMERICAN ACCENTS FOR ENGLISH ACTORS AMERICAN ACCENT FOR CANADIAN ACTORS THE SPEAKER'S VOICE ABOUT THE AUTHOR David Alan Stern received a Ph.D. in Speech from Temple University and served on the faculties of both Wichita State and Penn State before founding Dialect Accent Specialists, Inc. in Hollywood in 1980—working there exclusively as an acting and dialect coach for professional actors. Since 1993, he’s kept his foot in the industry while serving as Professor of Dramatic Arts at his alma mater, the University of Connecticut. Among the many actors he has helped to prepare for stage, television, and film roles are Geena Davis (The Accidental Tourist), Julie Harris (Carried Away), Jennifer Jason Leigh (Fast Times at Ridgemont High), Shelley Long (Outrageous Fortune), Terrence Mann (My Fair Lady), Liam Neeson (Next of Kin), Lynn Regrave (Sweet Sue), Pat Sajak (The Boys in Autumn), Forest Whitaker (Byrd and The Crying Game), and Julia Roberts, Sally Field, Olympia Dukakis, and Daryl Hannah (Steel Magnolias). -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore. -
STUDENT Nature by Self-Taught Artists
TRLBOTRKE GLASGOW GALLERY HER-ALD Old College I MODERN PRIMITIVES AWARD 26 Oct-23 Nov An exhibition of paintings and WINNER sculpture of a highly personal STUDENT nature by self-taught artists. Mon-Sat IO am-5 pm 1985 21.11.85 Edinburgh University Student Newspaper A strong attack was made against the "enemies of light in our society" in this year's Ken neth Allsop Memorial Lecture, given last Thursday by Donald frelford, editor of The Observer. He attacked espe cially the present governmeht for their apparent obsession with secrecy. Terry and In a hard hitting speech under the title of 'Pressures on the Press', Mr Gerry Trelford made a detailed survey of both the obvious and the hidden threats to Press freedom. Mr Trelford opened his case by citing the phrase 'the half free Press' , coined by former Times and Sunday Times editor Harold Evans to contrast Press freedom in Britain !Wi th that of the United States. "But , if ten years ago, our media had half the freedom of the US", Mr Trelford said, "no one can seri ously doubt that our rating now is consiflerably less than 50%." "Lonnie Donegan?? Never heard He continued by describing how of 'im!!" - so claim Terrr and Gerry. those Jpveable pionCers of this freedom was being subverted the radical new musical genre tha~ by "the slow creep of bureaucratic Photo: Dave Yarrow 1he kids on the street are ca lling regulations that go unchecked", e Observer editor attacks government SKJFFtE. and mentioned in particular legisla tion such as the contempt of Court Act 1981 and the Police and Crimi -page6 nal Evidence Act 1984. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
No Fiddling Around with Wieniawski
TAIPEI TIMES MONDAY, NOVEMBER 1 7 , 2 0 0 8 PAGE 1 3 [ THE WEEKENDER ] No fiddling Beyonce Knowles is a double threat this holiday season, with a new album, ‘I Am … Sasha Fierce,’ which is being released tomorrow — and around with a starring role in ‘Cadillac Records,’ a new film set to open early next month Wieniawski Violinist Benjamin Schmid amazed as the soloist in the NSO’s performance of Wieniawski’s Second Violin Concerto BY BRADLEY WINTERTON CONTRIBUTING REPORTER At Friday night’s concert in Taipei’s National Concert Hall the Austrian violinist Benjamin Schmid showed his understanding of BY ALAN LIGHT the less-than-bravura role required of the soloist by Wieniawski’s NY TIMES NEWS SERVICE, NEW YORK Second Violin Concerto of 1862. Most 19th-century Romantic-era concertos provided occasions when a soloist, deemed to represent some passionate force, lined up against an orchestra seen as standing for altogether more ordinary things. The preferred solo instrument was always the piano or the violin — cellos, clarinets and flutes weren’t considered capable of anything like such heroic possibilities, though Dvorak was to change that with what he came up with for the cello. Wieniawski’s work isn’t shaped in this mould at all, though. PHOTOS: NY TIMES NEWS SERVICE, AP anD AFP The Polish virtuoso only wanted to pen something to display his own performing talents, as Mozart had done before him, and his best-known concerto isn’t an old warhorse like Beethoven’s or Tchaikovsky’s, but something more delicate, albeit intricate as well. -
Blasting at the Big Ugly: a Novel Andrew Donal Payton Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2014 Blasting at the Big Ugly: A novel Andrew Donal Payton Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Fine Arts Commons Recommended Citation Payton, Andrew Donal, "Blasting at the Big Ugly: A novel" (2014). Graduate Theses and Dissertations. 13745. https://lib.dr.iastate.edu/etd/13745 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Blasting at the Big Ugly: A novel by Andrew Payton A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTERS OF FINE ARTS Major: Creative Writing and Environment Program of Study Committee: K.L. Cook, Major Professor Steve Pett Brianna Burke Kimberly Zarecor Iowa State University Ames, Iowa 2014 Copyright © Andrew Payton 2014. All rights reserved. ii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii ABSTRACT iv INTRODUCTION 1 BLASTING AT THE BIG UGLY 6 BIBLIOGRAPHY 212 VITA 213 iii ACKNOWLEDGEMENTS I am graciously indebted: To the MFA Program in Creative Writing and Environment at Iowa State, especially my adviser K.L. Cook, who never bothered making the distinction between madness and novel writing and whose help was instrumental in shaping this book; to Steve Pett, who gave much needed advice early on; to my fellow writers-in-arms, especially Chris Wiewiora, Tegan Swanson, Lindsay Tigue, Geetha Iyer, Lindsay D’Andrea, Lydia Melby, Mateal Lovaas, and Logan Adams, who championed and commiserated; to the faculty Mary Swander, Debra Marquart, David Zimmerman, Ben Percy, and Dean Bakopolous for writing wisdom and motivation; and to Brianna Burke and Kimberly Zarecor for invaluable advice at the thesis defense. -
Chapter 11), Making the Events That Occur Within the Time and Space Of
CHAPTER I INTRODUCTION: IN PRAISE OF BABBITTRY. SORT OF. SPATIAL PRACTICES IN SUBURBIA Kenneth Jackson’s Crabgrass Frontiers, one of the key histories of American suburbia, marshals a fascinating array of evidence from sociology, geography, real estate literature, union membership profiles, the popular press and census information to represent the American suburbs in terms of population density, home-ownership, and residential status. But even as it notes that “nothing over the years has succeeded in gluing this automobile-oriented civilization into any kind of cohesion – save that of individual routine,” Jackson’s comprehensive history under-analyzes one of its four key suburban traits – the journey-to-work.1 It is difficult to account for the paucity of engagements with suburban transportation and everyday experiences like commuting, even in excellent histories like Jackson’s. In 2005, the average American spent slightly more than twenty-five minutes per day commuting, a time investment that, over the course of a year, translates to more time commuting than he or she will likely spend on vacation.2 Highway-dependent suburban sprawl perpetually moves farther across the map in search of cheap available land, often moving away from both traditional central 1 In the introduction, Jackson describes journey-to-work’s place in suburbia with average travel time and distance in opposition to South America (home of siestas) and Europe, asserting that “an easier connection between work and residence is more valued and achieved in other cultures” (10). 2 One 2003 news report calculates the commuting-to-vacation ratio at 5-to-4: “Americans spend more than 100 hours commuting to work each year, according to American Community Survey (ACS) data released today by the U.S. -
Triller Network Acquires Verzuz: Exclusive
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.