DOCSLIB.ORG

AFI PREVIEW Is Published by the the AFI EU FILM SHOWCASE Auman of the European Union – Delegation of the American Film Institute

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
AFI PREVIEW Is Published by the the AFI EU FILM SHOWCASE Auman of the European Union – Delegation of the American Film Institute *6'0 ! 499) $ (508 4 49+9 / 49 '%&8 &5(3 %( - . %03 8 ($ 0 && 50*,( (%*( %&' #*71 &*1%(" %"#3 *6'0 4+ CONTENTS e e e e OPENING NIGHT! e e e e 2 AFI European Union Film Showcase 9 Holiday Cinema 10 The Secret Policeman’s Film Festival 12 The 20th Washington Jewish Film Festival November 5 – 24 AFI presents the 22nd annual AFI European Union 14 LA DANSE: THE PARIS Film Showcase, a selection of top films from EU member states, including film festival award OPERA BALLET © Memfis Film; photo courtesy of IFC Films winners, box office hits and US premieres. MAMMOTH About AFI AFI thanks the cultural counselors of the EU MAMMOTH [Mammut] member states and the European Commission * THURS, NOV 5, 7:00 *; Sun, Nov 8, 5:00 Delegation in Washington, DC, for their kind Swedish writer/director Lukas Moodysson’s first foray into English-language 15 Calendar assistance and continued support of the AFI filmmaking is a film for and about the global marketplace, and the connections European Union Film Showcase. and separations it imposes on families. Gael García Bernal and Michelle Williams star as a Manhattan couple whose domestic drama has repercussions 16 Special Engagements Special thanks to Ambassador Jonas Hafström, stretching from New York to the Philippines to Thailand, and back again. Cultural Counselor Mats Widbom, and the staff DIR/SCR Lukas Moodysson; PROD Lars Jönsson. Sweden/Denmark/ of the Embassy of Sweden for their leadership Germany, 2009, color, 125 min. In English, Tagalog and Thai with English subtitles. NOT RATED S V LOOK FOR THE and invaluable support as the current holders of AFI Member passes accepted for the EU Presidency. *Opening Night tickets $12 / $10 AFI Members. No passes accepted. designated screenings. To find out how to become a Member of AFI, see page 14. Special thanks, also, to Acting Head of Delegation Angelos Pangratis, Press Counselor Anthony Smallwood, and Cultural Affairs Officer Sandi AFI PREVIEW is published by the THE AFI EU FILM SHOWCASE Auman of the European Union – Delegation of the American Film Institute. European Commission to the USA, for their PASSPORT IS BACK! Editorial Offices generous and continued support of the AFI American Film Institute Silver Theatre and Cultural Center European Union Film Showcase. $125/$100 for AFI Members 8633 Colesville Road Silver Spring, MD 20910 Can’t get enough of European film? With the AFI European Union Film Showcase Passport, you’ll zip right past customs (the AFI Silver Box For address changes and subscription services, contact: Office), and be admitted to every film in the festival. NO TICKETS American Film Institute NEEDED.The all-access Passport gives you admission for one to 2021 N. Western Ave. every regular-priced screening—plus Opening Night—and access to Los Angeles, CA 90027 Festival Happy Hours. After the festival, you can prove how many Attn: Membership A NOTE TO AUDIENCES: countries you’ve “visited” by showing off all the stamps on your Because films in the AFI European Union Film Passport. The Passport may be purchased online at AFI.com/Silver. On the cover: THE YOUNG VICTORIA, Showcase have not been evaluated by the MPAA photo by Liam Daniel, courtesy of GK Films rating system, AFI has made its best effort to inform COMBO TICKET PLAN Editor: Julie Hill audiences about any film content that could lead to a If you plan to buy six or more tickets to films in the AFI European restricted rating if released in the US. Traffic Coordinator: Brooke Logan Union Film Showcase, in any combination, ask for the Combo Ticket Design: Kelly Guevara, Post-Newsweek Media, Inc. The following is a guide: Package discounted rate of just $8 per ticket. (Normal ticket price is Information is correct at press time. Films and S sexuality V violenceD drug use $10.) You can buy several tickets to one show, or one ticket to several schedule subject to change. shows! It’s perfect for families attending shows together and festival- AFI Member passes will be accepted at all screenings in Check AFI.com/Silver for updates. goers who have planned out their schedule of must-see shows in the AFI European Union Film Showcase except Special advance. Combo Ticket Package purchase must be completed at the AFI You can also view a copy of this publication Presentations (Opening Night, Closing Night, Centerpiece online at Gazette.Net. Screenings). Silver box office in a single transaction. 2 n TICKETS & FULL SCHEDULE at AFI.COM/SILVER AUSTRIA CYPRUS THE BONEMAN [Der Knochenmann] SMALL CRIME [Mikro Eglima] Fri, Nov 20, 9:30; Sat, Nov 21, 10:00 (See GREECE, page 5) The third adaptation of the popular novels by Wolf Haas DENMARK (following COME SWEET DEATH and SILENTIUM, which CZECH REPUBLIC screened in AFI’s 2007 EU Film Showcase) from director APPLAUSE [Applaus] Wolfgang Murnberger and star Josef Hader is the most DC Premiere of the New, American Version! Tue, Nov 10, 7:00; Thurs, Nov 12, 7:00 thrilling—and funniest—yet. On the trail of a deadbeat car CITIZEN HAVEL [Obcan Havel] Paprika Steen gives a bravura performance as an alcoholic owner,Viennese odd jobber/detective Hader takes up Sun, Nov 22, 3:30; Mon, Nov 23, 7:00 actress navigating personal crises in this debut film from Martin Zandvliet. Recently divorced and denied custody of lodging in an Alpine village where a local restaurant A one-of-a-kind portrait of Václav Havel, the first president their two children,Thea has supposedly given up drinking and proprietor may be cooking up more than just his specialty of the Czech Republic,culled from a decade’s worth of is working on regaining visitation rights. Painfully,Thea must chicken. DIR/SCR Wolfgang Murnberger; SCR Josef documentation by his close friend, filmmaker Pavel face the fact that motherhood may not be a role she is cut Hader, Wolf Haas, based on the novel by Wolf Haas; Koutecký. Given unparalleled access to Havel, the film out to play. DIR/SCR Martin Zandvliet; SCR Anders Frithiof PROD Danny Krausz, Kurt Stocker. Austria, 2009, color, takes viewers from internal staff debates to intense inter- August; PROD Mikael Rieks. Denmark, 2009, color, 85 117 min. In German and Russian with English subtitles. national summit meetings to enjoyable encounters with min. In Danish with English subtitles. NOT RATED NOT RATED S V visiting dignitaries and celebrities—including Bill Clinton and a night out at Prague’s top jazz club, plus a comedic visit to the Presidential Palace by The Rolling Stones. DIR Miroslav Janek, Pavel Koutecký; PROD Jarmila Poláková. Czech Republic, 2008, color, 119 min. In Czech with English subtitles. NOT RATED Photo courtesy of Zeitgeist Films A TOWN CALLED PANIC © Thura Film BELGIUM DELIVER US FROM EVIL A TOWN CALLED PANIC [Panique Au Village] DELIVER US FROM EVIL [Fri Os Fra Det Onde] Sat, Nov 7, 7:00; Sun, Nov 8, 1:00 Fri, Nov 13, 9:45; Mon, Nov 16, 7:00 This surreal adventure in stop-motion animation and odd- The latest film from Ole Bornedal (JUST ANOTHER ball comedy is the feature film spin-off of the Belgian TV LOVE STORY, part of AFI’s 2008 EU Film Showcase) con- series, which enjoys an international cult following, (and tinues the Danish director’s knack for exploiting genre has been aired in dubbed version on Nicktoons).Three conventions to thought-provoking effect.With nods to Plasticine characters, Cowboy, Indian and the sensible but American films like RIO BRAVO and STRAW DOGS, temperamental Horse, navigate a series of manic adven- Bornedahl’s film provocatively examines class and ethnic tures. Fans of GUMBY, MONTY PYTHON’S FLYING differences in today’s Europe. DIR/SCR Ole Bornedal; CIRCUS, SOUTH PARK and ROBOT CHICKEN will find PROD Michael Obel. Denmark/Sweden/Norway, 2009, much to like. DIR/SCR Stéphane Aubier, Vincent Patar. color, 100 min. In Danish with English subtitles. NOT Photo courtesy of Aerofilms Belgium/Luxembourg/ France, 2009, color, 75 min. In RATED S V CITIZEN HAVEL French with English subtitles. NOT RATED SHAMELESS [Nestyda] ESTONIA BULGARIA Sat, Nov 14, 7:30; Wed, Nov 18, 7:00 This broad-hearted ensemble comedy was a box office hit DISCO AND ATOMIC WAR [Disko Ja Tuumasõda] Sun, Nov 8, 9:45; Tue, Nov 10, 9:00 ZIFT in its home country, the Czech Republic.After determining Fri, Nov 6, 9:30; Sat, Nov 7, 8:45 that his wife Zuzana's nose is just too big,TV weatherman Estonian filmmaker Jaak Kilmi (REVOLUTION OF PIGS, Framed and thrown into jail in 1944—just before Bulgaria’s Oskar cheats on her with the family’s vapid nanny, leading part of AFI’s 2006 EU Film Showcase) examines the most Communist coup—dapper thief “the Moth” emerges after to a downward spiral that finds him out of a job and in a important factor in how the Communists lost the Cold serving hard time to the strange new world of 1960s Sofia. series of loveless affairs. In the meantime, Zuzana has no War: the West’s one-two punch of disco music and Dallas Shot in widescreen black & white and brimming with hard- problem finding a new partner in divorced single father episodes. Blending wonderful archival footage, academic boiled action, Javor Gardev’s debut feature looks to Matej, aided in no small part by Oskar’s parents. Full of fine interviews and deliriously funny recreations, Kilmi’s eye- become a cult classic of neo-Noir style. DIR Javor Gardev; details and subtle wit, this delightful film skirts tragedy and opening and entertaining documentary hits just the right SCR Vladislav Todorov, based on his novel; PROD Georgi plunges headlong into farce.
Load more

Recommended publications
  • John Hughes' Family Films and Seriality
    Article Title ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Author Details: Dr Holly Chard [email protected] Biography: Holly Chard is Lecturer in Contemporary Screen Media at the University of Brighton. Her research focuses on the U.S. media industries in the 1980s and 1990s. Her recent and forthcoming publications include: a chapter on Macaulay Culkin’s career as a child star, a monograph focusing on the work of John Hughes and a co- authored journal article on Hulk Hogan’s family films. Acknowledgements: The author would like to thank Frank Krutnik and Kathleen Loock for their invaluable feedback on this article and Daniel Chard for assistance with proofreading. 1 ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Keywords: seriality, Hollywood, comedy, family film Abstract: This article explores serial production strategies and textual seriality in Hollywood cinema during the late 1980s and early 1990s. Focusing on John Hughes’ ‘high concept’ family comedies, it examines how Hughes exploited the commercial opportunities offered by serial approaches to both production and film narrative. First, I consider why Hughes’ production set-up enabled him to standardize his movies and respond quickly to audience demand. My analysis then explores how the Home Alone films (1990-1997), Dennis the Menace (1993) and Baby’s Day Out (1994) balanced demands for textual repetition and novelty. Article: Described by the New York Times as ‘the most prolific independent filmmaker in Hollywood history’, John Hughes created and oversaw a vast number of movies in the 1980s and 1990s.1 In a period of roughly fourteen years, from the release of National Lampoon’s Vacation (Ramis, 1983) to the release of Home Alone 3 (Gosnell, 1997), Hughes received screenwriting credits on twenty-seven screenplays, of which he produced eighteen, directed eight and executive produced two.
    [Show full text]
  • October 12-18 Videofest.Org Video Association of Dallas Make Films That Matter
    ANGELIKA FILM CENTER OCTOBER 12-18 VIDEOFEST.ORG VIDEO ASSOCIATION OF DALLAS MAKE FILMS THAT MATTER UNIVERSITY OF The Department of Art and TEXAS ARLINGTON Art History at UTA has an ART+ART HISTORY excellent reputation for FILM/VIDEO PROGRAM grooming young filmmakers, preparing WWW.UTA.EDU/ART 817-272-2891 them for the creative challenges and emotional rigors of the motion picture industry. Call our advising sta to find out how you can train to be a vital part of the film industry. Art Art History Department 2 CONTENTS 2 BROUGHT TO YOU BY 3 2015 BOARD OF DIRECTORS 4 SPONSORS & CONTRIBUTORS 8 WELCOME BY BART WEISS 10 ABOUT OUR JURORS 14 TEXAS SHOW JURORS 16 KOVACS AWARD 18 HONOREES 26 SCREENINGS 52 SCHEDULE 1 BROUGHT TO YOU BY BARTON WEISS YA’KE SMITH Artistic Director Festival Bumpers RAQUEL CHAPA MARK WICKERSHAM Managing Director KARL SCHAEFFER Transportation BOXOFFICE: PREKINDLE SELIG POLYSCOPE COMPANY CAMERON NELSON Videography Technical Supervisor REDMAN I AM CHRISTIAN VASQUEZ Trophies DAVID GRANDBERRY Technical Assistant MATTHIEU CARTAL DAKOTA FORD MARISSA ALANIS MATTHEW GEISE MARGARITA BIRNBAUM VIVIAN GRAY AMY MARTIN Outreach MIKE MILLER YUMA MORRIS KELLY J KITCHENS ELEONORA SOLDATI Interns RONI HUMMEL Media Relations/Entertainment Publicity BETH JASPER ALVIN HYSONG DANA TURNER MARSHALL PITMAN Program Editor WES SUTTON Programmers TAMITHA CURIEL Newsletter Editor RON SIMON Curator of Television Pasily Center CYNTHIA CHAPA Program Content ED BARK Critic Uncle Barkey SULLIVANPERKINS MICHAEL CAIN Graphic Design Filmmaker, former head of AFI Dallas Festival DESIGN TEXAS - UT ARLINGTON JOSH MILLS Program Book Design It’s Alive! Media & Management DEV SHAPIRO Kovacs Committee DARREN DITTRICH Webpage 2 BOARD OF DIRECTORS JEFFREY A.
    [Show full text]
  • Mccrimmon Mccrimmon
    ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time.
    [Show full text]
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • ICLIP & MAIL Tornadoes Rip Path of Death
    PAGE SIXTEEN - EVENING HERALD. Tues.. April 10, 1978 Frank and Emaat EDUCATIONAL TV DINNERS T H f t Y ' P E *'epueArioN AL" i B c n u s B Police Malting Plans Panel Passes Measure Residents Not in Tune Caldwell Stops RSox, r- 1 IF y o u BAT O N E, For the Energy Crisis To Create Gaming Czar To Song of the Rails Jackson Sparks Yanks Page 3 Page 10 Y o u 'L l S e Page 12 Page 13 N B x r t i m b . Strv/CM O lltr td 31 S » n lc 0M OUtrad 31 Painting-Papering 32 Building Contracting 33 E X P E R T PAIN T IN G and INCOME TAX .) P. LEWIS & SON- Interior LEON CIESZYNSKI LANDSCAPING Specializlnf; and Exterior painting, paper BUILDER- New Homes. Ad­ THW/ti 4-10 Haudipfitpr PREPARATION in Exterior House Painting. hanging, rcmcxieling. carpen­ ditions. Remodeling. Rec Tree pruning, spraying, try. Fully insured 649-9658. Rooms. 'Garages, FHtchenq Fair Tonight, mowing, wcemng. Call 742- Remodeled. Ceilings. Bath Dogs-BIrdt-Pelt 43 Apaifmentt For Bant 53 Wanted to Bent 57 Autos For Sale 61 ftliSINESS A INDIVIDUAL 7947. ' PERSONAL Paperhanging Tile. Dormers, Roofing Sunny Thursday INCOiME TAXES For particular people, by Residential or Commercim, COCKER SPANIEL THREE BEDROOM USED GAR SPECULS Dick. Call 643-5703 anytime, 649-4291. PUPPIES - AKC Registered. DUPLEX- Stove, I’HEPAHKD - In the com- 1975 nyMOUTH D U tm Details on page 2 Inrl of your home or office, Have shots. Great Easter refrigerator, dishwasher. I'/z TEACHERS- Experienced baths.
    [Show full text]
  • Press Contacts for the Television Academy: 818-264
    FOR IMMEDIATE RELEASE Post-awards presentation (approximately 7:00PM, PDT) September 11, 2016 WINNERS OF THE 68th CREATIVE ARTS EMMY® AWARDS ANNOUNCED (Los Angeles, Calif. - September 11, 2016) The Television Academy tonight presented the second of 2016 Creative Arts Emmy® Awards ceremonies for programs and individual achievements at the Microsoft Theater in Los Angeles and honored variety, reality and documentary programs, as well as the many talented artists and craftspeople behind the scenes who create television excellence. Executive produced by Bob Bain, this year’s Creative Arts Awards featured an array of notable presenters, among them Derek and Julianne Hough, Heidi Klum, Jane Lynch, Ryan Seacrest, Gloria Steinem and Neil deGrasse Tyson. In recognition of its game-changing impact on the medium, American Idol received the prestigious 2016 Governors Award. The award was accepted by Idol creator Simon Fuller, FOX and FremantleMedia North America. The Governors Award recipient is chosen by the Television Academy’s board of governors and is bestowed upon an individual, organization or project for outstanding cumulative or singular achievement in the television industry. For more information, visit Emmys.com PRESS CONTACTS FOR THE TELEVISION ACADEMY: Jim Yeager breakwhitelight public relations [email protected] 818-264-6812 Stephanie Goodell breakwhitelight public relations [email protected] 818-462-1150 TELEVISION ACADEMY 2016 CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent
    [Show full text]
  • Press Release No. 5 Press Release No. 5 Georgian
    Press Release No. 5 Wiesbaden, 28 April 2009 Georgian Production Wins Main Prize at goEast Film Festival Awards go to feature films from four Eastern European countries / “Remembrance and Future” documentary award for Polish entry / Winners announced of Promotional Prizes of the Robert Bosch Stiftung / Students’ Competition enthuses Audiences / Kira Muratova: a fascinating filmmaker, a memorable Homage With the announcement of the winners of the main festival awards, the 9th goEast – Festival of Central and Eastern European Film closed on 28 April in Wiesbaden. The international festival jury presided over by Jerzy Stuhr chose the winning films among the strong contenders in the Competition section. The Škoda Award for Best Film – the “Golden Lily” endowed with 10,000 euro by Škoda Auto Deutschland – goes to THE OTHER BANK / GAGMA NAPIRI (Georgia/Kazakhstan, 2009),directed by George Ovashvili. The jury praised the prizewinning film as a courageous depiction, from the optimistic perspective of a child, of an ongoing conflict that is among the gravest of our times in terms of weapons levels. The Best Director award of the City of Wiesbaden (7,500 euro) goes to Russian director Boris Khlebnikov for HELP GONE MAD / SUMASŠEDŠAJA POMOŠ Č (Russia, 2009). The jury applauded the director’s bold approach to his subject as well as his unusual and touching allegory on post- communist society. The 2009 “Remembrance and Future” documentary prize (10,000 euro) of the foundation “Remembrance, Responsibility and Future” is bestowed on I LOVE POLAND / KOCHAM POLSKE (Poland, 2008), a film jointly directed by Joanna Sławi ńska and Maria Zmarz-Koczanowicz.
    [Show full text]
  • Sarah A. Tejeda (951) 233-9185 [email protected]
    Sarah A. Tejeda www.sarahtejeda.com (951) 233-9185 [email protected] PROFILE A creative and enthusiastic animator, with experience in various forms of animation. A quick-thinking, problem solver who gives 100% to all projects. Adept in written and oral communication, and works well independently or with a team. Thrives in fast-paced environments, and can adapt to meet deadlines and handle multiple tasks. EDUCATION University of Southern California Los Angeles, CA BA Animation and Digital Arts 2014 EXPERIENCE Animator Stoopid Buddy Stoodios July 2017-Sept 2018 Robot Chicken Season 9, Supermansion Season 3 ● Animated various characters, props, and cameras while perfecting the animation styles of various shows. Lead Animation Assistant/Track Reader/ Jr. Animator Stoopid Buddy Stoodios May 2015-June 2017 Supermansion Seasons 1 & 2, Buddy Thunderstruck, Robot Chicken Seasons 8 & 9, Verizon Bumpers ● Acted as a fill-in animator for studio projects. Supported and assisted animators and crews by helping with rigging, anticipating and solving problems, and keeping areas and materials well-stocked and organized. Proficient track reader for all studio projects. Animation Assistant Hello! & Company November 2014 McDonald’s Spot: Morning Song ● Provided support to director and animators for a location shoot. Assisted with the preparation of sets and props. Senior Thesis Film USC Jan 2013-May 2014 Expiration Date ● Created original concept art through extensive pre-production. Developed script, hired and directed voice-over talent. Molded, fabricated, and painted over 30 puppets, including facial expressions. Fabricated multiple props and sets. Animation Intern Shadow Machine Jan -May 2012 Hell and Back ● Supported animation, puppet, and art departments through the building of sets and props.
    [Show full text]
  • Invisible to the Eye, but Felt Strongly by the Heart
    Issue 88 Fall 2019 NEWSLETTER Bulgarian-American Commission for Educational Exchange Invisible to the Eye, But Felt Strongly by the Heart Media Literacy Matters Art by the Danube Strategies for Strengthening Democracy The Fulbright Bulgaria Newsletter is a biannual magazine published by the Bulgarian-American Commission for Educational Exchange (Fulbright) in print and electronically. Opinions expressed by the authors are their own and do not necessarily represent those of the Bulgarian-American Commission for Educational Exchange. While every effort is made to ensure the accuracy of the material in this publication, the Bulgarian-American Commission for Educational Exchange does not accept liability for any errors or omissions. BULGARIAN-AMERICAN COMMISSION FULBRIGHT BULGARIA STAFF FOR EDUCATIONAL EXCHANGE BOARD OF DIRECTORS Angela Rodel Executive Director Krassimir Valchev US MEMBERS: [email protected] Minister of Education and Science Mathew Hagengruber Honorary Co-Chairperson Treasurer, Attaché Anastassia Miteva for Educational and Financial Officer [email protected] Herro Mustafa Cultural Affairs US Ambassador to Bulgaria US Embassy Tanya Petrova Honorary Co-Chairperson Accountant/Cashier Sarah Perrine [email protected] BULGARIAN MEMBERS: Executive Director Trust for Social Achievement Maria Kostova Karina Angelieva Program Officer, Bulgarian Grantees Deputy Minister of Education Drake Weisert [email protected] Counselor for Public Affairs Iliana Dimitrova Georg Georgiev US Embassy Program Officer, ETA Program Deputy Minister of Foreign Affairs [email protected] Jeffery Warner Radostina Chaprazova Evaluation Officer Rada Kaneva Executive Director Trust for Social Achievement Program Officer, U.S. Grantees Arete Youth Foundation [email protected] Dr. Richard T. Ewing, Jr. Snejana Teneva Dr. Julia Stefanova President Educational Advisor Former Executive Director American College of Sofia [email protected] of the Bulgarian Fulbright Commission Lyra Konstantinova Dr.
    [Show full text]
  • CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • Editor Recommended Texts Here Are Some Ideas for Texts and Films That
    Editor recommended texts Here are some ideas for texts and films that our language editors have recommended. These are just suggestions though so if there is a particular author or film you would rather look at, you may do so! English translations can be found in libraries and online bookstores but we encourage giving the texts in their original versions a go too - especially for 6th form submissions! Many of the films can be found online (Amazon, Mubi, Youtube, Netflix) or can be bought on DVD. FRENCH o TEXTS: ​ ​ ​ Monsieur Ibrahim et les fleurs du coran, Eric Schmitt ​ Stupeur et tremblements, Amélie Nothomb ​ Le Petit Prince, Antoine de Saint Exupéry ​ Boule de Suif, Guy de Maupassant ​ Oran, langue morte Assia Djebar (collection of short stories) ​ Le Silence de la mer, Vercors (Jean Bruller) (A-level) ​ Candide, Voltaire (A-Level) ​ o FILMS: ​ ​ ​ Entre les murs, Laurent Cantet (15) ​ https://www.imdb.com/title/tt1068646/ ​ Portrait de la jeune fille en feu, Céline Sciamma (15) ​ https://www.imdb.com/title/tt8613070/ Stupeur et tremblements, Alain Corneau (12A) ​ https://www.imdb.com/title/tt0318725/ Les misérables (2019), Ladj Ly (15) ​ https://www.imdb.com/title/tt10199590/?ref_=tt_pg Amélie, Jean-Pierre Jeunet (15) ​ https://www.imdb.com/title/tt0211915/?ref_=tt_pg Populaire, Régis Roinsard (12A) ​ https://www.imdb.com/title/tt2070776/ Les Choristes, Christophe Barratier (12A) ​ https://www.imdb.com/title/tt0372824/?ref_=fn_al_tt_1 Kirikou et les bêtes sauvages, Michel Ocelot, Bénédicte Galup (U) ​ https://www.imdb.com/title/tt0455142/?ref_=fn_al_tt_1
    [Show full text]
  • Westminsterresearch the Artist Biopic
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
    [Show full text]