Defining and Perceiving Peoples in the Chronicles of Norman Italy" (2011)
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The Glories of Norman Sicily Betty Main, SRC
The Glories of Norman Sicily Betty Main, SRC The Norman Palace in Palermo, Sicily. As Rosicrucians, we are taught to be they would start a crusade to “rescue” tolerant of others’ views and beliefs. We southern Italy from the Byzantine Empire have brothers and sisters of like mind and the Greek Orthodox Church, and throughout the world, of every race and restore it to the Church of Rome. As they religion. The history of humankind has were few in number, they decided to return often demonstrated the worst human to Normandy, recruit more followers, aspects, but from time to time, in what and return the following year. Thus the seemed like a sea of barbarism, there Normans started to arrive in the region, appeared periods of calm and civilisation. which was to become the hunting ground The era we call the Dark Ages in Europe, for Norman knights and others anxious was not quite as “dark” as may be imagined. for land and booty. At first they arrived as There were some parts of the Western individuals and in small groups, but soon world where the light shone like a beacon. they came flooding in as mercenaries, to This is the story of one of them. indulge in warfare and brigandage. Their Viking ways had clearly not been entirely It all started in the year 1016, when forgotten. a group of Norman pilgrims visited the shrine of St. Michael on the Monte Robert Guiscard and Gargano in southern Italy. After the Roger de Hauteville “pilgrims” had surveyed the fertile lands One of them, Robert Guiscard, of Apulia lying spread out before them, having established his ascendancy over the promising boundless opportunities for south of Italy, acquired from the papacy, making their fortunes, they decided that the title of Duke of Naples, Apulia, Page 1 Calabria, and Sicily. -
Cry Havoc Règles Fr 05/01/14 17:46 Page1 Guiscarduiscard
maquette historique UK v2_cry havoc règles fr 05/01/14 17:46 Page1 Guiscarduiscard HISTORY & SCENARIOS maquette historique UK v2_cry havoc règles fr 05/01/14 17:46 Page2 © Buxeria & Historic’One éditions - 2014 - v1.1 maquette historique UK v2_cry havoc règles fr 05/01/14 17:46 Page1 History Normans in Southern Italy and Sicily in the 11th Century 1 - The historical context 1.1 - Southern Italy and Sicily at the beginning of the 11th Century Byzantium had conquered Southern Italy and Sicily in the first half of the 6th century. But by the end of that century, Lombards coming from Northern Italy had conquered most of the peninsula, with Byzantium retaining only Calabria and Sicily. From the middle of the 9th century, the Aghlabid Dynasty of Ifrîquya (the original name of Eastern Maghreb) raided Sicily to take possession of the island. A new Byzantine offensive at the end of the century took back most of the lost territories in Apulia and Calabria and established Bari as the new provincial capital. Lombard territories further north were broken down between three cities led by princes: Capua, Salerno, and Benevento. Further east, Italian duchies of Naples, Amalfi, and Gaeta tried to keep their autonomy through successive alliances with the various regional powers to try and maintain their commercial interests. Ethnic struggles in Sicily between Arabs and Berbers on the one side, and various dynasties on the other side, led to power fragmentation: The island is divided between four rival military factions at the beginning of the 11th century. Beyond its natural boundaries, Southern Italy had to cope with two external powers which were looking to expel Byzantium from what they considered was part of their area of influence: the Papacy and the Holy Roman Empire. -
Normans and the Papacy
Normans and the Papacy A micro history of the years 1053-1059 Marloes Buimer S4787234 Radboud University January 15th, 2019 Dr. S. Meeder Radboud University SCRSEM1 V NORMAN2 NOUN • 1 member of a people of mixed Frankish and Scandinavian origin who settled in Normandy from about AD 912 and became a dominant military power in western Europe and the Mediterranean in the 11th century.1 1 English Oxford living dictionaries, <https://en.oxforddictionaries.com/definition/norman> [consulted on the 19th of January 2018]. Index INDEX 1 PREFACE 3 ABBREVIATIONS 5 LIST OF PEOPLE 7 CHAPTER 1: STATUS QUAESTIONIS 9 CHAPTER 2: BATTLE AT CIVITATE 1000-1053 15 CHAPTER 3: SCHISM 1054 25 CHAPTER 4: PEACE IN ITALY 1055-1059 35 CHAPTER 5: CONCLUSION 43 BIBLIOGRAPHY 47 1 2 Preface During my pre-master program at the Radboud University, I decided to write my bachelor thesis about the Vikings Rollo, Guthrum and Rörik. Thanks to that thesis, my interest for medieval history grew and I decided to start the master Eternal Rome. That thesis also made me more enthusiastic about the history of the Vikings, and especially the Vikings who entered the Mediterranean. In the History Channel series Vikings, Björn Ironside decides to go towards the Mediterranean, and I was wondering in what why this affected the status of Vikings. While reading literature about this conquest, there was not a clear matter to investigate. Continuing reading, the matter of the Normans who settled in Italy came across. The literature made it clear, on some levels, why the Normans came to Italy. -
Forme Amministrative E Scelte Linguistiche Nelle Epigrafi E Nelle Monete Della Sicilia Romana
ARTÍCULOS Gerión. Revista de Historia Antigua ISSN: 0213-0181 http://dx.doi.org/10.5209/GERI.63870 Forme amministrative e scelte linguistiche nelle epigrafi e nelle monete della Sicilia romana Kalle Korhonen;1 Cristina Soraci 2 Recibido: 7 de septiembre de 2018 / Aceptado: 21 de enero de 2019 Riassunto. Fino a non molto tempo fa gli studiosi sostenevano che le scelte linguistiche nelle colonie romane della Sicilia fossero coerenti: il latino sarebbe stata la sola lingua usata in un contesto “ufficiale” e il greco sarebbe stato adottato in contesti diversi, come il culto (non coloniale) o l’ambito privato. Ricerche recenti hanno messo in discussione tali affermazioni. Nel presente articolo ci soffermiamo sull’uso del greco e del latino nelle città non coloniali. L’impiego del latino è spesso stato legato all’attribuzione di un preciso stato amministrativo, quello dei municipi, in epoca augustea o post- augustea; al contrario, testimonianze concernenti i municipia e scritte in greco sono state considerate risalenti agli anni di Sesto Pompeo. Intendiamo dimostrare che l’uso del linguaggio in contesti municipali “ufficiali” è molto più vario di quanto non si sia pensato in precedenza e proponiamo nuove letture e datazioni per diverse iscrizioni, soprattutto IG XIV, 954 (in riferimento ad Akragas/Agrigentum), IG XIV, 367=IG Palermo 44 (Aluntium), CIL X 7350 (Thermae Himeraeorum), IG XIV, 575 (Centuripae), AE 1945, 64 (Segesta) e SEG LXI, 758=AE 2011, 435 (Syracusae). Parole chiave: colonie; municipia; bilinguismo; Sesto Pompeo; epoca augustea. [en] Administrative Forms and Language Choices in the Epigraphs and Coins of Roman Sicily Abstract. Until recently scholars used to claim that the language use in the Roman colonies of Sicily was coherent: Latin was the only language in use in any “official” context, and Greek was only chosen when the context was somehow different, such as a (non-colonial) cult or a private setting. -
BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
The Costume of Byzantine Emperors and Empresses ’
Shaw, C. (2011) ‘The Costume of Byzantine Emperors and Empresses ’ Rosetta 9.5: 55-59. http://www.rosetta.bham.ac.uk/colloquium2011/shaw_costume.pdf http://www.rosetta.bham.ac.uk/colloquium2011/shaw_costume.pdf The Costume of the Byzantine Emperors and Empresses Carol Shaw PhD candidate, 4th year (part-time) University of Birmingham, College of Arts and Law [email protected] The Costume of the Byzantine Emperors and Empresses The first Roman emperors were all members of the senate and continued to belong to it throughout their reigns.1 All the members of the senate including the emperor wore tunics and togas decorated with a wide purple band, the latus clavus, and special footwear.2 During the period of instability in the early third century several emperors were selected by the army.3 Initially this shift in power did not affect court ceremony and dress; but slowly both began to change. Court ceremony became more formal and emperors distanced themselves even from senators.4 During the late third century, Diocletian introduced the new court ceremony of the adoration of the purple; according to Aurelius Victor, the emperor also wore richly brocaded purple robes, silks and jeweled sandals.5 Diocletian’s abdication ceremony illustrates that court ceremony and dress often remained very simple. The only garment closely associated with imperial power at this time was the emperor’s purple robes. In his On the Deaths of the Persecutors, Lactantius records that in AD 305 when Diocletian abdicated, the ceremony consisted of the emperor standing under a statue of his patron deity, 1 Under the law the Lex Ovinia (enacted by 318 BC), censors selected each senator according to certain criteria. -
ROGER II of SICILY a Ruler Between East and West
. ROGER II OF SICILY A ruler between east and west . HUBERT HOUBEN Translated by Graham A. Loud and Diane Milburn published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge cb2 1rp, United Kingdom cambridge university press The Edinburgh Building, Cambridge, cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org Originally published in German as Roger II. von Sizilien by Wissenschaftliche Buchgesellschaft, Darmstadt, 1997 and C Wissenschaftliche Buchgesellschaft, Darmstadt, 1997 First published in English by Cambridge University Press 2002 as Roger II of Sicily English translation C Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. Printed in the United Kingdom at the University Press, Cambridge Typeface Bembo 10/11.5 pt. System LATEX 2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Houben, Hubert. [Roger II. von Sizilien. English] Roger II of Sicily: a ruler between east and west / Hubert Houben; translated by Graham A. Loud and Diane Milburn. p. cm. Translation of: Roger II. von Sizilien. Includes bibliographical references and index. isbn 0 521 65208 1 (hardback) isbn 0 521 65573 0 (paperback) 1. Roger II, King of Sicily, d. -
INTRODUCTION 1. Charles Esdaile, the Wars of Napoleon (New York, 1995), Ix; Philip Dwyer, “Preface,” Napoleon and Europe, E
Notes INTRODUCTION 1. Charles Esdaile, The Wars of Napoleon (New York, 1995), ix; Philip Dwyer, “Preface,” Napoleon and Europe, ed. Philip Dwyer (London, 2001), ix. 2. Michael Broers, Europe under Napoleon, 1799–1815 (London, 1996), 3. 3. An exception to the Franco-centric bibliography in English prior to the last decade is Owen Connelly, Napoleon’s Satellite Kingdoms (New York, 1965). Connelly discusses the developments in five satellite kingdoms: Italy, Naples, Holland, Westphalia, and Spain. Two other important works that appeared before 1990, which explore the internal developments in two countries during the Napoleonic period, are Gabriel Lovett, Napoleon and the Birth of Modern Spain (New York, 1965) and Simon Schama, Patriots and Liberators: Revolution in the Netherlands, 1780–1813 (London, 1977). 4. Stuart Woolf, Napoleon’s Integration of Europe (London and New York, 1991), 8–13. 5. Geoffrey Ellis, “The Nature of Napoleonic Imperialism,” Napoleon and Europe, ed. Philip Dwyer (London, 2001), 102–5; Broers, Europe under Napoleon, passim. 1 THE FORMATION OF THE NAPOLEONIC EMPIRE 1. Geoffrey Ellis, “The Nature of Napoleonic Imperialism,” Napoleon and Europe, ed. Philip Dwyer (London, 2001), 105. 2. Martyn Lyons, Napoleon Bonaparte and the Legacy of the French Revolution (New York, 1994), 43. 3. Ellis, “The Nature,” 104–5. 4. On the Revolutionary and Napoleonic Wars and international relations, see Tim Blanning, The French Revolutionary Wars, 1787–1802 (London, 1996); David Chandler, The Campaigns of Napoleon: the Mind and Method of History’s Greatest Soldier (London, 1966); Owen Connelly, Blundering to Glory: Napoleon’s Military 212 Notes 213 Campaigns (Wilmington, DE, 1987); J. -
From #13 to #15
Plant Sociology 57(1) 2020, 65–74 | DOI 10.3897/pls2020571/07 Società Italiana di Scienza della Vegetazione (SISV) New national and regional Annex I Habitat records: from #13 to #15 Lorenzo Gianguzzi1, Simonetta Bagella2, Giuseppe Bazan3, Maria Carmela Caria2,4, Bruno Enrico Leone Cerabolini5, Alice Dalla Vecchia6, Giovanni Rivieccio4, Rossano Bolpagni6 1 Department Agricultural, Food and Forest Sciences - University of Palermo, Viale delle Scienze Ed. 4, I-90128, Palermo, Italy 2 Department of Chemistry and Pharmacy - University of Sassari, Via Piandanna 4, I-07100, Sassari, Italy 3 Department of Biological, Chemical, and Pharmaceutical Sciences and Technologies - University of Palermo, via Archirafi 18, I-90123, Palermo, Italy 4 Desertification Research Centre - University of Sassari, Via de Nicola - 07100, Sassari, Italy 5 Department of Biotechnologies and Life Sciences - Insubria University, Via J.H. Dunant 3, I-21100, Varese, Italy 6 Department of Chemistry, Life Sciences and Environmental Sustainability - University of Parma, Parco Area delle Scienze 11/a, I-43124, Parma, Italy Corresponding author: Giovanni Rivieccio ([email protected]) Subject editor: Daniela Gigante ♦ Received 29 May 2020 ♦ Accepted 12 June 2020 ♦ Published 3 July 2020 Abstract New data on the distribution of the Annex I Habitats 3160, 7210* and 9320 are reported in this contribution. In detail, 24 new occur- rences in Natura 2000 Sites are presented and 42 new cells in the EEA 10 km x 10 km Reference grid are added. The new data refer to Italy and in particular to the Administrative Regions Lombardy, Sardinia, and Sicily. Keywords 3160, 7210*, 9320, biodiversity, conservation, 92/43/EEC Directive, Italy, vegetation Introduction synthetic overview of the newly recorded occurrences is provided in Table 1. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
SOCIETÀ DI STORIA PATRIA PER LA PUGLIA Sezione Di Brindisi Collana
TM 1 SOCIETÀ DI STORIA PATRIA PER LA PUGLIA Sezione di Brindisi Collana Convegni IV 2 3 Pubblicazione realizzata con il contributo di The INTERNATIONAL PROPELLER CLUB Port of Brindisi Dott. Nicola Zizzi Presidente Via Leopardi, 1 (angolo Via G. Bruno, 59) 72100 BRINDISI [email protected] Comitato+39 347promotore 62 42 002 e organizzativo Società di Storia Patria per la Puglia Sezione di Brindisi A cura di Giuseppe Marella e Giacomo Carito Ha collaborato Cristian Guzzo Copyright © 2014 Tutti i diritti riservati Società di Storia Patria per la Puglia Sezione di Brindisi Finito di stampare nel mese di novembre 2014 da PUBBLIDEA EDIZIONI di Alessandro Perchinenna (Brindisi) ISBN 978-88-904267-8-0 2 3 LE FORTEZZE DELL’ISOLA DI SANT’ANDREA NEL PORTO DI BRINDISI Atti del Convegno di studi BRINDISI Palazzo Granafei - Nervegna Mercoledì 19 e giovedì 20 ottobre 2011 A cura di Giuseppe Marella e Giacomo Carito Sezione di Brindisi EDIZIONI 4 5 Brindisi. Fortezze di Sant’Andrea. Ph Damiano Tasco 4 5 Hercules Haralambides PRESIDENTE AUTORITÀ PORTUALE DI BRINDISI Da eremo religioso dove le culture latine e greche si fusero in un unico cenobio benedettino ad avamposto e presidio di strategica e fondamentale importanza per contrastare gli attacchi nemici via mare; da rifugio scelto da Federico II per scampa- re la pestilenza che divampava nel campo dei crocesignati a saldo presidio non solo del porto e della città di Brindisi ma dell’intera Terra d’Otranto: l’isola di Sant’An- drea ha rivestito nei secoli una serie di funzioni fondamentali per il nostro porto, per il territorio. -
Europe (In Theory)
EUROPE (IN THEORY) ∫ 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by C. H. Westmoreland Typeset in Minion with Univers display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. There is a damaging and self-defeating assumption that theory is necessarily the elite language of the socially and culturally privileged. It is said that the place of the academic critic is inevitably within the Eurocentric archives of an imperialist or neo-colonial West. —HOMI K. BHABHA, The Location of Culture Contents Acknowledgments ix Introduction: A pigs Eye View of Europe 1 1 The Discovery of Europe: Some Critical Points 11 2 Montesquieu’s North and South: History as a Theory of Europe 52 3 Republics of Letters: What Is European Literature? 87 4 Mme de Staël to Hegel: The End of French Europe 134 5 Orientalism, Mediterranean Style: The Limits of History at the Margins of Europe 172 Notes 219 Works Cited 239 Index 267 Acknowledgments I want to thank for their suggestions, time, and support all the people who have heard, read, and commented on parts of this book: Albert Ascoli, David Bell, Joe Buttigieg, miriam cooke, Sergio Ferrarese, Ro- berto Ferrera, Mia Fuller, Edna Goldstaub, Margaret Greer, Michele Longino, Walter Mignolo, Marc Scachter, Helen Solterer, Barbara Spack- man, Philip Stewart, Carlotta Surini, Eric Zakim, and Robert Zimmer- man. Also invaluable has been the help o√ered by the Ethical Cosmopol- itanism group and the Franklin Humanities Seminar at Duke University; by the Program in Comparative Literature at Notre Dame; by the Khan Institute Colloquium at Smith College; by the Mediterranean Studies groups of both Duke and New York University; and by European studies and the Italian studies program at the University of North Carolina at Chapel Hill.