Equity Magazine Autumn 2020 in This Issue
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Helen Kluger Playwright
Helen Kluger Playwright Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Theatre Production Company Notes THE DACHA Glasgow Lunchtime Theatre directed by Philip Howard BETTER IN MY DREAMS Waterman's Arts Centre, Brentford Dir: Sylvia Syms HONEY, YOU'RE TALKING New End Theatre, Hampstead, Kings Co-written with THROUGH YOUR HAT! Head and Salisbury Playhouse Elizabeth Romilly SWEET POUNDS OF FLESH Performed at The Arts Theatre Club TABLE HOPPING AT JOE'S Performed at the IVC, Covent Garden Co-written with Gary Lyons Radio Production Company Notes FOOTBALLERS' WIVES Radio 4 Dir: Jeremy Mortimer WE WHO SERVE Radio 4 Dir: Jeremy Mortimer FIFTEEN LOVE Radio 5 Co-written with Gillian Bevan and Tessa Peake- Jones Dir: Sally Avens SYNCHRO Radio 4 Dir: Jeremy Mortimer NO RIGHTS, ONLY Radio 4 Co-written with Gillian Bevan and Tessa Peake- WRONG Jones Dir: Lesley Manning An Independent Tight Assets Theatre Production United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes RUKULIBAM World Service Dir: Gordon House "Independent" newspaper choice of "95". Bronze award winner in The New York Festivals. ONE DAY, I'LL FLY AWAY Radio 4 Dir: Sally Avens PASSIONATE PLAYING World Service Dir: Gordon House HOLDING HANDS Radio 4 Dir: Tessa Peake-Jones Starring Barbara Leigh-Hunt and Richard Pasco. FUNNY BONES Radio 4 Dir: Marilyn Imrie ON THE ROCKS Radio 4 Dir: Pauline Harris LONELY HEARTS Radio 4 Dir: Sally Avens THE DACHA Radio 4 Dir: Gemma Jenkins THE SISTER OF DEATH Radio 4 Dir: Sally Avens GOOSE A thriller written for Dir: Celia de Wollf the Internet Starring Imelda Staunton as Janet and Tessa Peake-Jones as Margaret. -
In Concert OCTOBER–NOVEMBER 2012
ABOUT THE MUSIC SCHUBERT QUINTET /IN CONCERT OCTOBER–NOVEMBER 2012 ROMEO AND JULIET 1 AND 2 NOVEMBER PRESENTED IN ASSOCIATION WITH THE SOLDIER’S TALE 11 NOVEMBER DURUFLÉ REQUIEM 15–17 NOVEMBER MEET YOUR MSO MUSICIANS: ELEANOR MANCINI AND ROBERT CLARKE JOHN BELL ON SHAKESPEARE AND MUSIC BENJAMIN NORTHEY’S INCREDIBLE MONTH OF MUSIC-MAKING JONATHAN GRIEVES- SMITH ON PREPARING DURUFLÉ twitter.com/melbsymphony facebook.com/melbournesymphony Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WElcOME As I write this I’m in the middle trombonist Michael Bertoncello as of my busiest period with the soloist, as well as daytime concerts Orchestra so far, as we offer a for schools. snapshot of the diverse life of a The month began with music for modern symphony orchestra, with the whole family (even across a concerts for all ages and musical range of species!) as the MSO tastes, in venues from Melbourne brought Saint-Saëns’ magical Zoo to the Capital in Bendigo, and Carnival of the Animals to Melbourne featuring spoken word, film and Zoo, with Nick Enright’s wonderful the mighty MSO Chorus. verse narrated by Noni Hazlehurst. The unique collaboration with This is the kind of event that gives Bell Shakespeare promises to so many young people their first be a perfect marriage of classic taste of live orchestral music. -
The Ideal of Ensemble Practice in Twentieth-Century British Theatre, 1900-1968 Philippa Burt Goldsmiths, University of London P
The Ideal of Ensemble Practice in Twentieth-century British Theatre, 1900-1968 Philippa Burt Goldsmiths, University of London PhD January 2015 1 I hereby declare that the work presented in this thesis is my own and has not been and will not be submitted, in whole or in part, to any other university for the award of any other degree. Philippa Burt 2 Acknowledgements This thesis benefitted from the help, support and advice of a great number of people. First and foremost, I would like to thank Professor Maria Shevtsova for her tireless encouragement, support, faith, humour and wise counsel. Words cannot begin to express the depth of my gratitude to her. She has shaped my view of the theatre and my view of the world, and she has shown me the importance of maintaining one’s integrity at all costs. She has been an indispensable and inspirational guide throughout this process, and I am truly honoured to have her as a mentor, walking by my side on my journey into academia. The archival research at the centre of this thesis was made possible by the assistance, co-operation and generosity of staff at several libraries and institutions, including the V&A Archive at Blythe House, the Shakespeare Centre Library and Archive, the National Archives in Kew, the Fabian Archives at the London School of Economics, the National Theatre Archive and the Clive Barker Archive at Rose Bruford College. Dale Stinchcomb and Michael Gilmore were particularly helpful in providing me with remote access to invaluable material held at the Houghton Library, Harvard and the Harry Ransom Center at the University of Texas, Austin, respectively. -
Looking for Sex in Shakespeare Stanley Wells Frontmatter More Information
Cambridge University Press 0521540399 - Looking for Sex in Shakespeare Stanley Wells Frontmatter More information Looking for Sex in Shakespeare Stanley Wells is one of the best-known and most versatile of Shakespeare scholars. His new book, written with characteris- tic verve and accessibility, considers how far sexual meaning in Shakespeare’s writing is a matter of interpretation by actors, directors and critics. Tracing interpretations of Shakespearian bawdy and innuendo from eighteenth-century editors to mod- ern scholars and critics, Wells pays special attention to recent sexually oriented studies of A Midsummer Night’s Dream, once regarded as the most innocent of its author’s plays. He con- siders the sonnets, some of which are addressed to a man, and asks whether they imply same-sex desire in the author, or are quasi-dramatic projections of the writer’s imagination. Finally, he looks at how male-to-male relationships in the plays have been interpreted as sexual in both criticism and performance. Stanley Wells’s lively, provocative and open-minded new book will appeal to a broad readership of students, theatregoers and Shakespeare lovers. stanley wells has devoted most of his life to teaching, edit- ing and writing about Shakespeare and his contemporaries. He was Director of the Shakespeare Institute from 1987 to 1997. He is General Editor of the Oxford editions of Shakespeare, edited King Lear for the multi-volume Oxford Shakespeare, and has been associated with the New Penguin edition, for which he edited several plays, since its inception. His publications in- clude Shakespeare: A Dramatic Life, Shakespeare: For All Time (2002)and(withPaulEdmondson)Shakespeare’sSonnets(forth- coming in 2004). -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
Antonia Lianos
DANA LYN BARON SAG-AFTRA/AEA Aqua Talent Ad Astra Management Courtney 310.859.8889 Steven 818.267.7779 [email protected] [email protected] TELEVISION Bosch Guest Star AMAZON/Daisy von Scherler Mayer Shameless Guest Star SHOWTIME/Chris Chulack Assassination of Gianni Versace Co-Star FX/Matt Bomer This is Us Co-Star NBC/Ken Olin We Bare Bears Guest Star CN/Kristi Reed Criminal Minds Co-Star CBS/Rosemary Rodriguez General Hospital Recurring ABC/Various FILM Mank Supporting Dir: David Fincher Front Yard Starring Dir: Harold Hyde Dream Date Starring Dir: Rene Alberta Holding On Starring Dir: Cherien Dabis Riley’s Fan Starring Dir: Gigi De Roux In Passing Lead Dir: Alan Miller Good Companion Lead Dir: Hui Eun Park Foos Your Daddy Lead Dir: Luke Patton An American Carol Supporting Dir: David Zucker Lulu on the Bridge Supporting Dir: Paul Auster THEATRE Romeo and Juliet Friar Laurence The Vagrancy Pericles Dionyza Porters of Hellsgate Twelfth Night Maria Knightsbridge Theatre Co. Macbeth Doctor New American Theatre Colony Collapse Ensemble Boston Court Pasadena The Box Molly Sacred Fools Lake Anne Laurie Road Theatre/John Levey Blackbird Ensemble Rogue Machine Getting Out Arlene New American Theatre The Women Lucy & Others New American Theatre Hurly Burly Darlene The Actors’ Loft (NY) As You Like It Rosalind Dir: Julian Curry (UK) Sugar Babies (w Rip Taylor) Ensemble San Bernadino CLO TRAINING/SPECIAL SKILLS Acting: Susan Batson (NYC), Cameron Watson, Sam Anderson Formal: Antaeus, BADA (UK), The La Jolla Playhouse Comedy: Pretty Funny Women (stand up), Upright Citizens Brigade, Groundlings Dialects: Italian, Russian, British, Cockney, Irish, New York, Southern . -
EARL CAMERON Sapphire
EARL CAMERON Sapphire Reuniting Cameron with director Basil Dearden after Pool of London, and hastened into production following the Notting Hill riots of summer 1958, Sapphire continued Dearden and producer Michael Relph’s valuable run of ‘social problem’ pictures, this time using a murder-mystery plot as a vehicle to sharply probe contemporary attitudes to race. Cameron’s role here is relatively small, but, playing the brother of the biracial murder victim of the title, the actor makes his mark in a couple of memorable scenes. Like Dearden’s later Victim (1961), Sapphire was scripted by the undervalued Janet Green. Alex Ramon, bfi.org.uk Sapphire is a graphic portrayal of ethnic tensions in 1950s London, much more widespread and malign than was represented in Dearden’s Pool of London (1951), eight years earlier. The film presents a multifaceted and frequently surprising portrait that involves not just ‘the usual suspects’, but is able to reveal underlying insecurities and fears of ordinary people. Sapphire is also notable for showing a successful, middle-class black community – unusual even in today’s British films. Dearden deftly manipulates tension with the drip-drip of revelations about the murdered girl’s life. Sapphire is at first assumed to be white, so the appearance of her black brother Dr Robbins (Earl Cameron) is genuinely astonishing, provoking involuntary reactions from those he meets, and ultimately exposing the real killer. Small incidents of civility and kindness, such as that by a small child on a scooter to Dr Robbins, add light to a very dark film. Earl Cameron reprises a role for which he was famous, of the decent and dignified black man, well aware of the burden of his colour. -
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8 SATURDAY 19 AUGUST 2017 Read by Robert Glenister monarchy and giving a glimpse into the essential ingredients of a Written by Sarah Dunant successful sovereign. SAT 00:00 Bruce Bedford - The Gibson (b007js93) Abridged by Eileen Horne In this programme, Will uses five objects to investigate a pivotal Episode 5Saul and Elise make a grim discovery in the nursing Produced by Clive Brill aspect of the art of monarchy - the projection of magnificence. An home. Time-hopping thriller with Robert Glenister and Freddie A Pacificus production for BBC Radio 4. idea as old as monarchy itself, magnificence is the expression of Jones. SAT 02:15 Me, My Selfie and I: Aimee Fuller©s Generation power through the display of wealth and status. Will©s first object SAT 00:30 Soul Music (b04nrw25) Game (b06172qq) unites our current Queen with George III; the Gold State Coach, Series 19, A Shropshire Lad"Into my heart an air that kills Episode 5In the final part of her exploration of the selfie which has been used for coronations since 1821. Built for George From yon far country blows: phenomenon, snowboarder Aimee Fuller describes how she will III in 1762, it reflects Britain©s new found glory in its richly gilded What are those blue remembered hills, be using social media as she sets out to compete for a place at the carvings and painted panels...but the glory was to be short lived. What spires, what farms are those? next Winter Olympics. -
Hilary Mantel Papers
http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
Sheila Hancock and Jenna Russell to Star in The
SHEILA HANCOCK AND JENNA RUSSELL TO STAR IN THE EUROPEAN PREMIÈRE OF ACCLAIMED MUSICAL GREY GARDENS, WINNER OF 3 TONY AWARDS & NOMINATED FOR A FURTHER 7, ALONG WITH 12 DRAMA DESK AWARDS ON BROADWAY, FROM THE TEAM BEHIND TITANIC AND GRAND HOTEL Olivier Award-winning West End stars, Sheila Hancock and Jenna Russell, are to star in the eagerly awaited European première of Grey Gardens. Based on an iconic 1975 documentary, Grey Gardens, with Book by Doug Wright, Music by Scott Frankel, Lyrics by Michael Korie, tells the spectacular real life rise and fall of Jacqueline Kennedy Onassis’s aunt and cousin, Edith and Edie Bouvier Beale. Starting in 1941 at an engagement party at Grey Gardens, the Bouvier’s mansion in East Hampton, Long Island, the musical tracks the progression of the two women’s lives from American aristocrats to reclusive social outcasts living in such squalid conditions, in a home overrun by cats, that the Health Department deemed the mansion ‘unfit for human habitation’. Grey Gardens, produced by Danielle Tarento and directed by Thom Southerland, the award-winning team behind Grand Hotel, Titanic, Parade and Mack & Mabel, will open for a 6-week season in The Large at Southwark Playhouse from Saturday 2 January, 2016. “The best argument I can think of for the survival of the American musical” Press night is Thursday 7 January at 7.30pm. Ben Brantley, New York Times More cast to be announced. Press contact: Kevin Wilson at KWPR Tel: 07884 368697 [email protected] 49 Western Lane London SW12 8JS T: 020 8673 0658 M: 07884 368697 E: [email protected] www.kevinwilsonpublicrelations.co.uk Sheila Hancock (Edith “Big Edie” Ewing Bouvier Beale) Sheila’s extensive career spans theatre, radio, television and film, LISTINGS INFO and she is also now enjoying a career as a features presenter and as a writer including The Two of Us which won the British Book Danielle Tarento Award for Author of the Year, and her debut novel Miss Carter’s presents the European Premiére of War.