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In Concert OCTOBER–NOVEMBER 2012
ABOUT THE MUSIC SCHUBERT QUINTET /IN CONCERT OCTOBER–NOVEMBER 2012 ROMEO AND JULIET 1 AND 2 NOVEMBER PRESENTED IN ASSOCIATION WITH THE SOLDIER’S TALE 11 NOVEMBER DURUFLÉ REQUIEM 15–17 NOVEMBER MEET YOUR MSO MUSICIANS: ELEANOR MANCINI AND ROBERT CLARKE JOHN BELL ON SHAKESPEARE AND MUSIC BENJAMIN NORTHEY’S INCREDIBLE MONTH OF MUSIC-MAKING JONATHAN GRIEVES- SMITH ON PREPARING DURUFLÉ twitter.com/melbsymphony facebook.com/melbournesymphony Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WElcOME As I write this I’m in the middle trombonist Michael Bertoncello as of my busiest period with the soloist, as well as daytime concerts Orchestra so far, as we offer a for schools. snapshot of the diverse life of a The month began with music for modern symphony orchestra, with the whole family (even across a concerts for all ages and musical range of species!) as the MSO tastes, in venues from Melbourne brought Saint-Saëns’ magical Zoo to the Capital in Bendigo, and Carnival of the Animals to Melbourne featuring spoken word, film and Zoo, with Nick Enright’s wonderful the mighty MSO Chorus. verse narrated by Noni Hazlehurst. The unique collaboration with This is the kind of event that gives Bell Shakespeare promises to so many young people their first be a perfect marriage of classic taste of live orchestral music. -
Mccrimmon Mccrimmon
ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
'Duncanville' Is A
Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
This Is a Test
‘A PRINCESS FOR CHRISTMAS’ CAST BIOS SIR ROGER MOORE (Edward) – Born in Clapham, London in 1927, the son of a London policeman, Sir Roger Moore attended Hackford Road Elementary School and then Battersea Grammar School. Evacuated to Worthing at the outbreak of World War II, he returned to London in 1943. After leaving school, Moore worked as a tracer/filler/office boy with the animation company Publicity Picture Productions. He was fired after a short time, and in 1944 he was accepted by the Royal Academy of Dramatic Art and attended for three terms. He then joined the Cambridge Arts Theatre Repertory Company. In 1945, Moore was called up for National Service and was commissioned as a Second Lieutenant and then promoted to Captain in the Combined Services Entertainment. At the end of his Army service he worked as an assistant stage manager at the BBC Studios at Alexander Palace and supplemented his salary by working as an advertising model. Then came a small part in the West End stage production of Mister Roberts and an understudy role alongside David Tomlinson in The Little Hut. His American debut followed, and he appeared in A Pin to See the Peepshow on Broadway. It was then that Hollywood beckoned with an MGM contract. In 1957, he played the title role in "Ivanhoe," returning to England for a total of 39 episodes. When Moore returned to Hollywood in 1958 he was put under contract by Warner Bros. and starred in the TV series "The Alaskans” and "Maverick.” In 1962, Moore got his big break when he was cast as "The Saint,” the most successful TV series at that time. -
Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Park-Finch, Heebon Title: Hypertextuality and polyphony in Tom Stoppard's stage plays General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hypertextuality and Polyphony in Tom Stoppard's Stage Plays Heebon Park-Finch A dissertation submitted to the University of Bristol in -
By Jeeves a Diversionary Entertainment
P lum Lines The quarterly journal of The Wodehouse Society Vol. 17 N o 2 S u m m er 1996 I h i l l I f \ i\ ilSI | PAUL SARGFNT ,„ 1hc highly unlikely even, of the euneelton of ,o„igh,'« f t * . C»>eer, l,y Mr. Wooster, the following emergency entertainment m . performed in its stead. By Jeeves a diversionary entertainment A review by Tony Ring Wodehouse, with some excellent and vibrant songs, also eminently suitable for a life with rep, amateur and school The Special Notice above, copied from the theater program, companies. indicates just how fluffy this ‘Almost Entirely New Musical’ is. First, the theatre. It seats just over 400 in four banks of Many members have sent reviews and comments about this seats, between which the aisles are productively used for popular musical and I can’t begin to print them all. My apolo the introduction o f the deliberately home-made props, gies to all contributors not mentioned here.—OM such as Bertie Wooster’s car, crafted principally out of a sofa and cardboard boxes. Backstage staff are used to h e choice o f B y Jeeves to open the new Stephen bring some o f the props to life, such as the verges on the Joseph Theatre in Scarborough has given us the edge o f the road, replete with hedgehogs, and die com T opportunity to see what can be done by the combinationpany cow has evidently not been struck down with BSE. o f a great popular composer, a top playwright, some ideas The production is well suited to this size o f theatre: it and dialogue from the century’s greatest humorist, a would not sit easily in one of the more spectacular auditoria talented and competent cast, and a friendly new theatre in frequently used for Lloyd Webber productions. -
Equity Magazine Autumn 2018
www.equity.org.uk MAGAZINE AUTUMN 2018 National Theatre joins Safe Spaces campaign Celebrating the creativity of Northern Ireland New partnership with Actors Centre AGENT OF CHANGE Dawn Hope launches our Change Network CONFERENCE REPORT ELECTION RESULTS WEST END DEAL INSURANCE? EQUITY MAGAZINE SUMMER 2018 IN THIS ISSUE 4 NEWS New Equity Council, discussing artist mental Exclusive Professional Property Cover for health in Parliament and a West End claim Equity members 7 UPFRONT Christine Payne, General Secretary UK/Europe or Worldwide 8 MEET THE MEMBERSHIP cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer Red Sarah: variety performer, mentor, VCEC 14 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. member and founder of the Burlesque Network 10 SUCCESS STORIES GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK Protecting Northern Irish arts, members 18 marching and new website Tel 020 8686 5050 14 DAWN HOPE First Act Insurance* is the preferred insurance intermediary to Why the musical theatre star is getting involved *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 in the union’s Change Network 18 CHANGE NETWORK Equity’s new initiative to amplify black First Act Insurance presents... members’ voices 20 ARC Motions and more from the union’s Annual Representative Conference 10 24 PRESIDENT MAUREEN BEATTIE 26 The actress’s inaugural column 26 CAMPAIGNS Safe Spaces, Brexit, fighting pension inequality 28 HAVE YOUR SAY Theatre’s Girl Club and tips to manage stress Key features include 30 YOUR EQUITY 32 24 • Competitive online quote and buy cover provided by HISCOX.