Not As Black As He Was Shirted
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Mccrimmon Mccrimmon
ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
University Catalogue 2015–2016 an American Education, a British Setting, a Global Future Welcome to Richmond, the American International University in London
UNIVERSITY CATALOGUE 2015–2016 AN AMERICAN EDUCATION, A BRITISH SETTING, A GLOBAL FUTURE WELCOME TO RICHMOND, THE AMERICAN INTERNATIONAL UNIVERSITY IN LONDON. Located in one of the great world capitals, Richmond Richmond has campuses in two of London’s distinguishes itself as a truly international University most appealing communities: Richmond-upon- by enrolling students from more than 100 countries. Thames and Kensington. The Richmond Hill campus, which dates back to the founding The University’s academic programme, which of Richmond College in 1843, is the location encompasses business, communications, for first-year and second-year students. international relations, and the arts, reflects the Upper-division students typically relocate to American tradition of broad-based core studies, the campus in Kensington, Central London, the Liberal Arts. where graduate studies are also pursued. Significantly, Richmond’s underlying theme is Accredited in both the US and the UK, globalism. The 21st century needs leaders who are Richmond provides an American education keenly aware of, and competent within, the diversity in a British setting, offering a comprehensive, existing in the world. The University’s academic and profoundly awakening, university degree programme is particularly relevant to those who experience for a global future. aspire to leadership positions on the world stage, whatever their chosen profession. \ 01 Construction of the Main Building at the Richmond Hill Richmond has been a voluntary subscriber to the QAA since campus began in 1841 and was completed in 1843, when it August 2009. In May 2013 the QAA conducted an Institutional opened as the Wesley Theological Institution. Later known Review, and Richmond was found to have met expectations in all as Richmond College, it became part of London University, review judgements including: the academic standards of the awards whose degrees it awarded until 1971. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Park-Finch, Heebon Title: Hypertextuality and polyphony in Tom Stoppard's stage plays General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hypertextuality and Polyphony in Tom Stoppard's Stage Plays Heebon Park-Finch A dissertation submitted to the University of Bristol in -
Curriculum Vitae of Danny Dorling
January 2021 1993 to 1996: British Academy Fellow, Department of Geography, Newcastle University 1991 to 1993: Joseph Rowntree Foundation Curriculum Vitae Fellow, Many Departments, Newcastle University 1987 to 1991: Part-Time Researcher/Teacher, Danny Dorling Geography Department, Newcastle University Telephone: +44(0)1865 275986 Other Posts [email protected] skype: danny.dorling 2020-2023 Advisory Board Member: ‘The political economies of school exclusion and their consequences’ (ESRC project ES/S015744/1). Current appointment: Halford Mackinder 2020-Assited with the ‘Time to Care’ Oxfam report. Professor of Geography, School of 2020- Judge for data visualisation competition Geography and the Environment, The Nuffield Trust, the British Medical Journal, the University of Oxford, South Parks Road, British Medical Association and NHS Digital. Oxford, OX1 3QY 2019- Judge for the annual Royal Geographical th school 6 form essay competition. 2019 – UNDP (United Nations Development Other Appointments Programme) Human Development Report reviewer. 2019 – Advisory Broad member: Sheffield Visiting Professor, Department of Sociology, University Nuffield project on an Atlas of Inequality. Goldsmiths, University of London, 2013-2016. 2019 – Advisory board member - Glasgow Centre for Population Health project on US mortality. Visiting Professor, School of Social and 2019- Editorial Board Member – Bristol University Community Medicine, University of Bristol, UK Press, Studies in Social Harm Book Series. 2018 – Member of the Bolton Station Community Adjunct Professor in the Department of Development Partnership. Geography, University of Canterbury, NZ 2018-2022 Director of the Graduate School, School of Geography and the Environment, Oxford. 2018 – Member of the USS review working group of the Council of the University of Oxford. -
Fanfiction and Imaginative Reading a Dissertation
"I Opened a Book and in I Strode": Fanfiction and Imaginative Reading A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Ashley J. Barner April 2016 © 2016 Ashley J. Barner. All Rights Reserved. 2 This dissertation titled "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading by ASHLEY J. BARNER has been approved for the Department of English and the College of Arts and Sciences by Robert Miklitsch Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT BARNER, ASHLEY J., Ph.D., April 2016, English "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading Director of Dissertation: Robert Miklitsch This dissertation studies imaginative reading and its relationship to fanfiction. Imaginative reading is a practice that involves engaging the imagination while reading, mentally constructing a picture of the characters and settings described in the text. Readers may imaginatively watch and listen to the narrated action, using imagination to recreate the characters’ sensations and emotions. To those who frequently read this way, imagining readers, the text can become, through the work of imagination, a play or film visualized or entered. The readers find themselves inside the world of the text, as if transported to foreign lands and foreign eras, as if they have been many different people, embodied in many different fictional characters. By engaging imaginatively and emotionally with the text, the readers can enter into the fictional world: the settings seem to them like locations they can visit, the many characters like roles they can inhabit or like real people with whom they can interact as imaginary friends and lovers. -
Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 267 17 November 2014 1 Ofcom Broadcast Bulletin, Issue 267 17 November 2014 Contents Introduction 3 Standards cases In Breach It Takes a Thief to Catch a Thief Channel 5, 22 March 2014, 10:30 5 Big Brother Channel 5, 7 August 2014, 12:15 13 The Hotel Inspector Returns Channel 5, 5 July 2014, 10:05 17 Bait Car truTV, 23 August 2014, 15:30 21 Scotland Tonight STV Glasgow, 18 September 2014, 14:58 23 Communal Affairs ATN Bangla, 9 June 2014, 16:50 26 Item for Pakistan Tehreek e Insaaf ARY News, 1 to 5 August 2014, various times 31 Broadcast Licence Conditions cases In Breach Broadcasting licensees’ late and non-payment of licence fees 36 Provision of licensed service Castle FM (Leith), 5 September to date 38 Investigations Not in Breach 40 Complaints Assessed, Not Investigated 41 Investigations List 44 2 Ofcom Broadcast Bulletin, Issue 267 17 November 2014 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. -
Guildhall School Gold Medal 2020 Programme
Saturday 3 October 2020 5pm Milton Court Concert Hall Junior Guildhall Lutine Prize 2020 Final Round Samuel Frith Ellen Baumring-Gledhill Marlon Barrios Araya George Smith Sasha Canter Viviane Ghiglino Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild Principal Lynne Williams AM Director of Guildhall Young Artists and Safeguarding Alison Mears BMus PGCE FGS Head of Junior Guildhall Rosie Whitfield ARCM DipRCM PGCE BIFF Head of Junior Music Courses Nigel Springthorpe PhD BMus FLCM PGCert. RCM PGCE Please visit our website at gsmd.ac.uk Guildhall School is part of Culture Mile: culturemile.london Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation Lutine Prize The Lutine Prize is the Junior Guildhall’s equivalent of the senior school’s Gold Medal competition. Six students are selected from a preliminary round to perform in the final and the winner is given the opportunity to perform a concerto with one of the Junior Guildhall ensembles, in addition to a cash prize. The Lutine Prize was founded in 1982, originally supported by Lloyds of London, who named the competition after their Lutine bell. The bell was formerly rung at the insurers’ offices to announce the loss of a ship or other news of great importance to the underwriters. Previous winners of the Prize include Thomas Ades, Thomas Poster and Annabel Thwaite, and many have gone on to have professional careers in -
The Final BBC Young Jazz Musician 2020
The Final BBC young jazz musician 2020 The Final The Band – Nikki Yeoh’s Infinitum Nikki Yeoh (piano), Michael Mondesir (bass) and Mark Mondesir (drums) Matt Carmichael Matt Carmichael: Hopeful Morning Saxophone Matt Carmichael: On the Gloaming Shore Matt Carmichael: Sognsvann Deschanel Gordon Kenny Garrett arr. Deschanel Gordon: Haynes Here Piano Deschanel Gordon: Awaiting Thelonious Monk: Round Midnight Alex Clarke Bernice Petkere: Lullaby of the Leaves Saxophone Dave Brubeck: In Your Own Sweet Way Alex Clarke: Before You Arrived INTERVAL Kielan Sheard Kielan Sheard: Worlds Collide Bass Kielan Sheard: Wilfred's Abode Oscar Pettiford: Blues in the Closet Ralph Porrett Billy Strayhorn arr. Ralph Porrett: Lotus Blossom Guitar John Coltrane arr. Ralph Porrett: Giant Steps John Parricelli: Scrim Boudleaux Bryant: Love Hurts JUDGING INTERVAL Xhosa Cole BBC Young Jazz Musician 2018 Saxophone Thelonious Monk: Played Twice Xhosa Cole: George F on my mind Announcement and presentation of BBC Young Jazz Musician 2020 2 BBC young jazz musician 2020 Television YolanDa Brown Double MOBO award winning YolanDa Brown is the premier female saxophonist in the UK, known for delicious fusion of reggae, jazz and soul. Her debut album, “April Showers May Flowers” was no.1 on the jazz charts, her sophomore album released in 2017 “Love Politics War” also went to no.1 in the UK jazz charts. YolanDa has toured with The Temptations, Jools Holland’s Rhythm and Blues Orchestra, Billy Ocean and collaborated with artists such as Snarky Puppy’s Bill Laurance, Kelly Jones from Stereophonics and the Royal Philharmonic Orchestra. A broadcaster too – working across TV and radio, including her eponymous series for CBeebies, "YolanDa’s Band Jam", which recently won the Royal Television Society Awards as Best Children’s Programme. -
Amicus Est Une Production Cinématographique Britannique Basée À Shepperton Studios En Angleterre
Amicus est une production cinématographique britannique basée à Shepperton Studios en Angleterre. Elle a été fondée par le producteur et scénariste américain Milton Subotsky et Max Rosenberg . Amicus est mieux connu pour ces films d’horreurs d’anthologies, bien que leurs deux premiers films étaient des comédies musicales pour le marché des adolescents : C'est Trad, papa! (1962) et Just for Fun (1963). Toutefois, avant la création d'Amicus les deux producteurs avaient collaborés à un film d’horreur de 1960 La Cité des morts. Ces films sont généralement dotés de quatre, parfois cinq histoires d'horreur reliées les unes aux autres par une intrigue globale avec un narrateur et ceux qui écoutent son histoire. Ces films sont invariablement interprétés par des acteurs de renom, chacun d'entre eux jouant de petits rôles dans les différentes histoires. Ainsi on retrouve des stars tels que Peter Cushing , Christopher Lee et Herbert Lom , Amicus fait également appel à des acteurs de la scène britannique classique ( Patrick Magee , Margaret 1 Leighton et même Sir Ralph Richardson ), mais aussi à ( Donald Sutherland , Robert Powell et Tom Baker ), ou d'anciennes gloires comme ( Richard Greene , Robert Hutton , et Terry Thomas ). Certaines, comme Joan Collins , connaissaient une perte de vitesse dans leur carrière quand ils ont signé avec Amicus. Torture Garden et The House That Dripped Blood ont été écrits par Robert Bloch , basé sur ses propres histoires. The Skull était auparavant également basé sur une histoire de Robert Bloch (scénarisé par Milton Subotsky), et Robert Bloch était aussi le scénariste du Psychopathe et l'adaptateur de The Bees Deadly. -
Hubbub Natural Hydration Council
HUBBUB FOR FISHES’ SAKE , LONDON DON’T DROP LITTER #FFSLDN 2 HUBBUB A FRESH APPROACH • Hubbub is an environmental charity, established three years ago. • We look for creative solutions to pressing environmental issues. • We talk to mainstream consumers about sustainability in a way that resonates with them. • Collaboration is central to our work. • We have 4 hubs: Food, Fashion, Neighbourhoods, Home. • Won 7 independent awards in first two years. 3 THE AMBITION FOR FISH’S SAKE LONDON • To stem the ever-increasing flow of litter into the Thames. • Start a London-wide conversation about the need to protect and cherish the Thames. • Change the public perception and behaviours around litter. • To create a replicable model for any other city or region to follow. #FFSLDN C A M P A I G N • Understand and change behaviour to stop littering. • A London-wide campaign to raise awareness of this issue. • Delivering high-visibility stunts, installations, media events and behaviour change interventions. • Fun, upbeat communications • Local campaigns to build a connection to the River. • Demonstrating what is possible through positive behaviour change. 5 PARTNERS The campaign has been made possible by the support of a unique coalition of partners who have a mutual desire for a cleaner Thames: • INCPEN • British Plastics Federation • Natural Hydration Council • Tobacco Manufacturers’ Association • Port of London Authority • St Katharine Docks • Better Bankside. 6 CALL TO ACTION #FFSLDN is calling on Londoners to help stem the flow of litter into the Thames. The call to action is simple: • Use the bin - not the gutter, not the river, not the pavement.