Invisible to the Eye, but Felt Strongly by the Heart
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Press Release No. 5 Press Release No. 5 Georgian
Press Release No. 5 Wiesbaden, 28 April 2009 Georgian Production Wins Main Prize at goEast Film Festival Awards go to feature films from four Eastern European countries / “Remembrance and Future” documentary award for Polish entry / Winners announced of Promotional Prizes of the Robert Bosch Stiftung / Students’ Competition enthuses Audiences / Kira Muratova: a fascinating filmmaker, a memorable Homage With the announcement of the winners of the main festival awards, the 9th goEast – Festival of Central and Eastern European Film closed on 28 April in Wiesbaden. The international festival jury presided over by Jerzy Stuhr chose the winning films among the strong contenders in the Competition section. The Škoda Award for Best Film – the “Golden Lily” endowed with 10,000 euro by Škoda Auto Deutschland – goes to THE OTHER BANK / GAGMA NAPIRI (Georgia/Kazakhstan, 2009),directed by George Ovashvili. The jury praised the prizewinning film as a courageous depiction, from the optimistic perspective of a child, of an ongoing conflict that is among the gravest of our times in terms of weapons levels. The Best Director award of the City of Wiesbaden (7,500 euro) goes to Russian director Boris Khlebnikov for HELP GONE MAD / SUMASŠEDŠAJA POMOŠ Č (Russia, 2009). The jury applauded the director’s bold approach to his subject as well as his unusual and touching allegory on post- communist society. The 2009 “Remembrance and Future” documentary prize (10,000 euro) of the foundation “Remembrance, Responsibility and Future” is bestowed on I LOVE POLAND / KOCHAM POLSKE (Poland, 2008), a film jointly directed by Joanna Sławi ńska and Maria Zmarz-Koczanowicz. -
Models of Architecture from the Middle Ages to Present on the Valley of Struma River
MODELS OF ARCHITECTURE FROM THE MIDDLE AGES TO PRESENT ON THE VALLEY OF STRUMA RIVER Blagoevgrad, Bulgaria Brestovo Monastery “St. Archangel Michael”, Municipality of Simitly, Bulgaria Pirin village, Bulgaria Melnik, Bulgaria Serres, Greece Blagoevgrad is the largest city in Southwest Bulgaria, the administrative center of Blagoevgrad District and Blagoevgrad Municipality. It is situated at the foot of the southwestern slopes of the Rila Mountain, in the valley of the Struma River, 100 km south from the capital Sofia. The city is located on the two banks of the Bistritsa river, just before its inflow into the Struma River. Besides the clear waters of the river, important factors for the development of the city were the mineral springs and the favorable central location of the city, situated between Sofia and Thessaloniki, Kyustendil and Razlog. About 35 km away from the city, in the upper course of the Bistritsa River, is located the ancient Parangalitsa forest - one of the most valuable reserves in Bulgaria. In 1973, it was proclaimed by UNESCO as a Biosphere Reserve. The history of Blagoevgrad dates back to 10th century BC. The Thracian settlement Skaptopara (Upper Market) was founded around the mineral springs around 300 BC. This settlement has been associated with the Thracian tribe Denteleti who inhabited the upper valley of the Struma River. In the 1st century AD the Thracians were conquered by the Romans. A Roman settlement from 3rd-5th century has been discovered in 2017, near the village of Pokrovnik, about 3 km from Blagoevgrad. The establishment’s location did coincide with the planned route of Struma highway and it has been destroyed, with only a few of the excavated buildings being moved away from the road. -
Relics of the Bulgarian National Epic
PAISStt OF HILENDAR: FOUNDER OF THE NATIONAL IDEOLOGY In modern historiography the first centuries of the of the respectful image of Mediaeval Bulgaria. In Sremski Ottoman rule of Bulgarian lands are determined as Late Karlovci, one of the most active literary centres of the Middle Ages. The time from the beginning of the 18th time, Paissi read the book of Dubrovnik Abbot Mavro century to the 1877-1878 Russo-Turkish War is called Orbini "The Realm of the Slavs" in which he discovered Bulgarian National Revival. If the National Revival period considerable evidence about the Bulgarians' past. for Northern Bulgaria and the Sofia Region continued by In 1762 he completed "Slav-Bulgarian History, about 1878, for Eastern Rumelia it was by 1885 and for the People and the Kings, the Bulgarian Saints and All Macedonia and Adrianople Thrace by 1912-1913. Bulgarian Activities and Events". In 83 hand-written The National Revival in the Bulgarian lands witnessed pages the inspired Hilendar Monk interpreted using considerable economic progress. The Bulgarian were romantic and heightened tone the grandour of increasingly getting rid of their mediaeval restricted out- Mediaeval Bulgaria, the victory of the Bulgarian army look and helplessness and were gradually getting aware over Byzantium, the impressive bravery and manliness of as people, aspiring towards economic and cultural the Bulgarians, the historic mission of the Cyril and progress. Hilendar monk Paissii became a mouthpiece of Methodius brothers and other eloquent facts, worthy to these changes in the national self-awareness. He was be remembers and respected by the successors. Already the first to perceive the beginning of the new time and in the forward this noted Bulgarian appealed with gen- the need of formulating verbally the maturing historical uine sincerity towards his compatriots to love and keep prospects and tasks before the Bulgarian people. -
Reception Booklet of Aiesec Lc Svishtov
RECEPTIONRECEPTION BOOKLETBOOKLET OFOF LCLC SVISHTOVSVISHTOV Dear Trainee, If you are reading this message it means that you are facing the challenge to get known Bulgaria - its culture, its spirit, the way people live, work… and have fun. Our reception booklet is prepared as a guide for you in help of your integration and perception of Bulgarian lifestyle. It contains some useful information you will need in your preparation for coming to Bulgaria. So my advice for you is to read it carefully and thus help us to help you in making your staying here comfortable and enjoyable. In case you have any kind of problems your reception officer (RO) will be happy to help you. BulgariaBulgaria MAPMAP BULGARIABULGARIA ININ BRIEFBRIEF • Bulgaria is situated on the Balkan Peninsula and covers part of the Southeastern Europe. Its boundaries are with Romania to the North, ex-Yugoslavia to the West, Black Sea to the East, Greece to the South and Turkey to the Southeast part of the land. • TERRITORY: 111 000 km2 • POPULATION: Apr. 8 millions • CAPITAL: Sofia • LANGUAGE: Bulgarian belongs to the group of the Slavic languages • RELIGION: Predominantly Eastern Orthodox. The Bulgarian church is autonomous and headed by a Patriarch. SVISHTOVSVISHTOV BeforeBefore && NowNow HistoryHistory • Svishtov is a small town beautifully situated on the Danube River, in the northern part of Bulgaria. It has rich and fascinating history. During the 3-4 c. B.C. there was a Roman fortress, which remains can be still seen in the suburbs of the city. • The name Svishtov originates from the word "light", "candle" because in the past people used to make fires on the highest point of the town as an orientation for fishermen. -
24Th SANTA BARBARA INTERNATIONAL FILM FESTIVAL ANNOUNCES 2009 PROGRAM * * *
FOR IMMEDIATE RELEASE SBIFF press contacts: January 7, 2009 Carol Marshall, Phil Jun Carol Marshall Public Relations, Inc. ph - 818/760-6450 [email protected], [email protected] 24th SANTA BARBARA INTERNATIONAL FILM FESTIVAL ANNOUNCES 2009 PROGRAM * * * DAVID FINCHER TO SERVE AS GUEST DIRECTOR *** SBIFF OPENS WITH ROD LURIE’S “NOTHING BUT THE TRUTH” WHILE “LIGHTBULB” MAKES ITS WORLD PREMIERE TO CLOSE THE FEST * * * Santa Barbara, CA – The 24th edition of the Santa Barbara International Film Festival (SBIFF) presents its film line-up for 2009, featuring over 200 films including 21 World Premieres, 29 U.S. Premieres and a rich selection of films representing 41 countries. The Festival takes place over 11 days beginning Thursday, January 22, through Sunday, February 1, 2009. “For the past 24 years the film festival’s goal has been to bring the best of world cinema to light in Santa Barbara,” commented SBIFF Director, Roger Durling, “and in these trying economic and political times – this role of being able to unite filmmakers’ visions from all over the world in one place is a prerogative and an immediate directive that we have proudly fulfilled.” Continuing the annual tradition of highlighting a Guest Director by presenting a retrospective of their work, SBIFF is thrilled to announce David Fincher as the 2009 Guest Director. On Friday, January 30, SBIFF will present “A Celebration of David Fincher,” where he will be joined by special friends. The evening is sponsored by Macys. One of cinema’s most dazzling visual stylists, Fincher established himself in the world of commercials and music videos before becoming one of Hollywood’s most respected talents. -
Incluso Dios Ha Venido a Vernos Even God Came Down to See Us
Incluso Dios Jueves 25 Emigrantes Sábado 20 ha venido a vernos 19:30 h / Sala 1 Emigrants 21:50 h / Sala 1 Thursday 25 Saturday 20 Even God Came Down to See Us 19:30 h / Sala 1 IVAYLO HRISTOV, 21:50 h / Sala 1 PETAR POPZLATEV, 2001. LYUDMIL TODOROV, 2002. Int. : Philippe Volter, Itschak Fintzi, Int .: Deyan Donkov, Samuel Finzi, Virginia Kelmelyte. Valeri Yordanov, Ivan Radoev. Bulgaria-France. Bulgaria. VOSI/E* 82 ‘, 35 mm VOSI/E* 122` 35 mm Un sociólogo francés llega a un pueblo olvidado cerca de la frontera entre Bulgaria, Turquía y Grecia. Le sorprende Tres amigos: Maro, Shpera y Yuri. En paro y sin llegar a fin de mes. Prisioneros de relaciones complejas y algo histéricas, descubrir que una misma persona compagina tres tareas: es cartero, alcalde y director de escuela y, al mismo tiempo, parecen estar en exilio de su país y sus familias. Al recibir una llamada de teléfono, emprenden un viaje con la esperanza de marido, amante celoso y seductor incorregible. Una comedia sobre la Bulgaria rural a punto de desaparecer. Premiada en que su vida cambie. Karlovy Vary y Omsk. Three friends, Maro, Shpera and Yuri are unemployed and can hardly make ends meet. Tangled up in their complicated and hysterical relationships with the people closest to them, they seem to have emigrated from their families and their country. A French sociologist travels to a forgotten frontier village between Bulgaria, Turkey and Greece. Upon his arrival, he is Provoked by a mysterious telephone call, they set out on a journey, filled with hope that this will change their lives. -
Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival
CORE Metadata, citation and similar papers at core.ac.uk Provided by Harvard University - DASH Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Lee, Toby Kim. 2013. Public Culture and Cultural Citizenship at Citation the Thessaloniki International Film Festival. Doctoral dissertation, Harvard University. Accessed April 17, 2018 4:23:11 PM EDT Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11181137 This article was downloaded from Harvard University's DASH Terms of Use repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA (Article begins on next page) Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival A dissertation presented by Toby Kim Lee to The Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Anthropology Harvard University Cambridge, Massachusetts April 30, 2013 © 2013 Toby Lee All rights reserved. Dissertation Advisor: Professor Michael Herzfeld Toby Lee Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival Abstract This dissertation explores the relationship between state, citizen and public culture through an ethnographic and historical examination of the Thessaloniki International Film Festival in northern Greece. In the two-year period leading up to and following its fiftieth anniversary in 2009, the festival was caught up in the larger economic, political and social crises that have overtaken Greece in the last five years - a painful period of rapid transformation and neoliberalization for one of Europe’s staunchest social-welfare states. -
AFI PREVIEW Is Published by the the AFI EU FILM SHOWCASE Auman of the European Union – Delegation of the American Film Institute
*6'0 ! 499) $ (508 4 49+9 / 49 '%&8 &5(3 %( - . %03 8 ($ 0 && 50*,( (%*( %&' #*71 &*1%(" %"#3 *6'0 4+ CONTENTS e e e e OPENING NIGHT! e e e e 2 AFI European Union Film Showcase 9 Holiday Cinema 10 The Secret Policeman’s Film Festival 12 The 20th Washington Jewish Film Festival November 5 – 24 AFI presents the 22nd annual AFI European Union 14 LA DANSE: THE PARIS Film Showcase, a selection of top films from EU member states, including film festival award OPERA BALLET © Memfis Film; photo courtesy of IFC Films winners, box office hits and US premieres. MAMMOTH About AFI AFI thanks the cultural counselors of the EU MAMMOTH [Mammut] member states and the European Commission * THURS, NOV 5, 7:00 *; Sun, Nov 8, 5:00 Delegation in Washington, DC, for their kind Swedish writer/director Lukas Moodysson’s first foray into English-language 15 Calendar assistance and continued support of the AFI filmmaking is a film for and about the global marketplace, and the connections European Union Film Showcase. and separations it imposes on families. Gael García Bernal and Michelle Williams star as a Manhattan couple whose domestic drama has repercussions 16 Special Engagements Special thanks to Ambassador Jonas Hafström, stretching from New York to the Philippines to Thailand, and back again. Cultural Counselor Mats Widbom, and the staff DIR/SCR Lukas Moodysson; PROD Lars Jönsson. Sweden/Denmark/ of the Embassy of Sweden for their leadership Germany, 2009, color, 125 min. In English, Tagalog and Thai with English subtitles. NOT RATED S V LOOK FOR THE and invaluable support as the current holders of AFI Member passes accepted for the EU Presidency. -
30 April 2006 Württembergischer Kunstverein Stuttgart
Württembergischer Kunstverein Stuttgart On Difference #2: Grenzwertig 18 February - 30 April 2006 With contributions by Concept Nancy Adajania (IND) Iris Dressler / Hans D. Christ AGITPROP (BG) artesvisuais_políticas (BR) In Cooperation with Sándor Bartha (H) Judit Angel [Kunsthalle Budapest] Solomon Benjamin (IND) Galia Dimitrova [InterSpace, Sofia] Balázs Beöthy (H) Alenka Gregoric [Skuc Gallery, Ljubljana] Big Hope (Miklós Erhardt, H / Ricardo Basbaum [Rio de Janeiro] Dominic Hislop, GB) Nathalie Boseul SHIN [MIDDLE COREA project, Seoul] CAB – Curator's Association Budapest (H) Raqs Media Collective [Sarai, New Delhi] Capacete Entretenimentos (BR) CyberMohalla Lab Practitioners (IND) Petko Dourmana / Kyd Campbell (BG/CA) EXO experimental org (BR) Javor Gardev (BG) IRWIN (SLO) Joon Ho JEON (MC, ROK) Ruchir Joshi (MC, IND) Sejla Kameric (BIH) Sanjay Kak (IND) Kira KIM (MC, ROK) Tae Jung KIM (MC, ROK) Tamás Kaszás / Viktor Kotun (H) Riyas KOMU (IND) Prabhat Kumar / Ravikant (IND) Yongbaek LEE (MC, ROK), Ligyung (MC, ROK) Manamana (H) MOON Hyungmin (MC, ROK) Ivan Moudov (BG) Vladimir Nikolic (SCG) Sun Tag NOH (MC, ROK) Satyajit Pande (IND) Marjetica Potrc (SLO) Tobias Putrih (SLO) Jae Oon RHO (MC, ROK) Sarai.txt (IND) Mladen Stilinovic (Kroatien) Milica Tomic (SCG) Evgeni Vasilev (BG) X-TENDO (BG) Yangachi (MC, ROK) Zona Franca (BR) Württembergischer Kunstverein Stuttgart, Schlossplatz 2, D-70173 Stuttgart, T: 0711 - 22 33 70, [email protected] On Difference #2: Grenzwertig p. 2 Introduction “On Difference” is the title of a series of projects initiated by Württembergischer Kunstverein and developed in close co-operation with numerous international curators and artists. In two exhibitions, the project sets out in search of the local contexts, critical practices and net- worked spaces of action of contemporary art – specifically in “non-Western” cultures. -
Curiosity and Surprises the Best Ideas of Lithuanian Creative Industries
CURIOSITY AND SURPRISES The Best Ideas of Lithuanian Creative Industries National Association of Creative and Cultural Industries in Lithuania National Association of Creative and Cultural Industries in Lithuania Advertising ........................... 10 Architecture ........................... 24 Cinema ........................... 36 Computer Games ........................... 48 Design ........................... 58 Literature ........................... 70 Theatre ........................... 82 Visual Arts ........................... 94 Creative and Cultural Industries in Lithuania: Emerging from the Gray Zone Does Lithuania boast enormous creative potential? Does it show creative self- expression? Does it have rich cultural production? Is life in Lithuania becoming faster and also more dynamic? Is a new generation of Lithuanians becoming increasingly interested in new technologies? I believe all these questions can be answered with a definite “yes”. However, another question arises: does the ability to answer these questions provide us with a firm confidence in the well-being of creative and cultural industries and the flourishing of what has been dubbed the “creative economy”? I would not be so quick to state this. If I had to highlight one essential precondition for the prosperity of the Dr. ArūnAs GelūnAs creative and culture industries, it would be cooperation and networking. Even Minister of Culture of the though one has to accept the classical truth Republic of Lithuania that in most cases creative talent resides in the soul of an individual, there is also rich evidence to support the opinion that it usually takes more than one individual for a creative idea to become a part of the creative economy. It should be mentioned that due to different historical, economical, and social factors, the managerial and entrepreneurial skills of a number of creative people in Lithuania were lacking, which also applies to their willingness to cooperate with National Association of Creative and Cultural Industries in Lithuania managers and entrepreneurs. -
USAID/Bulgaria List of Legacy Organizations (February 2008)
USAID/Bulgaria List of Legacy Organizations (February 2008) Governing Justly and Democratically...............................................................2 American University in Bulgaria, The (AUBG).......................................................................2 Association of Community Funds in Bulgaria (ACFB)............................................................3 Association of Danube River Municipalities (ADRM).............................................................4 Association of Rhodope Municipalities (ARM)........................................................................5 Association of South-West Municipalities................................................................................6 Broadcast Training Center Foundation (BTC) - ProMedia .....................................................7 Bulgarian Association for Alternative Dispute Resolution (BAADR)......................................8 Bulgarian Center for Not-for-Profit Law (BCNL)....................................................................9 Bulgarian Institute for Legal Reform Initiatives (BILI) .........................................................10 Center for the Study of Democracy (CSD).............................................................................11 Foundation for Local Government Reform (FLGR)...............................................................13 Legal Clinic with Angel Kunchev University, Rousse............................................................15 Legal Clinic with St. Kiril and Methodiy -
Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival
Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lee, Toby Kim. 2013. Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11181137 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival A dissertation presented by Toby Kim Lee to The Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Anthropology Harvard University Cambridge, Massachusetts April 30, 2013 © 2013 Toby Lee All rights reserved. Dissertation Advisor: Professor Michael Herzfeld Toby Lee Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival Abstract This dissertation explores the relationship between state, citizen and public culture through an ethnographic and historical examination of the Thessaloniki International Film Festival in northern Greece. In the two-year period leading up to and following its fiftieth anniversary in 2009, the festival was caught up in the larger economic, political and social crises that have overtaken Greece in the last five years - a painful period of rapid transformation and neoliberalization for one of Europe’s staunchest social-welfare states. As the Greek state faces bankruptcy - both economic and political - it is being forced to revisit the terms of its social contract with its citizens.